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List songs by Song title | Performer | Year

You searched for ‘POP’, which matched 679 songs.
click - person recommending, year, performer, songtitle - to see more recommendations.
"a carol for lorelei"  performed by the cryan’ shames  1967
Recommended by association [profile]

scratch in the sky is the name of the cryan' shames
album that came out in 1967 from these chicago soft/sunshine pop masters whom also added an amazing dash of psyche to all there recordings...
"a carol for lorelei" starts the album off with bells and association(ish) harmonies!! brilliant
ignore what allmusic.com said about this album they are fools the song writing is up to par with the beach boys and others.
if you dig the Association and The Millennium and other fine sunshine pop groups with that mellow groove get it now. the japanese import is worth the extra for the original back cover art work that the sundazed version didn't recreate faithfully. i love 'em

from scratch in the sky (columbia 2786)
available on CD - yes (sundazed or even better the japanese import)


"Baby I�ve Changed"-patience EP  performed by Adam Richman  2004
Recommended by bobbyfree [profile]

Adam Richmand new PATIENCE EP is incredible. Mr. Richmand not only wrote all the parts on the record but he produced it. This POWER-POP/ROCK record covers all aspects of love and loss. He starts the record out with a heart felt honest song, "Baby I�ve Changed." You can hear the earnest in his voice. I would recommend this record to anyone who wants honest songs with rock beats and power-pop vocals.

from Patience EP (OR music)


"Calloway"  performed by The High Llamas  2003
Recommended by pleasepleaseme [profile]

Was already a fan of the LP "Gideon Gaye" with its lovely mix of Beach Boys meets Steely Dan production. Sean O'Hagen is a Genius. He's really outdone himself with this record! SUBLIME!

from Beet, Maize & Corn, available on CD (Drag City)


"stop killing me"  performed by the primitives  1988
Recommended by kohl [profile]

one step away from twee pop, or whatever it's called these days. lyrics are interesting enough. vocals are tolerable, music is catchy and uplifting. the whole album is, without it becoming extremely sugary.


available on CD - lovely


(Here We Go �Round) The Lemon Tree  performed by The Move  1968
Recommended by nicegeoff [profile]

A wonderful 60's pop song. Dandy, full of little bell sounds and also has diminished chords.

from Move



(Want You) Back In My Life Again  performed by The Carpenters  1981
Recommended by scrubbles [profile]

One of the last Carpenters singles from their final studio album. I find this sweet 'n perky song strangely compelling, since it shows Richard and Karen Carpenter awkwardly trying to adjust their wholesome image to an early '80s synth pop template. Karen's voice is so processed and overdubbed that she blends in seamlessly with the synth-heavy backup -- still, the effect isn't cheezy but full and lucious. Knowing that Karen was slowly dying during this time makes this tune odder still.

from Made In America, available on CD (A&M)


...The Collapse of Detective Dullight  performed by Of Montreal  2001
Recommended by two-headed boy [profile]

'The Events Leading up to the Collapse of Detective Dullight' is not a song but a narrative story, and it’s funny as hell. The off-kilter character voices of the already brilliant stream-of-consciousness plot are cartoonish enough for their own Saturday morning series. When the detectives start their investigation nothing makes sense. There’s Jell-O, serenading butterflies, file cabinets, murder, catacombs, and all the seasonings for a hilarious dream. I am usually brought to tears when Detective Slots reads from his revered exercise in free verse titled ‘The Cause of Gauze’. I will supply you with a sample:
"Oh, the cause of gauze. The Manuels have fondled many memories from my lap though each memory has its own lap and swimmers swim laps. Even swimmers have laps however and while in that condition many require a delicate gauze."
If you hear this without purchasing the actual album, 'Coquelicot Asleep in the Poppies: A Variety of Whimisical Verse,' then you are being cheated. The dreams of this band are as colorful as the illustrations they provide us in their album sleeves. The 'Where's Waldo' pictorial representations enrich the listening experience by engaging us in a journey deep into the frying-pan brains of these madmen. In fact, this is a perfect introduction into a very strange world of psychedelicado. Think the Beach Boy's 'Smile.' The reaction of my friends after hearing this have been harmoniously the same, 'they have to be on drugs.' The truth is Of Montreal are not on drugs, they are drugs.

from Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse (Kindercore KC064)


100,000 Fireflies  performed by The Magnetic Fields  1990
Recommended by nicegeoff [profile]

Possibly one of the greatest pop songs I've heard. A minimal arrangement of synth bells and piano over a distorted & looped drum beat.

from Distant Plastic Trees


1000 Times  performed by Tahiti 80  2002
Recommended by eftimihn [profile]

A perfect piece of contemporary pop music: uplifting and sunshiny, yet with the right dose of melancholia. The production is excellent, as well as the instrumentation with a very driving rhythm section, warm electric piano, guitars and horns. What makes this really stand out is the terrific string arrangement by Richard Hewson (A protegee of George Martin and quite busy arranging during the 70s) which is very floating, sweeping and lush.

from Wallpaper For The Soul, available on CD (Minty Fresh)




  texjernigan: Ooh yeah
16 Toneladas (Sixteen Tons)  performed by Noriel Vilela  1971
Recommended by gregcaz [profile]

This, friends, is the swingingest and most bizarre version of this chestnut you will ever hear. Having recently left the Cantores De Ebano (Ebony Singers), sort of a 60s Brazilian version of Sounds Of Blackness, Noriel Vilela, possessor of an impossibly deep, rumbling basso profundo capable of blowing your speakers, embarked on a brief yet fondly-remembered solo career. This witty reworking of the Tennessee Ernie Ford original replaces the country-western-pop of the original with a rollicking samba-rock rhythm and Portuguese lyrics extolling how much fun samba is, sung by a voice from deep in the crypt that swings like crazy. It stops everybody who hears it dead in their tracks and is the guaranteed highlight of any party. What Messrs. Ford and Travis would have made of it is anybody's guess, but this version refuses to die, having recently become a hit in Brazil all over again, 30 years after its first release. I've heard many, many versions of "Sixteen Tons," but believe me, this one truly runs away with the prize!!

from 7 (Copacabana)
available on CD - Samba Rock (Compilation)




  konsu: I stand corrected. It's just a matter of getting in line for some of this stuff , ya'know? Soo much music, so little time...sigh...
  Festy: S�o Paulo group "Funk Como Le Gusta" have a wonderful version of this also from their 1999 album "Roda de Funk". It's in the same style that Noriel Vilela did, but tighter.
  sodapop650: If you get a chance - try and track down a copy of Juarez Sant'ana's first LP it has a super-cool version of "Ghost Riders in the Sky" to complete the bizarre brazilian western covers.
1969  performed by The Stooges  1969
Recommended by schlick [profile]

Iggy sings about, what else, 1969. What an awesome way to kick off one of the greatest debut recordings of that whole decade, with kick-ass wah-wah guitar playing by Ron Asheton and a pulsating drum beat by brother Scott.

from The Stooges, available on CD (Elektra)


2002 - A Hit Song  performed by The Free Design  1969
Recommended by rum [profile]

Despite '2002 - A Hit Song's insistent chorus of "it's gonna be a hit, hit, hit!", by the end you're not convinced, "it's not gonna be a hit is it Free Designers?" "No� I'm afraid not Rum. To be honest it hasn't a hope in hell. Oh yeah we're bitter, of course we are, but, you know, when you're in the idiom of soft rock you can't get away with angst, you've got to maintain this 'pleasing' fa�ade, so that's why we sound so jolly, so 'up' on this song. But yeah, it's hard..." Yes, they may, as they sing, have "sealed it with a kiss" but the cracks show. And it's that that makes this song particularly memorable. It's fascinating to see the rips in their Peter Pan wonderland, a place where they usually spend their time flying kites, blowing bubbles, befriending dolphins. And so this palpable excitement you hear in their heady harmonies is not fuelled by a surefire optimism of success but by an almost delirious desperation, "hit, hit, hit, sure to be a hit, hit, hit, gonna make a hit, hit, hit" they sing, panting, shaking nervously, craving that big fix. The track is a flip-side to the Byrds' 'So You Wanna Be A Rock'N'Roll Star'. Both are bitter recipes for pop success but whereas the Byrds are pissed off that any talentless buffoon can follow their recipe to success get a hit, the Free Design are pissed that "We did all this last time, and it did not work!". I guess you have to suffer for your art, and maybe the Free Design were having too happy a time. Or maybe their hair didn't swing right or their pants weren't tight.

from Heaven/Earth, available on CD (Project 3)



  olli: heh..brilliant commentary.
  konsu: Wow. I never thought of that song as such an exploded schematic. But it does shed light on their own self awareness even if unintentional at the time.
500 Miles (Theme From Winning)  performed by Dave Grusin  1969
Recommended by eftimihn [profile]

Delicate instrumental by Dave Grusin, that grows with each listen and has all the charachteristics of late 60s arrangements i love so much. The instrumentation is diverse, rich, yet subtle with piano, organ, horns, flutes and wonderfully arrangened, smooth strings and some harp embellishments thrown in. The mood is mellow, romantic with a dose of melancholia. Another great instrumental from the soundtrack, "California Montage", has recently appeared on "The Get Easy! Sunshine Pop Collection", while this one unfortunately is only available on vinyl.

from Winning (Decca DL 79-169)



96 Tears  performed by Big Maybelle  1967
Recommended by tinks [profile]

Searing r&b cover of the ? & the Mysterians classic. Maybelle almost sounds like she singing this about somebody else, and like she's amused by the pain she's caused. I know it's been comped a number of times, but I'm not sure of where.

from the single 96 Tears (Rojac 112)




  shaka_klaus: nice one.
96 tears  performed by ? and the Mysterions  1967
Recommended by n-jeff [profile]

The greatest pop song of all time. Without a doubt. I heard this on the radio at about midnight one day in 1979, it took me 10 years to get a copy and that was a bootleg (I know its always been about in the US, but it was impossible to get here).





  tinks: it is indeed, one of the greatest songs ever produced...and some of the covers are just as good! check out big maybelle's (which i've recommended), jimmy ruffin's (temptation david's brother) or aretha franklin's (from her 1st atlantic lp).
  G400 Custom: ...but don't check out the Stranglers' very weedy cover from 1990, by which time they'd lost it completely.
A Christmas Lullaby  performed by Shane MacGowan and the Popes  199?
Recommended by mattypenny [profile]

This is Shane MacGowan who wrote and sung 'A Fairy Tale of New York' with Kirst MacColl (and in the near future, Kate Moss, according to the papers). As far as I know this is his only other Christmas song.

Its a good song, although not as good as 'Fairy Tale'. Its slower and its late period Shane, so his voice isnt quite as strong as it once was, but its got bags of atmosphere, and his song writing is always great

It came out on an EP I've not seen very often.




A Tijuca Em Cinemascope  performed by Ed Motta  2000
Recommended by Festy [profile]

This really is the stand-out track from Ed Motta's 2000 album, "As Segundas Inten��es Do Manual Pr�tico". On this album, and in albums since, Ed seems to span jazz-latin reluctantly with pop. The rest of the album, bar a couple of tracks, is a fairly straight forward pop affair, but the song writing on his albums since have been a lot more adventurous and in this vein, but nothing has matched it since.

from As Segundas Inten��es Do Manual Pr�tico, available on CD



About a Girl  performed by The Academy is...
Recommended by AMorFati [profile]




Accident Prone  performed by Jawbreaker  1995
Recommended by meatball [profile]

Great song. Starts off slow then gets gets a little heavier. The song seems to be telling a story (like most of the better songs on this particular album). Although this band is not to popular here (in the states) this particular album (Dear You) is worth checking out.

from Dear You
available on CD - yes



Across the universe  performed by The Beatles
Recommended by koala5790 [profile]

psychedelic pop song. Indian inspired lyrics.




Ad Gloriam  performed by Le Orme  1969
Recommended by antarctica [profile]

Ad Gloriam is a beautiful, light, joyous psychedelic pop song. It's built on looping melodic layers of sound by the standard guitar/bass/drum combo as well as piano and background vocals. I challenge anyone not to smile when they hear this track.

from Ad Gloriam



Ai Ai Ai  performed by Emma Sugimoto  1970
Recommended by eftimihn [profile]

The "Softrock Drivin'" series is a terrifically compiled collection of japanese soft rock and bossa nova gems from the late 60s/early 70s. And it clearly shows that the japanese interest in all kinds of easy listening music wasn't solely influenced by contemporaries like Burt Bacharach but by native artists as well. This track by Emma Sugimoto is a delightfully light and fluffy piece of japanese pop and sounds like a blueprint for some kind of "Shibuya-Kei" track artists like Pizzicato Five could have produced. With shimmering strings, harpiscord embellishments, slightly funky electric guitar and a wonderful trumpet on top. With the clear, transparent production and fine arrangement it's a true standout track of the series.

from Softrock Drivin': Between Waves, available on CD



Albatross  performed by Slowdive  1991
Recommended by Genza [profile]

Hell, I could have picked almost anything from the back catalogue of this band. Albatross is the stand-out track of an outstanding 4 track EP (entitled Holding our Breath) from early ’90s shoegazers Slowdive. Bemoaned, decried and hated by Britain’s Britpop-loving press, Slowdive’s beautiful multi-layered sound has latterly found a kindred spirit in much lauded post-rockers Sigur Ros. So maybe they were right after all…

Back to Reading – and there is no stronger example of the Thames Valley sound than Albatross. Layer upon layer of minor chords – almost symphonic in their beauty – Albatross swells to a powerful crescendo of highly processed guitars. Non-believers should check out double A-sides Catch the Breeze and Shine. The fourth track on the rather grand EP is a cover of Syd Barrett's (former lead singer of Pink Floyd) Golden Hair. Utterly remarkable.

from Holding our Breath EP (Creation CRE 112)



Alfie  performed by Cilla Black  1966
Recommended by FlyingDutchman1971 [profile]

My personal favorite version of this song. Cilla Black has a very rich and powerful voice that is just right! She sings it with much more feeling than Dionne Warwick's more popular version a year later. Burt Bacharach originally wanted to use this recording on the soundtrack to the film 'Alfie', but Ms. Black declined.

from Capital Single #5674 (Capital 5674)
available on CD - the Look Of Love: the Burt Bacharach Collection (Box Set) (Rhino R2 75339)



  Mister C: Cilla's version of this knocks spots off anyone elses, especially as Burt Bacharach conducted the orchestra at the recording session, he made Cilla do 19 takes of this, before George Martin chose take 4! Dionnes version suited the USA market more.
  Flippet: I agree with all of the sentiments above. Fans of Ms Warwicke are generally scathing of Cilla's Bacharach/David recordings - but I have to say that I find Cilla's interpretations generally have lusher backings and definitely have more heart. The 2 artistes voices are in fact very similar. But for me - Cilla's recordings of "Alfie" and "Anyone Who Had A Heart" are the definitive!!
All For You  performed by Sex and Machines  2007
Recommended by nicksex [profile]

Hypnotic, rocking Neo Pop.

from EXPLITIVE, available on CD


All The Great Writers and Me  performed by Tompaulin  2001
Recommended by LawrenceM [profile]

A great, gritty pop song with some really fantastic lyrics.
"You think that you know tragedy? William Shakespeare's got fuck all on me".
A lazy comparison would be to Belle & Sebastian, but Tompaulin are really worthy of being taken on their won terms. The whole album is just brilliant.

from The Town and The City, available on CD



alla luce del giorno  performed by ennio morricone  196?
Recommended by olli [profile]

a catchy organ riff and some duh duh wailing...it's just one of those fun obscure mid sixties soundtrack songs. sounds like a cheesy party sequence, although i've never seen the film it originates from.
good clean fun. Actually i was surprised when i found out morricone originally wrote this, because some cheap dance/pop bill (can't remember who right now)had a hit wich borrowed heavily from this sometime during the mid-to late nineties... why is it that every time something catchy pops in top 40-music, it turns out to be borrowed from one of the old masters?


available on CD - mondo morricone



Alleys of your Mind  performed by Cybotron  1981
Recommended by geezer [profile]

A Detroit take on Kraftwerk,Depeche Mode and European Disco,sparse remote synthetic drums and bass lines,and squelching fat melody lines that you can still hear in todays pop and R and b (Justin Timberlake,Timbaland ,Lady Ga Ga ),lends heavily from Trans European Express but is also looser and a tad more joyous .

from Clear
available on CD - Clear or Best of


Almost Arms  performed by The Minders  1996
Recommended by two-headed boy [profile]

'Back to the Almost Arms again.' One minute, 29 seconds of pure heaven. Clapping hands, sugary-sweet bass, warm acoustic guitar, and perfectly stylized harmony demonstrate the greatness of this band. The Minders' ability to streamline their brit-pop sound into short cuts such as this says volumes of their talent. They have grasped the art of the rock strip-tease as we sit and drool and demand more of their form. A thousand and a half listens later 'I am hungry but still smiling' rings truer than ever, this is but the appetizer for their more developed works; taste this and you too will be The Minders' biggest fan!

from Cul-de-Sacs & Dead Ends (spinART / Elephant 6 spart 76 / E6-021)



Alone again or  performed by Love & Arthur Lee  196?
Recommended by AndreasNystrom [profile]

Very different sounding song for me. It sounds like a mix of late 60ies pop with arabic/turkish influences. A bit sad sounding, but still there is hope :)
I love it cause its got great harmonies, and a mix of guitars, violins, and spanish guitars.





  callgirlscene: Most of Loves material for me is not that great. I don't choose to listen to it - except for this song. It has this 'Summer of Love' dreamy hippie wistful feel. And, yes, wonderful harmonies. In it's way, it captures the mood of that time.
  john_l: Great song from a great LP, which naturally I hated when I first bought it and didn't re-discover until 1980, after hearing the (very good) UFO cover of "Alone Again Or" from their "Lights Out" LP!
  leonthedog: My first experience with this song was a cover version by The Damned ... it's actually very true to the original in my opinion - bold acoustic guitars, trumpets and all. Give it a listen!
Alone Again Or  performed by Love  1967
Recommended by sinister [profile]

the words "i could be in love with almost every one/ and i will be alone again tonight with you" are sung in a very intimate high-register, backed by glorious acoustic guitar plucking and horn bursts. two minutes in, the song erupts into an extended horn solo! probably the most perfectly orchestrated pop song.

from Forever Changes, available on CD



  plasticsun: I agree - unfortunately so did Miller beer, which used the horn part in a commericial aimed at the "Cinco de mayo" crowd. Still an incredible song.
Alright  performed by Cast  1996
Recommended by numbersix [profile]

great jangly guitar-pop song

from All Change


Always something there to remind me  performed by Gals and Pals  1967
Recommended by delicado [profile]

An unusual take on this classic Burt Bacharach tune, more commonly heard sung by Sandie Shaw. This Swedish vocal group adds a musical phrase to the song which adds something to the atmosphere. The incredibly wide vocal range of the group is used to full effect. The result is a very appealing mixture of 60s pop and vocal jazz.

from Sing somethin for everyone (Fontana SRF67557)




  tempted: Check out the brand new debut album, "Melody a.m." by a Norwegian act called Royksopp. On the track "So Easy" they sample "Blue on Blue" recorded by the Gals&Pals and use it absolutely beautifully to create a haunting masterpiece.
  delicado: cool; I love their 'blue on blue', and will check it out, thanks.
  daedalia: yup, Royksopp did it well which is why i am at this page. Stunning album.
  daedalia: forgot: does anyone know where i can get blue on blue, what album??
  delicado: 'blue on blue' is on the same album, 'Sing somethin for everyone'; I believe (although I'll have to check) that it's also on the inexpensive Swedish compilation of Gals and Pals, 'Guldkorn'.
  masayo: Wow...I was moved. Much more impressed than Sandie Shaw's version. I want to listen to the whole track.
  tuktman: Bobby Vinton has a version of Blue on Blue, i think it might be his song, just found a 30second clip of it, between gals and pals and royksopp it's been changed a bit
  ashie259: There's also a 1963 Dutch-language version of Blue On Blue by Rob de Nijs called Stil Verdriet. There's a short clip on YouTube of it: http://www.youtube.com/watch?v=iP_PgEysRH4
Always You (Single Version)  performed by The Sundowners  1968
Recommended by eftimihn [profile]

To me this is certainly a pinnacle of pure late 60s sunshine pop. Composed by pop genius Roger Nichols the timeless, idealistic lyrics were written by Tony Asher (who wrote most of the lyrics with Brian Wilson on Pet Sounds) not by his regular partner Paul Williams. Sunshine pop hardly gets any sunnier than on this track: great production, strings galore, Beach Boys-esque vocal harmonies, great bassline & trumpet and catchy as hell with it's uplifting chord progressions throughout. While the album version (recently included on the highly recommended "The Get Easy! Sunshine Pop Collection") is good already, the single version is just crisper, lusher, just perfect.

from Captain Nemo (Decca)
available on CD - The Get Easy! Sunshine Pop Collection (Universal)




  delicado: I have to agree. What a beautiful track! Very similar to the Small Circle of Friends record, but perhaps even better! I just have the version from the compilation; I'll try and track down the single.
  eftimihn: Delicado, you have the single version already, it's the one on my Roger Nichols compilation, i just somehow forgot to mark it as the single version. The single is clocking in at 2:18, the album version runs 3 minutes.
  delicado: Cool; I'll listen again. This track is sure to make it onto one of my comps; surely it could make a soft pop fan out of anyone!
  tinks: great album, and a horrendously overlooked group..."dear undecided" is the best beatles song that the beatles never recorded.
  Major Minor: I agree this is the best version... I think it's the same one that's on the "Sunshine days" compilation.... The one on Captain Nemo isn't awful or anything, but the orchestral intro does go on a bit...
American Scene  performed by American Scene
Recommended by Ron1967-1970 [profile]

A breezy popsong, produced by Anita Kerr... a grrrrrrrreat slice of uptempo sunshine pop...a tune that makes you feel good... isn't that what music is all about ???





  Major Minor: What album is this available on?
Amoureuse  performed by Kiki Dee  1973
Recommended by john_l [profile]

This is a fabulous, lush, orchestrated ballad sung from the point of view of a woman who is totally in love ... the only unusual thing is that it is very serious and sombre, rather in opposition to the lyrical intent. Vastly superior to her forgettable mid-'70s pop hits like "I've Got The Music In Me". Oh, and a different set of lyrics by somebody named Dahlstrom enabled the wretched Helen Reddy to have another hit named "Emotion" -- same melody, but an absolute piece of rubbish. This just proves that a song's worth comes from the arrangement more than anything else ...

There are a number of CDs available which contain this song.


available on CD - Greatest Hits


And Our Love  performed by The Buckinghams  1968
Recommended by konsu [profile]

Pure cinematic pop genius.This song was the flip for their single "Don't You Care?" which was a big hit for them lasting 14 weeks in the top 10.And even though I love that song, the B side has always captivated me more.The orchestration is just breath taking. It sounds more like a soundtrack theme than an album track.Like a lost Bond theme or something, really stunning!!

The LP uses the same style for another great one called"You Are Gone"as well. Vinyl copies are almost everywhere in the US for like 5$, Well worth it!

from Time & Charges (Columbia CL 2669 CS 9469)


Anna's Garden  performed by Louis Philippe  1993
Recommended by bobbyspacetroup [profile]

I don't like all of Louis' stuff. Some of it I can't stand. His cover of "Witchi Tai To" from this album really makes me gag. Sorry. But Louis has made more than a handful of wondrous, timeless pop songs. This one captures Louis at his most Beach Boys-influenced. It doesnt sound JUST LIKE the Beach Boys, but, yeah, the influence is there. A stunning track.


available on CD - Sunshine/Delta Kiss (Cherry Red (UK))



  bobbyspacetroup: Just for the record, I'm starting to come to terms with "Witchi Tai To."
ano zero  performed by egberto gismonti  1972
Recommended by 77lemming [profile]

astonishingly beautiful, early 70s brazilian masterpiece. a classical piece disguised as a pop song, with a simple piano playing a wistful melody punctuated by an amazing unexpected ascending chord hook. gismonti sings the original version, with a string section and morricone-like wordless vocal backing him. for the final minute the key changes and the vocals and accompaniment stop, and the solo piano veers off into satie territory, before resolving back into the refrain. gismonti re-recorded this a few times, after finding success in europe as an avant/classical composer. this song also inspired the guitar and mandolin trio agua e vinho, who cover it on their self-titled album along with a few other gismonti compositions.

from agua e vinho, available on CD


Another Girl, Another Planet  performed by The Only Ones  1977
Recommended by Ricard [profile]

This manages to have a late seventies punk spirit, yet still be a really well crafted guitar pop song. Always great to hear on the dancefloor.


available on CD - Darkness & Light (BBC)



  kohl: yes. good to see this one here.
Any Girl Can Make Me Smile  performed by ANT  2002
Recommended by kkkerplunkkk [profile]

A beautiful, soft, sad, fragile piece about a couple breaking up and bursting into tears as they do. Incredible for its intimate feel and sparse instrumentation (voice, organ, harmonica, egg shaker) chilling lyrics 'you close your eyes but there's no paradise, you count the cost of all we've lost and all we've wasted'. It hits the nail bang on the head! Love it to bits.

from A Long Way To Blow A Kiss, available on CD


Anyway  performed by Barbara Lewis  1969
Recommended by delicado [profile]

Barbara Lewis was famous earlier in the sixties for 'Hello Stranger.' This is simple, soulful pop music with a very cool production: crisp drums and nicely orchestrated woodwind on top of rhythmic guitars. Somehow the charm of the recording overrides any feeling that the chord sequence is slightly obvious. Barbara's voice is beautiful here: emotional, yet understated. A small female choir comes in to accompany her at various points. The song is remarkably tight and catchy, with a prominent bass part driving it on. The producer at Stax for this record was Ollie McLaughlin, and I'm now looking out for more stuff that he worked on.

from Many Grooves of Barbara Lewis, available on CD




  Arthur: Ollie McLaughlin was a prolific producer. Look out for 45's on the Carla and Karen labels. They where both his labels
Apple Of My Eye  performed by Ed Harcourt
Recommended by LawrenceM [profile]

Ed Harcourt has now committed this song to tape three times in three years. Firstly on the excellent debut mini-LP "Maplewood" in 2000. It was fleshed out and re-recorded for his full-length debut LP, "Here Be Monsters", in 2001, and now surfaces again in 2002 as the a-side of his most recent single. This time it's even better still, and comes accompanied with a great video. This is classic, piano led pop which could have been recorded at any time in the last 30 years. Comparisons to Randy Newman, Nick Drake andTom Waits have been forthcoming, and not unjustified. A great song which just gets better with each trip to the studio.

from Here Be Monsters, available on CD



Are kisses out of fashion?  performed by Sudeten Creche  198x
Recommended by olli [profile]

Brilliant melancholy synthpop trac. from a bootleg compilation with tracks from the german 80's new wave magazine Flexipop, wich used to come with flexidiscs and tapes.
Been trying to dig up information about the band, without much luck. from the minimalist sound of this song it may even be just one person.

It's a simple song, (complete with a preset 80's synth drumline)
yet it's very effective in conveying a romanticised sense of loss and dread. It's a good song. You can listen to it on sunday afternoons.






  Erky: What do you want to know about Sudeten Creche? I can probably help ya out.
  olli: well, just about anything would be nice, actually:)
  glorious: Oh I can tell you volumes about that group. I received my first kiss while that song was playing.
  glorious: What would you like to know about the band?
  markwarner: I am surprised anyone has heard of us. It's been 24 years since we split. We only recorded 2 12" EP's. I will be happy to answer any questions.
  Henke: I remember the song "are kisses out of fashion?". It used to be my favourite in the early eighties (and still is one of my favourites together with New Orders "Blue monday" and ODWs "Lawnchairs") and I tried to get it but couldnt find it in sweden in the early eighties. I dated a girl who had a compilation with the song on it, unfortunately i didnt get the right upportunity to steal it.... Did "Sudeten Creche" record any more songs? Any chance that they could be found on the internet? I guess the records are not easy to find.... Who were the members? Where are they now? Did they play live?
  markwarner: Website http://www.sudetencreche.com
  Henke: Thanx, cool sleeves, I now recocnize the EP I wanted to steal from my ex-girlfriend (Europe in the year Zero) but please give us some more info. What about the name? What does it mean???? Do I have to visit all these underground vinyl shops to try to get the songs? I have "are kisses out of fashion?" on an old cassette from around 1984 (its getting noisy)
  markwarner: Henke, At the moment your best bet is probably Ebay. Most of these are seriously rare. For more information bookmark the website http://www.sudetencreche.com , be patient, all your questions will be answered and many more!
  Henke: I hope so, I ve heard that answer too many times on the net :-( Has SC reformed? Will they tour this summer???? Arvikafestivalen in Sweden would be THE place for a reunion concert!
  markwarner: Henke, We are about to release more information via the Minimal Wave web site http://www.minimalwave.org and also East Village Radio http://www.eastvillageradio.com and we will also provide News as well via http://www.sudetencreche.com . Plans for new (and old) releases are under discussion as well as possible one-off concert in 2007. Our web site will grow from its small start and information will be added as it becomes available. I am sorry to seem vague but many of your questions are answered in our interviews for MW and EVR. You are welcome to subscribe to our mailing list for our news letter. Please send an e-mail to [email protected] with more information about Arvikafestivlen (ATB Sudeten Creche.
  Henke: www.arvikafestivalen.se The synth and goth festival in Sweden (well there is a lot of other music too... but mainly synth) BTW your homepage seems to be working out fine, i just sent an email to your mailing list
  olli: wow, there�s been a lot happening here since the lat time i logged in! thanks for the info mark, it�s really nice to hear that you guys may be doing more in the future!
Are You For Real  performed by Astronaut Wife  2003
Recommended by MoeShinola [profile]

This is from "Flying Saucer", which for me is the record of the decade. It's electronic synth-pop w/ 2 female vocalists. There's an youthfulness and innocence about the music that makes me think it'd be a good soundtrack for a manga. There's some grown up melancholy there, too, on some of the songs.

from Flying Saucer (Susstones)


As it is, when it was  performed by New Order  1986
Recommended by delicado [profile]

A classic 80s pop song, with New Order trademarks such as a super heavy bassline, strong drums and some frenetic guitar work. The lyrics aren't too bad for Bernard Sumner either - it's a touching (if not entirely coherent) story about lost love. A great song which fills me with nostagia.

from Brotherhood, available on CD




  frmars: No melody, poor voice, binary drums, rough and gritty instrumentation, It is a very bad song.
As tears go by  performed by Nancy Sinatra  1966
Recommended by delicado [profile]

This song is an interesting case study into the question of 'why do I like this version of the song more than any other'. I have a half-baked theory that for me, I mostly just like the first version of any great song I hear, regardless of whether or not it is the original or 'best' version. But this track is so different to the Rolling Stones's version that I think it would probably divide people pretty clearly. Produced by Lee Hazlewood/Billy Strange, 'as tears go by' is here recast as a crisp pop bossa nova. They even change the chords slightly (adding a new chord as she sings 'by'). To me, this makes the song vastly superior to the original (or any other I've heard). But I'm not sure anyone has ever agreed with me yet on that one...

from Boots, available on CD




  tinks: i had to go back and listen to this album after you mentioned it...and it is an incredible version, i really love that soft bossa sound that it's got going on. the rest of the lp is great, too!
  FlyingDutchman1971: i was lucky enough to find a vg++ copy of this LP at Goodwill several years back and this is definitely the best track on the album!! A great interpretation of the song!!
  n-jeff: I love this version, theres a cello or something under the introduction that adds a lovely melancholy feel. Quite a sophisticated sounding track. well removed from the bludgeoning innuendo I associate (and love) with Nancy and Lee. I had one of the few run-ins over musical policy with my old promoter over this track, he thought it far too downbeat.
  RCA76: I love this version of this song, infact I didn't know for a long time that this is a Rolling Stone's tune, but again because it's a version that is so original it really is incredible. Quite popular in Latin America (not so much w/ the Stone's version).
Ask me no questions  performed by Bridget St John
Recommended by milhouse-paris [profile]

Bridget St John is an english folk singer, whose records were released through Dandelion, DJ John Peel's record label, in the 70's. Her songs remind me of Nico or Nick Drake.
Take notice : surprisingly enough, there are 2 singers called Bridget St John. The 2nd one is an american pop/rock singer

from Ask me no questions (Dandelion)
available on CD - n/a anymore (see for miles)


Ask Yourself Why  performed by Michel LeGrand  1969
Recommended by konsu [profile]

A really nice cinema-pop gem from the team that brought us The Windmills of your Mind. Sung by Sally Stevens, one of Hollywoods great voices. Such a charming little song. It's one of those things you instantly play again after the first time you hear it. It's more or less a song about freedom, with lyrics that still sound fresh today:"...Bullets fly like popcorn on the screen, recommended wholesome nice & clean, making love's the thing that can't be seen... Why?"

Found it on this sort of cash-in LP for LeGrand's UA soundtrack work from 1970. Originally from the soundtrack for "La Piscine", which is harder than hell to find on it's own. The LP is awsome for fans of LeGrand for it has 3 tunes from "The Thomas Crown Affair" , "La Piscine" , "The Young Girls Of Rochefort" & the jazz theme from "Play Dirty".

from The Windmills of your Mind (United Artists UAS 6715)


At My Most Beautiful  performed by REM
Recommended by javaviolet [profile]

This song is such a happy one, without being overly pop oriented. Just Michael Stipe's voice, a piano, simple percussion and the kindest words.

"I read bad poetry
Into your machine.
I save your messages
Just to hear your voice.
You always listen carefully
To awkward rhymes.
You always say your name,
Like I wouldn't know it's you,
At your most beautiful."





  FlyingDutchman1971: Mike Mills and Peter Buck orchestrated the music on this track as an homage to Brian Wilson of the Beach Boys. One of the best REM songs in recent years!
At Once You Fall In Love  performed by Birgit Lystager  1970
Recommended by gregcaz [profile]

Birgit Lystager is incredible, a Danish cross between Astrud Gilberto and Karen Carpenter with really artily written and composed pop songs. It's hard to choose just one tune from this magnificent and scarce album, but I'm often unable to get that "Eyes and hair and legs, oh what a sight/She's a flash of light in darkest night...." chorus out of my head for days at a time. To the above two chanteuses I might also add a dash of Joni Mitchell because of the conversational lyrics and melodic savoir-faire (maybe I should also mention Francoise Hardy right about here as well!). The arrangement is lush and expansive with more than a hint of Bacharach (whose "Another Night" is covered spectacularly on the same album). All this is already more than enough, but lovely Birgit also opted to go the extra mile and pose stark naked on the gatefold LP cover, tastefully exhibiting her considerable assets. (Heh heh, he said "assets.") In any event, this song, and the album it comes from, would be completely brilliant no matter what she looked like. Extremely hard to find, but WELL worth the search. I recommend Soulseek.....

from Ready To Meet You (Artist)



  criz: Yes, we are talking about a real rare album, worth searching for. Filled with unexpected chords and abosutely anti-typical for that era of Danish popular-music, or should I state it: Compromise-lessness. Compared to Bacharach's music, I myself find the pieces on this album more sophisticated - not saying that Bacharach finds the "easy way out!" "I'm Waiting For A Bus", the opening tune of the album is truly my favourite. May I also recommand the Birgit-album "Love's Labyrinth", also worth a search. Here you will find Elton John's break-through "Your Song" in a version of international class, among other fine pieces. Arrangements made in the same style as Ready To Meet You. And yes, also with a nice-looking picture on the cover. Go look for it - but not in my house!
  tempted: You guys share my thoughts on this 100%. A friend of mine from Stockholm made me a copy of Ready To Meet You just at the doorstep of summer '01. That summer I barely spent a day without enjoying that record. I'd been a passionate fan of 60's soft pop and psych (and Bacharach) but had never heard anything like Birgit Lystager. The adventurousness of the compositions and the colour of Birgit's voice are what sets this record totally apart from other stuff from that era. It's great that you guys have found this, too!
  tempted: ...but please guys, if you have until know somehow managed not to get a glimpse of the cover of Ready To Meet You then don't. It will shatter every pretty thought that you may have about the chanteuse. It's totally rude. But this is just my opinion...!
  criz: Latest news...In Denmark a 7-CD-set has just arrived, with 76 Birgit Lystager-tunes, including the two English albums - and very fair priced. Have a look at www.lystamusic.com - and be guided to the places to buy it on the internet (link-page). Just a recommendation from one who knows!
baby i love you so  performed by Colourbox
Recommended by alkine [profile]

there is absolutely nothing wrong with the bass in this track, forget about Channel One and the whole history of dub, or the hi hat that gives meaning to the sweet vocal by Loretta, i'll quite happily sink into pop bliss with this tune, and forget Disco or Detroit ever existed. a peach of a lime. never has the obvious sounded so fresh.

from Colourbox (4AD)


be with me  performed by beach boys
Recommended by stemmer58 [profile]

dramatic orchestral pop noir from the sunshine people.
unexpected dept, maybe because Dennis Wilson sings it

from friends
available on CD - friens/ 20 20


Before We Begin  performed by Broadcast  2003
Recommended by tempted [profile]

Peers and close friends of Stereolab, Birmingham's Broadcast are one of the most interesting alternative pop acts in the world. This song is an example of their extraordinary skills in crafting a haunting, beautiful melody to go with a sound that's like a son of the band The United States Of America and Ennio Morricone. These folks took four years building their own studio. Can't blame them a bit as the results are simply stunning.

from Ha Ha Sound, available on CD



  eftimihn: Oh yes, this track is gem, no doubt about that. To me the melody and harmonies incorporated are quite reminiscent of late 60s sunshine pop/soft rock stuff of that era.
  tempted: You're correct there. They must be fans of people like Curt Boettcher and Margo Guryan, too!
  tinks: i love this band. they are so very excellent to see live, as well. and they'll be here in about a month! woohoo!
Being Boring  performed by Pet Shop Boys  1990
Recommended by Genza [profile]

Surprised to see nothing by the Pet Shop Boys on Musical Taste. Now the only remaining intelligent British pop act, the Pet Shop Boys have consistently mixed dramtic chord changes with pathos-loaded lyrics. Being Boring is possibly their finest moment - reflective, sad and beautiful.

from Behaviour



  Mike: Totally agree re the worth of the PSBs output and the dramatic and very distinctive use of harmony therein. Several of their songs would be in my all-time favourites list if I ever made one.
Berimbau  performed by Golden Boys  1969
Recommended by delicado [profile]

An addictive and perfect track, which fuses several of my obsessions (vocal groups, Ennio Morricone-style chord sequences, Brazilian pop) with incredible power. The song is a Brazilian standard, written by Baden Powell, but this version is very different to any other I've heard. This recording opens feverishly with brass and strings, maintaining a doomy and very serious mood throughout. All the same, it manages to be extremely groovy, with rock drums and a twangy guitar accompanying the strings and harmonizing vocals. The arrangement is quite brilliant and never sounds crowded, with a stark feel produced by the different parts dropping in and out. The part of the track which to me is pure genius is the instrumental break in the middle, which sounds like it's excerpted from one of the coolest of Morricone's late 60s B-movie soundtracks - honey smooth strings, blended with some excellent drums and a cool trumpet part. The vocals are also rather gripping - always very serious sounding, and often wordlessly chanting the melody.

from Golden Boys (Odeon MOFB 3590)
available on CD - Blue Brazil Vol 3 (EMI)




  Galt: You should check out the 1971 Odeon album 'So Vou Criar Galinha': 'Chuva de verao' starts with the sound of rainfall (always a winner) and 'Com a lembran�a apenas' has one of those amazing Brazilian melodies you just can't get out of your head.
Bicho do Mato  performed by Elis Regina
Recommended by PappaWheelie [profile]

Many may already be aware of this samba due to Walter Wanderly's space-age tinged organ instrumental version, but Elis's original vocal version is far more powerful with relentless horn blasts. It also demonstrates her range of emotions put into the performance as she goes from delicate to belting.


available on CD - Samba Soul '70! (Six Degrees)




  ambassador: I believe the original version (by anybody) is on Jorge Ben's "Ben e Samba Bom" on philips from the mid 60s.
Big White Cloud  performed by John Cale  1970
Recommended by tinks [profile]

A superb song from Cale's first solo LP after leaving the Velvet Underground. Very melodic, lushly orchestrated and sophisticated, an absolutely impeccably-crafted pop song. I really love the echo effect on the whole thing, coupled with Cale's ultra-fluid viola playing. A great album from start to finish, actually.

from Vintage Violence, available on CD



  G400 Custom: Also check out 'Gideon's Bible' from this album. Soothingly poppy, but with a fantastic, soaring chorus - not usually one of Cale's strengths.
Bill Drummond Said  performed by Julian Cope  1984
Recommended by dsalmones [profile]

A key track from Julian Cope's fragmentary second solo album, 1984's Fried, "Bill Drummond Said" is the only song on the album that resembles the swirling psych-pop of his old band the Teardrop Explodes. This is no doubt intentional, as the lyrics take aim at the group's former manager, Bill Drummond (later half of the Timelords, the KLF, and the JAMS), albeit in a typically vague way. The lyrics are skeletal enough that several interpretations might be brought to them, but they seem to recount a dream in which Cope witnesses his former manager in the act of strangling an unidentified woman to death. In contrast to the vaguely unpleasant lyrics, this is by far the catchiest and sweetest tune on Fried, with a dreamy folk-rock sound to its ringing 12-string guitar riffs and breathy harmonies. Coming between more disjointed and edgy tracks like the bizarre fairy tale "Reynard the Fox" and the Syd Barrett-like ramble "Laughing Boy," "Bill Drummond Said" sounds downright bubblegummy. Unsurprisingly, the always combative Drummond got in the last word with his answer song, "Julian Cope Is Dead," a sarcastically folky acoustic tune from his odd 1986 solo album The Man in which Drummond claims that in the waning days of the Teardrop Explodes, he had suggested that Cope commit suicide to make the band famous and laments that the singer didn't take him up on it.
(AMG)

from Fried, available on CD


Birds And Bees  performed by Warm Sounds  1967
Recommended by BlueEyedYe-Ye [profile]

A brilliant psychedelic dance record mixing over-the-top orchestration and brilliant harmonized vocals. Plus the kind of innocent-meets-intense vocal that I find immensely attractive in pop. Pity it's not officially available on CD, but that could change...





  artlongjr: Never heard "Birds and Bees", it sounds interesting. I have a 45 by Warm Sounds that I may do a write-up on, it's called "Night Is A-Comin'/Smeta Murgaty", from 1968 on Deram Records. The reason I mention it is because it is one of the most totally "out-there" psychedelic numbers I've ever come across. Features the wonderful lyric "In my head the Grateful Dead are peering through the bars!" Unfortunately I don't think it's on CD either.
  Sadman: it's amazing! heard it from "A Walk in Alice's Garden" compilation.
birds do it (german’ sex education movies’ songs of  performed by compilation
Recommended by modette [profile]

maravillosa recopilaci�n alemana que con frase ir�nica por t�tulo nos presenta una veintena de canciones de diversa musicalidad.
en �l encontramos desde el funky mas setenta a cargo de Heinz Kiessling (petra), el sonido hammond y groove del siempre increible Jack Arel (following you), la diversi�n er�tica m�s lounge de Uschi Moser (love, jet t'aime, l'amour y sunny honey) o el beat ritmico de Gerhard Heinz (look at me), junto con otros temas que recuerdan al pop, la psicodelia, etc...
en conjunto, un disco para pedir ya, con el fantastico libreto repleto de fotos de las peliculas mencionandas que tampoco tiene desperdicio.

from birds do it, available on CD


Black Cherry  performed by Goldfrapp  2003
Recommended by robert[o] [profile]

The title track from Goldfrapp�s second LP is everything pop music should be � sexy, glamorous, smart and weird - but rarely is these days. If their debut album was all about, in the duo�s own words, �Ennio Morricone and disco�, then the follow-up is all about disco and�Ennio Morricone � only wrapped in a shimmering gown early 1980�s inspired electronic textures. Electro-clash with heart and soul, a Madonna song with 170 I.Q., a tune for Milva to sing on Moonbase Alpha � I could go on and on�

from Black Cherry, available on CD



  eftimihn: Excellent recommendation and great description. Unfortunately the only track off their sophomore effort that can moodwise hold up to such exquisite songs like "Pilots" or "Utopia" from their debut.
  robert[o]: I actually dig the second LP a great deal. Very disco/electro, (as opposed to Ennio), but really high quality disco/electro. (And simply delivering a "Felt Mountain" Part II would have been a bit dull - I think.) "Forever" and "Hairy Trees" are pretty darn exquisite, likewise.
  catfish: a beautiful track that simply melts into your ears. You get the impression that something very naughty is going on but never quite sure exactly what. Has Rachel Stevens ripped this band off or what?
  OneCharmingBastard: A sumptuous moment from one of this decade's most solid slabs of sound.
Black Horse and The Cherry Tree  performed by KT Tunstall  2006
Recommended by Betto_Colombia [profile]

I love how this scottish girl spice up her pop songs with a little blues. This song gives me a lot of energy. Makes me dance in the streets!!


available on CD - Eye To The Telescope



  Issie: Yeah i like this song a lot too!
Black Is Black  performed by Lord Sitar
Recommended by scrubbles [profile]

An exciting instrumental version of Los Bravos' hit single, done sitar-style. Playing pop music on the sitar must be difficult, since it never was the most melodic of instruments. Lord Sitar is the best I've heard of the psychsploitation musicians that briefly came into vogue around 1967 or so.





  konsu: The details as to the group on this record are discussed quite often, because it is soo good! Most people believe it's Jim Sullivan, Who did a lot of freakbeat/psych library music during this period. Also check out his "Sitar Beat" LP ,which has great versions of Brighter Shade of Pale & She's Leaving Home!
  shaka_klaus: i dig this one, but i like the b-side of the single better. it's a version of "have you seen your mother..." by the rolling stones.
Blowin' Bubbles  performed by Call and Response  2001
Recommended by ronaldo [profile]

Just a perfect, perfect pop song. Makes you wanna dance and groove along, but at the same time it's soo unbelievably sweet and a just a liitle melancholy. It starts with a drum beat, and then there's this bass-and-drums groove for a few seconds. Then a little sweet electric piano line enters, just before the voice begins singing the melody: "I'm drinking stars up in the sky, you know where you are / I'm driving cars around your house, it seems so fun". When it's time for the chorus ("So listen to my bubble go pop / I'm coming in, I'm coming over the top"), the main voice sings over a backing vocal doing an "ooh" harmony, and then there's absolute genius backing vocal, where the word "pop" becomes "papapapa". After that, a little guitar riff/solo, along with a very cool electric piano line. Then it just repeats everything all over again one more time, for infinite happiness. The time for a middle break has arrived. A new funky bass groove with lots of different "papapa"s harmonizing together. Now, go back to the first bass-and-drums groove, with a jazzy, relaxed guitar solo, and then it's just grooves and grooves and heavenly harmonies, "Blowin' bubbles".




Blue Glasses  performed by Smokey & Miho  2002
Recommended by aquila49 [profile]

Put some SPF-40 on your ears before listening to this unadultered mix of bossa-pop sunshine from the duo of Miho Hatori (Cibo Matto) and Beck session man Smokey Hormel.

An infectious guitar joined by percussion and horn slinks around and through Miho's precise, breathless vocal.

Four plus minutes of aural ecstasy. (You have to work awful hard to make something sound so easy.)

from Smokey & Miho (Afros Sambas 001)



Boys of Summer  performed by Don Henley  1982
Recommended by StAgGeR [profile]

OK, OK, OK........I know that many of you hipster types out there are probably wincing at this recommendation, but...deal with it. I'm sure that most people are all too aware of this track, and probably avoid it at all cost, but in my humble opinion, this is one of the best pop radio songs ever recorded. I think I heard it first when I was about 12 or 13 while on summer break from school. I was immediately drawn to the eerie, repetitious, heavy delayed intro guitar line. Granted, it has some cheezy lyrics, and a fairly melodramatic tone overall, but this song will forever hold a special place in my heart....awe.


available on CD - yes




  callgirlscene: Yeah, this is an absolutely great song, a classic to my mind, yearning for that perfect love, that perfect moment, and the chance to prove ones self. And this comes from an Eagle, who weren't bad but have been way overplayed these last years on radio.
  konsu: I agree, Don nailed it with this one.It's eerie simplicity is what was great about the Eagles better tunes. It is too bad about overplay, at least in the USA. FM radio is like a Coke machine in a vegatable garden...
  Archipelago71: This is one of those few 80's songs that is still valid today. Instead of being about the excesses of the period, it's a very haunting song about missing something. Or is it about not looking back and having no regrets? You could probably argue for both sides of it. It's a true classic.
breakdown suite  performed by serge gainsbourg
Recommended by olli [profile]

a couple of great spy jazz tracks from the movie "si j'etais un espion" by my favourite old pervert..funky guitar/strings combination followed by a morricone-like piano part. (this entire soundtrack seems to be quite inspired by some of morricone�s work...) there's a really nice repetetive bass line that pops up a couple of times during the track.


available on CD - le cin�ma de serge gainsbourg, vol 1



Breathalyser  performed by Cocktail Cabinet  1967
Recommended by Lonely Lottie [profile]

Super groovy percussive Hammond work-out on the mod-pop Page One label. (The B-side to Puppet On A String.) I got pretty tired of listening to wimp-out Hammond slop, but this is a dancefloor-filling boomer. Costs an arm and a leg on a 7" - anyone know if it's on a compilation?




Breve Amore  performed by Mina  1966
Recommended by delicado [profile]

Another great dramatic pop number by Mina, this song is from the comic Alberto Sordi film, 'Fumo di Londra'. The backing track is identical to that used in the film, although Mina's version was released separately as a single. What can I say? This is an other deeply affecting dramatic pop number in which Mina belts out the words in a heartfelt manner. If these are the same words I used to describe her track 'se telefonando', then that's because this song is pretty much in the same vein, with a heavy, brass-laden pop arrangement.
ps. a version of this song exists with none other than ME singing in Italian - reverb-laden vocals belted out karaoke style over the same background track.

from the single Breve Amore
available on CD - Studio Uno 66 (BMG Italy)




  tinks: the 'fumo di londra' soundtrack was recently reissued as a 2lp set, with tons of outtakes. i really, really love it. i'd make a recommendation from it right now, but i can't remember the song title, and the record isn't with me. argh!
  delicado: The one which really bowled me over was 'Mr Dante Fontana'! Like 3 brilliant songs rolled into one!
  tinks: wouldn't you know it? that was the one i was trying to remember! i couldn't recall if that was the title or if they just said "hey, mr. dante fontana" a lot.
  jeanette: Also from that Fumo Di Londra album: that fabulous 'You Never Told Me'. A Brit-girl-sound lost classic!
  delicado: Yes; that's actually an English-language version of this same song
Bubblegum Factory  performed by Redd Kross  1990
Recommended by popgoestheculture [profile]

The best bubblegum pop song ever. Literally.

from Third Eye, available on CD


Bubbles  performed by The Free Design  1970
Recommended by PappaWheelie [profile]

Sunshine Pop in the same vein as "Up, Up and Away" by The 5th Dimension of "The Rain, The Park, and Other Things" by The Cowsills...but Bubbles has a smidgen of funk in the drums and bassline. This track was also covered recently on the 'Powerpuff Girls' soundtrack.

from Stars/Time/Bubbles/Love (Project 3)
available on CD - Bubbles (Siesta)



  Sem Sinatra: This is the undoubted King of Sunshine Pop ... how can you possibly top the follwing: "My tummy has a little pain, when does Jesus come again?"
  charlesives: Notice the wacked out time signature in the hook. They shave a 16th note off the hook making it a little Mahavishnu-esque. A couple of years before Mahavishnu of course.
Bubbles  performed by The Free Design  1970
Recommended by Pal [profile]

Grovvy pop. A little favorite.

from Sing For Very Important People
available on CD - The Best Of... (Var�se Sarabande)


Bulletproof Soul  performed by Sade  1992
Recommended by MoeShinola [profile]

Hey - don't knock Sade. This is from the Love Deluxe album, which is a great record by any measure. All the songs are original and heartfelt, not formulaic, and with an awareness of third-world misery that's striking coming from a pop princess like her. But she is from Nigeria and knows what she's singing about. Bulletproof Soul is my favorite on the album, a song very dry and quiet and sparse. The backing vocal works in a very sad, soulful harmony line in the chorus that really makes the song.

from Love Deluxe (Sony)


By Design  performed by Big Sky  2003
Recommended by deese411 [profile]

Guitar-driven original pop-rock single with intellegent lyrics and catchy hooks.

from By Design


By The Time I Get To Arizona [Whipped Cream Mix]  performed by The Evolution Control Committee  1994
Recommended by jeanette [profile]

This is the record that pretty much kicked off the whole 'bastard pop' genre - where a clever bootlegger would fuse the vocal track of one song with the backing of another. Here we have Public Enemy and Herb Alpert (Bittersweet Samba, from Whipped Cream...).

The reason this record (unlike most of the other mash-ups) works so well is that it sounds like a genuine collaboration - the parps of the Tijuana Brass and Chuck D's rap spits meld perfectly. It's a smart-arse idea that becomes a work of art.

from the single By The Time I Get To Arizona [Whipped Cream Mix] (Pickled Egg Egg 8)


By the time I get to Phoenix  performed by Dorothy Ashby  1969
Recommended by delicado [profile]

The idea of a funky jazz harp rendition of this classic Jim Webb song is probably cheesy to some people, but trust me, this one works brilliantly. The opening shimmers delightfully with fender rhodes piano, strings, and a huge breakbeat. Dorothy's harp then takes over, and we move into a nice pop/funk/jazz take on the song. The relentless beat is pretty funny when you compare this version to others (e.g. the Glen Campbell hit version, also Nick Cave's classic stripped down version from 'Kicking against the pricks'), but it is really very charming, happy stuff. A similar funk/pop hybrid occurs on her version of 'Windmills of your mind' - highly recommended.

from Dorothy's Harp (Cadet)



Bye Babe  performed by Lee Hazlewood
Recommended by olli [profile]

great piece of whiskey-soaked break up pop from our friend lee, here. it's basically driven by guitar and harpsichord, but a warbling hammond organ pops up in the end. really dig the balance between lee's weary voice and the backup singers' purring wordless hums here.


available on CD - love and other crimes


Call Me Irresponsible  performed by Bobby Darin  1964
Recommended by jeanette [profile]

Bobby Darin - truly one of the smoothest singers the US has ever produced, and there's nothing that showcases this pop-cabaret style like his tenure at Capitol. A singer of great versatility, he swings effortlesly on this album, having great technique and even greater rhythmic feel.

Call Me Irresponsible, something of a standard really, is my favourite. Darin's vocals make you fall in love with his irresponsible, unreliable, unpredictable charm. Accompanied by finger clickin' good Richard Wess big-band sounds. Wow. Whatta man.

from From Hello Dolly To Goodbye Charlie (Capitol T2194)
available on CD - Oh! Look At Me Now / From Hello Dolly To Goodbye Charlie (Capitol)



capsized  performed by Sarah Harmer  2000
Recommended by mitchiavelli [profile]

This song is haunting. The lyrics are about loss and are bouyed by a simple arrangement of guitar and organ.

I like this album more with each listen.

'You Were Here' is the first solo album from Ms. Harmer who is also one of the principle members of a Canadian folk/pop group called 'Weeping Tile'.

from You Were Here (Cold Snap/Universal in Canada - Rounder Records)



Captain Jack  performed by Ken & Beverly  1968
Recommended by konsu [profile]

One of the far too few originals on this great underrated LP.The duo has a familiar west coast pop-jazz sound,much like their labelmates Bud Shank & Joe Pass.Except where as those two have way too much generally lackluster output,this duo has tons of talent packed into one exciting session! Ken plays an icy alto & soprano not unlike Paul Desmond and Beverly sings with all the grace and soul of ladies like Lena Horne and Dinah Shore. In this track, one of the most energetic on the LP,the group swings in a brisk 5/4,with Ken blowing a soulful line and alternating into creshendos with Beverly paralelling in a sassy vocalese. Wonderfully breezy,and just the kind of peppy bossa-like lounge tune you'll listen to over & over & over...They also do great versions of"A Man & A Woman"(with Ken adding some tasteful vocals himself)and "Eleanor Rigby"! A tough record to find, and no compiled tracks are anywhere to be found.... sad.

from Watch What Happens (World Pacific WP-1862)



Carcara  performed by Nancy Ames  1968
Recommended by delicado [profile]

A great track, sung in spanish by Nancy Ames. It opens with pulsating horns, a wall of strings and an insistent latin beat. Everything quietens down in the middle, and Nancy sings accapella before the song explodes into action again. The way the brass, strings, flute, bossa guitar and fiery pop vocals are all crammed into two minutes is pretty cool. The whole thing is extremely catchy and intoxicating.

In 2004 this album, along with Spiced with Brasil, finally made it onto CD.

from Latin Pulse (Epic)
available on CD - Latin Pulse/Spiced With Brasil (Collectables)



Caroline Goodbye  performed by Colin Blunstone  1971
Recommended by Pal [profile]

Terrific pop from former Zombies singer...

from One Year, available on CD


Casa Bianca  performed by Ornella Vanoni  1968
Recommended by respiro [profile]

Guitar, piano, violins, drums, backing chorus and Ornella Vanoni singing in this gorgeous San Remo hit from 1968. This is one of the type of 'slow burn' italian 60's pop hits that I can't get enough of, sort of mid-tempo with a rich detailed backing arrangement and vocals with a certain weight but which by the end will soar.


available on CD - Nostalgia Italiana 1968


Cavaleiro Andante  performed by Abilio Manoel  1970
Recommended by gregcaz [profile]

This song is simply unreal. It starts out in a kind of 4/4 samba groove with a highly prominent cuica and a funky strummed acoustic guitar chord progression before the super-catchy pizzicato-violins riff comes in, and Abilio's mellow voice singing the melody. It's sunshiney and catchy, with a bit of a haunting aftertaste, very Brazilian. I can never hear this song enough times!! Abilio Manoel is a Sao Paulo-based singer-songwriter from the late-60s-70s (still active) who wrote a few moderate hits without attaining even a Marcos Valle level of popularity. Good for Marcos, since Abilio's work would have caused me a few sleepless nights if I were him. And both on the same label, too! Abilio's stuff is hard to find, but very worth the effort.....I've already given Dusty Groove the heads-up about the CD....

from Pena Verde (Odeon)
available on CD - 20 Sucessos (EMI Brazil)




  delicado: sounds great; I look forward to checking it out!
Cecil Beaton�s Scrapbook  performed by Would Be Goods  1985
Recommended by andyjl [profile]


The finest moment of a legendary 80s UK indie label which fused a post-punk spirit with the best elements of 60s pop style - bossa nova, light psychedelia, girl groups. And pre-empted the lounge/easy listening revival by about 10 years. The Would Be-Goods were two sisters, Jessica and Miranda, who couldn�t sing and did so beautifully. The �l catalogue is being re-issued on CD by Cherry Red Records. Well worth checking out.


from The Camera Loves Me, available on CD


Charlotte Anne  performed by Julian Cope  1988
Recommended by delicado [profile]

I heard this again today for the first time in a while; I still think it's one of the best pop songs written in the 80s. The production is smooth and slightly spooky, and the repetitive tune which continues in the background throughout the song makes it even more catchy. The words are rather stirring, and Julian is as enchanting a vocalist as ever.

from My Nation Underground (Island)
available on CD - Floored Genius (Island)



cherish  performed by terry kirkman
Recommended by mario [profile]

soft, pop-rock. Itis simply beautiful. As good art should be, it is uplifting




Cherry, Cherry  performed by Music Machine  1967
Recommended by artlongjr [profile]

Just discovered this cover of the Neil Diamond song on Youtube, along with several other videos by the Music Machine, and it really stunned me. It's a beautiful soft pop version of "Cherry Cherry" complete with flute solo-nothing like the other songs I've heard from the band. Nothing garagey about it at all, more in the easy listening vein...and I mean that in a good way!

Another great cover version that the Music Machine do is "Hey Joe"-their's is my favorite version of that oft-recorded chestnut.


available on CD - Turn On the Music Machine (Collectables)


chit it laeng  performed by sinn sisamouth and ros serey sothea  196x
Recommended by olli [profile]

I won't pretend to know anything about this, i just found it while searching the web for more cambodian rocks-esque music. Old cambodian folk-pop piece with a comforting beat.
It sounds very familiar somehow, so it might be a cover of a well known song i can't dig up from my subconsience right now. listen and tell me if something pops into your mind.





Chocolates  performed by The Aluminum Group  1997
Recommended by tempted [profile]

This is a song that has made me cry twice. The first time was when I first heard it. The second...

"Am I bringing you down/when I'm giving you candy/all I want is the best for you tonight"

Burt Bacharach would be proud of this song had he written it. It reminds me a lot of his work.
The Aluminum Group are truly unique in the world of pop music today. With help of Jim O'Rourke among others they've created celestial music.

from Plano, available on CD




  musicmars: I agree. The Aluminum Group are incredible and "Chocolates" is their best song. Talk about Sophistipop. The new cd "More Happyness" is a masterpiece. I really thought "Happiness was alright but More is ... definitely MORE. I was lucky enough to see them live last year and they put on a wonderful show. the Navin's have unique music, voices and personalities - very funny, beautiful people.
  tinks: i djed a show with them and parker & lily a while ago...they're really nice guys and have impeccable taste in music.
  eftimihn: Perfect song, really with gorgeous, bittersweet melancholia. From the songwriting to the production and arrangement, this is truly impeccable.
  moondog: yeah, really great song, but i think they completely lost it after the plano cd. I thought "pedals" should be their masterpiece after the promising two first cds but remember how disapointed i was after hearing it.
Circuit No Musume (the readymade JBL mix �99)  performed by Puffy (Puffy Ami Yumi)  2000
Recommended by synth [profile]

Hyper-lounge remix of definitive Puffy Ami Yumi song. While the original track put forth more of a Sunday soapbox derby theme, this remix is Formula 1 all the way.


http://puffyamiyumi.com,
http://www.sonymusic.co.jp/Music/Arch/ES/Puffy,
http://www.sonymusic.com.hk/puffy,
www.furinkan.com/tomobiki/wagaku/artists/puffy.htm .

from PRMX - Puffy Remix Project (Sony Music Japan)


clair  performed by Singers Unlimited  1975
Recommended by klatu [profile]

A nice a capella version of my favorite Gilbert O'Sullivan song, in a very full arrangement reminiscent of the Swingle Singers, with whom they share a member. Lyrically, the song is an antidote to the sleazy feeling I get from Rod Stewart's "tonight's the night". I used to think they shared a theme of pedophilia until I listened closer. I got this on a Japanese collection put together by Toru Hashimoto, probably the greatest compiler ever. He puts together all the Cafe Apres Midi (perfect!) and Free Soul (quite nice) collections. They can be had for $25 a pop from the Dusty Groove site, which seems high for a single disc, but they are all close to eighty minutes and packed with great songs which have lead me to several thousands of dollars worth of related purchases in the last few years. Gilbert O'Sullivan's stuff is worth looking into if you have an ear for it, and there is a nice cheap two disc collection on JVC Japan.

from A Capella II (MPS)
available on CD - MPS for Apres-midi Grand Cru (MPS/Jasrac (Japan))


clip clap  performed by kahimi karie  200x
Recommended by olli [profile]

cute little song about a girl stalking someone she's fallen in love with, listening to the "clip clops" of his shoes. the melody in the song is very similar to "cosmonaute" by stereo total, only more upbeat (it was written by brezel g�ring from stereo t., so i guess that's excusable). kahimi's ultra-bright voice fits this song perfectly.

(there's WAY too few sweet and uplifting songs about stalking, by the way.)


available on CD - k.k.k.k.k



Close to You  performed by The Renaissance  1968
Recommended by delicado [profile]

A great example of a classical-pop arrangement where a pop song gets a pseudo-classical treatment. Here, this Bacharach classic is rendered with harpsichord and wordless scat vocals, and the result is kitschy but also stunningly beautiful.

from Bacharach Baroque (Summit)




  scrubbles: That's a delightful little sample. I've also heard their wonderful rendition of "Always Something There to Remind Me" -- somebody's gotta put that album out on CD!
CLOWN  performed by THE HOLLIES  1966
Recommended by norfy [profile]

FROM THE 1966 'LP-FOR CERTAIN BECAUSE'-A HYBRID OF RUBBER SOUL AND THE BYRDS-COMPLETE BLURRED POP PERFECTION IN THE TIME IT TAKES TO MAKE A CUP OF TEA-SAD AND BEAUTIFUL AND A MILLION MILES AWAY FROM THE USUAL BEAT OF THE HOLLIES,IT SHIMMERS IN A SLOW MOTION 12 STRING DAYDREAM AND MAKES ME REALISE WHY I LOVE MUSIC AND WHY I AM STILL AWAKE WHEN I AM AT WORK IN 4 HOURS TIME-SEARCH FOR THIS AND WALLOW IN IT'S SPLENDOUR...........

from FOR CERTAIN BECAUSE, available on CD


Cologne Cerrone Houdini  performed by Goldfrapp  2008
Recommended by komodo [profile]

Gorgeous track off Goldfrapp's latest - a lush slice of 60's tinged sexiness, all breathy vocals, soaring pop strings and hints of Serge Gainsbourgh.

A mere pastiche? More than that I think. The track certainly has strong echoes of times past, but there is also something distinctly modern in the mix too.

There is other good stuff on this album, but it took me a few listens to absorb and appreciate it - which is no bad thing.


available on CD - Seventh Tree (EMI)


colour me in  performed by of montreal  2004
Recommended by olli [profile]

short, bouncy cover of the broadcast song.
it's interesting because it removes all the dissonant electronics that make up the "broadcast sound", leaving a much purer-sounding piece of 70's style pop-psych.
in a weird way, this now feels like the alternative universe original version, and the original song the cover.
i love the giddy woooh-ing in the chorus.





Come Closer  performed by Miles Kane   2010
Recommended by geezer [profile]

Something new from pops new boy wonder ,former Rascal and Last Shadow Puppeteer Kane trawls through pops back pages to define the sound of NOW!.
Brit pop arrogance with Bolan esque flirtations and a smattering of David Essex combine to forge a great fresh poppy sound that will undoubtedly have a limited shelf life but for the rest of the summer this will be the album to have

from Colour of the Trap, available on CD


Come On People  performed by Grobschnitt  1979
Recommended by john_l [profile]

Most so-called "progressive rock" was really progressive pop, but not this track, which does rock out and which has a great big guitar hook (you'll know it when you hear it), which resolves several different ways within the song, i.e. the band were creative. It kicks off the last of their big three LPs ("Jumbo" and "Rockpommel's Land" were the first two), and according to the liner notes was a concert favourite.

from Merry Go Round, available on CD


Comin� Home Baby  performed by Claus Ogerman  1965
Recommended by delicado [profile]

This track wasn't what I expected. My previous favorite version of this song (although I have many) was probably the one by Mel Torme on his 1962 album 'Right Now'. And since that version was arranged by Ogerman, I had expected this version to be simply an instrumental version like Torme's recording - a cool, finger-clicking, jerky pop number. In fact, there's something much cooler and more sophisticated about this version.

The tune is picked out first by an organ, and then by the brass and woodwinds before returning to the organ, which then jams around the main tune. A really beautiful string section comes in early on, creating some unusual chords that really add to the song and work very well alongside the 'cool' effect of the organ and rhythm. I wish Claus had recorded more songs with this mixture of percussion, jazzy instrumentation and lovely thick string parts. A few tracks on one of his other 60s LPs, 'Latin Rock,' come close, but I'm not sure any of them are as nice as this one.

from Soul Searchin' (RCA LPM 3366)



contact  performed by brigette bardot
Recommended by daidai [profile]

there is something very modern about this song. it's a timeless tune that was later reworked by godzuki on the album pop romantique. brillant song and my personal bardot favorite.





  king8egg: pizzicato five do a great version of this song(with kraftwerk samples!) on their album "romantique 96".
  daidai: p5's version is great however i think i like godzuki's cover better[just a little] . ^.^
  Erik: And don't forget John Zorn's brilliant a capella version.
Cordeiro De Nanã  performed by João Gilberto  1980
Recommended by delicado [profile]

Just one minute and twenty seconds long, this a perfectly distilled piece of Brazilian pop/mood music. The song consists of a simple, beautiful chord progression, which is repeated over and over. João sings a simple vocal over his guitar, and then some brass and strings come in to join him. The arrangement is stunning: sweeping and beautiful, with a delicate, sparkly sound at the beginning and end. It sounds very like the work of Claus Ogerman (who arranged the tracks on 'Amoroso', which appears on the same CD), but in fact, it's arranged by Johnny Mandel. Although this was recorded in 1980, it has a timeless feel. The entire Amoroso/Brasil CD is quite incredible. It took a few listens to really hit home, but has now become one of my 'desert island discs'.

from Brasil
available on CD - Amoroso/Brasil (Warner Brothers)



  barry_c: I agree, a beautiful, beautiful tune. You should check out the original version of this tunes, by Os Tinco�s: http://www.luizamerico.com.br/fundamentais-tincoas.php
  kfigaro: I really love very much this song with these subtile orchestration of Johnny Mandel me two, and I also know the original version of Os Tinco�s (1977) which is very different and with verses that J.Gilberto don't sing... Thalma de Freitas also sing this dreamy tunes in her album (2004) _______________________ http://chantsetheres.over-blog.com/
  delicado: Just listening to this again a few years after my initial recommendation. It really does encapsulate a lot of the mysterious, seductive elements of Brazilian music for me.
Couleur Caf�  performed by Serge Gainsbourg  1962
Recommended by phil [profile]

I've tried quite a lot to get into African music and have only got into bits and bobs so far. However, what I have very successfully got into is a white frenchman, with an all french choir, based in Paris, singing songs in an african style. Any amount of race-focussed amateur psychoanalysis can be done on the above I know, but I also know that this song is absolutely fantastic. As far as I can tell, Serge's african work seems to be inspired by a genuine love of african music and singing, but it also has a very pop edge - maybe it is this crossover aspect that makes it so accessible. Anyway, in this one the lyrics are pretty seedy ("ce soir la nuit sera blanche"), but the singing and drumming are just so beautiful - it's a brilliant song.

from Gainsbourg Percussions
available on CD - Couleur Caf� (Mercury)



Country Boy  performed by The Associates  1988
Recommended by geezer [profile]

The genius of Billy McKenzie is distilled in this largely unheard epic.Tribal drums introduce a synth pop backing which allows a bit more floorspace for what sounds like a barber shop quartet before McKenzie,s yerning vocals commence the song proper.
Both chaotic and cohesive ,this really shouldnt work but a maverick self belief produces a truly fantastic odd,unforgetable moment.This remained unreleased for nearly twenty years by a short sighted record company looking for a uqick repetitive return.Some things never change .

from The Glamour Chase, available on CD


Crne Ruze  performed by Kaliopi Bukle  2008
Recommended by ESC_Dream [profile]

Balkan pop music.




Crooked Teeth  performed by Death Cab for Cutie  2005
Recommended by HelterSkelter [profile]

Very nice sound to it, you got your basic instrument set in this one, I like it because of the lyrics.. They're not totally simple. It's easy to understand today's pop and stuff like that, but Deathcab actually puts some more effort into their music.

from Plans (Atlantic)


Cry all over me  performed by the Soft Parade  1991
Recommended by h_cos [profile]

Early ninties dutch rock-pop in a velvet underground "Loaded" style.




Crystal Illusions (Memorias de Marta Sare)  performed by Sergio Mendes and Brasil ’66  1969
Recommended by m.ace [profile]

If there is such a genre as psychedelic impressionist easy pop, this song should be its flagship. Dreamy, lulling, yet subtly disturbing, this seven-minute plus tune is like entering a watercolor painting.

from Crystal Illusions (A&M)



  konsu: Written by Edu Lobo. Apparently for a play he wrote a few songs for. A year later he did it on his own A&M album "Sergio Mendes Presents Lobo", which is an incredible album produced by Sergio. Also check out his LP "Missa Breve" from 1973.
Cuckoo Clock  performed by Rachel Sweet  1978
Recommended by blacktype [profile]

This a wonderful slice of punk-pop quirkiness that just NEEDS to be jumped around to. Rachel's singing voice is wonderfully petulant and even though I have no idea what the lyrics are about the attitude and jadedness come across loud and clear. She's better known for her covers such as B-A-B-Y and New Rose but this is far and away her finest recording,

from Fool Around (Stiff)



  unathanthium: Rachel was my pin-up.A slightly chubby teenager with a voice that could break rocks.So convincing is this song that I have spent many years breaking into cuckoo clocks in order to liberate the toy singer trapped within.I have yet to find her but the search goes on.
Curso Intensivo De Boas Maneiras  performed by Tom Zé  1968
Recommended by tinks [profile]

You've got to love a guy who has a song on his first album that translates as "Catechism, Toothpaste and You". From that same LP, here's a great off-kilter tropicalia with a heavy baroque-pop influence and really odd instrumentation, featuring fuzz guitar, organ and trumpet in a very nice way.

from Tom Zé, available on CD



C�mon And Join Us  performed by Alzo & Udine  1969
Recommended by gregcaz [profile]

Folk? Soul? Pop? Rock? I don't know, I just know I REALLY like it. The sole album by this mysterious duo (Alzo's got a solo album too) is the very definition of groovy. This song, like the rest of the record, is hard to describe, but let's just imagine a funkier version of the 60s Bee Gees crossed with, I don't know, Donovan? No, maybe the Rascals crossed with Jose Feliciano and Joe Bataan is closer to it. It totally works, especially when they get to the falsetto chorus of "Everybody feel iiiiit......come on and clap your hands!" People, find this record: it will improve your life!

from C'mon And Join Us!, available on CD



  delicado: It totally works; thanks for bringing it to my attention!
Dance Girl Dance  performed by Cinerama  1998
Recommended by john_l [profile]

Dave Gedge, main man in long-time British alternative band The Wedding Present, decided to do something a bit different in the latter part of the 1990s, so he enlisted girlfriend Sally Murrell and a number of musical friends and put out some really good material under the name Cinerama. The purpose was to do some less noisy, more classic-pop oriented tunes, and it worked like a charm! This track, their second single, is a sprightly '60s-influenced number, which means it's mega-tightly produced and has the rhythm guitars at the back of the mix where they belong. It also has a nifty string and piano arrangement. Lyrically it's a fantasy about a girl he wants very badly (not in real life presumably). The song is on my '90s top ten list for sure!


available on CD - Va Va Voom (spinART)


Dancefloor  performed by The Brunettes  2002
Recommended by LawrenceM [profile]

A brilliant pop song from Auckland bubblegum pop combo The Brunettes. The interplay between Heather and Jonathan's voice is just fantastic, and the song gets the crowd dancin' every time. Imagine Jonathan Richman and Debbie Harry dueting with Chuck Berry on lead guitar ...

from Holding Hands, Feeding Ducks, available on CD


Dansero  performed by Richard Hayman  1969
Recommended by delicado [profile]

The album that this track is taken from was one of those strange albums that acquired mythical status in my mind. Based on a mixture of rumor and personal imagination (I could never actually find a copy), I convinced myself that this must be the coolest album ever made, a perfect fusion of moog, latin and mod sounds. A few years later I picked up the album very cheaply on ebay. Beautiful and interesting as it is, many of the tracks go slightly over the line for me.

'Dansero' is the only track on the LP that captures the blend that I was looking for. It's nice and short at under 3 minutes, and features a delightfully kooky introduction that sounds like the Jean-Jacques Perrey moog flourishes that the group Stereolab sampled on their 'Transient Random Noise Bursts...' album. The drums and moog then join up for a nice pop instrumental, catchy and bouncy. Different moog effects are piled on, but always quite effectively, making this one of the most enduringly successful moog-pop tracks in my collection.

from Genuine Electric Latin Love Machine (Command)



Daphne (Laurel Tree)  performed by Kayak  1979
Recommended by john_l [profile]

This is one of the great chase songs that I know. From the insistent piano-based beat you can imagine Apollo getting it on for Daphne, and putting her in the sky or something, which seems to have been de rigueur for Greek gods. Kayak played guitar-and-piano-based progressive pop/rock (without anything overly long) but didn't really come together until "Phantom of the Night" in 1979 (ignore the UBL ratings, they're way off the mark). "Ruthless Queen" and the title track are very pretty and overall the whole album is excellent.

from Phantom of the Night (Janus)


Darlin  performed by Paper Dolls  1968
Recommended by Ashley [profile]

Brian Wilson given the full-on 60s Brit-Girl treatment. It has wonderfully uplifting brass and some powerful vocals. The Paper Dolls had a couple of decent soulful easy hits in the UK in 1968. The CD is well worth checking out.

from Paper Dolls House, available on CD


David  performed by Creation of Sunlight  1968
Recommended by andyjl [profile]

From a legendary pop-psyche LP in the Strawberry Alarm Clock vein ("the Sound of Young Ambition" according to the sleevenotes) about a small boy�s world of make believe, propelled by swirling keyboards. Sunny without being drippy.


available on CD - Creation of Sunlight


Day Without Love  performed by The Love Affair  1968
Recommended by Swinging London [profile]

This is one of the best British pop singles of 1968.

Love Affair had already had a Number One hit with 'Everlasting Love' & a top five hit with 'Rainbow Valley' and went on to have a few more hits, including this one, before changing their lead singer from Steve Ellis in 1970 and slipping into oblivion.

Their sound was quite influenced by 'The Phil Spector Wall Of Sound', but with a 'Swinging London' slant.

Great melody. Great lyric. Tremendous pop orchestral arrangement. Wonderful lead vocals from Steve Ellis, who sounded like a sort of British Len Barry.

I think this song is probably one of the best pop singles I've ever heard.

It never happened in the USA and after it fell from the charts was rather forgotten in the UK, overshadowed by the groups more famous 'Everlasting Love', but, in fact, this was their strongest single.

Very much of its time, but what a tremendous time it was, musically and otherwise.

from Everlasting Love Affair (CBS)



Daybreak  performed by Best Of Friends  1970
Recommended by gregcaz [profile]

Had it been released under different circumstances, this song might have been one of the enduring soft-rock classics of the early 70s. It's got a catchy, haunting melody and one can easily imagine it charting alongside Bread or Seals And Crofts or whoever.

Best Of Friends were essentially the East Coast-based songwriting/guitar duo of Bing Bingham and Joe Knowlton. I'm not sure how, but Eumir Deodato and legendary bossa nova producer Roberto Quartin took a shine to them and recorded this album for Brazilian release on Quartin's eponymous experimental label of the early 70s. The album even features Dom Um Romao on drums. It's actually a straight-forward pop-rock album of its era, with little to no Brazilian overtones. This same duo would later make an album on RCA as "Joe And Bing."

This title track was also covered by Astrud Gilberto on her 1972 "Now" LP, arranged by (coincidence?) Mr. Deodato himself....

from Daybreak (Quartin)


Daydream  performed by Wallace Collection  1968
Recommended by Ron1967-1970 [profile]

it's the Belgian "summer of love" anthem... a great flower-power song that was a big hit all over Europe in 1968. For those who don't know it, do a search on the web for a soundclip...





Daydream  performed by Wallace Collection  1968
Recommended by Trijnie [profile]

Yes!!!! Found it!
I live in England (nearly 20 years, but am originally from Holland. Saw twice a new commercial the last 2 days on tv here (can't remember what it was for), but regonised the song that was played in it (although it wasn't the original version). I knew it was a hit in the sixties. And always liked it. But hadn't heard it for years! My partner ,who's english, knows and does remember a hell of a lot about (popular)music and whenever a song is played HAS to announce WHO, WHAT and IN WHICH YEAR IT WAS A HIT! Get's a bit annoying at times.
He said he knew it from a "chill"-album, but I told him I was certain that it had been a hit in the sixties.
After surfing the web for an hour orso tonight, and not even quite sure if the title was "Daydream" and not knowing at all what the bands name was. At some point I found out that it could be Wallace Collection, but eventually after finding your website, and you were the only one I was able to hear that song, I got it right!
Thank you so much. The song brought back so many memories! I will keep your website in my favorites list. It was a great help.
Thanks again, Trijnie





  delicado: Yes, I think Ron, who recommended the original version, did us and the Wallace Collection a great service! The song is well known here in the UK via a remixed version by a band called 'I-Monster', who sampled and rejigged a version by the Gunter Kallemann singers (available on a common charity shop record here in the UK, 'Easy Listening' - 2LP set on Polydor). Further 'daydream' trivia fact: the melody for the middle section is lefted from a famous Tchaikovsky piece. There's a version by the 'Baker Street Philhamonic' that's also kind of cool.
Daymaker  performed by Bob  1990
Recommended by delicado [profile]

Absolutely cracking track. I was nuts for this back in 1990 when it came out and recently rediscovered it. A really nice mix of guitar driven pop, excellent Beach Boys influenced vocals and catchy, shuffling beat. Just a great track. Bob are a hard band to track down stuff by because their name is so generic. But you can listen to it (and all their releases actually) at their site - http://houseofteeth.co.uk/

from Stride up EP (House of Teeth)


debaser  performed by pixies
Recommended by danielismagic [profile]

good pixies song
it's simple and energetic




Deceptacon  performed by Le Tigre  1999
Recommended by dedismo [profile]

Melds punk, new wave and hip hop into a seemingly cute package. Although I'm not all into riot girl, or angry girl music, this is an exception. Bikini Kill's frontwoman Kathleen Hanna has very well written lyrics. The whole album is something to check out. So... check it out.

from Le Tigre (Mr. Lady)




  daidai: aren't deceptacon the 'evil' transformers? i have to agree with you, this song is wonderful.
  umbrellasfollowrain: If I hear this song on the dancefloor, I go nuts. Absolutely nuts. The only other song that can make me reach that height of sweaty bliss is Blur's "Girls and Boys".
Decollage  performed by Les Balayeurs du désert  2005
Recommended by Aguirre [profile]

Dreamy French ambient pop. Heaven.

from Jules Verne Impact


dedication  performed by Chuck and mary
Recommended by moondog [profile]

If the free design had come from greenwich village and opted for a more folk pop approach they could have sounded like the candian siblings Chuck and Mary. Their songs perhaps doesn´t have the same strong song hooks as "the design" but way more make up for it in their timeless sound and magical voices. Especially on this heartrending track which you can find in an orchestrted version on their second album or acoustic on their first.I´d go for the acoustic one.


available on CD - the last word or life is a stream (rev-ola)


Deep Down  performed by Christy  1968
Recommended by delicado [profile]

I'm surprised to find I haven't recommended this song before. An enchanting piece of futuristic pop written by Ennio Morricone, this great tune was part of the score for the wonderfully stylish Mario Bava movie 'Danger: Diabolik'. Christy, who also sung on some Piero Piccioni scores, was (is?) a heartfelt 'belter', and here she sings the italian lyrics, which are peppered with English phrases, especially passionately. There is a cool echoey effect on her voice, giving the whole affair an other-worldly, underwater feel. Musically, it's a very catchy psych-pop track, with a twangy, rocky guitar. It's quite short, but extremely powerful.

from the single Deep Down
available on CD - Canto Morricone Vol. 1 (Bear Family)




  leonthedog: This "Canto Morricone" volume sent me on a frantic chase for so many things; most rewarding was the "Danger: Diabolik" soundtrack. (The movie is a hoot and quite a bargain, too.) Mina... Spaak... Miranda Martino... Rita Monico... and what about Ken Colman? "Trio Junior"??? This CD will infect you, so you'd better just go get it!
  delicado: I realize it has been almost 10 years since I wrote this - but just to throw it out there - this track really is absolutely amazing!
Deep inside my heart  performed by Blond  1970
Recommended by Ron1967-1970 [profile]

Another one that came to mind just now, was a great orchestrated ballad from the Scandinavian group Blond (former members of The Tages). Fanstastic piece of work...
Once again... goes crescendo and explodes in the climax ... wow indeed




Desire As  performed by Prefab Sprout  1985
Recommended by Genza [profile]

Steve McQueen is an almost faultless pop album. The first five or so tracks are quite awesome. Desire As comes in later down the album play list and it's got a lovely laid back groove. It builds slowly and Paddy McAloon's vocals are sweet. It's a nice track, make no mistake.

from Steve McQueen (Kitchenware Records)



  Mike: I love Prefab Sprout and Paddy is a great songwriter. Having said this, I do think I would love the band and their output even more were Paddy's vocals LESS SWEET! I mean, just about everything in their entire output seems to be bathed in honey, syrup, or treacle from his sugar-lined voicebox.
  kkkerplunkkk: Yes but isn't that the point of Prefab Sprout? That it was the sweetest pop you could taste. The best love song writer I've ever heard.
Desiree  performed by The Left Banke  1968
Recommended by tempted [profile]

If romantic, dramatic, emotionally fragile and beautifully orchestrated baroque pop with woodwinds moves you then you're blessed... by me.


available on CD - Complete Recordings (Mercury)




  gaymod: is this a cover of the old doo wop standard ? which Zappa was involved in
  tempted: No, it's a Left Banke original.
  Swinging London: Haven't heard that for years! Nice to be reminded of it. My fave by them is 'Pretty Ballerina'. As far as I know, they never had a hit here in England.
Detroit 442  performed by Blondie  1977
Recommended by jeanette [profile]

In some ways an obvious pop-punk classic, but still one that's generally overlooked in favour of their singles. One of the greatest nights between my best friend and I was the time that not only did we discover this was both of our favourite Blondie song, but we found out that, rather shamefully, each of us harboured a secret crush on Rimmer from Red Dwarf.

The song is the best among some real class on Plastic Letters. The noises made by a band on the brink of the mainstream super-success they were so worthy of. Deborah Harry never sounded tougher (except perhaps on Rifle Range), a persona that fits her like the ripped catsuit she famously sported on Top Of The Pops.

from Plastic Letters, available on CD



Devil Dream  performed by Andre Brasseur  196?
Recommended by mike33436 [profile]

This belgian artist was very popular up to the second half of the 70's I believe.

I got to really enjoy most of his tunes because that is what my dad would listen on his 195? reel to reel.

I was able to find most of his albums online.

Very good channel separation.

Enjoy

from Early Bird
available on CD - yes



  n-jeff: Yeah, Andre Brasseur is top stuff, ranging from go-go Hammond cheese to some really nice low country funk. Theres a live album with a killer version of, um, The Duck. Tasty.
Devil, Devil, Go Away  performed by Little Marcy  1973
Recommended by jeanette [profile]

Ever felt there was a hole in your life that only a religious ventriloquist's dummy could fill? Then look no further. One of pop's bona-fide eccentrics, Marcy Tigner, voices Little Marcy in a thoroughly winsome way. The song, nay the whole album, encourages all young children to renounce the devil. However, if the devil were to see the scarily-bad drawing of Little Marcy on the cover, he would correctly deduce that no child is likely to listen to the ravings of a freaky end-of-the-pier doll voiced by an even stranger adult woman.

"Marcy wants you all to know how happy she is singing songs about Jesus" relate the sleevenotes. And, gee Marcy, we sure are glad to hear them!

Please don't think I recommended this song simply to mock it. I genuinely think it's a priceless piece of recorded gold and am more than pleased this site, and the world, is big enough to accommodate special talents like that of Marcy Tigner.

Out of Waco, Texas.

from Happy Am I (Word K-721)




  olli: aah, little marcy. i find her oddly touching. i adore the effect where the guitar seems to be meowing on "i love little pussy", it makes the song even more appealing than the questionable lyrics. "guitar festival of gospel songs" by little marcy's guitarist, bob summers is the current downloadable album over at basichip.com right now, by the way. snatch it while you can!
Didn’t Know The Time  performed by The Staccatos  1968
Recommended by john_l [profile]

From Ottawa, the Staccatos were Canada's best pop band of the 1960s and, with the possible exception of Strange Advance, still their best ever. This song is a bit of a clone of their biggest hit, 1967's "Half Past Midnight", right down to the lyrical preoccupation with time, but it's still worth a listen if you like that late-'60s "summer pop" sound, because its production is pretty tight and it has several neat little tricks like the best pop songs do. The flip side is called "We Go Together Well" and it's pretty good too, with its fuzzy guitars (or is it the bass?) ...

All of these tracks mentioned here were found on a 1969 LP called "Five Man Electrical Band", which is what the Staccatos had changed their name to. The LP contains both sides of the "It Never Rains On Maple Lane" / "Private Train" release which was the first under that name, but subsequent material followed a musical change of direction to what I would call "swamp rock" after that ghastly "Joy To The World" by Three Dog Night (ugh!), although "Signs" and "I'm A Stranger Here" at least had some lyrical smarts ... a CD of this stuff has been released but unfortunately the Staccatos material has not, apart from "Half Past Midnight" which showed up on a best-of-Canadian compilation.

from Five Man Electrical Band (Capitol)


Die Antwort Weiss Ganz Allein Der Wind  performed by Peggy March & Benny Thomas  1966
Recommended by jeanette [profile]

Alias Blowin' In The Wind.

I don't really care for Bob Dylan, and it is for one reason only; his whingey voice. It just, for me, undermines all the cleverness of his lyrics since he sounds like a child who's dropped his ice cream.

But there's no denying the man writes cracking songs. Virtually every time I hear someone other than him perform a Dylan tune, I find it a great listening experience. Another favourite is Linda Gayle's version of Maggie's Farm (on one of the Girls In The Garage volumes).

Peggy March is famous (if 'famous' isn't stretching it) for a couple of saccharine hits in the early 60's. Few people realise she had a later dimension to her career - great popularity as a German language singer. Her vocal treatment of this Dylan song adds a shyness and grace to the protest, all accompanied by, naturallment, that slight oompah-ness endemic to a great deal of German pop of the period.

from Memories Of Heidelberg, available on CD



Die herren dieser welt  performed by Hildegard Knef  1970
Recommended by delicado [profile]

From the same album which spawned the mindblowing 'Im 80 Stockwerk' comes this superb track. It opens slowly, with a moody guitar/vocal introduction. Soon the heavy Burt Bacharach influence of 'Stockwerk' returns, as the strings come in and the song develops. The beat is funky in a gentle late-sixties pop kind of way. I have no idea what Hildegard is singing, but it sounds rather positive and uplifting, and I’m a big fan of her smoky voice.

from Knef (Decca)
available on CD - Fur Mich... (box set) (BMG Germany)




  AndreasNystrom: Really great song!, nice rhythm and harmonys.
  bellboy: this song is about "masters of this world" - the text would stir you up rather than just lift you up. It breathes the same air as a song by Alexandra "Mein Freund der Baum". Heavy bittersweet german Weltschmerz. One of the Knef's best songs is "Von nun an ging's bergab" which means "From now it went downhill". She tells us her story: Her birth in cold winter, her film career in the USA, her return to Germany, starting a second career as a singer - and everytime she comments ironically: "From now it went downhill" which is VERY funny! The last words of this song comment herself as a singer: "Es war nicht meine Schuld - ich bitte um Geduld" - "It wasnn't my idea to start singing, please be patient with me"
  heimwehblues: To "bellboy": "Von nun an ging's bergab" is performed by Hildegard Knef as "From Here On It Got Rough" (LP "The World of Hildegard Knef"), last lines: "A change was overdue, from here it's rough on you.".
  eftimihn: Warner Music Germany finally released "Knef" on CD ahead of the celebration of Hildegard Knef's 80th birthday. While it's completely beyond me why people had to wait until 2005 to get this masterpiece in it's entirety, i'm thrilled that it's finally arrived. Also, Hildegard Knef repeatedly expressed "Knef" was her best album.
  n-jeff: "From Here On It Got Rough" is the opening track on teh recent (2005) compilation "the in-kraut". And very witty it is too. But also a very groovy song.
Diffrerent Stories  performed by I Am The World Trade Center  2004
Recommended by MoeShinola [profile]

Synth-Pop candy. Starts out with strummed clean-tone electric guitar, then the electronic beats come in w/ Amy singing in her languid way. The chorus brings Dan in answering her back. It's one of the best songs on The Cover Up, which was their break-up record. Really good contrast of drama-laden lyrics and happy pop.

from The Cover Up (Gammon)


Dinnertime  performed by Spiderbait  1999
Recommended by n-jeff [profile]

Its 4 tracks into the CD, and after one of the fluffy pop numbers, so it quite takes you by surprise when a guitar kicks in of such rawness that it feels like small blisters are erupting over your eardrums.
In come the bass and drums, and the girly vocals (Janet presumably) with a nice sarcastic tone. The sarcasm seems to be a feature of the band.
Threres also a triffic 1980 style disco remix on the extra CD, for extra amusement. To be honest I love the whole LP, it has nice fat drums, lovely rolling bass, and they aren't afraid to use the technology, it was hard to pick one song out, but this one had the edge for Janets voice and that ruff guitar. God I love Fuzz.

Oddly the person who played the CD to me first dismissed them as just another Oz-Rock band. Nah, way off the mark.

from Grand Slam, available on CD




  n-jeff: My 4 year old daughter worked out enough of the CD player controls to play the disco remix back to back about twenty times over this weekend. Still sounds great.
Dirty Harry  performed by Gorillaz
Recommended by sungoddess [profile]

It took me a long, long while to �get� Gorillaz. Oh come on, who didn�t like �Clint Eastwood�? I dunno, having sunshine in a bag is a nice lyric to repeat when people are pissing you and your shit off� yet, �Clint Eastwood� didn�t make me a fan.

No, in fact, no Gorillaz track did more to bring me into the fold than �Dirty Harry�, with its amazing keyboards, bassline and children�s chorale�

It�s just been a while since I�ve come across pop music that was so far off the beaten track, that it redefines what is �mainstream�. This is always fun for music lovers, but once again goes to prove that noone with taste thinks the cookie cutter approach to popular music is the right way.

Well I�m a Gorillaz fan now, maybe three or four years late, but I�m a fan for sure. �Demon Days� has quickly jumped up to �Heavy Rotation� status in my last.fm and musicmobs profiles in a heart beat.

It�s weird, because someone brought a pre-release copy of �Demon Days� for me way back in April, but I listened to it a few times and then ignored it, forgot it for the most part (if you ignore the iconic billboards and posters everywhere across London). I�m famous for that though, I tend to err on the side of not believing the hype, a la Public Enemy.

It was only about three or four weeks ago, after my flatmate�s accidental stop on the �Dirty Harry� video one night, while I was in another room working.

Said keyboards, bass line and chorale, made me stop what I was doing, get up and go into the living room, calling incredulously as I went, �What are you listening to?�

That my friends, is all Big Mami wrote on the matter�

from Demon Days


Disco 2000  performed by Pulp  1995
Recommended by chris kane [profile]

Britpop classic from the mid 90's. Bits of every great pop record ever





  daniela_por: I love this song. Have you heard keane's cover? It's not as good as the original, but it's nice :)
  delicado: There's a Nick Cave cover that I think is pretty cool.
Disco 2000  performed by Pulp
Recommended by daniela_por [profile]

Happy dance-pop song about a high school love.




Distant Shores  performed by Chad and Jeremy  1966
Recommended by delicado [profile]

A beautiful piece of soft pop. Ok, it's corny - the chord sequence is kind of soppy and the lyrics are kind of obvious, but the arrangement and singing are so lovely that I can listen to this song again and again. Opening with a catchy picked acoustic guitar riff, the arrangement soon thickens with with a full orchestra. The singing is deadly serious and amusingly precious throughout the song, and the orchestral arrangement, heavy on oboes and flutes as well as strings, is anything but hip. Still, the song’s simplicity and innocence are really quite charming. I never really got into any of Chad and Jeremy's other songs nearly so much as this one, so any recommendations for similar songs would be welcome. Do me a favor and listen to this and tell me if I’m crazy to love it so much.

from Distant Shores, available on CD




  tempted: Oh yes, it is pure gold. I can recommend anything by The Left Banke, Scott Walker, Margo Guryan, New Colony Six, Sagittarius, The Millennium... Gary Usher from the last two mentioned was the producer on many of C & J's songs.
Don’t Be Cruel  performed by Cheap Trick  198?
Recommended by sallyfosho [profile]

A delightfully poppy cover of Elvis's Don't Be Cruel. Although it is undeniably an 80s tune, it's not dated at all. Just a fun song to sing along to, and a great cover.




Don’t Talk to Me About Love  performed by Altered Images  1983
Recommended by dsalmones [profile]

By late 1983, when Altered Images' third and final album, Bite, was released, Altered Images were already dead in the water. The group had never made any particular headway in the US, where their blend of Siouxsie and the Banshees and the Monkees (not to mention Claire Grogan's bizarre, baby-talk hiccup of a singing voice) was just a little too weird for mainstream tastes, and in their native UK, their colorful look and bubblegummy 1982 singles "I Could Be Happy" and "See Those Eyes" had forever typecast them as a kiddie-pop band. Grogan was already branching off in her second career as an actress (she played the title role in Bill Forsyth's 1982 cult classic Gregory's Girl), and Bite seemed like a mere contractual obligation. For the most part, it sounds like it, too, but the brilliant single "Don't Talk To Me About Love," which led off side two, was a welcome surprise, and possibly the best song they ever did. Mike Chapman's production recalls his work with Blondie, while the disco-tinged electronic beat, chicken-scratch electric guitar part and rubbery, melodic bass part all sound closer to New Order's "Blue Monday" than Bananarama's "Cruel Summer." Grogan herself is in an entirely different mood than usual, with her newly-lowered singing voice (and slightly improved enunciation) displaying a rueful, almost petulant edge that suits the cranky lyrics. Only at the very end does she shoot into her usual helium-pitched unintelligibility, with an air of "See, I can still do this, I just choose not to anymore." Coupled with the most indelible chorus of the band's entire career, it all adds up to a minor masterpiece. Sadly, however, nobody wanted to know.
(AMG)

from Bite (Portrait 25413)
available on CD - Bite...Plus (Edsel)


Don't Go Breaking my Heart  performed by Roger Nichols and the Small Circle of Friends  1968
Recommended by delicado [profile]

A beautifully gentle and textured version of this song, led by some great group harmony vocals. These are backed by a gentle bossa nova beat, electric harpsichord, and strings which sweep in and out. Gentle and addictive listening.

from Roger Nichols and the Small Circle of Friends (A&M)
available on CD - Complete (Polydor Japan)




  rum: Oh there�s certainly no denying it, this track has an irresistibly seductive melody but there�s no chance I�d be seduced. Oh rum, you�re just being silly, she�d say, �don�t make a mountain out of a grain of sand�� silly?! I caught you in bed with the Mayor of Pensacola, Florida� this is no grain of sand my dear! But rum, it was just one time, a silly mistake, �one drop of rain doesn�t make the sun run away�, does it? Are you mad? What kind of reasoning is that? 17, 18� eighty-seven drops of rain wouldn�t either. So what are you trying to tell me? Am I to hold out for a rainstorm of two-timing before getting in a huff? The summer of love ended last September. This is 1968, the year of revolution, of fighting in the streets, of� but then she�d put her finger on your lips, �DON�T� go breaking my heart�� and look up at you with the innocence of a wee lamb. Oh, you so want to forgive her. Maybe I�ll give her just one more chance, it is such a beautiful melody� �I�ll love you till the sky falls down, even then� you�ll remain in my heart� Ahh, no, no, I�m not falling for that. I�m not an idiot, that�s impossible. Now I know you�re having me on. I�m not getting caught in your web of lies you, you, you� Your melody maybe sweet but your argument stinks. Go on get out, strumpet! ��come to my arms, forever�� No, no, clear off. ��teach my heart how to smile?...� OUT!
Don't Go Breaking My Heart  performed by Burt Bacharach  1965
Recommended by m.ace [profile]

A super-sweet bossa-pop tune. From one of Burt's solo LPs, but actually sung by an unnamed female trio who do magical things with the hypnotically pretty melody line.

from Hit Maker! (Kapp)


Don't you know she said hello  performed by Butterscotch  1970
Recommended by Ron1967-1970 [profile]

I'm beginning to sound like and old record, because it seems I'm repeating myself in commenting on songs... but this another recommendation. If you have read other comments on my fave songs, I guess you'll know what to expect. A strrrrrrrrong melody, backed by a great orchestration. Butterscotch only made album and a couple of 45s. Take it from a devoted popfan... this is one hell of a tune !





  dexxas: Wow i had a LP of Butterscotch sir in my attic on the RCA label 1970.. i think roughly the year. I agree with everything you say. Chris Arnold - David Martin - Geoff Morrow were butterscotch. a related website to them is http://www.ne.jp/asahi/salaryman/asada/edisco1.htm concerns a chap called Tony burrows another fine singer. I cant recall right now which one out of the three guys first mention was the lead voice. But a bit of trivia for you. You can hear this voice again on a 1970's recording theres a whole lot of love by guys and dolls. this band singer mimed one of the three guy's above who was a session singer and writer. I think the Voice is Geoff morrow. http://www.ne.jp/asahi/salaryman/asada/amandm.htm most of these songs listed for butterscotch are o the LP i belive its suprise suprise the album. Hope that helps.
Don�t Make a Sound  performed by Azure Ray  2001
Recommended by Jackamaku [profile]

Dream Pop from two former members of Bright Eyes


available on CD - Azure Ray



Dragostea Din Tei  performed by O-Zone
Recommended by ladyfelicity [profile]

Romanian pop. Very catchy, upbeat, with trendy romantic lyrics.




Dream On Dreamer  performed by Brand New Heavies  1994
Recommended by eftimihn [profile]

The Brand New Heavies were one of the significant groups of the then popular "Acid Jazz" sound in the early 90s. "Dream On Dreamer" still strikes me with it's precisely executed funk rhythm and lush production: Tight rhythm section with funky drums, guitar and bass combined with jazzy piano chords, swirling strings and a crisp brass section. On top of that some flutes, fluegelhorn, percussion and organ with a very pleasant vocal performance by N'Dea Davenport.

from Brother Sister, available on CD



Du e f�r fin f�r mig  performed by dungen  2004
Recommended by olli [profile]

Outstanding Swedish psychpop, sounds like the aural lovechild of an orgy between sigur ros, hansson & karlsson and radiohead's karma police. gorgeous stringwork. ends in a psychedelic freakout.
the whole album is pretty good (imo the best swedish record of 2004), don't hesitate to buy the swedish import if you come across it..






  tempted: This is indeed great! Dungen deserve 100% of the attention he has received stateside recently. Ta Det Lugnt reminds me of another one of the great psych-pop albums of all time which is S.F. Sorrow by The Pretty Things. Although Dungen perhaps comes from a sunnier place and definitely from the Swedish woods. I don't think Radiohead and Dungen have much in common, though. There are so many colours to psychedelia...
  olli: don't get me wrong, i'm not saying dungen sounds like radiohead...just that this particular song shares some musical texture with karma police
Dude [Remix]  performed by Beenie Man featuring Ms. Thing & Shawnna  2004
Recommended by jeanette [profile]

In a stupid pop mood tonight, egged on by seeing the recent McFly recommendation. The sun finally came out over South Yorkshire today too, which is probably what's making me think of this enthusiastic pop-reggae workout. I really click with this, despite the OTT misogynistic lyrics, Beenie Man's homophobia and the general rubbishness of most of his back catalogue (that which I've heard, anyway).

Ms. Thing doesn't really do much to shut Beenie and his sexist mouth up, but at least Shawnna has a but more life to her which is why I'm recommending this remix with her rap on.

The video's cute too, especially where Beenie, Thing, Shawnna and various cronies do a ridiculous trot-dance at the end.

from Dude CD Single, available on CD




  Issie: I totally agree - it's a very good song!
  olli: he he. "stupid pop mood". i like that.
eagle wings as filtered through pigeon shit  performed by hell on wheels  2000
Recommended by shaka_klaus [profile]

hell on wheels is a three piece outfit from oxelosund in sweden. this song is one of my favourites. how is sweden's best live band in their genre (weird-nothing-like-it-pop).

from there is a generation of handicapped people to carry on, available on CD



Early Sherwood  performed by Philamore Lincoln  1968
Recommended by geezer [profile]

From a recent cd re-issue of a for once real lost classic from the enigmatic but well connected Mr Lincoln. This sort of mines the same seam as Syd Barrett but this is psyche pop firmly rooted in English folk/folkloreand the joining of a collage of three different song parts,what some would refer to as an opus or epic.Haunting nursery rhyme intro makes way for weird fairground interlude and lysergic distraction before concluding with the painfully beautiful intro section,before finishing way too early for its own good.They dont make them like this anymore and couldnt if they tried this is from a different time and place.

from The north Wind blew South
available on CD - The North wind Blew South


Ears  performed by Cinerama  1998
Recommended by tinks [profile]

The first line says it all: "I've gone as far/as I can go with this crap". A classically lush pop tale of infidelity. This bitter duet featuring Emma Pollock of the Delgados has a brooding feel reminiscent of great orchestral pop of the past, especially that of Barry and Bacharach.

from Va Va Voom, available on CD




  delicado: I was a huge 'Wedding Present' fan, so I really should check this out, thanks.
  tinks: absolutely, cinerama's first album is excellent. quite a bit different from the wedding present, but very good in it's own way.
East Breeze  performed by Okay Temiz  1975
Recommended by djfreshmoney [profile]

I got into Turkish pop/rock music after picking up a Mogollar CD in Istambul a year or two ago. Like Mogollar, Okay Temiz combines eastern rhythms and instrumentation with rock sounds. You can forget most of this because all you need to know is "East Breeze" is Super FUNKY. Great driving rhythms mesh with flute and synths and the whole thing rocks.

from Drummer of Two Worlds (Finnadar Records)


Eat Yourself  performed by Goldfrapp  2008
Recommended by robert[o] [profile]

My favorite track from the latest Goldfrapp LP.
The song takes AM-Radio sunshine pop and exposes the concept to English psychedelic folk at its most radioactive.
The resulting mutation is both sexy and ominous.
The groove is languid, but insistent.
The samples and the synths sound dusty/dirty.
The strings/guitars/harps brood luxuriously.
And then there is Allison's lovely/creepy voice/melody: all woozy sex appeal and little girl menace.
It sounds like that image from the film "Blue Velvet" - lovely summer lawn under which throbs thousands of huge bugs.
Wonderfully slurred....

from Seventh Tree


Eden Rock  performed by Fifth Avenue Band  1969
Recommended by gregcaz [profile]

Another stunner from an album full of them, "Eden Rock" finds common ground between folk-rock and quiet storm, sounding very ahead of its time. Piano, congas, bass, Spanish guitar and a smoooove lead vocal over jazzy changes mark this as a lost classic. It anticipates many of the paths that 70s pop, rock and R&B would follow. Two minutes and twenty-five seconds of joy.

from Fifth Avenue Band (Reprise RS 6369)


Ego Tripping At The Gates Of Hell  performed by The Flaming Lips  2002
Recommended by pleasepleaseme [profile]

Funky Rock. Nice Title! Sweet Lyrics. And i love the Beach Boys break. Move over George Martin!
Is this the best concept album since "Dark Side Of The Moon / Wish You Were Here". Or Maybe even "�Sgt. Pepper's Lonely Hearts Club Band/�Magical Mystery Tour"? Very Trippy Rock! Nice electronics. How do you sound like Neal Young, Bread, America, Pink Floyd, Moody Blues, David Bowie, Beach Boys and the Beatles all at once? You can hear the full album through the thier site: www.flaminglips.com
Super Generous & Super Talented. One of the most beautifully produced albums ever!
POP HEAVEN! "Light Side of the Moon" for the new millennia.

from Yoshimi Battles The Pink Robots, available on CD



Egyptian Shumba  performed by The Tammys  1963
Recommended by jeanette [profile]

A wild ride down the Nile. If anyone ever accuses the girl group sound of being all innocent or only about boys then just shove this riot in their ears.

Resplendent with one of the greatest nonsense refrains in popular music ("shimmy-shimmy-shimmy-shi-mi-mis-pe-dis") and screams aplenty, this track is a winner on every conceivable level. The instrumentation is clearly designed to sound Egyptian, but instead resembles the soundtrack to a campy exploitation flick about girl gangs among the pyramids (or something).

A highly unusual platter, and deservedly enjoying a greater cult reputation as the years go by.

from the single Egyptian Shumba (United Artists UA 678)
available on CD - Egyptian Shumba: The Singles And Rare Recordings (RPM)




  unathanthium: Yes,most songs that have Egyptian in the title are fabulously stupid.Egyptian Reggae,Walk Like an Egyptian for instance.Egyptian Shumba is better than the pyramids and should outlast them.Also available on Girls Go Zonk.Shimmy,shimmy,shimmy,shy-yi,meece-e-deece according to their sleeve notes.
  jeanette: That Girls Go Zonk CD is cool, esp. that vocal version of Mission: Impossible. But you know when you have your own version of lyrics in your head and are reluctant to change them? Their sleevenotes are probably accurate but I'll never think of the song that way. An example: until embarrasingly recently I thought the the lyrics to Fame by Irene Cara were "take your pants down, and make it happen". It is of course "passion" and lord only knows what relatives thought of a four-year old me singing those lyrics at the top of my kiddy voice.
  unathanthium: Are you sure you misheard the lyrics of Fame?Your version makes more sense to me.
Ela desatinou  performed by Chico Buarque  1970
Recommended by delicado [profile]

This great ethereal brasilian pop number is from the portuguese language version of Chico Buarque's 'lost' 1970 album, recorded in Rome with Ennio Morricone, while he was in exile from Brasil. While Buarque's vocals are excellent, it's Morricone who really shines here, providing exquisite sweeping arrangements, and some great backing vocals from his protege Edda Dell'Orso.

from Per un pugno di samba
available on CD - Sonho de um carnaval (Universal France)



Elijah  performed by Donald Byrd  1963
Recommended by tinks [profile]

One of the few succesful attempts at using a gospel choir on a jazz recording (along with Max Roach's "It's Time" LP from the previous year...which, coincidentally, featured the same chorus), Byrd's "A New Perspective" album was the first time it was really attempted with a small group setting (Roach's was backed by an orchestra). This, the opening track, begins with a vocalese scat by the choir that calls to mind old slave work songs. From there, the incredible band (featuring a very young Herbie Hancock and Kenny Burrell, among others) strikes up, and begins to follow a basic riff with the chorus that takes you through the remaining nine-plus minutes with various tempo changes throughout. An equally impressive edited version appeared as a b-side to the single of "Cristo Redentor", which got to be a minor hit on the pop charts.

from A New Perspective, available on CD



Elle a... elle a pas...  performed by Michel Legrand  1965
Recommended by delicado [profile]

A very cool and swinging jazzy pop vocal. Michel's range is quite remarkable, and there are some cool backing vocals too. About halfway through of the song, some completely over the top scat vocals kick in, and two different vocal Michels carry out a nonsensical scat 'conversation' until the end. Definitely an unusual way to complete a song, but it works fantastically.


available on CD - Le Meilleur de Michel Legrand (Philips France)



Ely Arcoverde Quarteto  performed by Ely Arcoverde  1965
Recommended by sodapop650 [profile]

Ely Arcoverde is a Brazilian organist. His sound is similar to Ze Maria but not as chime-like and almost even a church-organ sound at times. I love this LP because it has a real low meditative sound. It is a quality I find in much of the music from Bahia as opposed to that from the south. The quarteto inludes organ, drums, bass and - a quality that I love alongside the organ - an accoustic guitar. It is mostly instrumental with some vocals similar to the way Jorge Ben would just make repetetive humming and moaning noises in his early LPs. The whole record has a very dark and mysterious feel - sad and lonely the perfect LP for the dark just the light from the stereo tubes flickering. It is available on ebay a lot, it is Ely's most popular LP and it should run you about $50 - 75.

from Ely Arcoverde Quarteto (RGE RXLP-5.279)


Entre e Ouca  performed by Ed Motta  1992
Recommended by ambassador [profile]

I didn't entirely get Ed Motta until I listened to this album. For me this is his perfect mix of sacred and profane styles, his soul and his jazz. Only his third album and his first two employ retro styled instrumentation, it sounds like a 1970s session from Luther Vandross without the glitzy disco production. Ed's voice sounds so great paired with the Fender Rhodes which dominates this album. The arrangements are complicated, unpredicatble but entirely accessible. Entre e Ouca, which means "Enter and Listen," has a mid-tempo disco feel with a bouncing bass line, sharp guitar lines and that rhodes. I like his newer, more challenging albums as well, but this sound immediatly speaks to me like the best crafted pop songs.

from Entre e Ouca (WEA)
available on CD - not that I know of


Eque  performed by Duke Ellington  1968
Recommended by delicado [profile]

Taken from his exquisite Latin American Suite, this is an unusual sounding track to me. Mid-tempo, with an unrelenting bossa nova style beat, the action is shared between the piano and various horns and saxophones. I guess it's the strange discordant tones that take this track higher for me. They remind me of some chords I've heard in the more adventurous Brazilian pop music of the late 1960s - basically taking what is fundamentally a sweet sounding, warm chord, and overlaying notes that provide a darker, more forboding feel.

Adding to this, the punctuating horns and reeds give the whole thing a gently groovy feel that's reminiscent of quirky 60s soundtrack music. Really cool stuff, and I recommend the whole album.

from Latin American Suite, available on CD


eternity  performed by paul haig  1983
Recommended by lhoda kblerz [profile]

optimistic synth pop from the early eighties that is the perfect track to play directly after hearing "white car in germany" by the associates.Paul Haig made a few near perfect pop songs that got nowhere ,millions of people can be so wrong

from the warp of pure fun


Europe Endless  performed by Kraftwerk  1977
Recommended by phil [profile]

This song is absolutely full of class and confidence - over 8 minutes long, and over a minute at the start is without drums or bass, just to get you into the groove. Then, they don't pull out the best tunes straight away - instead, they build up to them gradually with variations on the theme before building into a bigger and bigger climax. The tunes are as simple as you expect from Kraftwerk - the confidence to just hold a single note for 8 beats without changing is just fantastic - but the cumulative effect is brilliant.

The song is both hypnotic and euphoric and I can't recommend it too highly. When I looked at the iTunes stats as to what songs I had listened to the most, it turned out I had listened to this a heroic four times as much as any other song.

This song has clearly been hugely influential on groups like depeche mode and new order, and yet it somehow sounds quite separate from the things it has influenced. For example, just can't get enough by Depeche Mode is clearly influenced by this, but Europe Endless is much less poppy and commercial.

This whole album is fantastic - there is a kind of sister song to this one later on the album called Franz Schubert.

from Trans-Europe Express, available on CD


Eurpe After The Rain  performed by John Foxx  1981
Recommended by geezer [profile]

The magical Mr Foxx begins to allow some warmth into his sound after the detached ,sometimes clinical feel of his early Ultravox records and alienated classic "Metamatic".The voice is still remote and the lyrics open to a vaugue interpretation but this sublime piece of post punk pop benefits from Spanish guitar and an almost Abba-esque piano motif .This new found warmth adds a feel of hope and optimism to a previously bleak musical landscape .

from The Garden, available on CD


Everybody’s Got to learn Sometime  performed by The Korgis  1979
Recommended by Mike [profile]

An absolute classic of British pop. Beautiful song whose verses and chorus each use original and stunningly effective chord sequences. The verse's melody line is exceptionally fine, as is the atmospheric production.

from Dumb Waiters (Rialto)
available on CD - Don't Look Back - the very best of the Korgis (Castle)


Everyday I Write the Book  performed by Elvis Costello  1983
Recommended by geezer [profile]

In which Costello lands the role of Smokey Robinson,a bittersweet lament to the unluckiest man in love in the style of The Miracles at their best,the usual lyrical brilliance assisted by the wonderfully eclectic Attractions,a pop masterpiece in the form of homage to one of his own idols

from Punch The Clock
available on CD - Punch the Clock


Extensive Care  performed by Crossover  2001
Recommended by PappaWheelie [profile]

Much like Miss Kittin or Adult., Crossover are convincing that minimal neo-new-wave-electro can revitalize the underground with a self consciousness and dry delivery of vocals.

from Fantasmo, available on CD



Fadeaway  performed by Laika and the Cosmonauts  1990
Recommended by delicado [profile]

No one talks about this band much. Not in my experience, anyway. It's all instrumental, so I guess they're not for people who are lost without vocals and lyrics. But have a listen - to me they really seem utterly superb. I would love to see them live.

I only have a couple of albums, but they're great. This one was released in 1996 (shit - that was 9 years ago!), but recorded in 1990. Really beautiful twangy surf-pop that fits in perfectly with the whole David Lynch mood that I find so appealing. The album is an intoxicating mix of energetic surf tracks and slower, more atmospheric ones like this. Their recent 'Local Warming' album is great too. Can anyone recommend me any more of their tracks?

from Zero Gravity, available on CD



  olli: Yeah, they're certainly one of the better neo-surf acts out there. See Laika! Se Laika run! Go laika, go!
Faith Hope and Charity  performed by Tony Kingston  1973
Recommended by john_l [profile]

An absolutely lovely smooth soul/pop ballad, and I'm someone who usually hates such things (if it's from the last couple of decades anyway). Did I mention it was smooth? His vocal especially. No idea where to find it, but a series called "Vintage Canadian Music" has released his other single "I Am The Preacher" (which I once saw Deep Purple do under the name "Hallelujah" on the tube) on one of their CDs, so I am hopeful ... hint, hint!




Falling From Grace  performed by The Gentle Waves  2000
Recommended by eftimihn [profile]

"The Gentle Waves" was the guised solo project of Belle & Sebastian's Isobel Campbell, before she eventually recorded under her own name after leaving the group. This is pure etheral, introverted, delicate indie pop with a strong late 60s feel to it. The track starts with toned down drums, bass and acoustic guitar to complement Isobel Campbells's airy vocals. Later a wonderful harpsicord joins in, together with some violins and cello giving it a flowing, autumnal feel.

from Swansong For You, available on CD



Family Affair  performed by Iggy Pop  1985
Recommended by djjetraven [profile]

Very worthy cover of Sly & family Stone song. Iggy croons!

from Nuggets, available on CD


Fascination  performed by Saint Etienne  2004
Recommended by eftimihn [profile]

With Saint Etienne being one of my favourite groups of the last decades (and possibly the best british pop group today) it's really hard to pick a track, it wouldn't be hard to recommend dozens of amazing tracks they did the last 15 years. That said, "Fascination" is the only new song they produced since Finisterre (2002) and it was included on their first compilation released in the US. It doesn't really matter if they embrace a more late 60s style a la Good Humor or a more electronic or dance approach to their music, due to Sarah Cracknells distinctive voice and Stanleys and Wiggs' ear for strong melodies it always sounds essentially Saint Etienne. This one is a heartfelt, bittersweet song, with an almost Hip Hop-ish basic beat, lush synths, floating harp-like electronica and a great piano melody.

from Travel Edition 1990-2005, available on CD



Feelings  performed by the Grassroots  1968
Recommended by tinks [profile]

Given the recent reevaluation of "mainstream" 60s pop acts such as the Association, the Monkees & Free Design, it seems a shame that more people aren't aware of how great the Grassroots were. Best known for their oldies-radio staples "Midnight Confessions" and "Let's Live for Today", they were purveyors of great well-crafted, country-rock-tinged pop music. This track is a perfect example, deftly combining vibes, mandolin, handclaps, fuzz guitar and terrific lyrics into an inimitable 60s L.A. sound. Check them out, it's high time that they got their due. And a special note for all you trainspotters out there...you can see the band perform this song in the 1968 Doris Day vehicle "With Six You Get Egg Roll".

from Feelings (Dunhill)
available on CD - Anthology: 1965-1975 (Rhino)



  adam12: Right! I can remember most local bands covering this tune in the mid-late 60's. Sounds good coming out of a garage. Kinda like "Nobody But Me" by the Human Beings.
fell down the stairs  performed by tilly and the wall  2004
Recommended by lexie [profile]

geeetars, synthesizers and tap dancers + pop-ish happy sound=amazing. what more is there to say? this song was lovely live, as well.

from Wild Like children


fell in love at 22  performed by starflyer 59
Recommended by olli [profile]

I'm not usually too big on this kind of indie pop, but this is just gorgeus. Melancholy lyrics, slow picked guitar, piano, church hall ambience...This could have been just about a zillion bands, yet it manages to have a voice of its own.
Just a great song for me right now.

Sounds eerily similar to Magnet, though.






  Ricard: Christian Rock... aaaggghh!
  olli: Yeah, i know, they're christian.. So was Johnny Cash. it's not like they're spreading propaganda or anything,and this happens to be a minor classic. The fact that I don't share the personal beliefs of the artists involved has never stopped me from listening to interesting music.. I'm not too narrowminded to shy away from music by buddhists, nazis, italians from the 80's, satanists, mooncat-worshippers or even christians, and neither should you be.
  rum: I agree olli. Good music is good music whoever's playing it. Narrow-mindedness will only lead to bitterness in old age, bemoaning all the great things you missed out on. I must confess though, ages ago I did once judge little known 80s Bristolian band, the Waxing Gibbons on their MoonCat worshipping beliefs. A mate of mine was really into them, but I was having none of it, wouldn't listen to their, "mumbo jumbo music". Then one time he played some stuff without me knowing who it was, and I was like, "woah, what is THIS?!" I couldn't believe what I was hearing. Absolutely awful.
  Ricard: Hmmm. You sound like some sort of preacher to me Olli... a Christian Preacher!!! Using the innocent world of Musical Taste to spread your sinister "Italians from the 80's" message to society's more susceptible elements. Despicable
  olli: Magnificent creatures, mooncats. Indeed. Take a look for yourself: http://www.mooncatstudio.com.tw/fu.jpg
Fell in Love at 22  performed by Starflyer 59  1998
Recommended by avalyn [profile]

a wee lush love song that makes me turn into a puddle without fail. very dreamy and ethereal, and it has a gorgeous melody too... so if you're into that brand of guitar pop, you'll dig this.

from The Fashion Focus, available on CD



  konsu: Already recommended, only with olli's "mooncat style" lower case spelling... While you are there, observe if you will the ensuing religious commentary thread. One of the more entertaining on the site so far.
  avalyn: heh. merci for letting me know. i'll keep me nose to the ground then, and just watch from afar. (religious thread -- would it have to do with them being on Tooth on Nail or summat?)
First Day  performed by The Futureheads  2003
Recommended by agnamaracs [profile]

Has anyone ever seen "The Hudsucker Proxy?" You know the scene where Tim Robbins first comes to work for Hudsucker and he gets an orientation that lasts exactly one minute ("Punch in late and THEY DOCK YA!")? "First Day" is more or less that scene's musical equivalent.

Clocking in at two minutes and not wasting a second, "First Day" describes someone's first day at work that begins optimistically enough ("And they say this is the job that people die for / I hope you're ready for the next stage"). Eventually, the day goes on too long (through dinner!) and his spirits are dampened by a coworker ("And he says like it or not / You have to do what they say / And it is something that you would like to talk about / But it is only your first day"). And then things just go out of hand.

"And they say 'faster, faster!'"
The song speeds up slightly.
"AND THEY SAY 'FASTER! FASTER!!'"
And the song now reaches breakneck speed. Incredible!

I have no doubts that "First Day" could've been one of the greatest, most brilliant post-punk singles ever, had it been released 25 years ago. As it stands, the Futureheads are becoming quite popular in England with the impending release of their first full-length album (for which "First Day" was re-recorded). They are a band worth hearing and I can only hope their album gets an American release.

from First Day, available on CD


Fly High  performed by Cotton Casino  2004
Recommended by n-jeff [profile]

A solo single from a member of Japanese space rock collective Acid Mothers Temple. For them she plays Synthesiser (a nice old Roland) Cigarettes and Beer. On this she also sings.
Its a strange sounding thing, theres no bass or even much lower mid range. Echo'd synthesiser, a very old sounding drum box, and vocals all occupying the same accoustic space to very psychedelic effect. But yet, very poppy, the vocals stay with you for ages.
Lovely stuff.

from its a single
available on CD - we love cotton (silly boy)


Flying Up Through The Sky  performed by The Oxfords  1969
Recommended by eftimihn [profile]

An underrated, forgotten gem of perfect sunshine pop. Why this is rather little known is completely beyond me, since the song just has it all: breezy, swirling, lush strings, tight rhythm section, sweeping french horns and great male/female vocal harmonies. It's an uplifting uptempo song, pretty much in the vein of the 5th Dimensions' "Up, Up and Away".

from Flying Up Through The Sky, available on CD




  artlongjr: This is gorgeous! Great title, too. I've never heard of this band before.
  Major Minor: YES! The Oxfords have three of my favorite Sunshine Pop tracks: Flying Up through the sky, My world and Lighter than air... all great sunshine pop... however be warned much of the rest of the album seems to my ears to be fairly awkward Blues rock attempts that just don't work to my ears.... but those three tracks are Sunshine Pop perfection!
Footprints on the Moon  performed by Francis Lai  1973
Recommended by delicado [profile]

An incredibly perfect easy listening piece, this opens with an other-worldly, John-Barry-ish synth sound, and then leads into a groovy, lightly funky piano riff, with shimmering strings. Francis Lai's signature organ sound carries the tune as the song builds into a dramatic orchestral pop masterpiece. A standout track, with superb wistful, lazy, summer day feel, rather like some of the best tracks on the 'Sound Gallery' compilation of a few years ago.

from Plays the compositions of... (UA UA-LA095-F)




  scrubbles: Yow! That sound snippet alone is so cool.
  AndreasNystrom: I finally got the version by Francis Lai, and i think its better then Johnny Harris one. Splendid song!. I love the ending part of it.. cant get that part out of my head :)
  standish: I'd have to go for the Johnny Harris original over the Francis Lai version. It's colder and spookier with less obtrusive strings. "Movements" is available on CD (great sleeve - his expression suggests a combined photo shoot/visit to his proctologist) - but the mono single version (w/"Lulu's Theme") is all you need.
  leonthedog: Well, thanks to all of you I had to track down BOTH versions! Amazing what a difference an arrangement makes. I agree with scrubbles: the clip of Lai's version is the most infectious thing around!
For Love  performed by Lush  1992
Recommended by parlop [profile]

"this is so real, it's what i feel. i look in your eyes and lose myself" this song is a great dream-poppy ditty about someone falling in love with falling in love... which is kind of cheesy in a sense... but Lush just does it so amazingly. I really like how this band really embraces their girly-ness and doesn't try to act like their trying to keep up with the boys as many female-led bands from their era were doing. the background vocals are amazingly beautiful as are the guitar solos. There's a nice, lush, romantic feeling received from listening to this song. the imagery from the aforementioned lyric is very nice as well.

from Spooky (4ad)


For one moment  performed by Lee Hazlewood  1966
Recommended by delicado [profile]

An incredible doomy pop masterpiece, 'For one moment' is a dark, haunting ballad, laden with rich strings. I guess what makes it stand out is the recording itself - Lee was a master of studio techniques, and so the whole thing has an uncanny, almost Phil Spector type feel to it.

from The Very Special World of Lee Hazlewood (MGM)




  plasticsun: Have you noticed that the string part sounds a lot like the string part in Scott Walker's "Plastic Palace People"?
  olli: Brilliant song, was going to recommend it myself, but luckily remembered to check for earlier entries. Always thougt this had kind of a Michel Magne feel myself..it's the swirling strings, i guess. Check out his version of Poinciana and Petrol Pop to see what i mean.
Ford Capri II  performed by Christian Bruhn  1973
Recommended by heinmukk [profile]

actually, this is a german advertising-song from 1973. i wonder how advertising was in those days, since this track lasts 2:56min.
found on popshopping, a compilation with old funky german advertising-songs issued by the lable crippled hot dick wax, where you can find many of those obscure old recordings. for example shake sauvage. a compilation with old french film soundtracks. great catchy tunes in there, too!
anyway, christian bruhn is rather known here in germany. he wrote a lot of hits and a great soundtrack for the 70s/80s cartoon/anime series captain future.
this one is funky and catchy, with female "aaaaah" singings and great brass hits (which i like more and more....)

from Pop Shopping (Crippled Hot Dick Wax)



  n-jeff: Yeah man! Brash horns on the intro, a nice mellow bit in the middle and out with a bang. Remixed by Ursula1000 on a 12, which although it seems redundant, isn't bad at all. Sounds nice when driving around my own Ford Capri MkII. Lovely!
ford capri II  performed by christian bruhn  1973
Recommended by texjernigan [profile]

This entry and the one before it come from a compilation called pop-shopping - juicy music from german commercials 1960-1975, and I can only imagine seeing these with their original car commmercials. This music is fast, stylish, and vintage.

from pop-shopping - juicy music from german commercials 1960-1975



Frankly, Mr. Shankly  performed by The Smiths
Recommended by daniela_por [profile]

I consider it a mix between britpop and country. However, it sounds great.

from The Queen Is Dead


Freio Aerodinamico  performed by Os 3 Morais  1969
Recommended by delicado [profile]

A truly incredible vocal/jazz pop track which really has everything. Os Tres Morais were (are?) a mysterious Brazilian vocal trio. Here they tackle a great Marcos Valle song, and do such a storming job of it that this may be one my very favorite tracks EVER in the whole world ever! Honestly. Until I put a sound sample up, please accept these measly words of explanation:
1. It's bouncy and smooth and has warm strings
2. It's actually quite funky as well
3. The vocal harmonies are fantastic. I don't think there are any actual words - it's all just beautiful interwoven sound
4. Someone starts playing a scratchy electric guitar rebelliously at end of the song, completely out of context with the rest of it. It sounds cool.

from Os Tres Morais
available on CD - Blue Brazil volume 2 (EMI UK)




  tinks: i have a sneaking suspicion that os tres morais and os tres brasilieros were in fact the same group...the reason that i say this is because os tres brasilieros were a family group comprised of two brothers and a sister, whose last name just happened to be "morais". if so, have a look for the album that i've made a recommendation from. it'd seem to jive, since this comp is on emi, and the lp i have is on capitol.
  delicado: hmm, interesting. Shame there is a dearth of info available for either group... are os tres brasilieros consistently good, out of interest?
  tinks: well, the album i have is pretty standard vocal bossa & samba-type stuff, but it's not bad. very easy to listen to, and there are a few inspired moments. i'll check the liner notes to see if i can garner any more info on them.
  clmarcel: i think the correct name this band is "os tres moraes". here in Brazil, moraes is frequently a last name, while "morais" can be traduzed by "ethics", "moral".
  clmarcel: sorry, i made a mistake. The real name is MORAIS. The link to this band is http://acesso-raro.blogspot.com/ . There can be downloaded the mp3 e see the album cover.
  Luroberto: This ensemble was the best one in the end of the 60s in Brazil. The accurate voise of Jane Moraes was simply marvelous. They have been influenced by Les Swingle Singers. They began their career singing music erudite and in a second moment they joined Bossa Nova hits of Chico Buarque and Tom Jobim. They have enregistered three LPs. When Jane married Herondy and make the kitsch couple Jane & Herondy her brothers relpaced her by Ana Lucia and after one last LP they splited the ensemble for separate careers. One of them is now new as "Santo Morales", a bolero singer. One of their best hits was O Sonho (The Dream), 1968, of Egberto Gismonti.
Fridays Angels   performed by Generation x  1979
Recommended by geezer [profile]

A punk band that made the progress limited to just a few like the Jam and Killing Joke.This is guitar shaped power pop with a healthy slice of mod swagger and a fantastic chorus .A kind of Bowie esque tribute to wasted cool and what should have been a sure fire top tenner .This came from a buried gem of an album produced by Mott the Hooples Ian Hunter and listening now with hindsight that makes perfect sense ,the group and producer managing to crytalise glams optimism and punks negativity.

from Valley of the Dolls (Chrysalis)
available on CD - Valley of the Dols


friends of mine  performed by adam green  2002
Recommended by olli [profile]

uplifting, string-laden, lyrically abstract modern indie-pop. i think adam green`s strenght as a songwriter lies in his ability to combine bizarre random lines of text and catchy, but sophisticated melodies to something that`s bigger than the sum of its parts. that`s why i prefer his latest work to what he did back in the moldy peaches, the more well-produced sound really helps to balance out things. the strings on this song, for instance, is what makes it a slice of near-perfect sunshine pop. i really need to get around to actually buying this album soon..

from friends of mine


frozen warnings  performed by Nico  1971
Recommended by n-jeff [profile]

At first appearance, its not the most appealing of combinations, that deep flat voice accompanied by the unforgiving Harmonium alone. And it is quite stark, but at the same time strangely warm and hypnotic.
The song itself has a strong chorus and there are well played hooks. Slow, dark, magnificent. And it strangely is a pop song where the rest of the EP isn't.

from Peel Sessions (Strange Fruit SFPS064)


Garra  performed by Marcos Valle  1971
Recommended by delicado [profile]

Another wonderful, genre-defying track by Marcos Valle, Garra is a bouncy mix of scat vocals and funky, soulful pop. The arrangement somehow manages to remain very tasteful and tight. The entire album is highly recommended.

from Garra (Odeon)



Get In Line  performed by I’m From Barcelona  2011
Recommended by Livy19 [profile]

Indie Pop feel. More than one singer (big group of people singing this song) fun and upbeat!
- I like this because its good to dance to when your with your friends and the lyrics are quick to learn.
- Electric guitar, keyboards,

from Forever Today
available on CD - Yes (yes)


Get It Up For Love  performed by David Cassidy  1975
Recommended by Flippet [profile]

Cassidy recorded this track as part of a suite of songs for his new record label in 1975. Attempting to redefine his image from teen idol to serious artist, this song was David's first new single. It is a perfect example of the west coast R&B sound popular at the time. A brilliant recording, the song was banned from radio airplay by the BBC as the title was too shocking. More likely was the fact that no-one understood who this "new" David Cassidy was. The banning of the song was solved by flipping the b-side to the a-side with the result that Cassidy's version of "I Write The Songs" became a huge hit for him internationally and later inspired the less sensitive and more commercial rendition of the song produced by Barry Manilow. David Cassidy at his best!

from The Higher They Climb The Harder They Fall, available on CD


Getting Away With It  performed by Electronic  1989
Recommended by eftimihn [profile]

The amount of 80s talent was really incredible on Electronic's debut single: Bernard Sumner (New Order) doing vocals and synths, Johnny Marr (Ex-The Smiths) on guitar (pulling off a wonderful solo in the middle of the song), Neil Tennant (Pet Shop Boys) providing background vocals and Anne Dudley (Art Of Noise, arranger on ABC's legendary "Lexicon Of Love") orchestrated a wonderfully lush string arrangement. The outcome is a fluffy, elegant, slightly melancholic and almost timeless piece of british pop music (except for that dated, rather bland sounding electric piano).

from Getting Away With It (Single), available on CD




  delicado: odd - I was thinking about this song just yesterday. The B-side, 'lucky bag', was also quite good as I recall.
  Mike: Electronic could be very good indeed when they started out and I'm a big fan of a number of their songs from this period. Tennant and Marr went on to work together on the last PSB album, but I'd like to hear more collaborative work from Tennant and Sumner.
Getting Away With It  performed by Electronic  1989
Recommended by ref. [profile]

Straight up pop song with a disco sheen. I haven't liked many songs in Electronic's catalogue, despite featuring Bernarnd Sumner from New Order and Johnny Marr from the Smiths, but this song is up there with my favorites from each group.

This song features Neil Tennant from the Pet Shop Boys. What star power!

The lyrics are typical Sumner - casual dream-speak about his relationship with the world.

The refrain is gold, as are the melodies.

Check out the song here:

http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=42979805

from Getting Away With It (Factory FACD 257)


Getting Started  performed by Ashby  2005
Recommended by eftimihn [profile]

A delicious slice of indie-pop. Very european sounding (influences by early Cardigans, Saint Etienne and Birdie spring to mind), this duo (consisting of Evelyn Pope & Bill Cowie) are actually from Boston. With all ingredients properly in place to conjure up images of a breezy summer day: Warm, analogue keyboards, horns, trumpets and some joyful flutes (played and arranged by Z� Luis) and very light and breezy female vocals.

from Looks Like You've Already Won, available on CD



Giovanna  performed by Henry Mancini  1970
Recommended by bobbyspacetroup [profile]

When I first started actively listening to Mancini, I guess it was in '94 or '95, I was put off by his work from the late '60s/early '70s. I guess my impression was that he wrote these brilliant pop scores until the mid-'60s and then just starting doing mediocre orchestral Beatles medleys and stuff like that. Well, lately I've been realizing how misinformed my first impression was. In fact, it seems i've been enjoying Mancini's work from this era even more than much of his older stuff. "Giovanna" is a great, jaunty little instrumental from Vittorio De Sica's 1970 film "Sunflower." The very Italian-sounding arrangement is carried by the organ and accordion. I think the "Sunflower" soundtrack is too often compared to Morricone. While I can maybe hear the influence, the sound is distinctly Mancini. Another good track from the album is "Love In The Sand" which features, uh, some very nice harpsichord work.


available on CD - Sunflower OST (JVC (Japan))



Girl Don’t Come  performed by Sandie Shaw  1964
Recommended by golden [profile]

From the minor key trombone intro to the teenage angst of the lyrics, this is a classic song of the 60's that totally encapulates the innocent era of the UK beat boom. Sandie Shaw was probably the best selling UK female singer from 64 to 69, slightly outselling her contemporaries Dusty, Cilla and Lulu and although she possessed a weaker voice than the others, what she lacked in volume she made up in style and interpretation. Sweet and slightly soulful with a quasi tuneless ache to her voice which epitomised a teenager stood up by some beatnik no hoper, she was only 17 and showed the ways of a woman several years older. In the UK it was the follow up to the massive UK No 1 ''Always Something There To Remind Me'' and was a massive Top 3 hit that should have gone all the way to the top.
I love this record - it sums up an era, it is the beginning of a suit of girl singers who changed then style of singing, from 50's twee to 60's ''dolly bird'' and it remains a classic pop single from a girl who held the record for the most No 1 hits for a ssolo female for 19 years

from n/a (Pye)



  shakeahand: Quite agree. One of my first LPs as a teen was a greatest hits - and for me she summed up the 60s female vocal. For big, brassy and emotion-laden power pop, see also Long Walk Home.
  Swinging London: It was initially released as the 'B' side of the much weaker: 'I'd Be Far Better Off Without You'. Someone, probably a DJ, flipped it over. I love the arrangement on this. It's full of atmosphere. It seems to completely capture the time. Another of her songs that has a similar effect is 'You've Not Changed', which wasn't as big a hit and seems to have been forgotten and is often excluded from Greatest Hits Comps.
Girl on the moon  performed by John Southworth
Recommended by moondog [profile]

If Burt Bacharach would produce a hawain cabaret/ukulele band under the supervision of David Lynch with songs written by aliens and Paul Mcartney they could come close to the music of John Southworth. Confused ? well, but canadian popster Southworth defies description. And it´s not just orginality for orginalitys sake. Southworth is just as interested in crafting a fine melody. Maybe his whiny voice is offputting for some but i find it all the more charming. Girl on the moon is taken from his marvelous debut album (which he sadly hasn´t topped yet although the new Yosemite comes close) Mars, pennsylvania and i believe you can find it for just 1 dollar on amazon. So, what are you waiting for ?


available on CD - Mars, Pennsylvania (Bar/none)


Girlfriend  performed by Eric�s Trip  1994
Recommended by sardonicsmile [profile]

rick white is a prolific songwriter, whether with eric's trip, or his more recent project elevator. 'girlfriend' in particular characterises the sound with acoustic guitar up front, fuzz guitar in the background and floating away vocal. eric's trip came out of the so-called halifax pop explosion of the early 90s, and their name comes from the sonic youth song. but their sound is a lot more lo-fi and home recorded, guitars and sounds popping out of strange places in the mix.

from Forever Again (Sub Pop)


Giro  performed by Elis Regina  1969
Recommended by gregcaz [profile]

The MPB goddess breaks free from her previous samba-jazz orientation towards a more pop vibe in keeping with the Age Of Aquarius, via a short-n-sweet Adolfo-Gaspar composition.

from Elis, Como & Porque, available on CD



Golden Brown  performed by The Stranglers  198?
Recommended by jcb3 [profile]

We got (still get) very little British music here in the States, even the top of the pops - I'm continually discovering great stuff that is decades old...

One of my all time faves is this Strangler's tune - beautiful imagery, some etherial background vocals, altogether a wonderful "mellow" tune from a band best known over here for punk.





  n-jeff: Lovely, surprisingly, considering what boorish herberts the stranglers could be. Nice video too, 20's Cairo chic, grubby whie suits, rubber plants, faded sepia hotel splendour. I've always wanted that sort of white suit, maybe it was watching Casablanca at an early age.
  audioadventures: I was into the band before they broke as they were based in our town. Golden Brown is from La Folie album (1982).
Golden Lights  performed by Twinkle  1965
Recommended by delicado [profile]

This is a simple but rather bitter pop song, although on the surface it sounds quite sweet. If I recall correctly, it was written about the singer that Twinkle was seeing at the time. The gentle arrangement features acoustic guitar and some brass. It's not hard to hear why Morrissey liked this song enough to cover it with The Smiths.

Twinkle has a lovely clear voice, and much as I respect Moz, this version towers above the one done by The Smiths, which suffers from a strange mix of production styles. That said, I have a strange mix of emotions on hearing the song, since I heard the Smiths version at 14, but only got into this one in the last few years.

from the single Golden Lights
available on CD - Twinkle (RPM)



Good Dancer  performed by The Sleepy Jackson  2003
Recommended by geezer [profile]

Fantastic Austrlian pop drawing on the post Beatleseque for references ,perhaps an imaginary collaboration between John Lennon and George Harrison,the Dark Horse meets No9 Dream .Bright and energetic from start to finish with a sun bleached aura to make your day shine .incidentally this group split and re emerged as Empire of the Sun well worthy of perusal .

from Lover, available on CD


Good Fruit  performed by Hefner  2000
Recommended by delicado [profile]

I've come to really like this band, but when I first heard them, I wasn't so keen. Like many great bands, Hefner feature a highly distinctive singer, who can take some time to grow on you. This simple 3 and a half minute pop song has an engaging arrangement, in which the piano, drums and guitar are superbly complemented in the chorus by synth, brass, and some great backing vocals. The chorus is quite glorious, with a chord sequence that somehow reminds me of the group Mercury Rev's very best songs. The words go very well with the emotional music as well: 'Lost feelings of love come flooding back/Every time you cry/ you give me little heart attacks/Love seems strongest when it's new/but that's something I can't prove/I can't prove that I love you...'

The only other reference point that occurs to me is Pulp - as the song builds, lead singer Darren Hayman's delivery becomes ever more exhuberant, like that of Jarvis Cocker in the best Pulp songs. Looking at the CD, I notice that the excellent backing vocals are by Amelia Fletcher, who if I remember correctly did some Wedding Present backing vocals, and was the singer in the Sarah records band 'Heavenly'. Anyway, this is a really infectious track, highly recommended.

from We Love the City, available on CD




  kkkerplunkkk: Good taste my friend! That is one of my favourite Hefner songs. Should have been a huge hit, it only made number 50 in the UK charts for 1 week. It did go straight in at 1 in the indie charts though!
goody goody gumdrops  performed by 1910 fruitgum co  1968
Recommended by shaka_klaus [profile]

bubblegum pop. covered by teenage fanclub in the 90s. big bubbles! no troubles!

from goody goody gumdroops (buddah bds 5027)



Gordon's Gardenparty  performed by The Cardigans  1995
Recommended by tinks [profile]

A lovely, sugary piece of easy-pop, with a nice flute, some subtle strings, fingersnaps and terrific lyrics. "We were swinging oh so nice/bubbly pink champagne on ice"...plus a few "la la la doobie doobie doo"s for good measure.

from Life, available on CD



greater heights  performed by motion soundtrack  2001
Recommended by bandag23 [profile]

this song makes me loopy with goodness.
motion soundtrack rocks.

from nine days wonder (racecar records)


Groovin With Mr. Bloe  performed by Mr. Bloe  1970
Recommended by tempted [profile]

With the likes of Buzzsaw by The Turtles and Dance With The Devil by Cozy Powell, Groovin' With Mr. Bloe is one of my favourite late 60's-early 70's groovy "novelty" pop instrumentals.
Beginning with a tight drum beat that carries on throughout the song and followed by one of the fattest basslines ever, this is a real dancefloor gem for hip crowds. Best of all is the harmonica lead by Mr. Bloe himself, a session musician by the name of Harry Pitch. Groovin'...became a surprise top ten hit but the best credit to the song is that it allegedly still enjoys club play by Richard Searling, the legendary northern soul deejay.

from Groovin' With Mr. Bloe (DJM)



  n-jeff: I take the opportunity to play it out whenever I can, it's a belter of a record, and still relatively easy to find in UK charity shops. Good choice!
ha ha  performed by mates of state  2003
Recommended by catch_her [profile]

" It's difficult to place MOS in a genre as the song structures are unique, often complex. At the same time there are always the pop elements of catchy melodies and loads of harmony. Even though there are only two of them, they fill up the space with the monster, bass-heavy organ, creative drumming, and constant dueling vocals. The music can be sweet. At other times it's spastic, but either way, you leave MOS shows with a warm feeling.



Mates of State has been described by critics as unabashed joy, honesty at its best, a two piece with balls, and a band that you must see live. " (taken from official website)







amazing.

from team boo


Hair  performed by Zen  1969
Recommended by Ashley [profile]

Yes it is the title tune from the hit musical, but this Dutch band played it fast and funky. Kind of like Speed Lounge. The single comes from a five CD set which has plenty of other wonderful garage/pop tunes from the 60s.

from Neder Best (Hunter Music HM 1351 - 2)
available on CD - Neder Beat (Hunter Music)



Half Forgotten Daydreams  performed by John Cameron
Recommended by texjernigan [profile]

This track is so beatiful, and i find it popping up in a lot of degradingly funny places; its one of those tracks you hear in situations that are extremely sexy, though if you watched Nacho Libre, you might have noticed a more ironic use of the track.






  eftimihn: Terrific track, loved it for many years and was stunned to hear it in Nacho Libre.
Harriet’s Got a Song  performed by Ben Kweller
Recommended by purrple [profile]

no one can resist the poppy sounds of the beautiful Ben Kweller.

This song opens with the great line: "I don't stand a chance in this fucked up world..."

from Sha Sha


Have you got ticket to the Dome?  performed by Ip  1993
Recommended by Genza [profile]

Japanese recluse Ip rarely leaves the confines of his room-cum-studio - and it's usually to attend a naff 1980s-stylee disco. The shy, clumsy student takes on the persona of a mentalist when news of a party spreads.

To celebrate his love of all things crazee, Ip recorded a series of bizarre poptastic tracks in the early 1990s. The songs suffer from dreadful production values and annoying lyrics, much of which is spoken in broken Engrish. But hey, that only adds to the fun.

Ip's debut album 'Floor 15: Room 17' is his best. Two stand out tracks include: 'Knocking on door while Mr Room Mate is away now', and 'Why are all new friends arrive for special event not on?'.

But his best song is 'Have you got ticket to the Dome?', a slice of Human League-esque rom-pop, bolted on to a 130 bpm, glam rock rhythm.

I used to know his acquaintance, this bloke that used to wear a plastic suit and fake glasses. He would hang around with a can of cheap lager. But I haven't seen him in months. I think he lost his mobile phone, or something. He'd probably say: 'Oh yeah, Gonza, Genzo. I remember. The good old days. Hanging out in the Lounge.'

Whatever. But Ip. Far out.

from Floor 15: Room 17, available on CD



  delicado: I don't remember Ip's music. Wasn't there a related thing called 'DJ Bakesey'? I remember that being really good.
  Genza: Don't remember Ip? What on earth...? If I remember rightly, you used to hang around with him and those two mates of his that used to jump up and down on bed and squeal in a high-pitched way. Very, very odd. As for 'DJ Bakesey', he wag good - and some of his mates in the JCR Squad were pretty hot. Their sound - looking back - was pretty ground-breaking. 'MC Lem' was amazing and I loved his booming anthem 'Fish Pie': 'All I want for tea is Fish Pie All I want for tea is Fish Pie If I get it, I won't swear like a bad boy If I get it, I won't play Duncan no more...' Who was Duncan? And what did it all mean? Am I scared? Can I sleep here?
He was here but not for long  performed by Sally Dastey  1998
Recommended by phil [profile]

Ridiculously sentimental and melodramatic like a number of songs on this album, but as often rescued by the singing and in particular by Sally Dastey's voice - really, this woman is genuinely the best singer I have ever heard - a beautiful, plaintive Australian accent that deserves to be ranked with asrtud gilberto as one of the most distinctive voices in pop.

The music here on this song very simple - just a banjo, guitar, and mouth organ for backing, with Dastey singing 'he was here, but not for long/ I'll let you in on a little secret now/' before suddenly just speaking, with immense sadness - 'he wasn't the best worker we ever had'. Really fantastic folk music.

Sally Dastey was one of the Tiddas, who I have gone on about elsewhere on this site.

from Over In The West
available on CD - Over in the west


Hear in Here  performed by The Association  1968
Recommended by tinks [profile]

My favorite track on what may very well be the Association's best album. Great late-60s pop that brings to mind the Monkees' "For Pete's Sake".

from Birthday, available on CD



Heaven Knows  performed by The Corrs  1995
Recommended by Mike [profile]

According to most educated musical minds, the Corrs are purveyors of irritating, unambitious, tasteless pop tinged with Irish folk. I'd tend to agree strongly, and this track starts off so as to suggest nothing better - twelve seconds of unimaginitive and poorly-recorded drum solo, which moreover reappears with just over 3 minutes on the clock, followed by a truly dreadfully contrived-sounding modulation to the supertonic � la Eurovision. And a horrible brassy backing at one point towards the end.

However, there is definitely something I really like about, even esteem in what occours between those two points. For one thing, there is the way the depressive lyrics are sung to an assertively forward-moving minor key backing. There is something about the rhythm of word-setting that grabs me. I like the chord sequences. The melody's quite good. I like the violin solo in the middle, and the use of the violin for the riff heard during the introduction. Even if it's just a cheap piece of pop, it sounds as though some intelligence and emotion went into its creation. And as i say, for some reason, something about it seems to click with me somehow.

from Forgiven, not forgotten, available on CD


Heaven Knows I’m miserable now  performed by The Smiths  1985
Recommended by delicado [profile]

I love this much-derided song. People quote it as proof that the Smiths made morose music for morose people, but if you actually listen, it’s an amazingly uplifting song. Johnny Marr’s guitar is heavenly sounding; it all reminds me that no one else really made pop like the Smiths. What I've just said really completely fails to do the song justice. Ah well...

from Hatful of Hollow, available on CD




  schlemmsy: I quite agree. And this is not due to my love of uplifting house.
  john_l: Yup, this is the one that made me sit up and take notice ...
  raumfahrer1rolf: I love this song too. How is a person "miserable" when singing or hearing this song? It shows quite a bit of Morrissey here - he's "miserable" but it all sounds sublime, with a wistful tongue-in-cheekness to it. It's really pretty actually. If this is "misery" then please give me more of it, I'll get along quite nicely!
  daniela_por: This song will never be forgotten. It's simply great :)
Heaven Up Here  performed by Echo & the Bunnymen  1981
Recommended by Fig Alert [profile]

I'm glad that I get the opportunity to be the first to recommend a Bunnymen track, especially since their early work, which I feel is far stronger than anything after "Porcupine," is unknown, primarily Stateside, to many.

"Heaven Up Here" is a car losing it's wheels at full speed while cornering on a high mountain pass. Will Sargeant's opening chick-chick-chicking on guitar gives way to a straight bassdrop, headlong into Pete DeFreitas' insistent pounding on drums, while Ian McColluch's yelps sound utterly desperate, claustrophobic, pleading and angry simultaneously. There's a pause in the careening during the bridge, just long enough for Ian to remind us that "We're all groovy, groovy people...we're okay, we're okay," before it all plunges straight down the cliffside, banging, exploding, scraping and finally, ending succinctly.

I don't ever recall hearing back then, and rarely today, such a beautifully cacophonic melding of swirling psychedelia and assaultive punk/pop. The guitars are cascades of shimmering shards of sound. Les Pattinson's coy, but effective bassline floats beneath the furious energy DeFreitas unleashes on his drumkit. "Mac the Mouth" may be the frontman, but I think this gem is DeFreitas' piece all the way.

After 20+ years of living with this album, and this song in particular, the pump, pump, pump of the bass drum still sends shivers up my spine. Don't overlook this album as a whole either!

from Heaven Up Here (Sire/Warner 3569-2)



help you ann  performed by the lyres  1983
Recommended by shaka_klaus [profile]

the peak of 80s garage from this boston based group! of all the 'new' garage bands who played 60s influenced music i think this one's the absolut best. danelectro guitars, fuzzed up tremolo and pop organ orgasm!

from on fyre (ace of heart)
available on CD - those lyres (norton)



helpless  performed by the flirts  1984
Recommended by olli [profile]

fine little new wave bubblegum desperation pop song, with lyrics wich borrow heavily from the beatles' "yesterday". great bassline and some great new-wavey dance effects. not exactly a masterpiece, it's way too long and a bit clumsy in places, but it has that something that keeps me returning to it from time to time. usually when drunk at parties.





Here Comes The Sun  performed by The Beatles  1969
Recommended by fr0mthepast [profile]

60s classic pop song, perfect sound for a sumemrs day. I like it because it is the song to just make a day fele brighter and happier, it's picnic music.

from Abby Road


Here’s Where You Belong  performed by The Grass Roots  1968
Recommended by john_l [profile]

Mid-paced, with a heartfelt string arrangement, this is a warm and tender song that you can't not like. And, along with the totally different version by the West Coast Pop Art Experimental Band (q.v.), it makes up half of my all-time favourite pair in which the same song has been done by two artists. IMHO not even "Woodstock" or "I Heard It Through The Grapevine" come close ...

from Golden Grass (Dunhill)
available on CD - Grass Roots Anthology 1965-1975 Vol. 1 (Rhino)



  ronin: What's not to like about this whole album? Warren Entner's voice was the hook that drew me in, but harder numbers like "Where Were You When I Needed You?" and "Things I Should Have Said" are more to my taste. "Feelings" and "Hot Bright Lights" merit mention. Even "Bella Linda" with the sappy violins is a gem.
Here’s Where You Belong  performed by The West Coast Pop Art Experimental Band  1969
Recommended by john_l [profile]

Fast and furious, with incendiary guitars, this one is a radically different version of the P F Sloan track covered by the Grass Roots (q.v.), and it's half of my favourite pair of song-that-was-covered-by-two-artists-differently. They didn't have much else, although "Transparent Day" is pretty good, but the third LP is just bad country-flavoured pop to my ears.

from West Coast Pop Art Experimental Band Vol. 1, available on CD


Hiding  performed by Simon Warner  1997
Recommended by delicado [profile]

Simon Warner sings beautifully orchestrated and heartfelt songs with a mixture of 60s (e.g. Scott Walker) and modern pop (e.g. Julian Cope) sensibilities. Most people ignored his album when it came out in 1997. Apparently he recorded a second that even his record company ignored. I was lucky enough to see the great man a few times live in 1997. He's an incredible performer, with a slightly rough but very tuneful voice. The compositions, all his own, are also first-rate. This is my favorite track from the album, a melancholy pop tune with piano, guitar and bass, and later a full orchestra.

from Waiting Rooms, available on CD




  Eden Marmalade: Yes, Hiding is a superbly melancholy and well crafted song - also one of my favourites, though it depends what mood I'm in. Thankfully, Waiting Rooms has a song for almost any mood (including irritation at slobby flatmates; inappropriate lust; drunken joy et al). I can't actually think of another songwriter as talented as this guy - writing the lyrics and the music and bringing them together so cleverly. Makes ya sick!
  understudy constantine: It strikes me that the music world just isn't ready for someone as eccentric and talented as Simon Warner... who bothers with lyrics these days? Does anyone really appreciate a good witty tale, smattered with drama and an edgy charm? No. Does anyone long for real music, as opposed to a monotonous beat overlaid with a dull mantra? No. But this shouldn't stop the creation of brilliant songs. Simon, you're not the only one swimming against the tide. If you're happy doing it then that's all that matters. Oh, and it looks like you've picked up a few fans along the way - despite the lack of media support!
Hip-Hopopotomus vs. Rhymenocerous  performed by Flight of the Conchords
Recommended by nicolebaker [profile]




History  performed by Mai Tai  1985
Recommended by jeanette [profile]

Dutch pop is where it's at.

One of the best 80's songs, and hard to think of anything that more neatly sums up the decade - named after a cocktail, plenty of synth effects, that slight tinniness endemic to all the greatest 80's pop. I'm sure a lot of you will remember this song, and hopefully with affection. Mai Tai had the un-popstar names Caroline, Mildred and Jetty, and they pissed on Five Star.

from History (Metronome 825 947-1)


holiday  performed by T.V. Jesus  1999
Recommended by MMMp [profile]

I could recommend anyything from the TV Jesus album "Oh! Jesus!" and the accompanying singles, from which this song comes, but I choose this one because of it's singular use of what I want to call "alt-guitars" as in alternative sounding, raining down emo-guitar type effect. It's neat in this T.V. Jesus song which strays a little from the GlamPopRock sound.

from monoclone print ep, available on CD


Hometown Unicorn  performed by Super Furry Animals  1996
Recommended by delicado [profile]

Super Furry Animals are one of a select group modern bands I really like. In a sense, they are too 'rock' for me, but they are so furiously inventive and original that I'm always impressed by their songs - even the ones which I wouldn't necessarily listen to by choice. 'Hometown Unicorn' is a masterful pop anthem with a rich Bowie-like 1970s feel to it. The lyrics are also masterful, and concern the late 70s story of Frankie Fontaine, who claimed to have been abducted by an alien spacecraft. From the first line of the song, I was hooked - 'I was lost, lost on the bypass road...' Many thanks must go to my friend and fellow site user, phil for introducing me to this track and this band.
ps, the group are incredibly good live as well.

from Fuzzy Logic, available on CD



Hot Rod Rock  performed by Edd "Kookie" Brynes  1959
Recommended by JoNZ [profile]

Yes, it's shlocky, but the female voice (Joanie Sommers) goes from syrupy sweet to bad assed babe all in under three minutes. The song is basically about the fact that her boy only talks about his car until she pulls a switcheroo on her sweetness factor. Yes, I said switcheroo,...what of it? It's goofy, but I like it. One for the time capsule to be sure.

from Kookie, available on CD




  singjohn: Joanie Sommers is the MOST! Even after something like 40+ years of recording she still has that "little girl-gone bad" sound to her voice. Very cute and sexy at the same time! Her stuff with "Kookie" is a snipet of a brief era in American Teen History. Times were simple and naive and kids were inventing their own language based on jazz musicians and beat poets. "Squares" didn't "dig it" and those who did were "cool, Daddy-o" (think Jets from West Side Story). Anybody interested in more about Joanie should look here: http://www.homestead.com/joaniesommers/
  Rickybop: Hi Everyone! I'm new here, but I noticed a recommendation for this song by JoNZ stating that edd byrnes was accompanied by Jonnie Sommers. This is not true. The female singer's name is in fact Connie Stevens.
I respectfully submit this correction. You are so right-on about her voice, JoNZ, cute aaaand sexy...
also looked that way... one of my favorites. I love old-style hotrods, and related songs, and this one is right up my alley. I've found this song
on CD, Rhapsody, and Imesh. Be aware that iMesh will eventually disable your ability to play some downloaded songs (including this one) if you don't
agree to pay for a "renewal". Please share if you've found it elsewhere! God Bless Everybody!

  Rickybop: This is a humble retraction of my previous
"correction" statement. So sorry JoNZ, you were
apparently correct that Joanie Sommers, not Connie
Stevens sang with Ed Byrnes on the song "Hot Rod
Rock". Both female singers sound much alike. I've
contacted the site owner to delete my posts. Don't
want to mislead anyone...I'll be more careful next
time to triple-check my facts. Fun song, though.

Hotcha Girls  performed by Ugly Cassanova  2003
Recommended by Open Book [profile]

Ugly Cassanova made its mark in my soul with this track. Combining Isaac Brock's brilliant song writing with the painfully sweet voice of John Orth from Holopaw, this song sweeps in and out of beautiful melodies in such a way that leaves me absolutely awestruck. It's too bad they couldn't make the rest of their debut this good... the album itself has it's moments, but besides a few standout tracks, fails to completely fulfill my hopes for it's potential with such a star-studded line up. Nothing, however, will ever take away from the solid truth that this song is absolutely stunning, and as far as my opinions go, it's an instant classic.

from Sharpen Your Teeth, available on CD


How We Do  performed by The Game
Recommended by loganrhowell [profile]

pop hip-hop rap pop beat




hoy me has dicho hola por primera vez  performed by la casa azul  2000
Recommended by king8egg [profile]

somewhere between the free design and hideki kaji you get la casa azul. sweet 60s pop with some nice "ba ba ba ba..." thrown in. bouncy, quirky and basically all around fun. one of the few new bands i am really excited by.

from el sonido efervescente de, available on CD



Hug My Soul  performed by Saint Etienne  1994
Recommended by LawrenceM [profile]

A lovely, soulful, poppy dance song. I've never understood why a band like Saint Etienne aren't serious chart contenders. They make intelligent pop music, have great tunes, have a beautiful lead singer with an amazing voice. And yet "the kids" prefer manufactured acts like Kylie Minogue. (sigh). The Saints have released so many brilliant pop songs, but this is my favourite.

from Tiger Bay, available on CD


Human Jungle  performed by The Jazz Butcher  1985
Recommended by pmbolt [profile]

Eighties pop with minimalist percussion, quirky lyrics, and jazz-club atmosphere. The organ intro, skillful guitar breaks, spare bass-drum beat, and catchy chorus are my lasting memories of this song which was one of my first "favorite songs." More info on this band at www.jazzbutcher.com

from Bloody Nonsense (BigTime 10014-1)
available on CD - Draining the Glass (Fire, Nectar Masters)


Hurricane Fighter Plane  performed by The Red Crayola  1978
Recommended by Sem Sinatra [profile]

When I hear the opening bars of this song, I can still remember the utter bewilderment I felt as a 16 year old hearing it in 1978 for the first time. It came on a 2 track flexi (the other track being 'Reverberation' by the 13th Foor Elevators) with Zigzag, a UK music magazine. Up to this point I had been listening to mainly melodic pop like Blondie. This completely blew my mind. When Mayo Thompson sang "On the shelf I have six buckets and they are for you. They're full of little things that we can do", I was genuinely scared. This is the song that proves beyond all reasonable doubt that singing in tune is overrated. For me this tops the version on their 1966 'Parable of the Arable Land' version.





I am scientist  performed by The Dandy Warhols  2003
Recommended by megara [profile]

Los Dandy Warhols me han parecido un grupo que siempre debi� existir. Desde su nombre hasta los t�tulos de las canciones. Un pop fino. No puedo decir m�s.
Esta canci�n es el susurro We gotta live on science alone, es el consejo m�s sabio que he recibido en los ultimos 5 a�os.
Yeah.. uh..

from Welcome to the Monkey House



  spinner303: The song is actually named "Scientist", but album is same. Pretty cool, interesting.
I Belong To You - Mon CÅ�ur S’ouvre Ã� Ta Voix  performed by Muse
Recommended by wonderlandfalling [profile]

It's an interesting and refreshing track from their latest album; very upbeat and powerful with its array of instrumentation, (piano, oboe, especially)
The lyrics are those of one professing their undying love for another. The band manages to keep up their tradition with providing something new to the table by adding a verse from a popular French opera as well as an oboe solo instead of the usual generic guitar.
It's a great listen :)

from The Resistance


I Can See Only You  performed by Roger Nichols & The Small Circle Of Friends  1968
Recommended by laughingmood [profile]

The perfect example of the kind of soft pop song I love. Heavy with melencholy. The strings and clarinet on this track break my heart. The fadeout is one of the greatest in history.

from Roger Nichols@ The Small Circle Of Friends (A&M)
available on CD - The Complete Roger Nichols & The Small Circle Of Friends



  olli: hmm, just made me curious. i generally hate fadeouts..they always seem to obscure some kind of interesting or trippy stuff that was starting happen in the studio:) gotta check it out though, thanks.
  eftimihn: This one was arranged by Bob Thompson not Nick DeCaro. Actually i just wanted to recommend this, because today i received my newly reissued copy by Rev-Ola. An even more complete 20 track edition, fantastic remastering, extensive essay and at a reasonable price tag. Awesome.
  laughingmood: Thanks for the info on Bob Thompson's arrangment on this track. All I've ever had is the Japanese reissue and I've never been able to fully read all the info! I'll have to change that. I really need to get that new reissue. I've heard the liners and photos are all really nice.
  delicado: I also have the japanese issue. Are there extra tracks on the Rev-Ola one?
  eftimihn: The Rev-Ola one has one additional track compared to the japanese 19-track version and it's "St. Bernie The Sno-Dog". It was Roger Nichols' first ever recording in 1964 and is, quite frankly, absolutely forgettable (waltzing child-like song, with yodeling and funny voices, makes you feel rather uncomfortable after the preceding soft rock bliss). Nichols refers to this as "a pile of crap" in the essay/liner notes, a track he never really wanted to do. Just read the essay and must say it's wonderfully done. I have to stress that the sound quality on the new Rev-Ola issue is absolutely amazing, surpassing the japanese one on every level: Virtually no background noise, clearer highs, bass is rendered deeper and better, the harmonies got even silkier, overall better dynamics and resolution. It just won't get any better than this. So, kudos to Rev-Ola...
  laughingmood: Wow! That is very cool. Generally I think Rev-Ola's remasters tend to be a bit on the trebley side but of course I'll pick this up. Mainly for the liners by Steve Stanley. This album has been in my top five since I heard it, yet...I know very little of the detailed background because of the japanese liners. Steven Stanley also did the Bergen White reissue liners and is the head of LA-based pop act, The Now People.
  konsu: Hmmm... Once again no mention of Smokey Roberds. He was in the closely related A&M group The Parade. He claims partial writing credits for this in an interview : http://www.doctorroberds.com/parade.html ... If you like this album you owe yourself a listen of that "other" great one-off long player. They do a great version of "Kinda Wasted Without You" thats more raw with less overdubs. Really a magical time at A&M!
I Can't Wait To Get To See My Baby's Face  performed by Dusty Springfield  1967
Recommended by tempted [profile]

To me this is the coolest recording of the loungey soul pop classic. Dusty's performance is as excellent as ever and it puts a lot of weight on the lyrics that contemplate what to do with an unfaithful man. Saint Etienne built their track "Nothing Can Stop Us" on a sample of the main flute and horn riff.

from Where Am I Going?, available on CD




  delicado: Wow, Saint Etienne used the sample well! I must confess I had no idea that riff was sampled. Great track!
  Arthur: A much covered song and I'm afraid the over rated Dusty is way down the list in the quality stakes. Stick with Jeanette "Baby" Washingtons 'Sue' label version !
  eftimihn: Hmm, i must admit i don't know enough versions of this song to put up a ranking, but i just can't imagine Dusty scoring rather low on such a list. Simply wonderful and yeah, Saint Etienne used that sample to great effect.
I Close My Eyes  performed by Bee Gees  1967
Recommended by tinks [profile]

It's a sad fact that the Bee Gees are a group primarily remembered for only one thing. If this were a perfect world, people would realize what an jaw-droppingly amazing group they once were. To me, their first LP is an orchestral psychedelic pop masterpiece easily the equal of the Kinks' "Village Green" or Billy Nicholls' "Would You Believe", and also just about as close at Britain ever got to replicating "Pet Sounds". On this track, listen for the insane rubber-band bassline, the staccato organ fills, the odd timbre of the voices or the occassional flute bit. It's a song bursting with an enthusiam the likes of which people only had during the middle 60s.

from Bee Gees' 1st, available on CD




  ronin: Ah, 1967. "NY Mining Disaster 1941" is a major hit in Boston. And Bee Gees 1st, complete w/cover art by Klaus Voorman, was the 1st lp I ever bought. If only the Bee Gees had kept singing like this instead of the whole falsetto/disco bit! "Odd timbre of voices" indeed! Robin (we always assumed) had his top teeth hanging out when he did this one. His vocal versatility is amazing. "Craise Finton Kirk," with its simple piano accompaniment, is a standout from this lp., too.
I could never live without your love  performed by Craig Scott  1970
Recommended by Ron1967-1970 [profile]

This Australian popsong was recorded at the same time by two performers: solo singer Craig Scott and Toomorrow (which included Olivia Newton-John). I like both versions, but the Scott version has that extra bit that makes it better than the group sound. Delightful slice of orchestrated feel-good pop. It must be said that the Australians as well as the French, were the uncrowned kings of cover versions of songs, but from time to time they produced originals ... not too many, but some like this one. Great uplifting, positive song...




I decided - Pt. 1  performed by Solange knowles  2007
Recommended by trixlation [profile]

its a soulmusic track with a little bit of pop.
The melodie makes you happy, and that is why i like it so much!!
The hole new album "Sol-Angel And The Hadley St. Dreams" is very good and speciall.

from Sol-Angel And The Hadley St. Dreams, available on CD


i don't want another man  performed by the feminine complex  1969
Recommended by e [profile]

this a nice song, slightly out of character to the rest of the album ,"Livin' Love"(which is more traditionally sixties pop) this has a big energetic beat and a rousing chorus. perhaps not the most sophisticated composition in the world, but it makes me happy anyway...


available on CD - livin' love (teenbeat)



I Don�t Need A Doctor  performed by Sheila B. Devotion  1977
Recommended by jeanette [profile]

Ah, Sheila, resplendent in her purple sequined hotpants, is having such a good time on the cover of this record with her tight-trousered pals. And so she might - for her group have made a blinding record.

She's in love, you see, and it's making her feel ill (not sleeping, sweating etc.) but this is "good" and all the disco nation roars in approval.

Perfect chirpy pop music for everyone.

from Singin' In The Rain (Carrere EMC 3236)



I Got Rhythm  performed by Ethel Merman  1940
Recommended by Melms [profile]

NO ONE ELSE could belt it out like that. When she finishes the first chorus,instead of reprising the melody for a second time through, she simply belts a single note (a high C) for an entire 32-bar chorus. Her voice COMMANDED audiences the world over to applaud that song. Celine Dion's got nothing on Ethel. Nothing!

from There's No Business Like Show Business: The Collection, available on CD


I Got You  performed by Split Enz  1980
Recommended by BillyG [profile]

I first played this back in 1980 when I worked at my college radio station, its one of those records that jumped out of the speakers and stunned me.

Even though I have become a huge Finn Brothers (solo, together and Crowded House) this is one track I always keep coming back to. Its a little dated sounding with all those synths, but has such killer hooks and lyrics about being parinoid about your lover...just brilliant Kiwi Pop!

from History Never Repeats (A&M)
available on CD - History Never Repeats - The Best of Split Enz (A&M)


i left you (?)--hidden track  performed by rx bandits  1999
Recommended by monique [profile]

a pop/ska/punk band taking a break. it's a touching song about a regretted breakup,involving only a singer and a dirty guitar.

from halfway between here and there (drive-thru records)


I Love U So (TROWA remix)  performed by Cassius
Recommended by didgeridoo [profile]

Dubstep with pop flair




I saw her  performed by The Charlatans (60s)  1967
Recommended by Mirko [profile]

This song was also covered by Flamin'Groovies.It's a wonderfull ballad, very nostalgic.It's some kind of an old popular folk tune which was taken by the Charlatans but I don't know on which album.

from Live album
available on CD - yes


I Think I Love You  performed by The Partridge Family  1970
Recommended by geezer [profile]

To think there was a time when pops vision could be this grand and ambitious .This song originated from an American tv show "The Partridge Family" and was played out by pedigree session men and David Cassidy. its elements contain sunshine pop vocals ,harpsichord and a psuedo classical middle eight and an irrestible chorus,the song almost sounds like two songs alternating with each other and managing to resolve their differences at every chorus ,As good as pop ever got.

from Best of The Partridge Family and David Cassidy
available on CD - Best of


i want you to be my baby  performed by billie davis  1967
Recommended by its possible... [profile]

one of my favourite ultra pop records from the sixties female vocal era.........harmless


available on CD - the best of billie davis


I’m a Terrible Person  performed by Rooney  2003
Recommended by spinner303 [profile]

This is a great poppy song. Its got neat backup tunes.

Trivia: Jason Schwartzman's (Rushmore/Phantom Planet) younger brother.

from Rooney, available on CD


I’m Not Alone  performed by Calvin Harris  2009
Recommended by geezer [profile]

This sounds like the sun going down on 15 years of dance culture ,the raver sounding older and wiser on this Ibizan sun kissed "dance ballad" ?
A reflective intro gives way to a keyboard break chorus and back again but building in layers to a celebratory pitch ,both chilled and euphoric in equal measure ,a grown up dance track for the Brit Pop generation

from the single I’m Not Alone
available on CD - I,m Not Alone c.d single


I've Been A Bad, Bad Boy  performed by Paul Jones  1967
Recommended by Swinging London [profile]

This is another great, great pop song from the 1966-68 era, that made it to the top of the charts and has since been more or less forgotten.

Absolutely superb arrangement by Mike Leander.

Tremendous and mighty orchestral backing creating a great wall of sound.

It was Paul Jones second (& last) big hit after leaving Manfred Mann in 1966.

It was also part of the soundtrack to the film 'Privilege' (1967).

This is another great British pop song that never made it in the USA.

I never get bored of it & I've known it all my life.

Great, great pop music.





I've Seen To Dream  performed by Harmony Grass  1968
Recommended by tempted [profile]

This is a mesmerizing pop-psych number from maybe the greatest British vocal group of the sixties. The composition is adventurous and reminiscent of SF-based sunshine pop but with that distinctive, eloquent British touch.
Harmony Grass was the group Tony Rivers fronted after his success with The Castaways.
He's been an important influence on Mike Alway's legendary �l label.


available on CD - Tony Rivers Series vol. 2 (RPM/Cherry Red)



  musicmars: Yea tempted, we agree once more. I love that song. Another of the best 60's pop-psych songs. I can't think of one that's better. How is the rest of the cd? I only have the song on an el compilation.
  delicado: Winning track!
  eftimihn: Just wanted to recommend this to see it's already here. Fantastic track for sure, the whole album is uneven but "I think of you" is another winner on there...
  Major Minor: Excellent track... I would also put up "What a groovy day" at least as good as this one. If anyone wanted to further check into Tony Rivers of this era the "Harmony Grass" compilation is recommended...
If paradise is half as nice  performed by Dave Clark Five  1969
Recommended by Ron1967-1970 [profile]

Let it be known that I HATE covers... I like originals, but there is the odd exception and this is one of them. Amen Corner had a hit version with the song, but when you hear the 1969 Dave Clark Five version you will immediately forget the Amen Corner one. DC5 started out as a beat group and I don't like 1963-1966 beat. But like many groups they tried to survive in the music business and adapted to the new "sound" of the decade. They gave this song the late 60s treatment the way it should have sounded in the first place. Dramatic, musicall over-produced and full of power. If you like a strong orchestrated poptune, this is one of them. DC5 deserved the hit... not the Amen Corner.





  n-jeff: I was always quite fond of the version by Clive Langer and the Boxes from about 82. Sung in a terrible fake South London accent. If Parodice woz alf as naice as evven wen oym kissin yew. But I've not heard the DC5 version. Must say, I'm intrigued.
If There is Something  performed by Roxy Music  1972
Recommended by geezer [profile]

An extraordinary track that begins its life as an awkward attempt at country and western before very quickly resolving itself an removing it self from conventional pop music ,seven minutes later your life will never be the same again.How four conventional instruments could carve something so cosmic is beyond belief,not cosmic in a Floyd way or even a Grateful Dead way but truly other worldly.Ferry,s pledge that he would do ANYTHING for his girl resonate against weird synths ,weird guitar and heart breaking saxophone ,the wiords become the music and the music becomes the words ,a truly cerebral conclusion is achieved This is used to staggering effect in the Daniel Craig film "Flashbacks of a Fool" and to hear and see this track is almost overwhelming.




If We Can Land on the Moon, Surely I Can Win  performed by Beulah  1999
Recommended by PappaWheelie [profile]

Where the more known Elephant 6 sound like the Beatles in melody, this track matches George Martin's 'Beatles Mid-Period' production.

from When Your Heartstrings Break, available on CD




  chris kane: If you like that song, you should get into The Broken Family Band ;)
Im 80 Stockwerk  performed by Hildegard Knef  1970
Recommended by delicado [profile]

A stunning piece of pop, one of a few great and really hip sounding tracks Hildegard Knef recorded around this time. This sounds like a Bacharach song made even cooler, stripped down to its essentials. Knef�s smoky, detached vocals add to the effect to make this a real winner.

from Knef (Decca)
available on CD - Get Easy vol 4 (Motor music)




  scrubbles: I've been digging this one a lot lately and even put it on my latest mix disc. Way funky - imagine what an enterprising drag queen could do with this!
  AndreasNystrom: Yes, very good song. Love it as well as her other song "dieser herren..."
  heimwehblues: A new version of this song was produced in 2001, CD "17 Millimeter", it's a marvellous modern song...
Image - Part 1  performed by Hank Levine Orchestra  1961
Recommended by standish [profile]

Slow-burn, easy-listening intrumental. (Harder to find are the later UK versions by Alan Haven and 'The Now Sound of Vic Templar & His Mood Orchestra'.)




In The Garden  performed by Triste Janero
Recommended by mr_klenster [profile]

This whole album is really spectacular. My other favorites are "Today It's You" and "Rene De Marie". All capture this beautiful blend of psychy-pop, bossa rhythm, and folky soul. Great blends of patterns, instrumentation, and vocals, I really love this stuff.

from Meet Triste Janero


India  performed by The Psychedelic Furs  1980
Recommended by dsalmones [profile]

The leadoff track of the Psychedelic Furs' 1980 self-titled debut LP takes the lead of Brian Eno's influential work with David Bowie and his own Roxy Music and merges it with the energy, attitude, and bombast of punk rock. After a stark and sublimely beautiful synthesizer-soundscape introduction, Vince Ely's drums abruptly pound in with echoing tom toms. The rest of the band launches into a one- or two-chord assault that gives little indication of the poppier direction the group would take on later records. But the power demonstrated here on "India" remained as an undercurrent of almost all of the band's later work, even if only implied at times. And if one listens closely, there is even a bit of melody amidst the Fall-like (and by extension, Stooges and Can-like) rhythmic pummeling. Producer Steve Lillywhite was already enjoying an early peak in his recording career with this album and U2's 1980 debut, Boy, forging a sound that bridged late-'70s punk with 1980s shine and texture.
(AMG)

from The Psychedelic Furs, available on CD


Indian Ocean  performed by Field Mice  1990
Recommended by delicado [profile]

A beautiful guitar pop track, with superbly recorded 12 string and electric guitars, and an immaculately serious, yet shy vocal. Hearing it now, I'm amazed at how well this track has aged. To me, the beauty of the song lies more in the intricacy of its guitar parts than any musical or lyrical innovation. The guitar playing recalls the best indie guitar music of the 80s, particularly Johnny Marr. I remember seeing the band not long after this record came out. The guitarist seemed very shy, and faced the side of the stage, staring into his Rickenbacker. To cap all of this brilliance, this song features a superb fake ending, after which the instrumental refrain comes back in for a final few glorious moments.

from So Said Kay (Sarah Records SARAH 38)
available on CD - Where'd You Learn To Kiss That Way? (Shinkansen Recordings)




  farawayfriend: The field mice are one of the great unknown pop bands... a truly gorgeous song by an amazing artist.
Inside a Dream  performed by Jane Wiedlin  1988
Recommended by Genza [profile]

I never liked the Go-Gos. And I think Belinda Carlise's music is naff. But Jane Wiedlin has a certain something.

I remember first seeing the video to 'Rush Hour' on UK TV as a teenager. I thought that song was bloody great. My parents bought me her debut album 'Fur' for Christmas and we used to listen to it in the car. Listening to this always brings the memories flooding back.

Some of 'Fur' is a bit dodgy - but I can forgive Wiedlin. The high points still seem very high today. And 'Inside a Dream' is a beautifully crafted, Stephen Hague produced pop song. This three minute stunner moves and warps around a simple spine. Dubstar sounded a lot like this half a decade later.

from Fur (EMI CDP-7-48683-2)



  Mike: I too was bowled over by the catchiness of "Rush Hour" and also ended up acquiring the album "Fur" at the time. It wasn't her first album, but I don't think she'd previously had any solo exposure in the UK. About half the songs are simple but undoubtably effective, but several others I have always found to be very ineffective! I agree that Dubstar (who I also liked) sounded a bit like this at times - Stephen Hague's production style is quite distinctive. Did any of the members of Dubstar release anything since the band split up?
Is this the life  performed by Cardiacs  1988
Recommended by Rena Blue [profile]

Cardiacs have been described as: fairground music; punk rock; prog rock; beautiful; frightening; deadly serious; total euphoria; ugly; sexy; avant-garde; pop genius; totally genuine; disturbing; uplifting... All I can say is this song has one of the maddest guitar solos I have ever heard!

from A little man and a house, available on CD




  n-jeff: God I hate the Cardiacs. I'm so Wacky. I'm so Zany. Wacky! Zany! Wacky! Zany! Wacky! Wacky! Zany! Zany! Thats all I have to say.
  dragonsulk: What rubbish, you havent paid attention at all. So much of it is about fear, pain, courage, the humour is gritted teeth in the face of sadness. Bit too subtle for you, eh? Too much like real life?
  n-jeff: I had the misfortune to have to spend an hour paying attention, christ, 20 years ago. That was quite enough, thank you. Subtle? No. Real life? Maybe they appraoched the real life feelings of my 4 year old on a chemical high after too much squash and her toys taken away. Maybe they've evolved. I hope so, but I'll bear a grudge for that gig.
  jack kane: the nme orthodoxy would have it that the cardiacs are somehow putting on an act. far from it - the reason their music is so powerful is that it's dredged up from the fearful chaos that lurks just beneath our feeble psyches. cardiacs haters fear this chaos, and their fear is projected as resentment, leaving them unable to access the music of britain's greatest band.
It’s For You  performed by Cilla Black  1964
Recommended by Zygny [profile]

Lots of Cilla's earlier material was top quality, this Lennon/McCartney song (never actually recorded by the Fabs) knocked me out when I first heard it on my cousin's Dansette in 1964. Spooky melody which almost strays into jazz territory in the instrumental break. Sophisticated pop of the highest order.




It’s For You  performed by Cilla Black  1964
Recommended by Doctor Mod [profile]

I'm no Cilla fan. While I've enjoyed many of her recordings, she was no match as an artist for such contemporaries as Dusty Springfield, Dionne Warwick, Lulu, or even Pet Clark, Sandie Shaw, and Jackie DeShannon, all who did very similar material. Still, Cilla had one advantage the others didn't, Lennon-McCartney tunes written with her in mind. I think the Beatles, who knew her well, understood her vocal limitations and provided songs that would show her to best advantage.
"It's For You" is certainly one of the finest recordings she ever made. Its jazzy arrangement, the edgy key changes, and the tempo shifts are as sophisticated as they were unique in 1960s Britpop. The music contributes to a sense of intrigue to the clever, ironic lyrics that pretend to dismiss love only to give it. Cilla rises to the occasion, giving what might well be her best performance ever--stunning!




It’s The End Of The World As We Know It  performed by REM
Recommended by brooksyinc [profile]

Unbelievably catchy, the most poppy song REM ever did and has to be one of the greatest songs I've ever heard. Period

from ?


It's 74 in San Francisco  performed by The Hellers  1968
Recommended by scrubbles [profile]

The Hellers were a group of L.A. ad agency people making a pop record, and it shows in this slick opener to their only album. I love the mellow pacing, the otherworldly early synths, and the so-corny-they're-good group vocals. Overall, it comes off like a weird, wonderful hybrid of '60s AM radio promos and mildly psychedelic pop.

from ... Singers...Talkers...Players...Swingers... & Doers (Command)




  bobbyspacetroup: That is a cool song. Very cool. The song I've really grown to love from this album is "The Mist Of Time." It makes me wish The Hellers had done more stuff outside of advertising music.
It's a Steal  performed by Edwyn Collins  1997
Recommended by tinks [profile]

The opening track of Edwyn's usually-overlooked follow-up to 1994's "Gorgeous George", this song is a perfect example of what orchestral pop should be.

from I'm Not Following You, available on CD



It�s Impossible  performed by Aldemaro Romero And His Onda Nueva  1972
Recommended by eftimihn [profile]

This is an uptempo, light bossa nova vocal interpretation of this song, very much in the vein of the classic Sergio Mendes & Brasil '66 sound. Very nicely arranged male/female vocal harmonies, superb electric harpsicord and swirling, lush strings really make this version quite outstanding and contrasting to the Perry Como version, who popularized this song a year earlier.

from Aldemaro Romero And His Onda Nueva (Columbia)
available on CD - Brisa Brasilera (CBS)



I�m Gonna Make You Love Me  performed by Nick DeCaro  196?
Recommended by konsu [profile]

Whenever I hear this track I think the same thing, that it seems to be the beginning of something
bigger. ....And it seems in a way that it was...

What a great version of an already undisputed soul classic! He really adds something to it thats loose and breezy. Like he did with his arrangement work, he adds something indefineable, but definately something we would hear for decades to come in american radio pop. More precisely, in the 70's.

It's one of the many blossoms in the blue-eyed soul bouquet!

from Happy Heart (A&M SP-4176)
available on CD - Afternoon Tea Music - Orange Iced Tea (UM3 (Japan))




  klatu: Anyone interested in the work of A&M sound sculptor/master arranger Nick DeCaro would be well directed towards the masterful album "Italian Graffiti", MCA 74.
  steveo443: Happy Heart album by Nick Decaro has some great tracks..Outstanding is the title track(Happy Heart) there is a Bacharach influence here....Another Great tune on the album is Quiet Sunday?(think thats the title) Nick Decaro was a certifiable genius! Love his arrangements.
I�m not saying  performed by Nico  1965
Recommended by delicado [profile]

This magical track is from a 1965 single produced by Rolling Stones impresario Andrew Loog Oldham. It's a folky pop song with a manically strummed acoustic guitar and constant beat. There's some more full orchestration (brass and strings), but it's slightly hidden in the mix. The charm of this song for me lies in both Nico's bittersweet delivery ("I'm not saying that I love you/I'm not saying that I care/If you love me..I'm not saying that I care/I'm not saying I'll be there when you want me") and the catchy chord sequence in the verse. Some of the bridge sections are slightly corny and obvious musically, but Nico's majestic vocal lifts the song and makes me want to hear it again.

from the single I�m not saying (Immediate IM 003)
available on CD - The Classic Years (Polygram)




  Gwendolyn: I love this song, Nico is one of my favorites. Her voice has such a uniqueness. It's very deep and peaceful.
  brightdayler: Oh, wow. This comment is four years old! But I just joined this place and this is one of my favorite songs right now, in 2006. I harbor a little resentment for Delicado, who claims the bridge is corny. I know it's not so insightful to say this since two of Nico's songs were used in another Wes Anderson movie, but the bridge section reminds me a lot of Rushmore, when Max and Blume do a simultaneous jump on bikes at the end, after their reconciliation. I guess that's why I like it. I wish Nico would have done more stuff like this.
  belphegor: i grew up on the gordon lightfoot version--but cripes, leave it to nico to so deliciously catastrophize a perfectly good tune. hers is amazingly well executed in the sentiments conveyed, ...and some catchy, too! love it, love it, love it.
I�ve Got Something On My Mind  performed by The Left Banke  1967
Recommended by konsu [profile]

There really isn't a perfect recommendation for this group,all their songs are fantastic!This one just suits my fancy as of now,and has that great "do the monkey" kind of go-go beat that's just plain infectious.This group was capable of tons of emotion,and their influence can be heard a lot in today's indie pop.Harpsichords abound,and their entire works are available on one CD, and it'll never let you down...

from Walk Away Renee/Pretty Ballerina (Smash MGS 67088)
available on CD - There's Gonna Be A Storm (Polygram USA)




  olli: amazing song, glad someone had already posted it. just picked up the album, it's superb.
Jack Names the Planets  performed by Ash  1995
Recommended by hedgehog [profile]

Sweet lyrics about a teenage crush, with spiky bursts of guitars. Quite lovely.


available on CD - Trailer (Reprise)


Jellypop Perky Jean  performed by Julian Cope  1991
Recommended by delicado [profile]

A lovely little pop song, Jellypop perky Jean uses a standard Julian Cope trick - having a nice little repetitive musical phrase running in the background throughout the whole song. He then builds things up with a simple organ sound. The effect is very gentle and ambient and wonderful. At one point late in the song, Julian stunningly stops singing and starts talking. Here the real genius cuts through, and I start wondering why more people don't rant on about this guy as much as I do.

from Droolian
available on CD - Floored Genius (Sony)



Jessie  performed by Zoot Woman  2001
Recommended by eftimihn [profile]

Zoot Woman is basically the child of Les Rhythmes Digitales' Jaques Lu Cont aka Stuart Price. They emerged with a sound as if the 90s never happened, even daring to cover "The Model" by Kraftwerk on the album, and they sound so confident with their 80s sound as if sounding like Hall & Oates at times is just nothing to be ashamed of nowadays. "Jessie" is pure melodic 80s pop sounding, without being tongue-in-cheek about it.

from Living In A Magazine, available on CD



Jos aiot niin sano  performed by Liekki  2000
Recommended by tempted [profile]

A beautiful, progressive pop song from the best album I've ever heard. This is something completely different. A lush arrangement with flutes and ravishing J. Marr -like guitars. The melody and chords in the chorus give me goosebumps. The talent and musicianship are simply stunning. This is almost as good a pick as any song from this, Liekki's first album. They come from Finland.

from Magio (Hawaii Sounds)
available on CD - See above!



Jumping Fences  performed by The Olivia Tremor Control  1996
Recommended by PappaWheelie [profile]

From the "Dusk at Cubist Castle" album, there're two indie-pop highlights that shine above all; "Jumping Fences" and "Courtyard". Whereas Courtyard is more of a complete song than "Jumping Fences", it also is the most blissfully guilty of being overly "Beatle-esque". Jumping Fences, however, is even lower-fi, more harmonius, and equally as blissful without sounding completely unoriginal.

from Dusk at Cubist Castle, available on CD



just a feeling  performed by maroon 5  2010
Recommended by mpruet [profile]

calming. pop/rock. about relationships.

from hands all over


Just Ah  performed by The Blades of Grass  1967
Recommended by delicado [profile]

Deeply awesome! It's a slightly psychedelic pop song from the late 60s. Delectable instrumentation and vocals. Strings and a bit of sitar on top of a regular guitar band. Lots of moaning in the vocal. Really lovely stuff. A compilation CD is available on Revola. It hasn't arrived yet but if it's all up to this standard I'm excited!


available on CD - The Blades of Grass Are Not For Smoking (Revola)




  eftimihn: I'd like to second that, absolutely terrific song and i must say nothing on "Are not for smoking" can match this gem for me.
Just Lust  performed by Buzzcocks  1978
Recommended by dsalmones [profile]

"Just Lust" was the B-side to the Buzzcocks' highest-charting single, the Pete Shelley punk-pop classic "Ever Fallen in Love?," eventually reaching number 12 on the U.K. singles chart in September of 1978. The mysterious co-author " Dial" is, in fact, a pseudonym for the band's early manager, Richard Boon, who also shared songwriting credits on "What Ever Happened?," the B-side to the Buzzcocks' infamously banned first single "Orgasm Addict." However, the effect of his involvement in not apparent here, as the music is classic Buzzcocks � masters of the punk-fueled power pop nugget. The rhythm is springy, the track's nervous tension as wired as the melody is infectious. Punchy verses with quick-hit vocals are alternated with short dreamy sections of woozy flanged guitar and chopped up-tempo shifts, the band expertly maneuvering in tight spaces. Shelley follows the twists and turns with clipped phrases followed by drawn-out melodies in sync with the compact arrangement: "Your dream to possess/It hurts/It's so unjust/Just lust, just lust/If nothing mattered less/Then I wouldn't make a fuss/Just lust, just lust/I was slow to catch on and that just makes it worse/If passion is a fashion then emotion is just a curse." Though the track was also included on the Buzzcocks' second album, Love Bites, the group had yet to make an impact in the United States. Thankfully, this little gem was not left to languish in obscurity as it was included in the influential collected singles package Singles Going Steady, compiled as the band's introduction to American audiences and released in the states in 1979.
(AMG)

from Love Bites, available on CD


Just What I’ve Been Looking For  performed by The Vogues  1968
Recommended by delicado [profile]

Genius late 60s pop with vocal harmonies. This was composed by Roger Nichols, and has some beautiful chord changes and Bacharach-meets-Brian-Wilson interludes.

The verse is sombre and in a minor key, but when they sing 'close to me' to usher in the chorus, the sun comes out! There's some scat singing in the interludes. I had previously only really known the Vogues for '5 o'clock world', but this is superb - an unusual and memorable track.

from Greatest Hits, available on CD



kathy’s song  performed by apoptygma berzerk
Recommended by purrrgatory [profile]




Kathy's Song (Ferry Corsten RMX) (Radio Edit)  performed by Apoptygma Berzerk
Recommended by aayers [profile]


available on CD - Kathy's Song (Come Lie Next to Me)


Kee-ka-roo  performed by Walter Wanderley and Luiz Henrique  1968
Recommended by delicado [profile]

A very cool track, but not in the way I normally find Walter Wanderley's quick-draw hammond organ technique cool. This is a simple, bluesey number on which he is joined by the Brazilian singer Luiz Henrique. Luiz doesn't sing though, he just contributes some nice scat vocals, rather like the work Marcos Valle does on 'Garra'. In my experience, this is about as close as Walter gets to 'funky', and this version from the 'Popcorn' album is a great improvement from the 1967 'Kee-ka-roo' LP version.

from Popcorn (Verve)



Kid Charlemagne  performed by Steely Dan  1976
Recommended by thewilyfilipino [profile]

"Kid Charlemagne" sounds like it's starting in the middle -- a little instrumental passage between stanzas, or the middle of a drug bust. Whatever it is, it works: the song drops you right into a seedy, sun-soaked, coke-fueled, sour-tasting hangover of a scene, populated by "Day-Glo freaks" and "low-rent friends."

What makes the song most memorable for me are the two all-too-brief soaring guitar solos unleashed by Larry Carlton (and drums by Bernard Purdie!), particularly the one that still echoes in the ears of the listener on the way out. That and the unforgettable couplet, bracketed in the last verse (and sung by Donald Fagen with a half-faltering note that makes it sound like undisguised joy) for maximum effect:

"Is there gas in the car?
Yes, there's gas in the car."

Sometimes it's just the slightest detail that turns a song into a masterpiece.

from A Decade of Steely Dan, available on CD



  tinks: i've never thought much of steely dan. and i still don't. but reading this review set off a frenzy of activity in my little brain trying to figure out where i knew "kid charlemagne" from as a pop-culture reference. at first i thought..."was it the name of a boxer on the simpsons?" was it from mr. show? no...it was the college radio handle of the dad on "malcolm in the middle".
  Latimer: Chuck Rainey's bass work on this track is absolutely great. It's the epitome of his style, a veritable thesaurus of syncopation. - Kid Charlemagne supposedly refers to Augustus Owsley Stanley III, sometime purveyor of high-grade acid to the hippie elite, and raided in 1967.
Killing Floor  performed by Jimi Hendrix Experience  1967
Recommended by kaptnunderpnts [profile]

the song is live at the monterey pop festival. it is one of the cleanest, tightest, most rippin' songs i've ever heard from the jimi hendrix experience. one of the best classic rock guitar songs.

from Jimi Plays Monterey


Kim  performed by Bertrand Burgalat  2000
Recommended by dedismo [profile]

style: pop, downbeat. Smooth, easy, just the right amound of bossa, drums, synthesizers. Kim is just a great song all around and only 7 some minutes long. But you don't ever want it to end. Keeps your head nodding. Burgalat is the master of instrumentation as much as Sean O'Hagen is to the High Llamas. He can produce a mellow, warm, lush sound like no one else at the moment.

from The Genius of... (Bungalow bung 079)



  tempted: Ah, mon dieu! I hate comparisons in general but I must say to everyone who's just bought 10 000 Hz legend by Air: get rid of it and get hold of The Sssound of Mmmusic by Bertrand Burgalat instead. He's special.
  delicado: yeah, I must pick it up. I have 'the genius of' and I love most of it.
  autopilot: One of the best things that Burgalat has ever created, and considering his incredible body of work as producer/performer, is no mean feat! It's this tune that turned me on to the whole Tricatel sound that he singularly seems to be the master of.
Kites Are Fun  performed by The Free Design  1967
Recommended by eftimihn [profile]

Well, i guess musicaltaste is a rather safe place to recommend some Free Design without getting laughed at. It always strikes me they haven't been more popular back in the late sixties. "Kites Are Fun" is one of their more popular and one of their best tracks for sure. Uber-jolly, playfull, catchy with superb vocal harmonies, gentle guitar, flute, bass and drums and some keyboards.

from Kites Are Fun, available on CD




  nighteye: This is great song! Sunshine pop at its best, how can you not feel happy listening to this song? I like kites!
  Festy: I really dig "My Brother Woody" from the same album. Whoever the drummer is, he really cooks on this track.
  konsu: The drummer's name is Bill LaVorgna. He has an unmistakable touch on the drums. He's also on some of Pat Williams Verve LP's.
Knocking  performed by Motion Soundtrack  2003
Recommended by nightlarke [profile]

Uppish tempo, clap-your-hands Brit pop/alt rock song that makes you want to drive and drive and push the speed limit. Lead singer (Chad Horton) has an in-tune yet rasping tone remeniscent of John Lennon. Instrumentation includes tamborine and congas, and a delay pedal. Excellent musicianship. Killer basslines. Dance, dance, dance.

from The Bridge, available on CD


Kojak Theme  performed by "The Pop Singers & Orchestra"  197?
Recommended by konsu [profile]

One of the better records of this ilk, surely for this one, which is hard to find and is such a typically great theme. Kojak, of course, was the blowpop sucking detective played by Telly Savalas. And like the "Rockford Files", "Baretta", and "S.W.A.T.", deserves it's place in the not-so-rare groove DJ file. With the obligatory Moog sound leading the melody, it becomes instantly recognizable (and dateable). Whoever the cats are on this session are cutting some decent shit for sure. They also turn out a surprisingly funky version of the M.A.S.H. theme, as well as the three aforementioned. The crazy Peter Pan cover art is there, with cute stuff like poorly drawn representations of Alan Alda looking at a martini glass, and Gabe Kaplan's finger being bit by Baretta's Cockatoo!!

Does anyone know the composer?

from Themes From Hit TV Shows (Peter Pan 8185)



Koko  performed by Goldfrapp  2005
Recommended by robert[o] [profile]

Ever wonder what a collaboration between Kate Bush and Gary Numan in, say, 1982 might have sounded like? Well, now you know.... Pure organic/synthetic sex pop, kids. Submit to Allison's tubeway army - resistance is futile!

from Supernature, available on CD


Kolumbo  performed by Dick Hyman  1969
Recommended by bobbyspacetroup [profile]

Is it just me or are the original compositions on Command LPs almost always the best and most adventurous? Here is one my all-time favorite Command recordings. A far-out, moogy masterpiece by Hyman. It's about 8 minutes long, not nearly as pop as the rest of the record, and totally brilliant. According to the liner notes, Kolumbo was improvised on the Moog and the Maestro Rhythmaster, "a mechanical drum device," fed through a Echoplex-tape reverberation unit. Improvised Moog? Is that possible? This is very strange stuff. From the liner notes: "[...] there is an effect of a battery of African drummers following an improvised soloist. The listener can provide his own scenario of what seems to be a musical battle, as a second soloist abruptly materializes, challenging the first man. At the end, the original soloist states a brief epilogue, packs up his horn, and splits."

from The Age Of Electronicus (Command RS 946 SD)



komputa no.3  performed by hi posi  2000
Recommended by daidai [profile]

genki japanese pop band's take on france gall's classic. reworked in japanese, hi posi takes this cover the upmost hyper level. ^.^ complete with breathy vocals, hi posi add their own personal touch to the german oldie.





La Noche Inventada  performed by Ana D  2003
Recommended by megara [profile]

El mejor cover hecho de Family. Del disco incluido en Rockdeluxe Dic. 2003 es el track m�s valioso.
La canci�n por si sola es absolutamente hermosa. En su sencillo pop, Family creo un mundo plateado que ahora Ana D texturiza.

from Homenaje a Family



La Rue  performed by Damia  1936
Recommended by Aquatown [profile]

1930s France is one of my favorite times/places for great popular music making. If you are like minded then you won't want to miss this recording. A gorgeous melody that will have you singing along even if you don't understand a word.

from Damia, available on CD



Landslide  performed by The Smashing Pumpkins  1994
Recommended by Archipelago [profile]

Okay so it's a cover song. Fleetwood Mac re-released it a few years ago when the original members get back together. Then there was the recent popularity of the Dixie Chicks version. Now, I will admit that it is tough to beat the original version.

But this one's *real* close.

This song came out of left field. From a group whose first work was primarily long, drawn-out, sometimes cacophonous chords, this song was like a splash of cold water in the face. The CD itself is a B-sides compilation that fits like a "lost chapter" to the Pumpkins early work.

Keep in mind; this is not a happy song. It was not supposed to be. That's why Billy Corgan's version stands well above the Dixie Chicks� version, His voice accompanied by a solo acoustic guitar is able is capture the abject heartache of the song�s words and rhythm.

Which makes it a great cover song.


available on CD - Pisces Iscariot (Virgin Records)


Last DJ  performed by Noah And The Whale
Recommended by daniela_por [profile]

It's very hard to describe Noah and The Whale's music, but I guess it can be considered pop. Really nice song.




Last Night  performed by Vitamin C  2003
Recommended by unathanthium [profile]

I used to be such a boy,but I have seen the terror of my ways.The Strokes have cornered a few hooks and terrorized them into submission,using them to tantalize testosterone top-heavy lads,making them dance like innocents caught in American/Iraqi crossfire;but I'm past that age where testosterone tampers with my thought processes.

Vitamin C,real name Colleen Fitzpatrick,ex-singer of Eve's Plum,has made Last Night,by blending it with Blondie's Heart of Glass,into the pop song it always wanted to be.Gone is the nasal whine of the original replaced by cool clear vocals that caress rather than puncture the ears.

On the 12" you get three versions.If you want a good dance work out you'll pick the A side.I favour track two,not so hurried I think it's slightly more reflective tenor illuminates where other versions obfuscate.





  gaymod: oh come on unathanthium, I iike your style, Last Nite, is a great song but it is a very obvious sub motown parody...and Dr. Feelgood- She Does It Right does it a milllion times better
  unathanthium: Sub motown,I love sub motown.Parody,I love that too.And if Dr.Feelgood do it better,congratulations to them.A million times better,though,hm,that's an awful lot of noughts.And I don't think we need a pub rock revival.
Laura  performed by Julie London  1955
Recommended by delicado [profile]

'Laura' has long been my favorite standard. The tune is elegant and haunting, and completely devoid of some of the schmaltzy feel that plagues many popular standards.

Written as an instrumental for the 1944 film of the same name, this was composed as a piano-based number, and so Julie's version is perhaps not the most orthodox recording. However, it's incredibly powerful and atmospheric, and I *think* it's my favorite version.

The entire track lasts just 1 minute and 40 seconds. The first verse is sung as a solo voice without any accompaniment other than the spooky reverberation effect. When the music does come in, it's provided by a small jazz trio led by Barney Kessel. Kessel's delicate jazz chords and picking complement Julie's voice beautifully.

from Julie is her name, available on CD



Lay Me Down (Wake Me Up)  performed by Four Seasons  1970
Recommended by fost\'r [profile]

I have never seen this on a Greatest Hits album or heard it on the radio. It never made the US top 100 (although at this time the Seasons were apparently more popular in the UK).

It's surprisingly long for a Four Seasons song (6:11), and takes its time moving from the slower, "Lay Me Down" sections (with the more typical harmonies) to the more rock-oriented "Wake Me Up" sections. The closing refrains feature the types of harmonies you'd expect from early-80s Chicago. Frankie Valli handles the lead vocals, but stays away from the high-pitched stuff.

If you liked GENUINE IMITATION LIFE GAZETTE, this should be right up your alley. For those most familiar with the early-60s stuff ("Sherry") and their disco hits ("Who Loves You," "December 1963"), the 1969-1970 recordings might make a lot of sense as a bridge between the Four Seasons as a group of singers fronted by Valli in 1962 to a vehicle for some great compositions by Bob Crewe and Bob Gaudio in the mid-1970s.

from single (Philips 40688)


Lazy  performed by X Press 2 featuring David Byrne  2002
Recommended by secularus [profile]

No doubt will be on every forthcoming Ibiza summer 2002 compilation but I do have a small spot for this top house record. First heard it on Danny Rampling's show on Radio 1 and it really grabbed me. It is a simple repetitive tune (which constitutes most 4/4 house records) but its the vocals that do it for me. That awkward sounding vocalist is none other than David Byrne, pop music's official cool eccentric. Due out officially in the UK on March 25, 2002, it can be heard out in clubs and on aforementioned radio stations. X Press 2 is the collaborative effort between Ashley Beedle and Rocky & Diesel, London based electronica/dance producers who have had success in their solo efforts. Love it or hate it it's nice to hear David Byrne do something different.






  G400 Custom: I have to say I was appalled by this awful record when it became a big hit here in the UK. I'm a huge Talking Heads fan, and hearing David Byrne doing his thing over an utterly imagination-free piece of chart cheese was enough to break my heart. I'd advise anyone to go back and listen to 'Remain In Light', ironically an album that showed danceable grooves don't have to be mindlessly 4/4.
Le Locomotion  performed by Sylvie Vartan
Recommended by scrubbles [profile]

Sylvie Vartan is supposedly one of the cheezier "ye ye" singers, yet I am so in love with this French cover of an American pop classic. It's so charming, the seriousness with which Sylvie Vartan approaches the song. "Must ... Locomotion ... NOW!"


available on CD - Est-Ce Que Tu Le Sais (BMG)




  olli: i love the scopitone video to this track. nice and silly. it's probably the reason she's considered to be cheesy. it _was_ downloadable on http://scopitones.com a while ago, but they seem to have removed it. oh well, it will probably resurface somewhere.
Les Biches  performed by Flora Purim  1968
Recommended by gregcaz [profile]

This record is a complete mystery to me even though I have every other Flora album. Dusty Springfield-style orquestrated pop that sounds like nothing you'd associate with her name. There the slightest hint of bossa, and the flipside (actually the A-side, but I find this B much more interesting) is a basic 60s pop ballad with a bit of a European flavor, produced by folk stalwart Milt Okun, interestingly enough. Both sides are meticulously arranged with washes of strings, horns and reverb. Fascinating! The copy I have is a promo copy, and I wonder if stock copies even exist, since it's in no discography I could find. Does anybody know anything about this?

from 7" (Tetragrammaton)



  andyjl: Jacques Brel recorded a song of the same title around the same time. Maybe it's a cover version of his original? Les Biches ('The Does',ie female deer) is also the title of a late 60s film by French director Claude Chabrol, though I don't think the Brel song is on the soundtack.
  gregcaz: Well, the record only lists the producer Tony Harris as the composer of the song, so I kind of doubt. There's also no apparent link between that title and the actual lyrics to the song.
les sucettes  performed by serge gainsbourg
Recommended by olli [profile]

pure bubblegum psychedelic soft pop, with lyrics about sucking on "lollipops". the most familiar version of this song is probably the one written for france gall, but i prefer the version where serge himself (in a great faux-na�ve manner)provides the vocals. the sugary strings of the original(?) are replaced by a great subdued wah wah guitar and organ backing on this version, and a lot of little touches wich help make the song a bit more bizarre and playful than the other version. nice for sunny picnics and bicycle rides in the countryside, eh?


available on CD - comic strip


Let Down  performed by Another Cynthia  2008
Recommended by weirkin [profile]

electronic dancy pop. Unique but not cheap. worth a listen. I heard it here:

http://www.myspace.com/anothercynthia

from EP


Let Me In  performed by Osmonds  1973
Recommended by Flippet [profile]

Often dismissed as a teen band - the Osmonds in their hey day were prolific and produced some of the best and most soulful of the early to mid 70s pop scene. Their record sales and popularity at the time are a testimony to this fact. This song is a fine example of their ability to maximise the potential of a song. A haunting love ballad, the song was a huge hit in its day and reveals their excellent voices and musicianship at its very best. The Osmonds set the template for the boy band phenomenon of the late 90s - but their pop legacy should be seriously reassessed by critics of this music genre.


available on CD - The Very Best Of The Osmonds (Polydor)


Let’s Get Married  performed by Mariya Takeuchi  1984
Recommended by drchilledair [profile]

I am a connoisseur (er, fan) of Japanese pop music, not just young further-out acts/groups like Cornelius (lost w/o his tape loops) and Love Psychedelico (think Beatles Meets Velvet Underground). But also that strain of Japanese pop which draws heavily on the stylistic traditions of the usual Brill Building suspects. i.e. Solo Nihogo artists like Mariko Takeuchi, especially those tracks with arrangements by the great Tomaji Sogawa. Also Chage and Aska, Eichi Ohtaki, (sometimes called Japan's Phil Spector), Gospellers, Rag Fair and, of course, Pizzicato Five. I am especially drawn to the efforts of Tatsuro Yamashita as a solo artist, and of his tracks with his wife, Mariya Takeuchi, released under her name. On their own and as a team they have been recording since the 1980s and in (affectionately known by his fans as) Tats' case since the late seventies (his first album was co-produced and arranged in the U.S. by the 4 Seasons' Charles Callelo). There are a number of other artists like this in Japan with uncommonly lengthy---by U.S. standards---careers. And believe it or not, a hit record in Japan sells in numbers that are generally far larger than the U.S. despite a population that is roughly half as large.

One of my favorite Takeuchi - Yamashita collaborations (she writes and sings, he arranges) is "Let's Get Married," which would not be perceived as being retro or sixties or somesuch by (IMHO) the more flexible and openminded Japanese music audience. Even though, admittedly it does draw upon such musical conceits. Instead, Let's Get Married would merely be regarded as a great record, case closed.

This 1984 cut track is timelessly, and extra-territorily infectuous. But with the exception of Kyu Sakamoto in 1963 with his fluke number one single, Sukiyaki, to the best of my knowledge no Japanese artist of any musical inclination has been able to crack the U.S. charts in any significant way. General garden variety xenophobia coupled with a hard time wrapping the tongue around those hard-to-pronounce names with two many vowels and and syllables. It is doubtful that LGM, even though it is sung by Takeuchi in perfectly accented English, was ever released in the U.S.

Starting with a full blown fanfare of the Wedding March played on organ, after twenty seconds, Let's Get Married abruptly switches gears and mood and becomes an ever-ascending excercise in neo-Spectorian pop, replete with castinets, chimes, a swirling ooh-wah background chorale (courtesy of an overdubbed Yamashita), multiple drumkits, a full complement of string players and plenty of good old fashioned Gold Star Studio-style echo. A paen to the joys of marriage, my favorite moment happens at 1:42 way down in the mix right after Takeuchi sings the line "You and me with a small house and a dog," where, if you listen carefully you can hear the sound of a dog yapping for joy. Homage to the "Pet" at the end of Brian Wilson's "Caroline, No" perhaps?

Both Yamashita and Takeuchi had number one albums in Japan last year. Unlike most of their 70s and 80s U.S. rock/pop counterparts, they have not been cast aside by the bulk of Japanese record buyers, but continue to peak at the top of the charts with every new issue. A listen to this perfectly crafted, classic, three minute (well. . . 3;45 actually) track should help illustrate why this is so.

Bill Reed (new to this list)

from Impressions, available on CD


Lets get it started  performed by Black eyed peas  2004
Recommended by Issie [profile]

The track on the cd is rude so i put the radio track name. I dont really understand why the Black eyed peas are so popular but thats just a matter of taste.


available on CD - Elephunk



  olli: it must be weird to live in a country where commercial censorship is so accepted. what`s the point of bleeping out or changing the offensive words of a song for radio play? the only thing you achieve with that is more cultural apathy. if the album version offends people, won`t they still be offended if they actually buy the album? the original track content might not be particularily intelligent or meaningful, but at least it had a hint of attitude, not to mention a sense of fun. the rudeness was the fresh ting about the song, with a sense of goodwill you can even read it as a comment on how uncomplicated pop or "stupid music" makes the best party music (of course it does! admit it, you all love it!). the sanitized version just flat out loses its punch in my opinion.
  olli: dammit, i always sound like a pretentious twat when i post comments about pop music. i love pop, i really do..
  Issie: Dont worry no offence taken in by me!
  Mike: I'm not entirely sure why the BEP are so very popular either, but I do find most of their recent singles preferable both lyrically and musically to much of the rest of the American urban stuff that has been so prominent in the UK charts recently. In "Shut up" they even infuse their hip-hop with baroque classical influences, which of course I rather like.
Let�s Stay Inside  performed by Ivy  2000
Recommended by eftimihn [profile]

Sparsely instrumented, bossa nova-tinged ballad by New York-based Indie-Pop trio Ivy. Very breezy, airy sounding due to a delicate muted trumpet riff and Dominique Durand's charming, accented vocals (reminding me of the even more accented singing Claudine Longet).

from Long Distance, available on CD



Liberation  performed by Pet Shop Boys  1993
Recommended by Mike [profile]

Lush electronica from the masters of the art. In the early 1990s, the Pet Shop Boys produced some of the finest electronic pop ever heard. This lyrical, optimistic song is a superb example. "Your love is liberation".

from Very, available on CD


Life Is Tough, Eh Providence?  performed by Ennio Morricone  1972
Recommended by bobbyspacetroup [profile]

From the Italian western of the same name. I haven't seen the film, but it seems to be a comedy starring Thomas Milian and in the mode of the popular Trinity films. This track is kind of a light-hearted square dance with typically brilliant instrumenation by Morricone -- bells, banjo, organ, chorus, acoustic guitar, drums and violins. This makes a nice companion to the "Wanted Dead Or Alive" track I recommended earlier. Lots of fun.


available on CD - Spaghetti Westerns, Volume Three (DRG)



Like to get to know you  performed by Spanky and our Gang  1968
Recommended by delicado [profile]

This lovely late 60s pop track is wistful and atmospheric. The instrumentation is exquisite (vocal group with a delicately strummed/picked acoustic guitar, strings), and there is a cool false ending. The result is a very rich sound, evocative of lost summers. A sound which I'm very fond of...

from Like to get to know you (Mercury 61161)
available on CD - Spanky’s Greatest Hit(s)




  tempted: I just found the original album of the same name this song is on. It's beautiful with just the right kind of softly psychedelic artwork and some crazy, groovy spoken word passages on some tracks. "Like to Get to Know You" stands out as the definitive song and remains one of the most mesmerizing soft pop tunes in the world.
  gregcaz: It's also worth noting that the single version, found on the 1969 "Spanky's Greatest Hit(s)" album, is the definitive one, free as it is from the pickup-line chatter that obscures the intro on the original album, as well as featuring the gorgeous coda which is included separately on the "LTGTKY" LP.
  artlongjr: This is my favorite Spanky and Our Gang tune, a gorgeous and wistful number. I also have the original LP, which features a different version from the 45 as gregcaz mentioned. There is a video of the band performing this on Youtube that I think originally aired on the Smothers Brothers. I saw Spanky and the Gang a number of times on TV as a kid.
Lo Boob Oscillator  performed by Stereolab  1995
Recommended by dehoqu [profile]

Don't let the name throw you, this is an excellent french song. It's alternative a bit poppy but a punk feel too. and great lyrics for those french speakers. Post-grunge era song, something like a female french radiohead. Somewhat.

from Refried Ecotplasm (switched on volume 1)


Lolita Go Home  performed by Jane Birkin  1975
Recommended by tempted [profile]

A simple and groovy, mid-tempo easy pop tune with a nice wah-wah guitar riff and Jane B.'s trademark teen fox vocal. Everything apart from the words "Lolita go home" is sung in French. Jane B. didn't really know French and it sounds quite funny. Gainsbourg and Birkin must've had a hell of a relationship! Another classic in my dj set which again shows Gainsbourg's tremendous ability to write sunny bubblegum pop as well as arrange it deliciously.




Lolly Lolly  performed by Wendy & Lisa  1989
Recommended by jeanette [profile]

Minimalist pop, and hurrah for that. The ex-Revolution musicians show Prince that they have learned their lessons well and throw in their own funky twirls, too. They eschew the back-up lipstick lesbian persona that characterised their time with Mr Rogers Nelson and dig out a sound that nicely epitomises the late 80's, a great and much-ignored time in funky dance-pop.

from Fruit At The Bottom (Virgin VWL2580)



Lonely is as lonely does  performed by The Fleetwoods  1964
Recommended by delicado [profile]

The Fleetwoods were an excellent vocal group from the late 50s and early 60s who are best known for 'Come Softly to Me' and 'Mr. Blue'. Both of these are 'classic' oldies tracks, evocative of the late 50s.

'Lonely is as lonely does' came late in their career, and actually sounds much more modern than its 1964 recording date would suggest. This is really a prototype of the 'soft pop' style that would become popular later in the 1960s. The composer, Chip Taylor, went on to write 'Wild Thing' and 'Angel of the Morning'.

The track opens with a nice picked guitar introduction. As in many of my favorite Fleetwoods tracks, Gary takes the lead vocal, with Gretchen and Barbara singing backing vocals. Gary has a very sincere voice. At the beginning the song sounds very routine, but there are some clever chord changes and some cool lyrics. My favorite line is 'As your tears fall, remember this: you're just a kiss away from happiness'.

from the single Lonely is as lonely does (Dolton)
available on CD - Come Softly to me - The Very Best of The Fleetwoods (EMI)



Long Way Down  performed by Jimmie Spheeris  1971
Recommended by konsu [profile]

Found this sealed copy at a local thriftery, an artist i've never heard from a good period at Columbia. Most of the LP meanders in a poetic way, highlighting Spheeris's moody lyrics, sometimes getting a little too "drippy" at times. This track stands out like a champ from the rest, and was penned by a sideman on the LP, Lee Calvin Nicoli. It has such a great pop appeal, in a sort of Cat Stevens way, with a brilliant arrangement (by the author no doubt), that moves along bouncing and resting... A perfect song for a rainy sunday afternoon!

Seems this fellow died very young, and has quite a cult following from what i've read. Should be a nice discovery for fans of 70's folk. And singer-songwriter stuff.

from Isle of View, available on CD


Look Away  performed by Eternity�s Children
Recommended by Mr. E [profile]

First of all let me say that I have been violently blindsided by this group! ...they very quickly entered my favorite 60's pop group stratosphere and have not budged from my rotation for months now. I first got "From you unto us", the singles collection which is good for what it is, but I think the best introduction to the band is the albums themselves, original ordering of songs in this case is vital to the listening experience.
I liked the singles collection OK, but my first impression was muted and okish until I noticed a couple songs later on sticking in my head for hours... picked up the first album on CD (Wondering the whole time if I should be doing this as I have most of the tracks on the comp, CD right? I like the original ordering BEST! Glad I did, no regrets at all...) and have played little else for some time...

I just got Timeless and I'm choosing one off their second album because the first album is one of the few immaculate pop albums of all time IMO and choices there are easy favorites... the second album seems to be less popular, but there are some serious gems here too and It's also a stone cold favorite...

I am choosing Look Away because I think the most distinctive sonic quality of Eternity's Children are these wonderful uplifting bouncy organ driven songs... ET have several tracks that deliver a great song, beautiful and original atmospheric production, great performances in a deeply satisfying way that is rare... This song is pure pop bliss from the opening notes to the end. I honestly can't think of a better compliment than that this song makes me glad to be alive.

For those of you who played in the band and stumble across this:
From the bottom of my heart THANK YOU!

from Timeless
available on CD - Y (Rev-Ola)



  Mr. E: Eternity's Children. Somehow the name got messed up and I can't edit it so I'm posting this correct spelling to help the search engine.....
  artlongjr: Eternity's Children are a fantastic group...I remember when I first heard "Mrs. Bluebird" and was blown away. That was around 1985 and just last year I picked up their singles collection on CD. Thanks for recommending their individual albums, I definitely want to check them out.
  Mr. E: I can't recommend the first album highly enough ... it's a pop masterpiece... My introduction to ET was through that singles package, which is good enough for what it is, but trusty me the first album really needs to be heard in the original order with all the tracks.
  scatdaddy2002: I had the great experience of working with Mike "the Kid", Linda, and Charlie. you oughta hear linda do 5th Dimension live ot Mike kick it with a keyboard. First worked with some of them in memphis with Tommy Cogsbill. Linda was present-we were friends socially in '69 and then again with Mike, Charlie, drummer Johnny Thomasie from N.O.,sometime later. I can't remember the Guitar player's name-maybe Norman or something like that. We were doing the "B" side to a single of mine at Robin Hood Bryan's studio. All of us lived in Baton Rouge at the time and worked respectively for Crocked Fox Prod.(but this session was maybe a solo adventure with co-member of the production team, Guy Bellello [[R.I.P.]}since only he was present-who knows.) The "A" side was done at one of my sessions at American Studios, Memphis and featured the Memphis Horns, the Sweet Inpirations as female back ups, Cimmaron as writer/male harmonies. Elvis had been there the week before (recorded In the Ghetto, I think)and Neil Diamond was due the following week there in Memphis. I felt like such a nobody with life-sized pics of Elvis everywhere and everybody making their comparisons of Alex from the "Boxtops" and me. Pinning a VU meter the same way Alex did was not exactly the feedback I was looking for. Anyway, I guess I am saying we spent a little time together, I miss listening to and working with them. If anyone hears from them, it would be great to STS again. I started back playing professionally a couple of years ago and still consider them the gold standard in terms of harmony and think that the Hammond B3 has "the Kid's" name on it. As an update, Guy died an untimely death about 10 years ago and I only wish I could find Bubba Anthony if living, a sometimes ET drummer and any of that crowd. Kindest regards, Scatdaddy2002
Looking Glass  performed by The La,s   1989
Recommended by geezer [profile]

An epic finale to an epic album,psychedelic but inside the real world ,existential but accesible,beautiful acoustic guitars and backing harmonies.This is the birth or re birth of British pop music after its castration at the hands of eighties over production and souless technology.Dragging Pink Floyd behind it on its way to meet Oasis a few years down the line .

from self titled 1990, available on CD


Lose That Girl  performed by Saint Etienne  1998
Recommended by king8egg [profile]

for years friends have been telling me i should give st. etienne a listen as they thought it was something i'd like. well, it took me long enough but they were right. if they had recorded nothing else than this song i would consider it one of my favourite pop songs. with lines like: "i should have told you to lose that girl/i should have told you that's not your world /on her radio she turned the disco down..." it was destined to end up a favourite of mine.

from Good Humor, available on CD




  delicado: I'm also a recent convert to St. Etienne. I insisted to friends that I didn't like them, but I recently got 1992's 'So Tough', and thought it was brilliant.
  tempted: If there's one group I find very difficult to criticize it's St. Etienne. People say they've made a bad album or two but I think they all are different faces of perfection. "So Tough" is probably the best choice to start with them. That's the band in a nutshell. And the most widely appreciated album.
  OneCharmingBastard: Talk about a sleeper. Not their most obvious single by a long shot (that honor still goes to either their Jimmy Webb tribute "Avenue" or their Bo Donaldson & The Heywoods cover, "Who Do You Think You Are"), but this track not only stands the test of time, but improves like a fine wine. Someday people will love this band. Until then, little four minute bursts of brilliance like this are part of my own private stash of cool cuts.
lost summer love  performed by lorraine silver  196x
Recommended by olli [profile]

60's piece of female vocals wall-of-sound power pop.
it's got handclaps, it's got tambourine, it's catchy as hell. it's just the wrong side of kitch.
I love it.


available on CD - casino classics



Love and Pride   performed by KING  1985
Recommended by geezer [profile]

A huge hit in the U.K in 1985 and the debut single from a band with global potential still retaing elements of the quick fire genres that happened in those times edgy punk sentiments ,white boy funk and even the two tone /mod revival appeal ,all things to all people ,all the ingredients to make the perfect contemporary pop song,.Its rousing anthemic chorus should have been the springboard to stadium size success which somehow slipped away within a year or two,perhaps its catch all ambitions recalled the adage that you cant please all the people all the time .This one piece of brilliance still remains as a monument to all the should have beens and great white hopes.

from Best of
available on CD - Best of Love and Pride


Love in Rewind  performed by Dino Merlin  2011
Recommended by ESC_Dream [profile]

Folk ballad by Bosnian singer and composer, Dino Merlin. Bosnian entry for the Eurovision Song Contest 2011, 6th in the final




Love Machine  performed by Harper & Rowe  1969
Recommended by Ron1967-1970 [profile]

Harper & Rowe... two unknowns who made one album in 1969... and what a surprise it was. Makes you wonder if these tunes had been given airplay, how many hits could they have had.
Some songs are pure pop, while others are more pop-psyche, but they all have a strong melody line in common and of course... an big orchestra. All songs on the album are good, but for some reason Love Machine stands out. It's very uptempo... and I play it loud (apologies to my neighbours) ;)




Love so fine  performed by Roger Nichols and the Small Circle of Friends  1968
Recommended by delicado [profile]

It's hard not to smile when you hear this lovely, rousing late 60s number. Roger Nichols is the composer (along with Paul Williams) of many late 60s and 70s hits for, amongst others, The Carpenters. He wrote this song with 'Pet Sounds' lyricist Tony Asher, and they created a beautiful combination of sunny soft pop sounds (handclaps, brass, group harmonies) and pleasing, happy words. Musically, it is superior and extra-catchy, with nice Bacharach-esque touches and great instrumentation. The lead vocal also deserves a mention for sounding almost supernaturally brilliant (far better than it sounds in the sound sample). The singer is Melinda Macleod; her voice is lovely anyway, but here it sounds as if 3 perfect takes have been somehow overlaid on top of each other to produce an incredibly rich, soothing effect. It's over quickly - in just over two minutes. At which point I normally listen to it again a few times.

from Roger Nichols and the Small Circle of Friends (A&M)
available on CD - Complete (Polydor Japan)




  PappaWheelie: I couldn't agree more. This is the epitome of what Pizzicato Five were trying to recreate in the early 90's.
  klatu: I didn't realize someone had picked this one already! I spelled it "&" instead of "and". Excellent choice!
Love so fine  performed by Roger Nichols and the Small Circle of Friends  1968
Recommended by klatu [profile]

The pinnacle of soft pop! And I can't imagine it not being followed up by "kinda wasted without you"! Twin peaks! Vinyl buffs are at a disadvantage there, you have to get up quickly for the side change to experience the epiphany, and deal with the "pops-and-crackles" chiaschuro instead of "sterile" atomic clock mastering. Also included, my favorite version of the Lovin' Spoonful's "Cocoanut Grove", even better than the one by David Lee Roth! Well, I probably lost a few of you on that one. Roger Nichols went on to later fame and fortune as Paul Williams' songwriting partner on several smash singles, mostly by the wrongly-maligned Carpenters. After that, engineering on all of the Steely Dan albums. Not too many superstar engineers, but on those albums, it was notable. Fagen'n'Becker dubbed him Roger "the Immortal" Nichols on some liner notes. Now he has a byline in some stereo mag, or so I am told.

from Roger Nichols and the Small Circle of Friends, available on CD



  gregcaz: Roger Nichols/pop genius and Roger Nichols/Steely Dan engineer are actually two different people. When Steely Dan toured Japan, people kept asking him to sign their "Small Circle" CDs! So funny!
  klatu: How embarrassing to be the spreader of internet misinformation! I've heard that from several places. It seemed so plausible, with the Ted Templeman Harper's Bizarre/Van Halen connection. Or is that two Ted Templemans? Thanks for the correction. So it's probably the Steely Dan guy who writes the article? I'll have to check that out.
love song for the dead che  performed by the united states of america  1968
Recommended by olli [profile]

spacy female vocal-based sadpop, perfect for cold weather and sunday afternoons. these guys pioneered this kind of music, if you're familiar with white noise,
os mutantes or even broadcast this album is your jackpot.
it's one of the more calm and mellow tracks on the albums, and one of my favourites.
absolutely gorgeus chorus, totally wide, deep string based arrangement.

..And dig the gentle, almost non-audible rhythm track.

from the united states of america



love with the three of us  performed by stereo total  2001
Recommended by olli [profile]

english language version of "l' amour a 3", available as a bonus track on the american release of "musique automatique".

cute electronic pop song about threesomes, courtesy of french-german electro-rockabilly-breakbeat-chanson-disco-pop sensation stereo total.
features some great moaning samples.
the ooohohouou- sound in the chorus remind me of a norwegian children's programme i used to watch when i was a kid. i just love the vocals in this version. they might not be technically perfect, but the french-german accent is really cute, and adds a lot to the feel of the song.

"it's absolutely out, i know it's hippie shit/
but i say it loud, with the three of us, i love it"

(by the way, stereo total are very nice people. they deserve your love)


available on CD - musique automatique (kill rock stars)



Love's theme (Saint Etienne Mix)  performed by Pizzicato Five  1998
Recommended by delicado [profile]

A great track that comes in two parts. The first is a sweet repetitive pop tune with electronic piano, synthesized strings, pleasant guitar chords, and wordless 'ba ba' vocals. Just before the three minute mark, it begins to mutate gradually, until it turns into a glorious early New Order-style sound, with a piercing, punky guitar sound and a loud bassline. The vocal elements from early in the track then come back in. A great fusion of different styles.

from Happy End Of You (Remix), available on CD


Love, love, love  performed by Gerhard Heinz  196?
Recommended by delicado [profile]

What a winning track! Opening with Morricone-style 'boing' sounds, this is a sexy, funky pop song with interchanging female/male vocals and pounding drums.

The sub-genre of pop songs in this style, featuring flirting and laughing alongside groovy 60s backings, is under-appreciated. I can think of a few more examples: Piero Umiliani's 'Flirt a Rio', Marcos Valle's 'Ele e ela', and my previous recommendation, Ed Lincoln's 'Bon-jour'. Mina's 'Parole Parole' almost fits as well, although the interplay there is a bit more dramataic than flirtatious.

Confusingly, there's another track called "Love, L'Amour, Amore" by Gerhard Heinz, which appears on the "Melodies in Love" compilation of his work. But I gather from hearing a clip that this is a different track altogether.

from Birds Do It: Music From German Sex Education Movies of the 60's, available on CD



Lucy and the Bourgeoisie  performed by Ashley Park  2000
Recommended by saturnhead [profile]

Very popular Canadian pop band. You know them from Kindercore Records...home of Of Montreal, The Olivia Tremor Control, Richard Davies. This song is an orch-pop, bacharachian, stereolab ish number

from Town and Country, available on CD



Lullaby  performed by Krzysztof Komeda & Mia Farrow  1968
Recommended by jeanette [profile]

And I am not just including this because it is from Rosemary's Baby, my very favourite film of all time. Well, maybe I am a little - the opening credits where Polanski guides us over the rooftops of the Bramford while Mia murmurs her "la la la"s sets up perfectly the movie heaven that is to come.

Actors usually make a hash of singing (and, of course, vice versa - Bjork is great in Dancer In The Dark but that's all I can come up with), although I've heard that Cybil Shepherd makes a decent stab. But Mia can't fail to impress with her innocent singing voice, keeping in the character of Rosemary even though she doesn't speak a word in this song. Komeda maintains his usual atmospheric wonder, with the sort of piano based joy that gave such a fruitful relationship with Polanski's films.

Lots of others have had a pop at this, usually with some degree of success as the melody is so strong (discounting a dodgy metal version of it by some chancers whose name escapes me). My favourites are Hugo Montenegro's (on Good Vibrations) and Claudine Longet's lyric-added version, Sleep Safe And Warm.

from Rosemary's Baby, available on CD




  Swinging London: I love this too! It seems to pull the whole movie into a class of it's own. I've been trying to find the Claudine Longet version for years!
Lynn�s Baby  performed by Mark Eric  1969
Recommended by artlongjr [profile]

It's hard to recommend a single track from this album, the whole thing is a classic of California pop. I'm glad it's finally been reissued on CD.

Mark Eric Malmborg created a genuine masterpiece with this recording, which has a bittersweet mood throughout that reminds me of "Pet Sounds". I originally came across this LP in 1989 when I found a copy at a thrift store (it had once been in the collection of the local public library!)and just looking at the cover I figured it would be great, and it was!

"Lynn's Baby" is the last track on the original LP and is a beautiful song about a girl who has been seduced and left with an out of wedlock baby by an older, manipulative guy who's left her after the usual empty promises...rather an unusual theme for a pop song! The combination of Mark Eric's voice (somewhat reminiscent of Brian Wilson) and the gorgeous string arrangement are enough to really bring out the goose bumps.

This CD is one that I absolutely can't recommend enough to fans of the beautiful 1960's pop music.

from A Midsummer's Day Dream, available on CD


ma quale idea  performed by pino d�angie  1983
Recommended by moondog [profile]

Italian disco-rap-pop from the early eighties that instantantly puts a smile on your face and a spring in your step. Anybody know more of mr pino or of tracks in the same genre ?


available on CD - back to mine - r�yksoup




  texjernigan: I don't know, but it shure is hip right now: check out ed banger records, specifically Justice's D.A.N.C.E.
  moondog: ah thanks for that, yes i�ve heard that. So i guess they have sampled it then. But what do you call the genre, italy disco, italy hits, i think i have heard something somewhere
Ma Recont  performed by Bertrand Burgalat  2001
Recommended by texjernigan [profile]

This guy's part of the whole AIR scene, that kind of French Romantic Pop with fresh and yet simultaneously vintage sound.

from The SSSound of MMMusic, available on CD



Mad World  performed by Gary Jules  2001
Recommended by cryofthecelt [profile]

"Mad World" was written and originally performed by the popular 80's band Tears for Fears. A more mellow, piano-based cover of the song was featured in the cult movie "Donnie Darko" (Jake Gylenhaal, Patrick Swayze) as performed by folk artist Gary Jules. His version of "Mad World" reached the coveted Christmas #1 spot in the UK in 2003, despite that it was 3 years old and performed by an unknown artist.
This song is quite possibly my favorite song of all time, at least in my Top Ten, because I feel that it describes life very accurately. The chorus of the song is:
"I find it kind of funny
I find it kind of sad
The dreams in which I'm dying
Are the best I've ever had."
To me, this song is saying "Hang in there...I know life sucks on this earth, but you will go to a far better place after your death."
Depressing? No. This song helps me to carry on.

from Donnie Darko (Enjoy)
available on CD - Trading Snakeoil for Wolftickets (EMI International)



  malpt: This is a rare occasion where I love the cover more than the original. A very awesome song.
madam butterfly (un bel di vedremo)  performed by malcolm maclaren  984
Recommended by alice1001 [profile]

a very pop sounding song
it has opera in it
it has synthesizers
its ace :)




Maddalena  performed by Armando Trovaioli  1966
Recommended by leonthedog [profile]

A 60's Italian soundtrack tune that magically combines Pop and Renaissance. Harpsichord and wordless vocals (here, by I Marc 4) were not uncommon in the 60's, but here they are together: if only church music really sounded like this! From a killer sountrack album that has several treatments of about three or four excellent base melodies - all of them excellent. Worth every penny.


available on CD - L'Arcidiavolo (Black Cat)



Made in France  performed by France Gall  1967
Recommended by tinks [profile]

Is it just me, or do the French really have an inferiority complex? Terrifically silly French girlie-pop with great '60s lyrics comparing all the things that are "Made in England" (Mary Quant, the Salvation Army) with all the things that are "Made in France (not made in England)" (Camembert, Charles Aznavour).

from 1968, available on CD



  unathanthium: Yes indeed.Fabulous song.Still waiting for St.Etienne to do Made in England,an answer to this sixties gem,but let's face it we haven't much to crow about in England.Tony Blair,Margaret Thatcher,The Dome,J.K.Rowling.I think you get my point.
Magic Garden  performed by Dusty Springfield  1968
Recommended by audvoid [profile]

I discovered this on The Dusty Springfield Anthology 3CD set (1997) and fell in love with it instantly. Until this release Magic Garden had never been available in the U.S. and was originally released on an obscure British-only EP. The song's an absolute classic that veers between Phil Spector-esque surging pop and dreamy summer of love escapism. Truly a rediscovered lost masterpiece.

from If You Go Away EP (Phillips BE 12605)
available on CD - The Dusty Springfield Anthology (3CD) (Chronicles)


Maigret  performed by Tony Hatch  1962
Recommended by delicado [profile]

This is one of those mindblowing tracks that occasionally turns up when you least expect it. I bought a generic looking 'Top TV Themes' EP on the Pye Golden Guinea label, mainly because it had a version of the 'Out of this World' theme, which I've recommended elsewhere on this site. But I was disappointed - it turned out that this 'Out of this World' was exactly the same Tony Hatch version that I already had (the EP does not list any track credits).

I listened on, not expecting much, particularly from 'Maigret', a nice enough theme by Ron Grainer, but one that is a kind of accordian waltz!

Imagine my surprise when this turned out to be some kind of trashy, twangy, swampy surf pop masterpiece! It sounds like one of the very best Joe Meek produced instrumentals from the early 60s.

I'm inferring that this is Tony Hatch, since he did the 'Out of this World' and was a staff arranger at Pye in the early 60s. But if anyone else can shed a different light on this recording, I'd be pleased to hear about it!

from Top TV Themes (Pye Golden Guinea W03)




  olli: Funny how anything can be transformed into a masterpiece with the right arrangement, isn't it?
Major to Minor  performed by The Settlers  1967
Recommended by artlongjr [profile]

The U.K. (or possibly Australian?)group the Settlers do a great job on this Tony Hatch song, sounding somewhat like American contemporaries the Sunshine Company and the Mamas and the Papas. I just love the vocal harmony groups of the mid to late 60's and this is an excellent example of that musical genre. The arrangement is very dramatic and the male-female vocal blend is very well done. This is much more pop than rock, and is definitely one of my favorite Tony Hatch tunes.

from Paisley Pop, available on CD


Make The Madness Stop  performed by Free Design  1967
Recommended by charlesives [profile]

Masterpiece! This record, a legend amongst those who know it, with its fine writing, arranging and singing clearly deserves its place in the Pantheon of great pop. It may have failed commercially in its time but the beauty of their pop puts it amongst the best of our times and explains why 37 years after its creation it remains exquisitely artful to our ears. I could write 100,000 words scratching at what I love about this group and their first 4 records, and this song alone.But, the Free Design deserve, rather than my dull hyperbole, a good listen. Rousing and sublime, almost TOO GOOD to have been a big hit. If you read a bit about them you realize that these singing siblings made some naive career choices that favored music over money. Our gain.
Some bonehead on this site claimed The Free Design sound like Stereolab. That writer got it butt backwards. Sadly, Stereolab doesn't have the skill to really reach the musical and spiritual depth of the Free Design. Stereolab's OK, don't get me wrong, but they are often a pale imitation of a much richer source. Letitia from Stereolab cites The Free Design as one of her all-time favorite bands, so at least they have sublime taste and honesty when it comes to revealing their sources.

Guaranteed to lift you up way high.
Buy or download NOW!!!

Fave part: "Wish that I were corny....:

from Kites Are Fun, available on CD



  konsu: No, you have it backwards, because your emotions get in the way. Understandable though, with this group, and particularly this song (which is one of my all-time faves). It "blows your mind but not completely..." is what I like to say. Stereolab have always worn their influences on their sleeves, from the Beach Boys to Can. And it seems like I should explain by saying that they are a gateway group for so many young people to discover older pop, but shallow as some are, they only like the FD songs that sound like more contemporary artists. Not that it's a super bad thing, just a little dissapointing, considering the depth and beauty of this groups entire body of work... Dig? Love, Bonehead.
Mandato  performed by Osmar Milito e Quarteto Forma  1972
Recommended by delicado [profile]

A very cool sunshine pop style number from the soundtrack to the Brazilian soap opera 'selva de pedra'. This two-minute track has an irresistable groove and some nice harmonized group vocals. The vocals are mostly gentle and smooth, like strings, but there are also some jazzier scat phrases thrown in. The entire soundtrack is highly recommended.

from Selva de Pedra, available on CD



Maria  performed by Blondie  1999
Recommended by Scuffcakes [profile]

This newer outing by Blondie is really a great listen. I think this track especially defines the album. It's a beautiful showcase for the great vocal range that Debbie Harry can perform. Blondie was fun to listen to in the early 80's and this just shows that they still have a fresh and fun approach to pop.

from No Exit (Beyond)


Mary-Ann  performed by Holly Golightly  1995
Recommended by jeanette [profile]

Holly's always been prolific, but never more so than in the mid nineties when this fantastic tune was released. There were usually a couple of her own albums out every year, plus releases with her girl group Thee Headcoatees, and the quality never dropped.

This is a typically brilliant slice of Holly's sound - pop blues riffing with her who-cares vocals. It fixes me within such a groove whenever I hear it.

Random reminicense: One of the best live performances I have seen was Thee Headcoats and Thee Headcoatees on stage in North London at Hallowe'en, treating the crowd to the BEST EVER version of Monster Mash. At that gig I saw Holly milling around the crowd before Thee Headcoatees took to the stage and was struck by her luminescent beauty and remarkable poise. Truly she has everything. She's worthy of heroine status.

After her brief burst of mainstream recognition guesting with the White Stripes, Holly's back in the comfortable indie heartland these days. I really can't think of enough nice things to say about her.

from the single Mary-Ann (Vinyl Japan PAD=26)


Mary�s Prayer  performed by Danny Wilson  1987
Recommended by MoeShinola [profile]

I saw a video of this a couple times on MTV and never forgot it. I finally caught up with the album "Meet Danny Wilson" years later, in a used bin. None of the three members are named Danny Wilson; it's named after a Frank Sinatra movie. They dress like Sinatra fans as well, and the music's influenced by that era, but it's pure new-wavy piano pop. Reminds me of Joe Jackson, but softer, more romantic. "Lorraine Parade", "Nothing Ever Goes To Plan", and "Steamtrains To The Milky Way" are also album highlights.

from Meet Danny Wilson (Virgin)


May my heart be cast into stone  performed by Other Voices  1967
Recommended by Ron1967-1970 [profile]

Another one of my faves... grrrrrrrreat orchestration, unbelievably well produced and heavenly
vocals in perfect harmony. A song to bring me on my knees... hoping it won't stop... so sweet, yet goes very crescendo... a definite 'two thumbs up' for this one... This group never made an album. It's one of those typical 'studio groups' who produced a sound that could knock you KO (IF you like the positive sound of the late 60s). It takes a genius to arrange a song like that: 'And may my heart be cast into stone" (immediately followed by two short orchestral outbursts pa-taa pa-taa) "And may the world go deaf when I roar" (pa-taa pa-taa)... One word: d e l i g h t f u l





  trebole: I was going to recommend this same song and looking for some info on the net I discovered by chance you have already recommended it. Just listening to it makes me feel like clapping my fingers and sing aloud to heaven with my eyes full of tears. Love the background vocals too!
  trebole: Just wanted to add, the song I have is performed by a girl group called Toys. Is that right?
  PaulLevinson: Thanks for the good words about our record, Ron. Actually, we weren't a studio group. Here are some details on The Other Voices: The Other Voices consisted of me, Stu Nitekman (who later wrote a book about Scrabble, the board game, under the name Jonathan Hatch - JH also does voice-overs and commercials under that name now), and Ira Margolis. We had previously been a folk-rock group called The New Outlook. We were singing in Central Park in NYC one Sunday afternoon. Ellie Greenwich and Mike Rashkow walked by, liked what they heard, and said they'd like to produce us. They signed us, changed our name to The Other Voices, and landed us a contract with Atlantic Records. May My Heart Be Cast Into Stone was one of three songs we went in and recorded in a NYC studio. The other two were "Hung Up On Love" and "No Olympian Heights". Only "Hung On Love" was written by one of us -- me (and Mikie Harris). "Hung Up On Love" was included on Rhino Handmade's Come to the Sunshine: Soft Pop Nuggets for the WEA Vaults in 2004 (Andrew Sandoval compiled it). I now a professor, author of science fiction and books about the cellphone (I'm currently working on a book about the First Amendment), appear a lot on television, etc - details on my web page: www.sff.net/people/paullevinson All best wishes and Happy New Year! Paul PS - The Toys also have a version of Cast Into Stone - same song, different recording.
Maybe in the next life  performed by Cinnamon  1999
Recommended by delicado [profile]

What a depressing yet beautiful song... I was thinking of recommending this when I first heard it, but today it fits my mood better and I feel compelled to do so. Bertrand Burgalat's production mixes modern beats and bleepy sound with strings, alongside Cinnamon's old-school tuneful indie guitar pop with a female vocalist. God, this song is depressing; did I say that yet? But it's one of those depressing songs that's actually glorious to hear, accompanied as it is by beautiful, rousing music. The vocal is rather tender; as if she's sympathetic about what a fuckup the listener is.

Those uplifting lyrics in full (actually, there's more, but I'll spare you):
"when you were young/you had the sun in your eyes/the grass was greener/the days were sweeter/in the next life/you know where you came from, but there's no sparkle in your eyes/you're gonna die/and there's nothing in between to shout about'.

Why would you want to listen to something like that? I'm not sure, but I have it on repeat play today; check it out!


available on CD - The genius of Bertrand Burgalat (Bungalow)



  bobbyspacetroup: I'm a big fan of this song as well. The album this if from, Vertigo, is worth picking up if you can find it. Louis Philippe arranged the strings on it with Burgalat producing. I hope this isn't all we are going to hear from Cinnamon.
Maybe Sometimes  performed by Eric Metronome  1999
Recommended by executiveslacks [profile]

Very lo-fi indie pop, there's something incredibly endearing and plaintive about this song. Guitar, drum machine, toy keyboards, and multi-tracked vocals.


available on CD - Blackbean and Placenta Sampler No. 3 (Black Bean and Placenta)


Mecca  performed by Gene Pitney  1963
Recommended by scrubbles [profile]

Middle-Eastern '60s teenpop! Wild backup singers and a groovy guitar/flute solo add a distinctive, exotic touch to this lovers-from-different-cultures song. Still, it's Gene Pitney's incredible, dramatic singing that pushes this over into the "so weird it's wonderful" arena.


available on CD - 25 All-Time Greatest Hits (Varese Vintage)



Middle Of The Road  performed by Denim  1992
Recommended by jeanette [profile]

From the era when it seemed every band was named after a fabric, this angular indie gem was, for my money, one of the very best singles of the nascent Britpop era. Precipitating the self-referential indulgences of later bands, but not with the aura of smugness that pervaded the Albarn-esque dahn-tha-dawgs mockernee, the legend that is no-surname Lawrence (from alternative gods Felt) spews forth a classic.

The best way to describe this is 'miserable glam' - a great Mud-style beat clashes perfectly with Lawrence's scathing vocals of how he hates everything about so-called classic rock: "Spector's wall, knock it down; Jerry Lee, run him out of town." He ends up extolling the virtues of MOR and, in a stroke of utter pop genius, segues his tune into Middle Of The Road's hit Chirpy Chirpy Cheep Cheep as sung by the kind of girl who populated the 70's Top Of The Pops LPs.

from Middle Of The Road CD Single, available on CD



Middle Of The Road  performed by The Pretenders  1984
Recommended by dsalmones [profile]

Who could forget the rousing "woo-hooa-a-hooas" that helped define the Pretenders' 1984 smash hit "Middle of the Road"? In a decade that saw synthesizer-oriented pop music arriving on U.S. soil from England, singer/guitarist Chrissie Hynde and bandmates tear it up on this classic example of pure, unadulterated rock music. The Pretenders' offering successfully maintains a formulaic rock pattern, with drums that beat on at a driving frenetic 4/4 pace and guitar riffs that induce foot stomping by the most conservative crowd. By the time the harmonica solo kicks in toward the track's end, "Middle of the Road" has worked itself up into such a musical romp that it challenges anyone to remain sitting down. There is no technical or instrumental trickery to be found here, no "secret sauce"; the song is very much in your face. Its rollicking music and lyrics that paint a picture of a journey make anyone want to hop into the car and take off for the open road. "Middle of the road, is trying to find me/ I'm standing in the middle of life with my plans behind me." You'd be hard-pressed to find anyone who didn't identify with that sentiment. The Pretenders zeroed in on one of humankind's most basic, secret desire � to get up and go � and backed it with an equally driven musical arrangement. And that's what makes this recording a timeless classic.
(AMG)

from Learning To Crawl, available on CD


midsummer night's scene  performed by john's children  1966
Recommended by shaka_klaus [profile]

ever heard of marc bolan? check this out! toured with the who and got thrown off due to a havoc in germany. a psychedelic pop song of highest class.

from the single midsummer night's scene
available on CD - smashed blocked (get back)




  n-jeff: Its not my favourite of their songs, but one of the few where you can hear Bolan, I don't think he actually did that much with them. They play a funny part in Simon Napier-Bells autobiography "you don't have to say you love me". Recommended for its high trash content and infallible ego.
Miles Apart  performed by A,R.Kane  1988
Recommended by beautifulmutant [profile]

A.R. Knae is a one of a kind outfit. Part trippy alternative band, but with great pop sensibilities. First two albums were on 4AD and a had a slowcore / shoegaze kind of feel. This is but one of many standout tracks.

from "I" (Luaka Bop / WEA / 4AD)



  n-jeff: I was just extolling A R Kanes virtues to one of my friends, amazing band, for me the first LP "69" just has the edge. But I love them all. I went to see them play once, my ears chirruped for 3 days afterwards....
  n-jeff: And they were from the UK! Not the US.
Mirage  performed by Siouxsie & The Banshees  1978
Recommended by dsalmones [profile]

"Mirage" was the first single taken from Siouxsie & the Banshees' first album, 1978's The Scream, and while it's not as uncharacteristically poppy as the group's debut 7", "Hong Kong Garden," it's still about as close to accessible as the group got in the early days. A tightly wound song built on John McKay's slashing, distorted guitar and a pounding, prominent drumbeat (the sort of near-tribal galloping beat that Kenny Morris' replacement, Budgie, would do much better on later singles like "Spellbound" and "Fireworks"; Morris simply wasn't good enough a drummer to impart the kind of urgency this song requires), "Mirage" builds a forward momentum underneath Siouxsie Sioux's yowling vocals, which obscure bassist Steve Severin's lyrics to the point that only occasional words and phrases are decipherable.
(AMG)

from The Scream, available on CD


Molienda Cafe  performed by Charlie Byrd & Aldemaro Romero  1970
Recommended by tinks [profile]

Very rhythmically complex track with gentle finger-picked guitar courtesy of Byrd. Romero was at the forefront of Venezuela's "onda nueva" movement, which was an interesting conflagration of Latin jazz, American pop, calypso & traditional Spanish styles. According to this album's liners: "The time is 3/4, but the drummer often plays 2, giving the beat a 4/4 quality. Or the measure is played in 6, spraying accents in such a way that one hasn't time to count beats to the bar." If that seems perplexing to you, you're not alone. In a 1997 interview, Byrd called this album the most challenging recording he had ever made.

from Onda Nueva/The New Wave (Columbia)


Monday Morning  performed by Melanie Fiona
Recommended by Nori [profile]

Reminiscent of eighties pop, with a good beat and strong vocals. Well paced.




Morning, Girl  performed by Neon Philharmonic
Recommended by I, Claudius [profile]

Perfect poppy '60s record, both accessible and arty: Jimmy Webb collides with Brian Wilson and Bacharach, gorgeously arranged for members of the Nashville Philharmonic.

from The Moth Confesses, available on CD


moth;s wings  performed by passion pit
Recommended by jennifercat [profile]

electropop, inspiring




Mother we just can't get enough  performed by New Radicals  1998
Recommended by LateBirdsInMay [profile]

A really really great pop song by dint of the fact it just refuses any categorisation other than 'Ace'. But I'd better give it a go. 'Mother' is a very nineties mix of genres; Gospel-ey piano, driving pop beat, terrible vocals, and great pop lyrics that soars, taking in scat, madchester, falsetto and more before exhausting itself - I can't think of any other song that could conceivably have worked as a blueprint for 90's pop - if we'd worked from this instead of 'Baby one more time' things could have been much different. Re. the song - two things then - 1. it's a fantastically catchy 'choon' with guts and attitude, 2. it's a bit revolutionary, as all good pop should be.

from Maybe you've been Brainwashed Too



Moulty  performed by The Barbarians  1965
Recommended by antarctica [profile]

An inspirational ballad written by Victor Moulton about the trials and tribulations of being a one-handed drummer. Moulty tells his story over a lamenting harmonica, then the chorus kicks in and he goes rock n' roll on your ass, urging you to "try to make it, baby!" Don't turn away from this garage gem.





Move Over Darling  performed by Doris Day  1964
Recommended by scrubbles [profile]

I always love it when older performers "try out" younger, more popular musical forms. In this case we have Doris Day's attempt at Brill Building Pop, the title track for one of her movies. Has she ever sounded sexier?


available on CD - Golden Girl: The Columbia Recordings 1944-1966 (Sony/Columbia)


Mr James Bond  performed by jean jacques perrey  196?
Recommended by AndreasNystrom [profile]

Wow, never heard of him until recently.
He plays popmusic on Moog-synthesizers, and was one of the early pioneers.
Another fun thing about him, was that he made songs about different IanFleming bondbooks, before the Bond movies were even made. This is probably of later date still very fun sound.

Its sounds like 60ies popmusic with Commodore64 mixed into it.




Mr Peacock  performed by Orange Colored Sky  1969
Recommended by Ron1967-1970 [profile]

A non-lp track... I went nuts where I first played this. If you want a song that will stuck in your mind for the rest of the week, then play this one :) Very very catchy and lyrics that will put a smile on your face "Mr Peacock, Mr Peacock, no one else can be so groovy". A song full of surprising hooks, building to a harmony climax. Man oh man ... this IS music ... makes you wonder how it all turned sour in the mid 70s... when orchestras and catchy melodies were replaced by synthesizers and drum-pads ...





  moe: Based on your enthusiastic description, I tracked this song down (it wasn't an easy task!), and I can't say I was disappointed. Very groovy indeed! The best song ever written about peacocks.
  deathshadow: For those who don't know - the song is from the movie "The Love God" starring Don Knotts.
Mr Wilson  performed by John Cale   1975
Recommended by geezer [profile]

The Mr Wilson in question is Beach Boy Brian, a rather obvious lyrical homage,musically speaking its a whole differnt ball game ,a sutle pop song with a great chorus which improves with repeated listens ,its sound is closer to the prog pop of Genesis or Supertramp and of course Brian Eno who aided and assisted on this fine track from a fine album Slow Dazzle.

from Slow Dazle
available on CD - Slow Dazzle


Mr. Dieingly Sad  performed by The Critters  1966
Recommended by artlongjr [profile]

The Critters really came up with a gem in this 1966 top 40 hit, which seems to have a sort of Brazilian influence. I had the lyrics to this for years in a magazine before I heard the actual song. The greatest hits CD I cited is out of print, but this song may be found on various compilations as well.

Another hit the Critters had was their version of the Lovin' Spoonful's "Younger Girl", which was also
done by the Hondells...I like the Critter's version better.


available on CD - Anthology: The Complete Kapp Recordings,1965-1967 (Taragon)



  Major Minor: Yes, Mr. Dieingly sad is pop perfection! For any Critters fans I'd recommend checking out: "The Giant Jellybean Copout" which was basically the same band under a pseudonym.. It's a breezy, jazzy, Beach Boys meets The Free Design amazing vocal harmony track that I would give 5 stars to... recommended to any sunshine pop fan
Mr. Wilson (Plus-Tech Squeeze Box Remix)  performed by Optiganally Yours  2001
Recommended by PappaWheelie [profile]

from De-Composed, available on CD



Mrs. Bluebird  performed by Eternity’s Children  1967
Recommended by tempted [profile]

A fabulous acid-pop masterpiece featuring one of the most intriguing intros in pop history. Everything I love about psychedelic pop made in the US in the late 6t's comes together in Mrs. Bluebird: the softly mythical, escapist feeling that the harmony and orchestration bring into this music. I frequently use it as a getaway. I think indulging in this music is not sad but it shows you've got the means to make you happy. This song is a Curt Boettcher (The Millennium, Sagittarius) production that cannot have been made while under the influence of drugs!!

from Eternity's Children (Tower)
available on CD - Best of Eternity's Children




  493440: I appreciate the nice comments about "Mrs Bluebird." My name is Bruce Blackman and I wrote Mrs Bluebird. I was the founder of Eternity's Children in 1966. We did not survive because of incredibly bad management. Our two managers had the middle names of "Karl" and "Marion." After I left the group, they tried to cheat me (unsuccessfuly) out of any credit. A few years after Eternity's Children I formed my group Starbuck and we scored a top 3 with my song "Moonlight Feels Right." Three of the members of Eternity's Children were with me in Starbuck.
  john_l: I agree, this is a wonderful song! The organ keeps the beat (after the dreamy intro), the harmonies are great and there's that heavy psychedelic guitar solo in the bridge, although I believe that was edited out of a 45 or radio edit version.
  royjudywhi: In response to Bruce Blackman's comments under response 493440, he is absolutely correct about his penning of Mrs Bluebird. It was a great song off a great album. He is a talented songwriter but a lousey historian. The group was formed by Roy Whittaker when he was at Delta State College in Cleveland Mississippi. Bruce was an important part of the group but failed to survive the rigors of bad management. Bruce and Johnny Walker were the only members of Starbuck who were part of the original Eternity's Children group.
  tbrown: I too am a long time Eternity's Children fan. Grew up in Biloxi, played in a local band in high school. Used to go hear the Children at the Biloxi Hotel and at the Vapors in about 1967. Along with Little David and the Giants, they were the hottest groups around at the time....great memories. I see messages here by Bruce, and it looks like Roy maybe, and also saw one from Charlie Ross. Would love to hear from any of you guys just to find out what you are all up to these days.
  jwalker: Thought you Eternity's Children fans might like an update on another member. Johnny Walker played lead guitar and I believe was the lead vocalist on "Mrs Bluebird". He was also a member of Starbuck with Bruce Blackman later. Johnny's my brother and anybody that wants to contact him may do so through me. He lives 2 miles from here and has no internet access but I'm sure he'd like to hear from anybody out there that remembers Eternity's Children so please feel free to post and date your messages and we'll see that he gets them. Oh, by the way, Charlie Ross, another original member of the Children, is and has been for many years a founding member and the bass player/lead vocalist for the Krackerjacks, a kick-ass band in Greenville, Mississippi, the hometown of Johnny, Charlie and Bruce Blackman. My husband was also their keyboard player for several years.
  luna: For jwalker: Where in the world are you two these days? How's Johnny doin? I'm the other k-board player. Tell Johnny DDD said hello, also hello to your husband.
  trucol: For jwalker: Thanks for the compliment about the KrackerJacks. I have been the drummer since about 1983. Tell Johnny that T.C. said hello. He's one of most incredible guitar players I have ever heard. I first met him in P'cola. He was with another kick-ass band, Lazy Day.
  tempted: Hey guys, have you realized that there's a new 'Children "Lost Sessions" record out on Gear Fab Recs. Congrats!
  tempted: To John_I: the guitar solo remains there on the single version, too. It still gives me shivers.
  musicmars: Hey Bruce, it's an honor to post on a board that you read. I've loved Starbuck since I was 12 or 13. Moonlight Feels Right really is one of the best pop songs of the 70's. All three albums were great. I still have to find the Korona album. Anyway, Mrs. Bluebird, what a song. One of the best pop songs of the 60's. I first heard the remake a few years back from the UK? studio band Sunshine Day. It was a great remake but then my psychedelic record collecting led me to Eternity's Children and their version is even better. I only recently realized that it is the same Bruce Blackman that was in both bands. I'd love to hear some new music from you Bruce.
  luna: For tbrown: I don't you, but I was in Substantial Evidence in the late 60's on the coast.Do you know where Mark Simon,Pat Gill,Ray Zoler,Ted Tearse,Artie Desporte or any of these guys may be? Any info appreciated.
  jscarbo4: Does anybody have pictures of the entire Eternity's Children group? It was always irritating that only four of them were used on the album cover. I'd also like some update info on Roy Whitaker if anyone knows..........Also, does anyone know if Bruce Blackman ever recorded "For Crying Out Loud"? I heard him do it live at Dock-of-the-Bay, and was knocked out by it. Would love to have the recording if it's available.
  jscarbo4: Hey Luna, I wasn't aware of a 6th member of Substantial Evidence...tell me more so that I can add to my site: http://www.artist-murals.com/images/Pictures/Joel_Scarborough/Ray_zoller.htm
  tbrown: to Luna: Drop me an email at [email protected] and I will tell you who I am. WE probably know each other if you were with Substantial Evidence.
  ThomasInPlano: To Charlie Ross: During late '66 and '67 sessions at The Vapors me and some of my Biloxi USAF buddies used to chat with you between sessions talking music and it's direction. I was from Houston so we talked a lot about the Thirteenth Floor Elevators. At the time I didn't know much about acid so we talked like it was a pretty cool thing. I hope that didn't create any problems for you. I later got a tape of one of your reel-to-reel amateur recordings made at The Vapors. Later I was sent to Las Vegas ('67)and then Vietnam('68) so I lost track of how you guys were doing until I came back and was stationed north of Memphis. In '69 Eternity's Children did a TV performance in Memphis and I went to catch that performance on Saturday, only to find that it was taped earlier. I so much wanted to re-establish contact with you and catch up on what had been happening to you while I was away. Well, that was all for not but I hope maybe this will tell you how much your music that we knew back in late '66 and early '67 as Eternity's Children meant to us. Not everyone makes it to the very top, but it doesn't mean that they didn't have a wonderful effect on peoples memories. Your wonderful covers of so many types of music and your great originals will always remain in many peoples hearts. Someday I hope to get to chat with you by phone or email as we did at The Vapors Lounge. Mostly I remember you and Johnny Walker (who was such an inspiration on guitar) and Roy Whittaker. I hope that all of you are doing well as we have all had so many years go by and time starts to take it's toll on the body. Best regards, Thomas
  JKing2: I too am a big fan. I followed the band from Biloxi to Baton Rouge. Why no mention of Linda Lawley? Does anyone know what happened to her and/or her career?
  Roy5: I'm glad so many people remember Mrs Bluebird. I haven't even heard the song since 1968, when it charted, but I haven't forgotten it. I remember staying up one night waiting for our local station to play it. Finally it did--I think about 2:00 in the morning. But it was worth the wait. And I saw them perform on It's Happening, the summer replacement rock show from '68 hosted by Mark Lindsay and Paul Revere. Everything about the song is top of the line. Especially the organ, guitar and the vocal harmonies.
  JohnB: I've been a fan of Eternity's Children since the late 60's when they played the Vapors. Still have an original LP of theirs. God where have the years gone- that was music, and why they didn't go right to the top, well somebody made a big mistake not publicizing them properly. And where is Linda Lawley? Beautiful voice and a beautiful girl.
  dpinsd: In the summer of '68 I had just graduated and was leaving the country during the Vietnam War. I remember Mrs Bluebird by Eternities Children as being the last song I heard in San Diego before I left for New England then on to Portugal. I remember hearing this great song when I was in Rhode Island. I never forgot it. Apparently it is no longer available. I checked on Napster and it is not there either. I really want this song in my music library. It was good to read other comments from others that were also touched by this song that unfortunately did not go high on the charts. Dan in San Diego
  txsdrmr: To all, I grew up in greenville, MS in the 60's and went to Greenville High School with Charlie Ross, Bruce Blackmon and Johnny Walker. Before they hit the big time in the late 60's and 70's they were in some very tight group groups and played gigs in the MS delta almost every weekend. Charlie's original group was the Phantoms while Johnny and Bruce were in the Lancers. Another Greenville native to make the big time was James "Bud" Cockrell, founder of the San Francisco group, Pablo Cruise. If you count Joe Frank Carolla of Hamilton, Joe Fank & Reynolds who was from Leland, MS just 7 miles away, the Delta produced some really great talent. Those of us lucky enough to be there enjoyed some fine music. I've been fans of all these guys ever since and have collected all their 12" vinyls I could find. I'm in Houston, Texas now but still listen to Eternity's Chidren, Starbudk and H,JF, & R to take me back to those great days. -pope-
  raymar: My friends and I used to see Eternity's Children at a club called Jamie's in New Orleans every Wednesday night in 1967-68. We idolized this band and, of course, we were in love with Linda Lawley. It's so great to see that others remeber this group as weel.
  mac: My name is Mike McClain and I played organ with Eternity's Children right after Bruce Blackman left the group. We recorded lots of good music but never really got the push from Tower Records that we needed. I was thrilled when all our stuff that was in the can was released in that album from Europe. It was fun to hear all the old songs again. Wish I knew how to get in touch with Linda. Anyone know?Hey Charlie, Johnny,and Roy,as well as Bo Wagner the great vibe/marimba man that also played on Moonlight Feels Right...(he could also tap dance like crazy..no kidding)What fun those days were..
  luna: I was in substantial evidence briefly in the summer of 1969, after Ted T. quit and went with Flower Power(think that was the name of the group).I sang lead, before the hurricane destroyed everything.Wonderful summer. I now play and sing in the Krackerjacks.
  luna: A few more facts: I've been in touch with Ray Zoller, he's in Colorado. Also, Charlie Ross is our bassist in the KJ's. There was aband in '68' at the Fiesta, called The Omen; the group consisted of;Bruce Blackman on keyboards,Bud Cockrell on bass, Roy Whitaker on drums, Bo Wagner on vibes and percussion,a guy named(believe it or not)David Jones sang lead(should of been me Bruce dammit!),and I think Julie Landry may have been the female vocalist.Lots of known people in lots of groups in those days!I was also in the Lancers' latter days(middle 60's)Ray Z. is doin well.Anyway, just some tid-bits.
  cks6: Does anyone know where I can buy a copy of the Krackerjack's album entilted "Rockin' in the Delta"? Please contact me at [email protected] if you have any information. Thanks!!
  coochiekisser: The band was great. Sista Linda Lawleys rendetion of Hush may be one of the best versions since Billy Joe Royal
  h2obug: jwalker: Were you at anytime ever referred to a 'Fuzzy Walker'? or do you know who may have been? I have a Gibson Custom guitar with a name plate embossed "Fuzzy Walker". Trying to find out who actually owed this guitar before me. email me at [email protected]. Thanks P.S. I was a teenager when 'Moonlight Feels Right' hit the air. I seen the group in concert at Six Flags in St. Louis, MO and had photo's with the band members. I loved that song.
  Outlaw: Some Substantial Evidence info from the mouth of Artie Desporte... of the first (5) original band members, Ted Tearse was the first to leave the band. David Dodd took his place as the singer. David was discovered by Substantial Evidence while he was preforming at a club called the Fiesta. The band members approached David and offered him a spot in their band and he accepted. According to Artie, David was with the Band for about 5 or 6 months and for whatever reasons he left the band, and Ted Tearse rejoined. Substantial Evidence eventually added a 10 piece horn section and became known as Substantial Evidence Showband. They had quite a following but none as strange as 4 girls that called themselves " The Fearsome Foursome. " These girls kept journals on all the members of Substantial Evidence. Somehow they knew everywhere they went, what time they arrived and left. Anyway, about the time the Vietnam War broke out, the band members started to come and go. Eventually the band split up and everyone went their seperate ways. The City of Biloxi offered to pay all expenses to have the Band reunite and play at the Gulf Coast Coliseum for a charity event. The offer was extended by Gerald Blessey who also was our Mayor at the time and who played in a band called The Rocking (Rock'n?) Rebels. By this time everyone had their own lives, family and children. The reunion never took place.
  luna: For Outlaw: What's new putty kat? That's for Artie, if you're not him. The reason I used David as my first name was because they already had a guy named Doug! Great memories, great group!
  luna: Hey Artie; Do you remember when we took a train from Stamford Connecticut to Boston? We played in Rhode Island at a club called "The Edge".Anyway, I met a guy in the Army that heard us there.He lives in NJ.The reason I got out of SE was because my draft # was 3!!!(and big daddy Brad, aka Herchel, didn't like my rebellious ways)! The KJ's will be down that way probably this summer, and I'll give you a call.Did Pat and Carol get married??? She has a bunch of pictures I'd love to see.OutLaw, if you're not Artie, please pass this along to him. Thankx
  jumphigher: hi this is to luna pat gill from substatial evidence still lives on the coast and is not married to carol newman and he still owns a cigar shop in the mall.
  luna: for ck6;We did a double cd for our reunion last yr. and "Rockin In The Delta" was included on it along with some other songs from over the yrs. If you go to thekrackerjacks.com, you can contact us for info. Also our last cd "Timeless" is available.
  luna: For jumphigher: What is the name of your dad's store in the mall, and which mall is it in. I'll call him. Tell him I am David from '69. He'll know me. Thanks
  Outlaw1: Luna, Been a while since visiting this site. Forgot my PW and changed email Address. Had to change my username a bit. I am Artie's sista'-n- law. Now that he has a computer, I am sending him this site. Maybe he will stop by and you can talk over old times.
  luna: For Outlaw1: FINALLY, Im on the right trail to some S.E. players. Thank you for revealing yourself. If you see or know where Mark and Pat can be reached, please let me know. I've been in touch with Ray....Thankx--Luna(David)
  mike mcgann: Bruce...I played Mrs. Bluebird over and over at WLOX in Biloxi when I broke into radio in 1968. Saw the group at The Vapors one night that summer...Often wondered what happened to you, then Starbuck hit...I'm about to play 'Moonlight" on the air in a few minutes at WJAS (on 3-7PM) in Pittsburgh, PA. Thanks for the tunes and best of luck Mike
  Denny: Tower Records sure had an amazing roster in its six year existence and Eternity's Children was one of its hottest prospects! As I am writing this, I am listening to side 2 of the LP. "Mrs. Bluebird" has been a favorite of mine since I was a kid growing up in the 70's. With its unique mixture of mellow and upbeat, along with a stun gun guitar solo for the bridge, it should have gone much higher than its #69 peak on Billboard; at least it made the Top 40 on KQV Radio's survey from my hometown of Pittsburgh. I never heard it on radio itself, but if I ever get my own radio show, I guarantee that Eternity's Children will be among my playlist (none of that "same 50 oldies" stuff here). I'd sure love to see some of EC's televison appearances also, particularly "American Bandstand" and "Happening". Perhaps a DVD could be in the works in the future. And like many, I'd also like to know what has become of the lovely Linda Lawley.
  bwagner: bwagner: My name is Bo Wagner member of Eternity's Children and Starbuck. First of all I would love to thank all of our fans for all of their support and wonderful comments over the years. I know all of the band members appreciate it very much. I have been out of contact with everyone (all the band members for a long time)except for Bruce Blackman. We always seem to semi keep in touch. I send best wishes to all of the band members: Johnny, Linda, Charlie, Roy, Bud, Julie, Davie, and one that is never mentioned Bobby Dominquez (the best man at my wedding), all the other Starbuck members and especially Mike Kidd McClain. Mike I have been trying to find you for years. Would love to hear from you as well as all the other members if any of you would like to reconnect. I have read many versions over the years of who was in the band and how things happen and I feel there has been some mistakes. I would like to give my version. This will have to be lengthy, so please excuse the long story in advance. I don't know how else to do it.I was a LA studio musician and former drummer with the Fifth Dimension and currently a member of Lewis and Clark Expedetion with Michael Martin Murphy when I was hired to play drums, vibes, marimba and percussion for the 2nd Eternity's Children album "Timeless" who I was a big fan of. Having been with the Fifth Dimension I truly appreciated their fine vocals and great music. I played drums on every song on the "Timeless" album and added vibes and marimba on many of the songs. The instruments I played fit well with the Children's songs and I truly loved playing with them and we really took to each other.I had always wanted to feature vibes and marimba within a rock format and it worked well with the Children. Roy had left the band and the group asked me to join them. So I left Lewis and Clark and joined the Children. We added another Mississippi musician Bobby Dominquez to play drums so I could play vibes etc. Bruce and Johnny had left the band earlier and I sort of took the place of a guitar player since they had not replaced Johnny. (How can you ever replace Johnny Walker!!!)I sold everything (my car, home, everything ) and moved to Baton Rouge, LA and we all lived in one apartment. We constantly played gigs all over Louisana, Mississippi in every little town there was and I got very familar with the south very quickly and fell in love with the whole southern lifestlye and music scene. It has been written on sites like this over and over again and on our album, CD sleeves that I wasn't a member of the Children, only a studio player. I don't get that. I move to the south, lived with the band, practiced everyday and performed at every gig, tour, TV show as a full fledge member for quite awhile (almost a year), how can I not be considered a member. No I was not part of the original group but I certainly was a member from the beginning of the 2nd album. I was very happy playing with them and proud to be a member and would like to be considered one. I know if you ask Johnny, Bruce, Mike McClain, Bobby, Charlie or Linda they will tell you I was a full fledge member. I'm not sure who is writing the info on the group but my picture is on the front of the "Timeless" album. That should speak for itself. During this time I had met Bruce and Johnny and became good friends. Because of the bad management that had cause Bruce and Johnny to quit, Bobby Dominquez and I quit too. At first everyone was going to quit but back out and Johnny, Bruce and I decided to form our own version of the group and Roy rejoined us on drums at this time too. Bobby joined another group and worked across the street at the Vapors and we added Bud Cockrell and Julie and started working as the Omen at the Fiesta in Biloxi. We were a carbon copy of the original group. I brought in a friend of mine from LA who was a great Canadian singer, Davie Jones, and we had one hell of a good group. We worked very hard to develope new original songs and I feel we came up with really great material. We moved to Pensacola, FL to work with the producer Papa Don and one by one the other members left the original group and joined us. Finally everyone was there and we had double everything and was trying to work out who was going to do what. We were about to sign a new record deal and the bad managers showed up with fake contracts and prevented us from gettint a new deal and we had to dispand. So a year or less went by and Bud Cockrell called me and wanted to get back together and we did and tried to put a group together in Texas. We soon added Bruce to the group but it didn't quite work out so Bruce and I went back to Biloxi and reformed another group with Johnny Walker, Bob Gauthier and Tommy Allred. It lasted for awhile but again didn't gel for what we were really looking for. Again we separated and another year or so past and again Bruce, Johnny and I got back together (now in Atlanta, GA) and formed "Mississippi" and recorded an album in Nashville with Gary Paxton the producer of the Children's "Timeless" album. A great group but to many lead male vocalist. Couldn't really find our own sound. So Johnny went back to Florida and Bruce and I joined up with Elgin Wells,a guitar player and lead singer, a bass player and once again Bobby Dominquez on drums and the first "Starbuck" was formed. It never did click at all. So we broke up again and I went to Disneyworld. Couldn't handle that gig so came back to Atlanta which is where we had formed "Mississippi" and "Starbuck", and rejoined up with Elgin, keyboard player Sloan Hayes, drummer Brian and added bass player Jimmy Cobb. Very soon I was playing drums and we really wanted to do it right this time so I rented a farm and we all lived there and wrote and recorded songs in the daytime and played at clubs in the evening as "Extravaganza". We added David Snavley on drums and after a year added Bruce back to the band. Bruce had been writing songs all the time we were getting strong as a group and it was a good merger. So in a short time we became "Starbuck" once again. Elgin left and we hire Ron Norris for vocals and guitar and Tommy Strain as lead guitar. Finally we were back in the studio and recorded "Moonlight Feels Right" with Bruce as the lead singer. In all these years he had never sang, maybe a little backup. He sang on our demos and the recorded company like his voice and overnight he was our front man. We released "Moonlight Feels Right" and Bruce and I hit the road and went to radio station after radio station separately for a month. Moonlight got play but didn't take off. We broke up again I move back to CA. and the following spring I get a call from Bruce that "Moonlight" had taken off and we had a hit. So I quit the band I was in, in one second, drove straight thru to Atlanta and joined the rest of the guys who had gotten back toghter and we recorded our album straight thru. We were on a roll and didn't stop. "Moonlight" became a hugh hit with Bruce singing and I finally got to feature my marimba as a solo instrument (the reason I joined them in the first place years and years ago) and it worked. I must thank Roy Whittaker for helping to promote "Moonlight Feels Right". He was head of a major radio station in Florida and promoted and played the hell out our song. He helped us a lot. Thanks Roy. After our second album, Johnny Walker rejoined us and we were on tour all the time and lots of TV shows. We ran into Bud Cockrell all the time when he was with Pablo Cruise and did TV shows with him too. Small world. We started our third album and had a few differences and I left the group. They finished the album without me and the following year the group broke up completely. Bruce and I got back together in '84 and recorded two songs "Another Beat of My Heart" and "The Full Cleveland" just the two of us and released them and they were doing well but we decided not to continue. So that is my story. The whole story involves the same players over and over again so that is why I told all of it. I have never responded to one of these sites in all these years but felt compelled to do so now. So I made all of my comments at one time to get it over with. The real moral of this story is never give up. We were persistent and it finally payed off. Again I thank the fans for supporting us all these many years and it is really nice that people are still enjoying and buying our music even though a lot of it is badly mixed and under ground. Bruce and I talked last year and he said there was interest in "Starbuck" getting back together and doing "Where are they Now" or one of those TV shows. I would love to do it. So who knows, maybe we will do it one more time. I live in LA and am now a doctor and have a natural healthcare clinic and make nutritional products. I can be reached at [email protected]. Hey Johnny, Mike and any of you that would like to catch up let me hear from you. Thanks everyone for listening to me.
  luna: It is with a heavy heavy heart that I must inform all "The Children" fans that Johnny Walker and Linda Lawley,both, have passed away; both after long illness' that I can't elaborate on. I don't know the details,but I do know to all us who knew and loved them, it is shock and there will be 2 voids in my world.Johnny passed away in Florida a few months back, and Linda in CA.thanksgiving wk'end. Two great people and singers and players.GOD rest them, they will never be forgotten.
  Centerfield: The drummer for Eternity's Children used the name Frank Stevens when he was a DJ for us at WTIX New Orleans in the early 70's. I think his real first name was Roy. What was his last name? Thanks. Bob Walker
  funkypoormusician: Hi folks! My name is Ken Hilley and I am a former resident of the MS Gulf Coast. I ran across this site and this post just by chance while thinking about Juli Landry (the search lead me here). At any rate, I was enjoying the read and thinking of good old days until I read about Johnny Walker and Linda Lawley passing... Just couldn't believe it! What a loss of great talent! I remember Johnny playing that Gretsch guitar and making it sound so wonderful... that coupled with his powerful voice my, my, my! Linda of course was a beautiful lady with the look and the talent to impress anyone. I saw Linda once back in the early 70's at a club above the Fiesta in Biloxi one night. We sat and talked and partied (imagine that) for hours. As I remember we said goodbye early the next morning as the sun came up over the parking lot. I also saw Johnny about that time on several different occasions. He was living in Pensacola, FL and was playing music there. His wife Sue was a friend of mine. I introduced them many years back when Johnny and I lived in the Biloxi Hotel. Anybody remember that place? ha... Charlie Ross where are you! Anyway, those days were great cause there was so much great music, the times were a changing! Just in case you should read this I'd like to say hello to Bruce Blackman, Charlie Ross, Roy Whittaker (sister Sue too), Bo Wagner (wow what a dancer) and all the old friends from those times. A special prayer for Johnny and Linda and their loved ones! I now live in Nashville, TN and am still playing and writing music here. You can catch up with me on my website www.funkypoormusician.com and/or see my video's on youtube at www.youtube.com/funkypoormusician Peace
  lbwdog: Eric Watkins here: Great blog folks!! I see some old friends here. In 1969, I left the MS coast to join one of the last incarnations of "The Omen" with Johnny Walker in Pensacola. Bud Cockrell had left and Johnny came to Biloxi looking for a replacement. At that time, the band consisted of Johnny, Billy Haynes on Hammond, & Ralph Nolan on drums. Looking back, I relished the experience working with Johnny and learned a lot (as I was only 17/18 yrs. old). That band was almost a Procol Harum tribute band, as we did most of the first album, several selections from "Shine On Brightly", and some from "A Salty Dog". I'll never forget Walker singing these great compositions, especially "A Salty Dog", not to mention his great playing. This lasted about a year, and as young people will do, I decided to move on to something else. In late fall of 1970, I was called to join a band in Jackson, MS, which was comprised of Bo Wagner, Bruce Blackman, Tommy Aldridge (Later of Black Oak Arkansas, Ozzy Osborne, Whitesnake, etc.) Darell Gunter, Sara Fulcher, and Danny Lancaster who is the most soulful white singer I know (as well as my soul brother). The band was named Om Shanti (I think by Bo) and debuted at B.J.'s to a packed house. After a couple of months there were some musical differences and the band downsized to a four piece (Danny, Tommy, Darrell, and myself) called "Milk & Honey". We played around the south for about a year and went our own ways, some to reunite at times. Anyway, I recently heard of Johnny's passing and somewhere in the back of my mind, I always wished to do a real "Procol Harum" tribute with him. Well....some things are not to be. Let me leave you with a Johnny W. anecdote. I moved back to P'cola in '74 when he played with "Lazy Day". Went to visit at Johnny & Sue's apartment. If you knew Johnny, you'd know he hated cats!! I walk in to his house, and there are four or five Persians lounging around. I said "Walker, I thought you hated cats!" He says " I did, till I found out you could sell the damned things!!" RIP, J.W. and hi to Bo, Bruce, Ken Hilley, et al.....Many thanks E. W.
  lbwdog: Oh, BTW, to answer a four year old question...... [Quote]/03 Apr 04 �jscarbo4: ..........Also, does anyone know if Bruce Blackman ever recorded "For Crying Out Loud"? I heard him do it live at Dock-of-the-Bay, and was knocked out by it. Would love to have the recording if it's available.[quote] I was the bassist for Jerry Fisher & The Music Company at Dock of the Bay in Bay St Louis from '81-'98, Jerry was with B,S,&T in the mid seventies. We recorded an album called "In and Outa the Blues" in '92 and several tracks were written by Greg Barnhill who wrote "For Cryin' Out Loud", but don't know that B.B. performed it at The Dock of The Bay.....for the record....EW
  Telewacker: I met Johnny Walker in Atlanta in 1979. He joined a band I was leaving called Misty Morning. I played bass in the group, & the drummer, guitarist, & I left to form our own group with a keyboard player we knew. I will never forget the night he sat in,
  Telewacker: I was blown away! What a great guitarist! And that voice! OMG! I later rejoined Misty Morning, & had the pleasure of sharing many a stage with Johnny. Later, after leaving the group again & switching to guitar, I used a lot of what I heard Johnny do
  Telewacker: To form my style. I\'ll never be as good as he was, he was just a natural, but whenever someone compliments my playing, I tell them about this guy I knew named Johnny Walker & the inspiration he was to me. If they said they\'d never heard of him, I\'d
  Telewacker: think to myself, \"Your loss\". Before I go, I\'ll leave you with an example of his amazing voice. We got a request for \"Danny Boy\" at a club on St Patricks Day, & Johnny said he could sing it, so we said go for it. He did the tune solo, just his guitar
  Telewacker: and voice. From beginning to end, the joint was silent. No one made a sound, mesmerised by his performance. At the end, applause erupted for what sermed like forever.
  Telewacker: I was actually moved to tears, only time that has ever happened to me on stage. If I live to be 100, I doubt I\'ll ever hear anything like it again. I was heart broken by his passing. R.I.P. Johnny.
My Way  performed by Frank Sinatra  1969
Recommended by Kenneth Mayhew [profile]

Simply the best pop record ever made by the best singer of popular songs ever.




My Time  performed by Telex  1980
Recommended by geezer [profile]

A wonderfully weird piece of synth pop from Belgian electro pioneers Telex ,a sublime layered ,warm pop song ,both commercial and avant ,its repetition is its strength ,the tune seemingly going nowhere but all the time rushing to the part of your brain that says "this is f---ing brilliant,it celebrates life in the moment and the mundane and cannot fail to improve your mind and your day.

from Neurovision, available on CD


Na Inat ("In Spite")  performed by Poli Genova  2011
Recommended by ESC_Dream [profile]

Bulgaria's entry for Eurovision Song Contest 2011, 12th place in the semi-final




Nails in my feet  performed by Crowded House  1993
Recommended by Mike [profile]

Crowded House seem to be deeply unpopular at the moment - perhaps they were too popular in the early 90s, or perhaps, as I tended to think, even more than with most groups, the simpler, less good songs were released as singles, achieved success, and sort of "labelled" the band, seemingly colouring their subsequent output.

Anyway, this is a well-executed Beatle-ish song, most of whose lyrics I've never fathomed. The album is by far the band's best, though I think it was the worst seller. (Not an unfamilair scenario, of course).

from Together Alone, available on CD


N�o Adianta  performed by Leny Andrade  1975
Recommended by delicado [profile]

An absolutely storming upbeat funky Brazilan pop/bossa track. I've never found anything else in the same vein by Leny Andrade, but this one is truly incredible. From the very beginning, this song is quite relentlessly uplifting. It manages to be very hip and funky, yet emotional and warm at the same time. Far more percussive than most Brazilian stuff I've recommended, this is nevertheless one of my absolute favorites.


available on CD - Blue Brazil Vol 3 (EMI UK)



Natural To Be Gone  performed by Anita Kerr Singers  1970
Recommended by konsu [profile]

A real up-beat number for a very cerebral tune! All AK's records are full of wierd moments and odd delights, this is the one from the set that aim's to please! It starts out with the groups signature harmonies in a acapella almost swingle-like mode, and then kicks in to a hybrid pop groove from heaven, with castanets clacking away ... And the lyrics are wild ! :..." What's the difference being different when it's difference now that looks alike, you say i'm changing and i'm not so sure it's wrong..." " It's just that centerline on this highway runs up my banjo neck, and I feel somehow that it's natural to be gone..."

Written by John Hartford. A name i've seen before, but i'm not familiar with his work. I'd like to know more if anyone knows his definitive recordings!

from It's Anita Kerr Country (Dot DLP 25976)




  rio: John Hartford was a regular on The Glen Campbell television showof the late 60s, he wrote "Gentle on my mind" among other pop hits done by other artists.. talented writer and musician..
  artlongjr: Hartford was a favorite of mine as a kid, I used to see him on the Smothers Brothers and Glen Campbell shows, where he was somewhat of a regular. He was a celebrity back then for writing "Gentle on My Mind" which became a 60s standard. I do recall that he was a riverboat captain as well as a musician. He died a few years ago, which I was sorry to hear, but I've seen a number of his CDs that were on the market. I love his 60's stuff, he had a great laconic style.
Naturally  performed by Allison Gros  196?
Recommended by Ashley [profile]

One of the great mysteries of 60s Aussie Psych. This track first appeared on the Datura Dreamtime CD and I have been playing it to death since - yet no one seems to have an inkling as to who the band were. It's really creamy late pop psych complete with Byrdsy guitars, rich harmonies and sitar like sounds. Wonderful chorus too.

from Datura Dreamtime, available on CD



  richteratmosphere: Is the Datura Dreamtime CD still in print and available. I'm a big fan of UK psychedelic pop, but haven't heard much Aussie psych.
  mickster44: The track Naturally was released in Australia in June 1970. Alison Gros were Graham Goble, Russ Johnson & John Mower. The 3 later changed their name to Mississippi & had considerable success with their 1972 self titled L.P. plus 3 singles, Kings Of The World (1972) Early Morning ('73)& Will I ('74) Graham Goble went on to form Little River Band with later members of Mississippi and of course had considerable success in the US during the mid '70's to early '80's. Russ Johnson later played with another popukar Oz band Country Radio.
  dillonkidvillain: Just thought I'd add a little extra info about "Naturally". It was written by my father Russ Johnson and was released on the South Australian label Gamba. Phil Cuneen produced it and also played sitar on the song. I love the sounds produced on this song, a true Australian gem. My dad wrote this song in 1970, just after arriving from London in late 1969.
Nature's Hated  performed by Orlando  1997
Recommended by LawrenceM [profile]

One of the few bands involved with the short lived "romo" movement, Orlando were the only ones to release an album, and were far superior to any of the other indie chancers jumping on the badnwagon. This song, along with the other excellent single "Just For A Second", were attempts to meld postcard Records, Motown and PWL into bright, shiny pop. Dickon's keyboards soared, and singer Tim Chipping's vocals sounded like a young David MacAlmont taking flight. Of course, obscurity beckoned - Dickon went on to play guitar for Spearmint and form Fosca, and Chipping's current whereabouts are unknown. A brief, bright moment in pop, snuffed out all too soon.

from Passive Soul, available on CD



N�e dans un ice-cream  performed by Michel Polnareff  1971
Recommended by tempted [profile]

A key song from the French folk rock bohemian's ambitious concept album, Polnareff's. This could have been produced by David Axelrod but wasn't. Beautiful, aching pop song with grandeur and despair. And a rhythm section that's so groovy. Another example of how great the studio orchestras sounded in France back then. What an arrangement. As hip as it gets.

from Polnareff's, available on CD




  Sem Sinatra: Totally agree ... all Polnaref's early 70s albums have killer tunes backed up by orchestrations to die for
  jezandliz1: The orchestra backing on Polnareff's is excellent and was recorded in the UK using UK session musicians who also played on some of the best groovy uk library and soundtrack music of the late 60s. Try the three instrumentals on Polnareff's - so funky they're ridiculous!
negative creep  performed by nirvana  1987
Recommended by VataMcPortaltech [profile]

from nirvanas first album this song is diabolically neat.its got a simple sludgey drop d riff and i wanna do a drum n bass remix of it.

from bleach, available on CD


Nem Vem Que N�o Tem  performed by Wilson Simonal  1967
Recommended by Auriane [profile]

Wilson Simonal's mix of Brazilian soft pop and soul cause him to be a pivotal figure in the growth of the "Black Rio" funk scene. This track, classed as one of Brazil's "soul standards" bounces along with a laid back groove, brass and cheekiness.

from Alegria, Alegria!! (Odeon)
available on CD - Espresso (Deram)



  delicado: Brilliant track! Funnily enough, I just put this on a compilation last weekend. While I like this version best, there are also interesting versions in French (Brigette Bardot) and Italian (Mina).
  clmarcel: um grande cantor! infelizmente foi injusti�ado e morreu sem ter o reconhecimento merecido! uma pena!
Never mind it's only love  performed by David Essex
Recommended by Ron1967-1970 [profile]

Sorry folks, I am not a real David Essex fan, but this guy could sure record a great orchestrated popsong... it has all the right stuff (for me that is). The drive, the energy,
the passion and a thumping orchestration, cracking like a whip on the melody...





New Partner  performed by Palace Music
Recommended by umbrellasfollowrain [profile]

Memory's a funny thing. Especially romantic memory.
The first time I heard this song was two days after the first time I fell in love. Everywhere I went, I sang its earnest chorus "And you are always on my mind" in my head, thinking about the one I was in love with. In the shower staring at a bottle of hair conditioner, I sang, "You are always on my mind". On the subway, trying to ignore a potential fistfight about to break out, I sang, "You are always on my mind". In the supermarket produce section, holding the perfect shape of a lemon in my hand, I sang, "You are always on my mind". I was giddy and happy and the song understood. "Hey!" the song said, "Hey!" Will Oldman sang, "I got a new partner now!"
But jacket weather set in and things grew colder and we broke up and I was miserable and I stored the CD away on a top shelf with other memorabilia of that love who's happy power was really freakin' painful for me to think about now.
Things weren't always so bleak and I got me a new love and some years later, when I listened to the song again, I noticed something about the lyrics I hadn't before. See, in reality, the song isn't joyous at all. Will Oldman is singing about a past love, a love who is always on his mind when all the time he is seeing another girl, a different girl from the one always on his mind. He can't be with that girl. He has a new partner now. What I thought was a song about new joy was a song about nostalgic loss.
I didn't see how it was possible that I had suppressed that true meaning for as long as I had, considering how often I sang the song and how much it meant to me at the time. I knew the lyrics like the back of my hand and when I listen to music I dredge up all I can get from the lyrics like I'm a devout scribe interpreting the bible.
One of the beauties of pop songs is that they take on the flavour of your life at the time you listened to them and carry that flavour on to whenever you listen to the song again, while meanwhile you're morphing and changing and discarding what songs you don't want to remember that you loved and making mixed Cd's for long cartrips of the songs you do you do want to remember. This song is weird in that IT seemed to be the one that was morphing the next time I heard it and not me, like it was a person that had changed over time that I was encountering again.
Besides which, what a fucking lovely song it is.

from Viva Last Blues



  olli: now THAT's what i call a recommendation. I�m gonna have to find and soak this up now...
  olli: beautiful song. i've been a sporadic fan of will oldham related stuff for some years now, but hadn�t heard this until now. thanks! hmm. on a side note, this is the 666th american release that has been recommended here. i might be a bit childish, but i was hoping that number would go to some really, really bad contemporary pop music. Hey, you can't always get what you want:)
  fjell_strom: This song was the soundtrack to my incorrigible devotion to a lovely young girl when I myself was a bit younger. I used to listen to this tune repeatedly in my tiny little newly discovered room in the immensely overwhelming new land in which I found myself during the adventure which was to last the next four years, wandering Europe by my heartstrings. This was the song. I used to drink gin martinis to it. And eat the olive. And shudder because winter had come to my little home, and she was always, at least as often as the song played, on my mind.
New Song  performed by Judy Mackenzie  1969
Recommended by Ashley [profile]

God-bothereing at its finest. Judy Mackenzie was a late 60s folkie with a Christian perspective who was ushered into the studio in 1969 courtesy of tiny label Key. The album isn't that great, but this uplifting brass-heavy pop tune and the the iredeemably sad strum-along Sally Brown are simply divine. Both can be found on the excellent Resurrcetion CD.

from Judy (Key)
available on CD - Resurrection (Second Coming)


New Tomorrow  performed by A Friend in London  2011
Recommended by ESC_Dream [profile]

Danish entry for the Eurovision Song Contest 2011, 5th in the final




ne�re do well  performed by young people  2003
Recommended by olli [profile]

not really much into indie music, but this song struck a chord with me. comes across as a sort of retro-but-not-really-retro california rainy day sunflower melancholy lo-fi pop version of broadcast, if you can make any sense out of that.
short and sweet at 1:44.


available on CD - war prayers



Niki  performed by The Third Wave  1970
Recommended by Festy [profile]

It took me a while to get a copy of this album as even the out-of-print re-issue on Crippled Dick Hot Wax (that's the name of the label, folks. Promise!) sells for a bit these days. I'm glad I got it as it's a fantastic album - the only LP released by the 5 Filipino/American sister vocal group, although I think they released at least one 45". Discovered by George Duke, he wrote the arrangements and his trio of the time provides backing. The album was recorded in Germany (released by MPS) and is a little bit poppy, a little bit jazzy, a little bit funky. There are a number of songs which could be recommended (a number of them jazz standards, such as 'Maiden Voyage' and 'Cantaloupe Island'), but the one I've chosen is 'Niki'. I hadn't come across this track before getting the album, unlike a few of the other tracks which have turned up on compilations over the years.

'Niki' is a song that builds. It starts off fairly casually and builds up to a swinging chorus, accented by some very hip playing by George Duke, still on an acoustic piano during this stage of his career.

Another commendable and notable track on the album, and which I discovered through a compilation created by 'mine host' of Musical Taste, Senhor Delicado, is "Waves Lament". Absolutely fantastic.

from Here & Now, available on CD



No Heaven  performed by DJ Champion
Recommended by iangray [profile]

Really good song not a genre i usually listen to found it on the soundtrack for a game called "borderlands"




No More Lies  performed by The Moody Blues  1988
Recommended by elfslut [profile]

A beautiful love song by Justin Hayward, who has the sweetest most romantic voice in Pop Music.

from Sur La Mer, available on CD


No More Tears  performed by Barbra Streisand; Donna Summers
Recommended by ajhorse21 [profile]

It's very 70's with a slow start but picks up and is really fun by the end. Diana DeGarmo sang it on American Idol, season 3.




Noah’s Dove  performed by 10,000 Maniacs  1992
Recommended by Yammer [profile]

For admirers of classic pop song construction, production, and performance, Noah's Dove is jaw-dropping in its perfection. The subtle piano hook, deep and dark chord changes, and the warm, dry-eyed, heartbreakingly acute singing grab your ears, while the lyrics (an unhurried, unsparing epitaph to a relationship with a cheating scumbag) clench your heart. The best part may be that it introduces Our Time In Eden, a collection of finely-crafted folk-pop songs that served as a worthy finale for the Maniacs.

from Our Time In Eden


Now I need you  performed by The Feminine Complex  1969
Recommended by delicado [profile]

This group were a revelation to me when I heard about them a couple of years ago (a friend turned me on to the reissue CD). Apparently this album featured the cream of Nashville session musicians, and it certainly sounds incredibly well executed. This is a mournful 60s pop song with an incredibly crisp production and some heartfelt vocals.


available on CD - Livin' Love (Teenbeat)




  gaymod: i know what you re saying...on the same tip is Fiest - Mushaboom ....but i do have a weakness for Rosie Vela
Obscurity Knocks  performed by The Trash Can Sinatras  1990
Recommended by john_l [profile]

A terrific debut single, this song strikes me as having what psychiatrists would call a mixed manic-depressive state. The mania is in the pace, which is fairly quick, and the vocals, which never seem to stop, while the depression is in the guitars which are rather poignant, what with minor seventh chords and so on. There are a number of good songs on the LP, although none quite like this, and the second LP "I've Seen Everything" is pretty good too, particularly the single "Hay Fever". It's all basically guitar pop but with a few twists and turns along the way.

from Cake, available on CD


Ocean  performed by Sebadoh  1996
Recommended by Celainn [profile]

from Harmacy, available on CD


Ocean Drive  performed by Daryll-Ann  1996
Recommended by Herr V [profile]

Slow and intimate song, heavenly melodies and what I think is a perfect harmony. One of the songs on the "Weeps" album from the shamefully underrated band Daryll-Ann. Just about anything from this band is great stuff, obvious references to the Byrds and other sixties' jangle-pop, but strong enough to survive.

from Weeps (Excelsior 136.6002.29)



on nous cache tout, on nous dit rien  performed by jacques dutronc  1967
Recommended by shaka_klaus [profile]

i don't understand a single word of his, but that does not matter in this case. dutronc recorded several garage-pop songs in the 60s. he worked at the legendary label disques vogue. i found this song on the flip of 'il est cing heures, paris reveille' which is rather dull but the b-side delivers! check jacques out!

from il est... (vogue)
available on CD - some collection perhaps




  tinks: very cool song, it's been a long-time favorite of mine!
One Man in My Heart  performed by The Human League  1995
Recommended by dsalmones [profile]

Although far removed from the adventurous group that had long ago dabbled in minimilist, almost avant-garde electronics, all these years later the Human League continued to take its pop seriously. "One Man in My Heart" could have been a total throwaway, a gloopy little love song without a single redeeming quality, beloved by grannies and tweenies, gag-inducing for those outside those age parameters. But the band obviously gave the number time and attention, and thus ensured that it can't be so easily dismissed. Inserting a much sampled electro effect into the intro, creating an intriguingly intricate rhythm, counterpointing swelling, lush synths with a palpitating '70s-styled organ, layering on vocals and harmonies, and conjuring up a romantic milieu flushed with delicate atmospheres, the group produced a love song unlike virtually all typical pop fodder. The work, effortless as it sounds on disc, paid off, and this 1995 single swept into the U.K. Top 15.
(AMG)

from Octopus, available on CD


One More Time  performed by The Clash  198?
Recommended by mattypenny [profile]

I love the Clash. I love the way they were four disparate individuals each bringing their own stuff to the mix. Topper's excellent drumming, Simonon's cool, Mick Jones musicality and street smarts, and Joe Strummer's....umm...Strummer-ness.

I love the fact they didn't play Top of the Pops. I love the fact that Strummer admitted that this was mainly 'cos he was crap at miming rather than out of any significant political stance or anything.

I love how gooood they were live. And I love the fact that I was lucky enough to see them.

I love the fact that Strummer picked 'Crawfish' as his favourite Elvis song. I also love the fact that sometimes, to my mind, they got things badly wrong, sounded a bit gauche or wrongheaded or worse. I'm thinking of Red Brigade t-shirts, using Belfast as a photo opportunity, and maybe singing about ghettos and Brixton, for the 'romance' of it when they weren't necessarily the closest to either. I dunno. That side makes me feel uneasy at times, but that's fine - makes me think.

This song is great. Reggae influenced rock, Strummer belting out 'one more time in the ghetto...'.

Its been so sad losing Joe, Johnny (Cash) and John (Peel) over the last couple of years. Good men, you feel.

from Sandanista, available on CD


Only a Fool  performed by Clyde Mcphatter  1968
Recommended by geezer [profile]

An attempt to bring a former soul legend up to date at least in 1968,a beautiful soulful ballad composed by Apple man Jackie Lomax and put out by brit psych label Deram .as it happened it sank without trace audible only to collectors of rare soul and sixties pop compilations which is a shame because this is a fine song tinged with a sense of audible regret and sadness that proliferated many a late sixties chart hit of inferior quality

from Best of


Only For You  performed by The Match  1969
Recommended by laughingmood [profile]

I love the "New Light" album by the Match. Such a perfect example of soft pop. I think these guys, along with The Small Circle Of Friends and The Free Design, are the perfect example of what harmonic soft pop sounds like. This track, with that great trumpet line, is just one of 14 classics on this album. I had heard some label in Korea was supposed to be re-issuing it but that was a long time ago.

from A New Light (RCA)


Oops!  performed by Britney  2000
Recommended by phil [profile]

Honestly, I really like this one. I've done a lot of thinking as to the Max Martin style (ex-poodle rocker Max is Britney's songwriter and is basically responsible for the pop zeitgeist - he also does 5ive, NSYNC, Backstreet, even Bon Jovi these days), and believe you me, there is a pretty cynical formula here - verse, bridge, chorus, completely different verse, identical bridge and chorus, breakdown, then chorus to finish. Often this is pretty bad - NSYNC's its gonna be me is the nadir - but in this one it works really well - the verses are slinky, the chorus a classic pop one and basically the whole idea of oops! is pretty funny. I can't pretend I listen to it that often but I enjoy it when I do.

from Oops! I did it again, available on CD



  delicado: Check this out (it's a 4.2 mb file).
Open Your Eyes  performed by The Lords Of The New Church  1982
Recommended by dsalmones [profile]

Opening with a brat beating bass and melody that is scarily reminiscent of some late 70s euro disco pathos, it�s only when Brian James� raunchy guitar kicks in that you know you�re well away from the lights of that dance floor and in the grips of a very different master. A hedonistic web of Bators� beloved conspiracy theorizing, the logical successor to the Wanderers� paranoia-packed repertoire, �Open Your Eyes� previewed a closet of horrors that embraced organized religion, the impending World Tour of Pope John Paul II, Bolshevik plots and Ronald Reagan�s apparent rush towards nuclear Armageddon. With session man Matt Black�s synthesizers giving the whole thing a classic rock feel that merged edgily with the band�s own punkish sensibilities, it was, as always, Bators� viperous lyrics that brought the whole thing into the twilight zone of pre-Internet intrigue. The 80s politicking of Margaret Thatcher�s Britain and Reagan�s cold war America pretty much ensured that both sides were far happier not having to open their eyes. A gleeful Bators was there, though, to make sure they did.
(AMG)

from The Lords of the New Church, available on CD


Orange Skies  performed by Love  1967
Recommended by bobbyspacetroup [profile]

It's taking me a while to get a handle on Love. Some songs I really like, but some I just can't get engaged in. This song, composed not by Arthur Lee but by bandmate Bryan Maclean, is perhaps my favorite Love song so far. [Turns out my other favorite Love original, "Alone Again Or," is also a Maclean composition. Go figure.] This track's tone is different from what I've heard in the band's other stuff. Softer and poppier, more along the lines of my favorite tracks by Eternity's Children, Free Design, or somebody like that. I love the way the flute just sort of floats over the whole song.

from Da Capo, available on CD



Ordinary Joe  performed by Terry Callier  1972
Recommended by bobbyspacetroup [profile]

I came to Callier's music via arranger/producer Charles Stepney and delicado's recommendation of a Stepney-produced Ramsey Lewis track -- "Julia".

Well, Callier's "Ordinary Joe" (produced by Stepney) is a great track which I listen to over and over.

Of all the tracks I've recommended, this is probably the only one I would recommend by virtue of lyrical content alone: "Now politicians all try to speech you / Mad color watchers all try to teach you / Very few will really try to reach you / If you're lost in a stack / That's OK, come on back." Great stuff.

Thankfully the musical content is also very good. Kind of a pop-jazz style tightly arranged from Stepney. I say tightly, but it never really comes across that way. It really has a pretty breezy and organic sound.

Also, look for an earlier version on Callier's "First Light" which is a bit more mellow, but at least as good as the Stepney-produced version. Maybe better in some ways...

from Occasional Rain, available on CD




  konsu: Brilliant! I love his What Color Is Love LP too.
Osmijeh  performed by Grupa 220  1968
Recommended by Mirko [profile]

This is early (1968) Yugoslav (Croatian) pop psychedelia from a first concept rock LP in our country.Drago Mlinarec is the composer/singer.
Very catchy song.

from Grupa 220 (Jugoton)
available on CD - yes


Oui je dis adieu  performed by Fran�oise Hardy  1971
Recommended by whoops [profile]

Fran�oise Hardy at the beginning of the seventies had gained the right to be seen as something different than simply a part of the y� y� movement of the sixties. In 1971 with the help of a brazilian guitarist named Tuca she was about to make what is considered by many (and by me) as her best album. "La question" has a perfect instrumentation (strings, guitar and bass) and stunning arrangements. I dare you not to fall in love with the first 30 seconds of "Oui je dis adieu", in a way it reminds me of Scott Walker's "Plastic palace people" it has the same circular construction.

from La question, available on CD


Our Day Will Come  performed by Roger Nichols Trio  1966
Recommended by masayo [profile]

This is a cover song of a famous tune by Ruby & the Romantics but it's a totally different type of music from the original. Its orchestration and chorus are outstanding and dreamy. Though Roger Nichols is famous now among Japanese pops fan, I don't think many people know him outside Japan. So I want more people to know his tremendous works!!

from only single(A&M 801) (A&M)
available on CD - The Complete Roger Nichols & The Small Circle of Friends (POCM-2 (A&M)



  scrubbles: You're right, this is an excellent arrangement of this song. Where the original was yearning and romantic, this one is bright and perky. A gem!
  konsu: Yeah! Also check out the Chris Montez version with the same kind of "perky" quality!
Our Drive to the Sun / Can a Man Mark it?  performed by Tripping Daisy  1998
Recommended by trivia [profile]

I was really into the Polyphonic Spree record about a year ago and read somewhere that frontman Tim Delaughter was the singer in Tripping Daisy. There were some pretty rabid recommendations on Amazon for the third TD album - "Jesus Hits Like the Atom Bomb," so I ordered a used copy. It took a few spins to get into, but damn it's a keeper. Melodic art pop heaven. If ya care: it's produced by Eric Drew Feldman - who was a member of Captain Beefheart and the Magic Band, played keyboards for Pere Ubu for a while, and also produced some of Frank Black's earlier solo stuff.

Anyways, as its title suggests, "Our Drive to the Sun / Can a Man Mark it?" comes in two parts. "Our Drive ..." is sunshiney modern pop in the vein of the Flaming Lips, with hooks galore (there are like four parts that could qualify as killer choruses). At about the four minute mark, the track morphs into "Can a Man ...", which sounds something like a Gary Numan song remixed by Kevin Shields. Great change ups throughout and just a real nice listen.

from Jesus Hits Like the Atom Bomb, available on CD


Out of my hands  performed by Richard x Heyman  1998
Recommended by moondog [profile]

Music for pussies producer Steve Albini once answered when he shared his thoughts about the genre powerpop. So, perhaps that makes me one then but anyone who likes melodies got to admit that the genre has produced some gems over the years. Richard x Heyman is one of the standouts in the genre. When he doesn´t tune his rickenbacker in his tabbey road studio in new york he goes out searching for homeless cats. So, maybe now i got you all concvinced that the man differs a bit from the average powerpopper. Out of my hands is taken from the mighty fine cornerstone and is overflowing with hooks,hooks my friends which is exactly what i need right now.

from cornerstone


Out on the rebound for love  performed by Gangway
Recommended by moondog [profile]

Danish pop anyone ? Not that i am an expert in the genre but danish group Gangway made some fine records in the eighties in the aztec camera, prefab sprout vein. Especially this fine track with acoustic guitars that attack you like swarming bees and just the right amount of romantic longing that is the trademark of the genre.




Outdoor Miner  performed by Wire  1979
Recommended by geezer [profile]

A short sweet pop song played with a concentration that belies its melodic simplicity,mellow for a new wave act but too edgey for pure pop .Imagine something from late sixties San Francisco finding itself in late seventies London amidst domestic turmoil and rain and you will have a clearer picture of the mood and times surrounding this gorgeous little nugett.

from Chairs Missing, available on CD



  kohl: agreed. very good song.
Palace Station  performed by Melody Club  2002
Recommended by AndreasNystrom [profile]

David Bowie goes Glamrock. Great song of a new swedish group, who mixes brilliant riffs, with a catchy lyric. I love the small Roland Juno60 riffs they play on the synth :)
Very upbeat and i get happy by listening too it.





Pandora’s Golden Heebie Jeebies  performed by The Association  1967
Recommended by delicado [profile]

This track sounds better to me every time I hear it. Ironically, I had a copy of The Association's Renaissance LP for years, but for some odd reason didn't get as far as listening to this song until recently.

It's a very accessible but powerful late 60s pop song with a psychedelic edge. It can't have taken long to write, but the production is excellent, with a nice effect on the vocals, and a wonderful use of early 70s Beach Boys-style swelling vocal harmonies over the vocal phrase 'and all that's left for me to do...is cry'.

Musically, it's an upbeat track with a slightly claustrophobic arrangement. But it's cool - that's all part of the effect! As well as drums, vocals and upbeat guitars, they employ the koto, which adds an unusual edge to the sound.

from Renaissance, available on CD




  konsu: Again, one of the most underrated of US pop bands. Confined to "Oldies" FM radio forever, except for the occasional DJ who is tempted by the album "filler" which is where their real gems lie. This album is almost never mentioned, even though this tune charted in the top 40. And it being overshadowed by their more popular Curt Boettcher produced LP "And Along Comes...". A great tune, and a record that deserves more attention indeed!
Parabens  performed by Marcos Valle
Recommended by moondog [profile]

Well, you know the man. But how long is it going to take for rock journalism to acknowledge the genius of Marcos Valles music in the sixties and seventies and give him the rightful respect he so justly earns ? Ok, no harsh words about Caeatano, Milton, Mutantes and the other ones but no one i think could combine the brazilian sound with valles sense of pop melody. Perhaps it is as one reviewer at amazon expressed it while reviewing the essential marcos vol 2 ; A bit too much cheese. Marcos Valle is perhaps a little bit too fun to listen to, not authentic enough. And he´s still got it going. Especially on this fine track where he recycles his wanda vidal track from the seventies

from contrasts (far out)


Pata Pata  performed by Augusto Alguerro  1968
Recommended by n-jeff [profile]

This is the sound of summer in the sixties as I remember it from my childhood. Sunny, light, breezy. Its from one of Augusto Alguerro's 2 Polydor releases, and while not as funky or bizarre as some of the other tracks, in terms of shear fun pop its a total star. Starting with a nice little trombone riff, its quite fast with wordless vocals, flute and light brass. It has the very good production that you always seem to get with 60's polydor LP's. I wonder if the Ragovoy that wrote it is Jerry Ragovoy who I know better as a soul writer, penning Lorraine Ellisons mighty 'Stay with me baby' amongst others.

from Sounds Spectacular (Polydor)




  delicado: Horst Jankowski's version of this is excellent also! I would love to check out the Alguero, but it seems to be very hard to find his LPs. I have 'Laugh Laugh'; that's it...
  RCA76: This artist is totally worth looking for. He's arranged, composed and played pretty much Spain's most important music of the 50's and 60's. Spanish (and now international) vocalists like Rocio Durcal, Sara Montiel, Karina and Marisol recorded countless impressive hits of Alguer� and Antonio Guijarro (his long-time writing partner). They are the Rodgers and Hammerstein of Spanish cinema.
  mike33436: If anyone is interested, this CD set includes some nice tunes. Michele ps: Am looking for some Andre Brasseur,Ted Heath, Edmundo Ros and a few more.
Penny Lane  performed by Stephen McCarthy  2006
Recommended by edhurst [profile]

This is a track from Stephen McCarthy's debut album. Originally recorded by The Beatles as a traditional pop song, Stephen's version is a jazz swing with Piano, Bass and Drums.

from Call Me Irresponsible, available on CD


Pense à moi  performed by France Gall  1964
Recommended by delicado [profile]

One of a few especially jazzy and hip tracks by France Gall, I enjoy this one even more than I enjoy her more sugary pop tracks like 'Christansen'. The arrangement is quite spare - basically just France singing with a groovy small jazz combo. She also gets into some very cool scat vocals. Very, very cool.

from Ne sois pas si b�te (EP) (Philips)
available on CD - Poup�e de Son




  modadelic: most of france gall's 60's output from her yeh yeh bubble pop to the NOW sounds is excellent and highly recommended by moi. her compilation poupee de son is a great place to start for anyone new to the charms of france and her lovely songs. her later 70's records are not so wonderfull but then thats only my opinion, some of us may feel different. happy listening everyone.
  G400 Custom: Great song, this. I find much of her mid-60s output highly enjoyable, however throwaway they were supposed to be. 'Laisse tomber les filles' from around the same time is great too.
Petrol Pop  performed by Michel Magne & Jean Yanne
Recommended by bobbyspacetroup [profile]


available on CD - Shake Sauvage (Crippled Dick Hot Wax)




  heinmukk: this one's great for sure. and check out the other songs on shake sauvage. especially francis lai - i don't know why. and the songs from georges garvarentz. who is this guy? great stuff.
petrol pop  performed by michel magne & jean yanne  196x
Recommended by olli [profile]

ultra-trippy middle east-influenced song celebrating the joys of gasoline, from french avantgarde easy listening composer/arranger michel magne. very heavy in the strings department.
it sounds like it was written for a commercial or something, what with the moany female vocals and all, but my french is pretty goddamn terrible, so i wouldn't know:)


available on CD - shake sauvage



Photobooth Curtain  performed by School for the Dead  2004
Recommended by catmarigold [profile]

Poppy Rocky Indie. This song is kind of funny but also kind of sad. Power-pop instrumentation with lots of harmonies. Great lyrics and melody, very cool arrangement.

from The New You, available on CD


Pink Frost  performed by The Chills
Recommended by LawrenceM [profile]

Classic New Zealand psychedelia .... jangly guitar, haunting, evocative lyrics, fragile vocals and an otherworldly feeling which perfecly evokes Dunedin. The best New Zealand pop song ever written.

from Kaleidoscope World, available on CD




  delicado: I saw The Chills at my first ever gig in March 1990. They were really good actually, but somehow I never followed up and bought any of their records. I will have to check this one out. Playing at the same show were McCarthy, whose records I did buy, and who became Stereolab.
pink frost  performed by the chills  1984
Recommended by shaka_klaus [profile]

heavenly guitars, a simple bassline and bang! you have yourself a pop song.

from the single pink frost (flying nun fn cold 003)
available on CD - kaleidoscope world (creation/flying nun)



Pleasures  performed by Cubismo Grafico  2000
Recommended by bobbyspacetroup [profile]

Cubismo Grafico -- aka Gakuji Matsuda -- has quickly become my favorite J-Pop act, and this here is one of my favorite tracks. My impression of J-Pop has been that it is either too overtly dancy or sickeningly cute for my tastes. (To be fair, my bias is based on a relatively small cross-section of music.) Anyway, this track is neither. This is an extremely well-constructed selection that strikes me as both very modern and very "easy" in a way that sounds good to my ears. On this track, Gakuki Matsuda is credited with guitar, steel pan, rhodes piano, mc-303, turntable, and voice. So, yeah, he seems like a talented guy. The music is structured around a child's narration of an amusement park attraction (found on the fascinating "Sounds For Little Ones" compilation of a few years back). The sample lends a fun, playful atmosphere. Delicado thinks he has spotted two of the musical samples used here (or at least the compositions used), and I'm pretty sure he is right. They're both very well known, and, much to the credit of this song, I'm amazed I didn't spot them myself. I'll give you a hint: one of them is one of Burt Bacharach's biggest hits.


available on CD - Mini (Escalator Records (Japan))



pop princess  performed by the click 5
Recommended by purplepeopleeater [profile]

upbeat, poppy, and fun. i love that it's upbeat and fun. the synthesizer is really unique and adds a nice touch.




Popcorn  performed by Ike & Tina Turner
Recommended by diamon [profile]

It sounds weird and great at the same time.




Porque Te Vas  performed by Jeanette  1974
Recommended by mika2k1 [profile]

Jeanette has a voice that is forever sixteen. Porque Te Vas, is an upbeat Spanish pop tune layered in big beat and horns. Beautifully meshed with Jeanette's delicate voice, the result is stunning sweetness.

The song appears the 1976 Carlos Saura film, titled Cria Cuervos (Raise Ravens), aka Cria!







Praise You  performed by Fat Boy Slim  1993
Recommended by falicon [profile]

It's just pure fun baby, pure fun! Yes, the music itself isn't anything special, and the lyrics are very repetative and lame, but it's still a hit. Anytime you're feeling a little drained of energy, pop this baby in and watch yourself go!

from You've come a long way, baby, available on CD



Prams  performed by Vital Disorders  1981
Recommended by unathanthium [profile]

We had a good time in the eighties,we really did.Unemployment,strikes,kids inculcated with the Thatcher mantra of making money which has depoliticized the youth of today.Fortunately the hypocrisy of Blair has encouraged a few students to tear themselves away from their business studies and take to the streets.Revolution revives art;it happened in the late 50's and 60's when teenagers rebelled against the staidness of post war England,
and again in the bleak mid 70's when youth rebelled against the poor prospects on offer.Fashion,music and literature are never healthier than when faced with intransigence.
In 1981 the post punk landscape was a glorious directionless quagmire.Record labels littered the nation,some only managing a few releases.Lowther International was home to the Vital Disorders who were angry but not too angry to write a great tune.
The Prams EP contains three slices of political pop,domestic and general.Prams is a scream of feminist outrage,of how women have their dreams ruptured,trapped by the drudgery of daily life,the omnipotent cry of the tyrannical baby squashing their ambitions.

"Lets talk about prams and washing machines,
Lets talk about the end of childhood dreams".

That is the chorus,sung with increasing vitriol as the song progresses,until you can almost feel the phlegm hit your face,as Tina Pilchards spits out those words one final time.Sizzling.




Presidential Suite  performed by Super Furry Animals  2001
Recommended by delicado [profile]

To be honest, I have little idea of what this song is about, but it certainly sets an intoxicating mood - rather intense and dramatic, but very cool. It's a sprawling, majestic pop song, opening gently with a faint trumpet solo and a picked guitar, and then building up nicely with strings soon after the vocals come in. The chorus is simple and catchy, and the orchestration is lush and beautiful, and the vocals are tender. There is a nice cinematic instrumental section in the middle, with some nods to Burt Bacharach. I don't get the impression this is the most coherent song ever, but there are poignant moments lyrically, such as 'You know that when we met, there were fireworks in the sky...sparkling like dragonflies', set against the moody chorus. It feels kind of nice to be really enjoying a new, 2001 song for once. The new album is really quite good. There are some duff songs, but overall I'd say it deserved better reviews than it received.

Update, ok, I've now figured out this is about the Clinton/Lewinsky furore. I guess I'm just not primarily a lyrics person...

from Rings around the World, available on CD



previsao do tempo  performed by Marcos Valle  1973
Recommended by klatu [profile]

I arbitrarily chose the title track, as this is a very flowing album that needs to be listened to in one piece. Very experimental use of Brazilian sounds. It seems like Garra is the popular Valle of the period, but I give the edge on this one and Vento Sul. His other masterpiece is "Samba '68", with the best of his early compositions arranged and produced into their perfect forms by Deodato.

from Previsao Do Tempo, available on CD


Pyar Karne Wale  performed by Asha Bhosle  1980
Recommended by jeanette [profile]

A week ago I was in India, the holiday of a lifetime. As well as all the tourist stuff, like temples and museums, I always make sure that I get a slice of pop culture when I'm in a foreign country. So the night tended to conclude in the hotel with a bit of Indian TV.

Watched a fair bit of MTV India which, if anything, is even heavier on ads and blatent self-promotion that its British and American equivalents. I was cheered to see that most of the music they played was in Hindi and there was a limit on the American and European bands that got airplay (seemingly, strangely, limited to The Rasmus and Britney Spears).

But MTV is only watchable for a limited amount of time. Jet lag and excitement dictates that one spends more time awake than asleep and so I got to see a few late 70's Bollywood classics, among them 'Shaan' (translation: 'Pride'). This Asha Bhosle gem is from this movie. The film itself struk me as a fairly banal James Bond rip off although, not speaking Hindi, I grant that I'll have missed the more subtle aspects of plot construction.

This song stopped me in my tracks. I knew that Bollywood was an area that I enjoyed but was in a grand state of ignorance of, and I was looking forward to rectifying this. Pyar Karne Wale takes the prize for best Donna Summer rip off EVER. Stealing its barely-adjusted backing from 'I Feel Love', Bhosle wails and moans over the top, transforming Moroder's disco classic into something that simultanously establishes common ground between Indian and European disco while evoking its more subtle differences.

Myself and boyfriend came back with what seems like every Bollywood soundtrack produced between 1972 and 1980 including, of course, Shaan. I look forward to educating myself in this genre and finding more similar gems.

from Naseeb / Shaan, available on CD




  pleasepleaseme: Hi, I'm From N.Y.C. In the early 80's we had a show on cable, called "Cinema,Cinema, which showed numbers from the classic cinema. I lucked out on a few OST'S. Can highly recommend "Qurbani" & "Kasme Vaade" & "Sargam" & "Sawan Ko Aane Do" & "Loafer". Would love to know if you found any of those, or if you could recommend some of your finds.
  jeanette: Did indeed pick up Qurbani, which I have now listened to and would agree that its fab. That's the only one I have of those you mention. Got 30-odd CDs and most of them are double or triple headers, and I'm slowly ploughing my way through the pile. Favourite thus far is 'Zamaane Ko Dikhana Hai' which is another R.D. Burman stunner.
  olli: RD burman is, ahem, "da bomb". probably my favourite bollywood producer/composer. not that i'm an expert on indian 70's pop culture or anything.
Quattro Vestiti  performed by Milva  1962
Recommended by scrubbles [profile]

Answers the question, "What would happen if Ennio Morricone did a dramatic, Flamenco-style pop song?" Milva gives a lusty, compelling performance. Fantastic arrangement - love those castanets!


available on CD - Canto Morricone, Vol. 1: The '60s (Bear Family)



  delicado: milva also does a compelling 'metti una sera a cena' on volume 3 of the canto morricone series; highly recommended...
Que é isso menina  performed by The Pops  196?
Recommended by DJ Markinho [profile]

This is definitely the best song you never heard. An (so far) impossible track for me to find on vinyl. Its a catchy up tempo Samba Rock song that will keep you moving. For sure! After an organ and drum intro and a break, the song continues with singing and handclapping. I don't know why, but I think almost every song with handclapping in it is outstanding. It is something I like in Flamenco as well.




Question Mark  performed by Billy Nicholls  1968
Recommended by tinks [profile]

This album has been called "Britain's answer to 'Pet Sounds'", and while I wouldn't necessarily agree with that, it is certainly a masterpiece of psychedelic pop, and even more impressive when you factor in that Nicholls was barely 19 when he wrote & recorded it. Nicholls was indeed influenced by Brian Wilson in his melodic construction and orchestration, however...the album's sound is very reminiscent of the pseudo-Spector work that Andrew Loog Oldham was using with Del Shannon at this period (Oldham, not so coincidentally, also produced this LP). This song in particular, with it's intricate multi-tracked harmonies really hints at the kind of promise Nicholls' career had, and had this album not been shelved at the last minute, it's anybody's guess what may have followed.

from Would You Believe?, available on CD



Reaching out from Here  performed by The Boo Radleys  1994
Recommended by geezer [profile]

A Band doomed by the vagueries of fashion ,too late for the Madchester boom and too early for Britpop,despite consistantly great records like this ,a melancholy ,sixties influenced piece of perfect pop,never quite breaking into glee but a memorable chorus and a fine economic restrained pop song.A band worth looking back on in small doses

from Wake Up!, available on CD


Reinstated  performed by Shack  1999
Recommended by moondog [profile]

Fame and fortune seems to elude Michael Head but perhaps we should be grateful for it since it leaves him making superb music still in a career that spans over 20 years. On "reinstated" from 99s splendid "Hms Fable" you get the best sides of his songwriting talents. Both the bacharach/lai pop of Pale Fountains pacific Street era coupled with his later merseybeat/love styling´s of shack.

from Hms Fable


Repined bastard nation  performed by Satyricon  2002
Recommended by olli [profile]

Satanist surf rock! (or a reasonable facsimile of that would sound like, anyway.)
From the land of polar bears and fjords
comes this insanely massive-sounding piece of black metal with a heavy dose of Dick Dale influences. It's quite poppy for a black metal tune, if you can see past the growling. I have to admit I've never actually listened too closely to the lyrics, i'm sure they're very misantrophic and gloomy and all, but this song feels very uplifting to me somehow. same thing as with Primal Scream's Detroit and Ennio Morricone's Magic and Extacy, i guess.
the synth effects round it out nicely, the guitars are fast and furious, and you got to love that drumming.


(One of these days I'm gonna have to make a mixtape with the world's most glaringly insane shifts of tone from one song to the next. This will fit nicely in between Dean Martin and Jean Jaques Perrey...)

from Volcano



resistansen  performed by kaizers orchestra  2001
Recommended by olli [profile]

some nice tom waits-esque norwegian gipsy punk/ folkpop for you. You probably won't understand a word of what they're saying, as it's sung in a weird norwegian dialect, but most of it is about russian roulette, alcohol, corrupt priests, floods, polka, treachery and other things we enjoy here in norway. it's dramatic, fun and entertaining, so go ahead and buy it/ download from some file-sharing service. you won't regret it.

from ompa til du d�r, available on CD



Rest in Peace  performed by Chad & Jeremy  196?
Recommended by konsu [profile]

An amazing trippy piece of social commentary, from their genius concept LP. The opening track, and it goes all over the place with this completely mad arrangement by Chad Stuart, and produced by Gary Usher (of "Pet Sounds" fame). The track seems to pertain to mortality, and the sad truth of time and the forgotten... It sets the tone for the whole album, which seems inspired by atmosphere of the time, when singles were exchanged for huge concept pieces, more likely due to the success of "Sgt. Peppers" and the like, but taking a much more delightfully cynical view! A sometimes overlooked part of the britpop puzzle, Chad and Jeremy are full of surprises.

from Of Cabbages & Kings, available on CD


Restons Group�s  performed by Alexandre Desplat  1998
Recommended by nighteye [profile]

Does it get any more happier and sunnier than this? This is a true sunshine pop / jet-set lounge piece with a fast paced beat, lush strings, woodwinds and a catchy melody. The style reminds me of Bacherat's 'Pacific Coast Highway' and Alan Hawkshaw's 'Girl in a Sportscar'. Just imagine your self beeing on the French riviera, crusing around in your sportscar with a beautiful girl at your side and you are the king of the world as you drive into the sunset.

I can be very wrong here, but it seams that this is the title song for the movie with the same name, made in 1998. I could have sworn that this was a piece from the 1960s, the sound, the arrangement, the instruments, sound incredibly accurate and realistic. I found this song on the excellent 'Jet Set Society' compilation from our own eftimihn on this site, a brilliant pick.


available on CD - Mondo Lounge Vol.1 - Jet Set Society




  eftimihn: Excellent description, for me the track evokes similar scenes when listening to it. And you're not wrong, the track really is from 1998, but sounds absolutely late 60s/early 70s. Well, the whole compilation ain't that bad either i guess :-) If anyone is interested: http://www.artofthemix.org/FindAMix/getcontents.asp?strMixID=84985
  nighteye: This song alone almost makes me want to see the movie! I wonder if the whole soundtrack is like this? Btw. I almost got a eargasm at 2:15 minutes into the track. :)
Reverend Killer  performed by The Big Dish  1986
Recommended by Mike [profile]

My introduction to this Scottish band was when they supported Lloyd Cole and the Commotions at a December 1985 gig. I liked them a lot that night, but actually their three albums don't contain that much to shout about - maybe a couple of quite good tracks per album.

However, "Reverend Killer", a song not included on any of their albums, is knock-out, excellent guitar-based pop with a hint of synth deep in the mix, and enough harmonic movement to make up for the lack of rhythmic variety or interest.

from Slide CD EP (Virgin DISH 1)


Right as Rain  performed by The Minders  2001
Recommended by two-headed boy [profile]

So far the best thing I've heard all year! The Minders return, this time they invite us into their neighborhood by way of Golden Street. We still feel the quaint influence of Britain's great pop secrets, the Kinks, but we also hear another side of this band that has been long overdue, themselves. The Minders have discovered their voice only glimpsed at in earlier recordings. And 'Right As Rain' is as good as it gets. There is no avoiding the contagions found in the head-bopping performance, you will be infected with a fever you may never wish to recover from. Put plainly, you will love this song, guaranteed! The drumsticks click, the bass rolls in, the electric guitars whir, the beat throbs and then, in a moment of pure expectation, we hear Martyn's vocals like honey dripping from heaven. It is Martyn's voice that carries us through this song and we are disappointed when he pauses to breath. The longest pause comes during the backwards guitar solo, complete with screaming feedback and enriched by keyboards and bass. The refrain is just as exciting when Martyn returns to refill our ears with his perfect British accent. By golly, I wish you could hear it now.

from Golden Street (SpinArt)




  tinks: I should hope his British accent is perfect...being that he's British and all! It always amazes me when I hear praise come in for the Minders from places far & near...those cats live in my neighborhood!
  tinks: Oh, and to clarify...I love the Minders, too! What I meant was that I still think of them as a local band!
Rock Lobster  performed by The B-52’s  1979
Recommended by dsalmones [profile]

The B-52's were one of several late-'70s bands for which there was no real category. With their modified surf guitar sound, their thrift-shop fashion sense, and their jokey demeanor, they certainly weren't in the rock & roll mainstream, but they exhibited none of punk's sneering rebelliousness or musical aggression, either � the only anarchy that seemed to interest the B-52's was of the sartorial variety. "Rock Lobster" was the first B-52's song to catch popular attention, and it's easy to see why. The minimalist guitar lick is like a beach-bum's rendition of the James Bond theme, the one-note organ ostinato complements it perfectly, and Fred Scheider's campy sprechgesang jumps out at you immediately. Yet despite the song's self-consciously weird texture and silly lyrics about earlobes falling off and communal towel coordination, there's a thread of darkness weaving through it. Make no mistake � this is not a song with hidden meaning lurking below the surface. But its surface is a little more complicated than it seems to be at first. For one thing, it's almost seven minutes long, and it does start to drag toward the end. Right when it does, you notice the mood getting darker � Schneider delivers lines about "having fun" and "baking in the sun" in a hoarse croak, and the guitar starts sounding repetitive in a slightly creepy way. Suddenly you realize that the whole song has been in a minor key, and as Schneider shouts and the guitar barks out its angular riff over and over, you start to wonder if maybe there's some kind of commentary going on here. But then Kate Pierson's angelic voice comes in with a surprisingly pretty falling harmony part that can only be described as a descant, which repeats several times, gradually paring itself down to a single phrase, and abruptly the song is over. The whole song ends up being a goofy party confection with a slightly crunchy center � a pretty satisfying overall flavor combination.
(AMG)

from The B-52's, available on CD


Rock With You  performed by Michael Jackson  1979
Recommended by eftimihn [profile]

While i can't say i'm an admirer of Jackson, his first two Epic records "Off The Wall" and "Thriller" are a reminder he wasn't always that pathetical popular figure he is today but a talented performer and songwriter with an array of gifted people to back him up as arrangers, songwriters and musicians. The most imported credit goes to the legendary Quincy Jones, who really gave these records an incredibly rich sounding, impeccable prduction. All instruments, funky guitars and bass, swirling disco-esque strings, horns and brass, vocal harmonies and syths, are in the right place here. The production is detailed, lush and transparent sounding, easily beating most of todays pop productions, even more so on the remastered versions of these records.

from Off The Wall, available on CD



Roller Girl  performed by Anna Karina  1968
Recommended by tinks [profile]

French girlie pop of the sort that only Serge was capable of! This is taken from the soundtrack to a television comedy special starring Gainsbourg, Jean-Claude Brialy & Anna Karina, who prior to this had of course been Jean-Luc Godard's primary actress and wife (reportedly, her dalliances with Mssr. Gainsbourg played a pivotal role in the dissolution of their marriage). Rah-rah-rah-roller gairl!

from Anna, available on CD



  LetFreedomHappen: What a great song! I was about to recommend it myself. I love her film work with Godard, and was way excited to find out that she sang stuff too. Especially Gainsbourg stuff. This is one of my favorites. How cool, how cool.
Rollerskate  performed by Call and Response  2002
Recommended by Ricard [profile]

From all the summery pop music on this site, think you'll love this song from the Californians Call and Response about the simple joys of rollerskating.
You can download it for free (and legally) from http://www.epitonic.com/files/reg/songs/mp3/Call_And_Response-Rollerskate.mp3 so why not give it a listen.




Romance  performed by Beth Gibbons and Rustin Man  2002
Recommended by robert[o] [profile]

A great track from the excellent "solo" LP by the Portishead vocalist (actually it’s a collaboration with Paul Webb - one time member of sublime 1980's pop group Talk Talk - calling himself Rustin Man for some reason.) The arrangement suggests a low-key take on one of Bacharach/David's statelier ballads, (like say "Aprils Fools" or "Trains and Boats and Planes"), which develops a wonderfully sad groove on the chorus. There are lovely strings, a great, woozy horn solo, and some inspired use of subtle, dissonant electronic textures and spooky female background vocals (both very Ennio Morricone.) Meanwhile, Gibbons does her most stylized take on Billie Holiday at her most stylized - which really shouldn't work, but somehow ends up being just right. Strong song from a very strong album.

from Out of Season, available on CD



  bobbyspacetroup: Agreed. This track and "Drake" are my favorites from the album -- especially "Drake." Good recommendation.
Romeo’s Tune  performed by Steve Forbert  1979
Recommended by fost\'r [profile]

I think this one was recorded in '79...It was released late that year and peaked (at least in the US) in 1980.

Strikes a perfect balance between simplicity (Forbert's a singer-songwriter type) and complexity (there are several sections mixed and matched). Probably my favorite of the 1980s.

You've likely heard this song if you were listening to Pop music in 1980; it also received Adult Contemporary and Rock airplay. It has a beautify piano introduction which is repeated throughout. The intro piano gives way to a piaon-acoustic guitar-bass-drumkit backing to Forbert's vocals; later embellishments include backing singers, organ, and electric guitar.

Anyone heard this one?

from Jackrabbit Slim (?)


Rose Petals, Incense, and a Kitten  performed by The Association  1968
Recommended by artlongjr [profile]

This song has been a favorite of mine ever since I first heard it on the album "Birthday" back in the 80's. It reminds me of walking along the beach with my girlfriend, looking at a gorgeous sunset. The song was written by Jim Yester, who also sings lead...the string arrangement, great vocal harmonies, lush melody and delicate guitar solo by Tommy Tedesco make this a sunshine pop classic. Jim Yester also contributed two other equally great tunes on this album, "Birthday Morning" and the stunning, majestic "Barefoot Gentleman". I recommend the entire album to fans of 1960s harmony pop-it is their most psychedelic record, hands down, and my favorite by them,although I still haven't heard their first LP yet, which others have recommended to me as their best.

from Birthday, available on CD



  delicado: This is a truly exquisite track. I've been listening to this album a lot recently actually.
  eftimihn: A track so great it abolutely deserves to be recommended twice, here is my entry: http://www.musicaltaste.com/filter.php?songtitle=Rose%20Petals%2C%20Incense%20and%20a%20Kitten
  artlongjr: I'm glad so many people like this song...you can't go wrong with this album, in addition to "Rose Petals", there is "Everything That Touches You", "Toymaker", "Hear in Here", and "The Time it is Today", all great tunes. I just wonder what the results would have been if the Association had recorded "MacArthur Park" like they were requested to at that time!
  Major Minor: Seconded! Birthday is my favorite Association album containing some of the finest Sunshine Pop tracks ever!
Roses And Rainbows  performed by Danny Hutton  1965
Recommended by john_l [profile]

A pretty 1965 pop song by Danny Hutton a few years before he got big as a member of Three Dog Night, the group which had a long string of hits beginning in 1969. There's a bit too much of that tinkling thing which I thought wasn't so prominent when I heard it on the radio, but maybe I'm wrong ...

But the best thing about the song in my opinion is the drum track! It's probably one of the L.A. session men, but whoever it is puts on an absolute clinic! Best bits: the one at the end of verse two, before the first bridge, which seems to tie up the song to that point in a nice bow, and the one before the second bridge which reminds me of the drums in Tommy Roe's hit 1962 "Sheila".

"Roses and Rainbows" is the first track on the double-CD Three Dog Night best-of.

from Pre-Dog Night
available on CD - Celebrate: The Best Of Three Dog Night (MCA)


Ruby  performed by The Apples in Stereo  1997
Recommended by two-headed boy [profile]

A classic pop gem with the quintessential catchy, sing-along melody. Pristinly written, performed & produced by E6 Godfather Robert Schneider and his Apples in Stereo. With a chorus determined to make you hum in your sleep, or over a dozen pints with your mates, or loud enough for your co-workers to secretly dispise your chummy disposition, this song will never lose its appeal. Piano, guitar, snare and bass bring back the days of 'ole, and they do it in style. This has to be someone's favorite song somewhere!

from Her Wallpaper Reverie
available on CD - Her Wallpaper Reverie, EP




  opl3003: I agree, this is one of the best tracks by The Apples in Stereo! And of of my overall favorite songs! I can listen to it over and over..
Rumors  performed by Eternity’s Children  1967
Recommended by masayo [profile]

So surprised that the composer, Mr. Bruce Blackman wrote a comment on Mrs. Bluebird's recommendation of this site! And this song "Rumor" ,their first single, was also written by him and Keith Olsen. Beautifully pop melody, intertwined harmony and good sense of guitar arrangement...It's like a comfortable summer breeze. Though I do love "The Other Side of Me", "I Wanna Be With You" and "Mrs. Bluebird" as well, this is the best track in me.

from Single only (A&M 866)
available on CD - The Melody Goes On #Soft Rock Vol.2 (M&M MMCD-1013)



  Ron1967-1970: this song was on one of the two LP's
  deltadoodah: yea, bruce was there in the very beginning, but he was not there when we recorded the second lp or the last single we recorded in tyler, texas with robin hood bryant. he wrote NO songs on the "timeless" album and you HAVE NOT heard the TRUE story about "eternity's children." I thank you for your time...but I am not impressed by what Mr. Blackmon is writing. If you would like the REAL story, please let me, Roy Whitaker, Linda Lawley or Mike McClain hear from you. Thanks a lot and keep on rockin'. Charlie Ross
  masayo: wow.... are you Mr. Charlie Ross??? I'd really like to hear the REAL story!! Actually I can't get just a little information about Eternity's Children while it's my favorite group...
  trainman5561: charlie, hope you remember me.Iworked with you as your road man in 66.I've often wondered where you and johnny walker went to. I'm still in B'ham Al. If you remember me send a phone no.I can reach you at.Would like to ask some questions about old times and friends.Those were good times in my life. Your old friend Jimmy [email protected]
Run Mascara  performed by The Exciters  1965
Recommended by jeanette [profile]

Now THAT'S a title. Honestly, I so wish I was a teen in the sixties. You got to gloom along to the highest-quality pop-soul instead of the early 90's alt.rock that was de riguer in my tender years.

The Exciters are one of the most enduring of the 60's "girl" groups (there's one boy in there). No matter how polished the production was, they remained overwhelmingly vital thanks to the harsh vocal power of Brenda Reid, their main singer. They found mucho favour on the Northern Soul circuit, but I think their stuff is substantially more individual than a lot of the platters on offer in that scene.

"Run Mascara" is about a boy who knows how to hurt and make the tears flow, but gives just enough sweetness to keep Brenda in love. Your classic emotionally-abusive relationship. You would think with a voice like hers Brenda would just wallop him. Or shout at him. That'd shut him up.

Musically it races fast, with the other group members yelling to keep up with the breakneck speed. An outstanding few minutes.

from the single Run Mascara (Columbia DB 7606)
available on CD - Something To Shout About! (Sequel)



Run To The Sun  performed by The Owl  1968
Recommended by Swinging London [profile]

This is an absolutely tremendous track.

Very much of its era and an absolute flop, saleswise.

This was, I believe, the only single released by the group,The Owl.
The 'B' side, 'Shades Of Blue & Green Waterfly' is equally as majestic.

Tremendous full orchestra. Very, very powerful vocals by J. Vincent Edwards. Strong melody.

I personally think it's right up there with' Whiter Shade Of Pale' as a classic late '60's, British single, in terms of power and performance.

Beautifully produced and arranged.

Edwards has the kind of voice that was very popular in Britain circa 1968, (sounds just like the lead singer from Plastic Penny).

This should have been massive.

from Pierre's Plastic Dream
available on CD - yes (Market Square)



Sa Marina  performed by Wilson Simonal  1968
Recommended by gregcaz [profile]

One of Brazil's classic pop hits of the late 60s, written by an incredible songwriting team responsible for dozens of similar gems between 1967 and 1971. Better known in the English version recorded by Brasil '66 as "Pretty World," but Wilson Simonal truly nailed this with his typically soulful vocals and a vintage soul-jazz-Brazil backing courtesy of pianist/arranger Cesar Mariano and his fantastic Som Tres trio. Also note the swirling strings-and-woodwinds arrangement and climactic hand-clapping singalong climax at the end.

from Alegria Alegria Vol. 2 (Odeon)
available on CD - Alegria Alegria Vol.2 (EMI Brazil)



safety net  performed by shop assistants  1985
Recommended by shaka_klaus [profile]

the little sisters of jesus and mary chain? fuzzed guitars, drumming is far far back. a true great pop song.

from the single safety net (53rd and 3rd records agarr 001)




  n-jeff: I've instantly come over all nostalgic. A true great song. I've just discovered Australia Spiderbait who operate in the same zone, but in a more modern style.
Sail  performed by AWOLNATION
Recommended by countofbluecars [profile]

Alt-rock, currently popular. It's got a catchy hook but is unique in its sound too. The vocals are especially interesting.




Samba Blim  performed by Tamba 4  1968
Recommended by sambablim [profile]

This 1968 LP out on CTI/A&M records was a big leap fpr the group formerly known as Tamba Trio. It spawned big bossa hits like the title track Samba Blim, my absolute favorite for hip acid jazz(nu-jazz/ Rare Groove)dancefloors from London to Tokyo to even Phoenix,AZ. It's fusion of traditional Bossa Nova, Samba, and 60's Jazz melodies are delectibale to the ears. Nice songs that will get you groovin' are "Samba Blim", Reza", "Tristeza de no dois", and "Baiano". A big LP in my DJ box. A pretty heavy cost for a mint copy, but mine is only VG condition full of pops and crackles. I STILL LOVE IT!!!

from Samba Blim


Sand And Rain  performed by Nancy Holloway
Recommended by heinmukk [profile]

my favourite tune on the newest issue of dusty fingers. the dusty fingers series is a compilation of rare and obscure tunes mostly from the 60s and 70s. the styles cover funk, jazz, krautrock and tunes like this one. it's a bombastic pop song with strings and a huge brasssection, which i come to admire more and more in the last time.
the intro is sooo cool. bitter spoken words by nancy about love and pain.
well, take a listen yourself.
last words: check out the dusty fingers series, there are a lot of true gems on them...like this one!


available on CD - dusty fingers vol 10



Saragon  performed by Redd Kross
Recommended by vicar_inna_22 [profile]

The sound is poppy, resembling a more mature 1960s sound than their earlier songs.


available on CD - Phaseshifter (This Way Up)


Satan is in my Ass  performed by Evil Superstars  1996
Recommended by eurotrashkit [profile]

this song, made by the zappa-esque belgian band, the evil superstars, is more zappa-esque then zappa would ever get.

it feels like a huge record store collapsing and, in the process, blending all kinds of style elements in a composition of pure pop-mayhem. the song sums up a dozen of genres at supersonic rate (such as death metal, rock, crooning and even jazz) but never falls apart.
the music is perfect, played by talented musicians who try to sound like it's their first time handling a guitar or drum kit.
but, the one thing that makes this whole thing sound like it does are the vocals and absurd (or cheezy?) lyrics by the lead singer mauro pawlowski, for example:
"HE IS SOMEKIND OF A BAD GUY BUT WHEN HE READS THE PAPERS NOWADAYS HE HAS TO HOLD BACK THE KEROSINE IN HIS EYES SOMEWHERE IN A FORTRESS HE HIDES HIS MISTRESS I'M TALKING 'BOUT A PLANKTON EATING ROBOTCOW IN A CARDBOARD DRESS"----need i say more?
if you want to hear free jazz going pop, then check out this one!
nice introduction link: http://www.deadbeattown.com/bands/superstars.htm

from Love is okay, available on CD


Say Hello, Wave Goodbye  performed by Soft Cell  1981
Recommended by Mike [profile]

A pop song of epic grandeur. Marc Almond's rather out of tune singing doesn't ultimately detract from what is a great song and a very good recorded performance. The synth player of the duo, Dave Ball, appears to have been a somewhat underrated pop genius.

from Non-stop erotic cabaret, available on CD




  delicado: Yes, isn't this a brilliant, devastating track. I think the out-of-tune vocals are all part of the package! This shares some of the desolate and empty electronic feel of some of Joy Division's work, but puts it into a pop context.
Scottish Pop  performed by Spearmint  2001
Recommended by LawrenceM [profile]

Any song which namechecks Bobby Gillespie and Stuart Murdoch is all right with me. A beautiful, sweet pop song with the choice lyric "when I'm with you it's like Scottish Pop". Gorgeous.

from A Different Lifetime, available on CD



Se telefonando  performed by Mina  1966
Recommended by delicado [profile]

A dramatic pop number from the 60s in which Mina passionately belts out the tune. The opening is gentle, with a delicate trumpet melody; it then builds up to a huge climax with full orchestra. The song is infuriatingly catchy and familiar; I'm sure I had heard it many times before I finally identified it about five years ago. Very highly recommended.


available on CD - Canto Morricone, Vol 1 (Bear Family)




  andyjl: This song was covered in a great version by Francoise Hardy (as "Je changerais d'avis"). It's on several compilations of her 60s recordings.
  delicado: Francoise also recorded it in English (the recording is exactly the same apart from the vocals) as 'I will change my life'. Great stuff!
Season of young moss  performed by Handsomeboy technique
Recommended by moondog [profile]

Better than the avalanches. Few other tracks have made me so glad this year than this song from Japans Handsomeboy Technique. It is virtually the same formula as the avalanches; collage pop from soft rock, disco,hip hop, girl groups etc but with much better song structures than the ava. The album adelie land is also recommended.

from Adelie Land, available on CD


Secret Love  performed by Kathy Kirby  1963
Recommended by Latimer [profile]

This is a British artist who does not deserve to be forgotten. She has a free, ranging voice and total charisma. Her trouble was that she got ripped off for life by a lecherous old-guy manager (Ambrose), who was mainly concerned with her considerable charms and the earnings he could siphon off to himself. She is now impoverished, but remains a great past-pop figure, and a great singer. Also a so-called icon of the homo world, where melodramatic performances are always appreciated. She was contemporary with the Beatles, but of a musical world they left behind.




Self-conscious over you  performed by The Outcasts  197?
Recommended by mattypenny [profile]

Great Lost Punk Single #2

This is a really good poppy, punky love song. Like a butch-er version of the Undertones, or a more cheerful Pistols. Much like the Undertones in fact - also from Northern Ireland, but with not as many great songs. But this one is fantatic.

from Self-Conscious over you


sell my old clothes, i'm off to heaven  performed by saves the day
Recommended by monique [profile]

it's catchy without being too cute. poppy emo punk. lyrics concern trying to figure out why a lover left you for another--great lyrics.

from another year on the streets (compilation) (vagrant records)


Senses Working Overtime  performed by X T C  1982
Recommended by geezer [profile]

From its folk song intro to the tweeting bird conclusion this is a master class in pastoral pop,unmistakably English and undeniably brilliant .
This is XTC,s finest moment and their biggest hit ,that tranquil introduction explodes into a football terrace style chorus becoming more euphoric at each turn slowly winding down to its resting place somewhere in a quiet church yard

from English Settlement, available on CD


Sequenced Time  performed by Cubismo Grafico  2007
Recommended by sardonicsmile [profile]

cubismo grafico's (matsuda gakuji) current output leans heavily towards new wave and other general 00 trendy sounds, but 'sequenced time' sounds more like the soft pop rock stuff with his other band neil and iraiza. one chord piano and sequenced drums, simple, sparse and sounding very much like a quiet night in the city.

from Nuit (Escalator Records)


Shacking Pop  performed by Janko Nilovic
Recommended by mr_klenster [profile]

Yet another testament to the genius of this much slept on wonder. I have yet to hear an Janko Nilovic song without an initially intriguing introduction, incredible structure, and amazing breakdowns. Shacking Pop is not one of Nilovic's most complex, however the throbbing bass, raging fuzz guitar, and clarity of the drums make this a winner.





Shadows breaking over my head  performed by The Left Banke  1967
Recommended by roger_roger [profile]

A melancholic, baroque pop song.
It's an hand-made jewel, with this piano scale doubled by the voice, and those gently waves made by the string arrangements.
Your time *perdu*.

from Walk away Ren�e/Pretty Ballerina (Smash srs-67088)
available on CD - There's gonna be a storm. The complete recordings 1966-69 (Mercury)




  delicado: I have to agree that this one is fantastic; thanks for recommending it!
Shape of my Heart  performed by Noah and the Whale  2008
Recommended by KSJ_r_critics [profile]

love duvy folk pop with a very "now" sound. Probly a iPOD comercial contender




She touched me  performed by Love Generation  1967
Recommended by Ron1967-1970 [profile]

A song that moved and still moves me deeply... like a breath of fresh air... a feel-good song with a lot of tenderness... I would say a typical exponent of the Summer of Love ... a great
underrated song...which moves me to tears (mind you I am a straight male, but music can
play your emotions to the fullest... this is such a song).

from The Love Generation


She's Losing it  performed by Belle & Sebastian  1996
Recommended by LawrenceM [profile]

clever, literate pop with a nice brassy, 60's feel from Scotland's greatest asset. a 3 minute pop song to die for

from Tigermilk, available on CD


Sheela Na-Gig  performed by PJ Harvey  1991
Recommended by Durruti [profile]

One Of the best PJ's songs. It's guite pop, but it's awsome. It's from her very first album (first and second are the best).

from Dry


shortboard city  performed by The T yde  2003
Recommended by norfy [profile]

i love this band-sure they have ripped of the almighty 'felt' but what the hell-this track chugs and grooves along like loaded era-'velvets',the aforementioned 'felt', 'television' and a thousand perfect pop songs-the rest of the album is a killer and i urge you to purchase this immediately-features the godlike ric menck on drums and i beleive thay share members with'beechwood sparks'-a reason for being-a reason to keep believing.

from Twice, available on CD


Side By Side  performed by Labrador  2004
Recommended by eftimihn [profile]

This is how indie pop music should sound, at least for me: bittersweet, light'n' fluffy, airy, harmonic and late 60s oriented. Or as the band describes it: The music makes you think of the time when Herb Alpert and Burt Bacharach was young, Brigitte Bardot looked good, and Serge Gainsbourg was alive! Their whole second album, Instamatic Lovelife, is very consistent in quality and thus highly recommended.

from Instamatic Lovelife, available on CD



Sidewalk  performed by Birdie  2001
Recommended by eftimihn [profile]

Great soundtrack to a sun-drenched sunday afternoon. Birdie members Paul Kelly and Deborah Wykes met as tour musicians for Saint Etienne, and in fact they sound similar with Deborah Wykes sounding like a somewhat subdued, toned down Sarah Cracknell. But you can hear more influences, with all the warm instrumentation in the song (acoustic guitar, flutes, muted trumpet, various analogue keyboards) it's close to late 60s easy listening pop, Bacharach and The Carpenters.

from Triple Echo, available on CD



Silent time of earth  performed by Candy claws  2010
Recommended by wilgodoy [profile]

from Hidden lands


simpathy  performed by los bravos  196?
Recommended by mj&pm [profile]

spanish soul-pop group.

Deliciosa.




Simply Thrilled Honey  performed by Orange Juice  1981
Recommended by LawrenceM [profile]

one of a clutch of four almost perfect pop songs released by Scots indie outfit on the Postcard Records label in the early 80s. They went on to be slicker, and mostly remembered for their 1985 hit "Rip It Up". But this is them at their best.

from non-LP single (Postcard Recordings Of Scotland)
available on CD - The Heather's On Fire (Postcard Recordings Of Scotland)



Sipping on the sweet nectar  performed by Jens Lekman  2007
Recommended by moondog [profile]

The best pop song of the year taken off what is probably the pop album also. I can´t remember the last time i was so uplifted by a pop song. It is like the best song the avalanches never recorded only with proper vocals.

from Night falls over kortedala (service/secretly canadian)


Sixteen Tons  performed by Bobby Laurel  1968
Recommended by konsu [profile]

I saw this record at a local shop and based upon the up-scale credits (Don Sebesky, Joe Cain, etc.), I picked it up. And Boom! I instantly had the swinginest version of sixteen tons ever recorded! As you can imagine, Don S. puts his magical twist on things, hot on the heels of his A&M/CTI work (The intro for this track sounds just like "Going to Detroit", from the Wes Montgomery album "Down Here on the Ground"), and full of swanky harpsichords and snappy drum beats. Bobby has a very Jack Jones-y sound, super pop, but with that saccharine smarm of an uptown lounge pianist... Great stuff!

from The Beautiful Days Of My Youth (MGM SE-4618)


Skin Trade  performed by Duran Duran  1986
Recommended by dsalmones [profile]

Beneath the avant-garde lyrics and futuristic synth textures, there was always a pulsing dance music quality that drove the classic Duran Duran sound. As they progressed into the late '80s, they allowed that dance element to move up front and dominate their style. A good example of this tactic is "Skin Trade," a hit whose silky and funky style led to it being mistaken for a Prince song. The lyrics have a surprisingly direct, soul-searching feel to them as they lay out scenarios of people shortchanging their dreams to make money. These moments are followed with the dramatic proclamation that makes up the chorus: "Will someone please explain/The reasons for this strange behavior?/In exploitation's name/We must be working for the skin trade." The music lends contrast to the angry tone of the lyrics by creating a sultry, mellow melody that juxtaposes verses with a soft, hypnotic ebb and flow with an ever-ascending chorus that revs up the song's inherent drama. Duran Duran's recording is fuelled by funky but gently layered guitar textures and subtle drum work that push its groove along, plus some atmospheric synth textures on the chorus. Interestingly, Simon LeBon uses his normal tenor voice for the choruses but sings much of the verses in a lush, soulful falsetto that led many pop fans to initially mistake "Skin Trade" for a Prince ballad. The result was a perfect blend of slow-dance textures and adult social critique. It didn't do as well as "Notorious," just barely making the Top 40 in the U.S., but it got plenty of radio airplay and is fondly remembered by the group's fans as one of Duran Duran's most mature achievements of the late '80s.
(AMG)

from Notorious, available on CD


Sleep  performed by Godspeed You! Black Emperor  2000
Recommended by mardikas [profile]

A long track (23 min) with orchestral sound. About the album: "Lift Your Skinny Fists Like Antennas to Heaven is unusual in being structurally and conceptually closer to a symphony than a conventional pop or rock album. The four tracks are composed of internal movements, with different sub-titles, that fade into each other. The whole album is instrumental, except for sampled voice inserts, and starts with an almost orchestral crescendo somewhat reminiscent of Ravel's Bolero." (http://en.wikipedia.org/) <- basically the same goes for the track.

I like it because of the dark and powerful feeling it conveys.

from Lift Your Skinny Fists Like Antennas to Heaven


Sleeping In  performed by The Postal Service  2003
Recommended by xfanatic50 [profile]

Just a very wistful, sort of wishing the world would change kind of a song. Makes me feel better when I listen to it. Don't ask me why.

from Give Up (Sub Pop)


Slipped Away  performed by Avril Lavigne  2004
Recommended by hopefully86 [profile]

Haunting, soul-wrenching, avril sings her heart out about not getting to say goodbye. For anyone who wishes they had one more chance. Rock/popish.

from Under My Skin


Slipping Through Your Fingertips  performed by The Saturday People  2001
Recommended by LawrenceM [profile]

A brilliant pop song which reminds me in equal parts of the 60s pop of The Zombies or The Lovin' Spoonful, and also of 80s indie like New Zealand's Sneaky Feelings and Scotland's Orange Juice.

from The Saturday People, available on CD


Slowly Surely (Theo Parrish Remix)  performed by Jill Scott + Theo Parrish  2001
Recommended by lil_ze [profile]

Unreal.
First of all, there's Jill Scott. With as much respect I have for her songwriting and singing abilities, I've never thought of her as a musical genius. Her music was, and stays, consistently the best soul music being released. And I'm sure that in twenty years I'll still have great fondness listening to her tunes. Yet, I don't hesitate to state that she is not a genius.

"Slowly Surely" is a great track off Jill Scott's "Who is Jill Scott: Words and Sounds, Vol. 1" album. The track, itself, is a departure from the rest of the album in composition. It is lyrically and melodically experimental, and deosn't perform as a very commercially radio friendly tune. Having said that, this is probably my favorite track on this sublime album.

Theo Parrish is a genius, however. There are no two ways about it. His music is difficult to understand. His path to fame and stardom seems as intentional as Donald Trump's efforts at staying unnoticed. He has a tendency to compose electronic dance music with beats so slow, they'd make Big Daddy Kane half step. This isn't a salmon swimming upstream. This fish is out of the water wondering why he can't fly.

The remix, in the commercial music industry, has been tainted ever since the digital age. Starting off as a tool for DJs in night clubs, a track would have been remixed to have extended beats in the beginning and the end of the track. Thus, early remixes were plainly titled, "Extended Version". However, remixes on commercial radio are merely an effort to milk the popularity of whatever is popular at the moment. These remixes usually include a guest vocalist singing, or rapping, along the original track. Another version of the remix is the time filler. When albums were made with consideration to program times for opposing sides (as well as cassette tapes), remixes were often added when material was scarce. This practice would eventually wipe out the addition of the "Reprise" track. These remix tracks were usually the chosen radio friendly track with extra production on top of the original track.

The remix for "Slowly Surely" is none of the above. It is very unique as it's own being. It pulsates to it's own heartbeat. It moves on it's own, in no predictable direction, as if Theo Parrish had little control over his artistic output. That's his genius. That's his art.

from not available, available on CD


smells like teen spirit  performed by pleasure beach  2001
Recommended by shaka_klaus [profile]

strange and kind of funky version of a song that was very popular when i was just a little boy. i don't know any other songs by the group. i heard it on a acid jazz label comp and i bought the single. i don't think i've ever listened to the a-side...


available on CD - hammond street (acid jazz)


smile  performed by cosmic rough riders  2003
Recommended by dexxas [profile]

very laid back quality music.. uplifting just when i given up on pop music and along comes this great band.. great album to close to see to far.

from TO CLOSE TO FAR (MEASURED MR cosmic 01)
available on CD - yes (MEASURED)



  dexxas: i am new hear Querry! sorry i see you say we can up load a sound bite to this web site. I mean i was wondering, is it legal? Dont we have to have permission or anything?
  delicado: You can post a short clip, which will count as 'fair use'. An mp3 of around 30 seconds at a bitrate of 64kbps should give people a chance to hear what the fuss is about without offending anyone.
so good to see you  performed by Mark Kleiner power projekt  2001
Recommended by moondog [profile]

Powerpop the way it�s meant to be. The opening track on canadian`s Mark Kleiner fabulous debutalbum is just as uplifting as the songtitle might imply. Piano, guitars a killerchorus and songwriting with such an effortless flow that it blows away all the recordcollecting dust that usually litters the genre.

from love tonight (mint records)



So Stylistic  performed by Fannypack  2003
Recommended by jeanette [profile]

Looking at these three girls on the cover of their album (and the two shadowy, deadly-dull string-pulling guys on the inside) you'd never think that something so chock-full of bubblegum Brooklyn attitood could produce the smart, sexy sound that is this marvellous track.

It's class in a glass. Sidestepping the cuteness factor and packaged cool (both of which, to their credit, they also do very well) of other tracks on the album, So Stylistic bombs along with a real old-skool hip-hop feel. This is balanced nicely by more than a smattering of electropop and gratuitous use of the vocoder, making it seem relentlessly contemporary. This is a band so up-to-date that they don't bother sampling any of that old jazz or funk nonsense, but go straight for the Yeah Yeah Yeahs (on Things, another album highlight).

A rare example of a band manufactured down to the last pendant and all the better for it.

from So Stylistic, available on CD



Social Studies  performed by David Singer & the Sweet Science  2004
Recommended by leahpeeah [profile]

Introspective pop? You like Elliot? You like Ben Folds? Just listen and tell me what you think.

from The Stars Burn Out, available on CD


Softly  performed by The Sandpipers  1968
Recommended by laughingmood [profile]

Ahhh...so many great Sandpipers songs to choose from. I'll recommend more later but for now I'll start with the title cut from their "Softly" LP. Superb production by the great Tommy Li Puma and arrangement by Nick De Caro. This track is a great example of what Li Puma added to bossa nova music. Primarily...lots of harpsichords. It's what I consider 'pop bossa nova" and is my favorite type. Once again, the Sandpipers vocals are peerless and this track just takes me away whenever I hear it. As do most of the Sandpipers material.

from Softly (A&M)


Some of your lovin'  performed by Dusty Springfield  1965
Recommended by delicado [profile]

This song is a little more....soulful.. than lots of the stuff I listen to. I find it utterly charming though. Dusty was a goddess, and singing this lovely, simple Goffin/King song she completely slays me. It's a slow arrangement in which Dusty is accompanied by piano, light, gospel-style backing vocals and unobtrusive strings. There's nothing complex or especially clever here; just beautifully executed and perfectly distilled pop.

from the single Some of your lovin'
available on CD - Silver Collection (Philips)




  Mike: Nice pun on "slays" and "executed" there.
  Swinging London: Dusty said that this was the only song she sang that she actually took home after recording it and played it over & over.
Some Sing, Some Dance  performed by Michel Pagliaro  1971
Recommended by prufrock68 [profile]

One of a handful of Quebec artist Michel Pagliaro's (unsuccessful) stabs at the American charts, "Some Sing, Some Dance" is a breezy, acoustic-led pop trifle, lighter than air, with rudimentary lyrics apparently provided by William Finkelberg. A sample:

Ooh you
How would I know just to hold you
How could I show that I want to
'Cause I do wanna hold you
Yes I do

And the following verses expand ever so slightly on that very simplistic base, except by the 3rd terse verse, Michel has sped along from desiring the girl to doubting she could be true, to realizing she, in fact, WAS untrue. Nothing profound here lyrically (and one wonders how comfortable Pagliaro was in 1971 with the English language to keep things this simple), but no matter: The whole package is wrapped in an upbeat, spare but energetic arrangement featuring Pagliaro's acoustic guitar chording, and nice little touches sprinkled throughout, like castanets, shaken tambourine, echoey hand claps, an elegant string arrangement (by Ben McPeak)providing a wonderful counterpoint, and a flamenco-like guitar figure finishing out the brief chorus:

Some sing, some dance
Some like-a romance
I love lovin'

So, even though Michel's been chastened by his lover, he's still coming back for more and longing to still hold this woman...and he loves lovin'...obviously, the magic's in the music here, instead of the lyrics, and it's a little gem of a song. Listen and see if you aren't charmed as well.

from Pagliaro (OOP) (Much)
available on CD - Hit Parade (D.E.P.)


Someone you love  performed by Popguns  1990
Recommended by delicado [profile]

A super-simple, super-charming innocent indie pop song from the hazy summer of 1990. The popguns were a nice jangly guitar band with a female singer and the old drummer from the Wedding Present. Their best songs really are excellent; I'm slightly surprised to find myself still enjoying them after all these years.

from Eugenie (Midnight Music)



Something Better Change  performed by The Stranglers  1977
Recommended by dsalmones [profile]

�Something Better Change� was released in July of 1977 as the first single from The Stranglers upcoming second album No More Heroes which would appear in mid September. Along with the albums title track, �Something Better Change� would signal a move in a more overtly pop direction that was only hinted at on the group�s first album and would manage to peak at #9 on the U.K. singles chart. This is not to say that The Stranglers abandon their reputation as caustic agitators as No More Heroes was littered with politically contentious tracks such as �I Feel Like A Wog�, �Bring On The Nubiles� and �Bitching�, but the song�s infectious guitar riff and winning melody suggests a tenuous party rock atmosphere. It�s left to singer J.J. Burnel�s particularly gruff vocal performance to keep thing in the punk zone as he alternates between a gnarly throated delivery and a melodic toned timbre. Pumping organ and a buoyant mid-tempo rhythmic romp keep the energy high as he confronts the status quo with a tirade against stifling apathy, flaunting the punk new order with the taunting second verse, �Don�t you like the way I dance? / Does it bug you? / Don�t you like the cut of my clothes? / Don�t you like the way I seem to enjoy it? / Stick my finger right up your nose!� The bridge becomes a jubilant anthem where Burnel voices a punk battle cry to a flurry of organ runs and a growling bass line, �Something�s happening and it�s happening right now / You�re too blind to see it / Something�s happening and it�s happening right now / Ain�t got time to wait�. The chorus is a simple statement, Burnel demanding �Something better change!� with support from the boys in the band who join in for a group shout. Ironically, the arrangement also shows signs of classic rock moves, including a stinging guitar solo and an old school build up of the chorus late in the track.
(AMG)

from No More Heroes, available on CD


Something I've Got To Tell You  performed by Glenda Collins  1965
Recommended by delicado [profile]

A classic 60s girl pop vocal, produced by the legendary Joe Meek. It's a heartbreaking tale of infidelity with a typical 60s pop-orchestral backing. Apparently this song never even charted, which is astonishing in view of how catchy and generally wonderful it is.

from the single Something I've Got To Tell You (Pye)
available on CD - It's hard to believe it - The Amazing World Of Joe Meek (Razor & Tie)




  jeanette: One of the most astonishing records ever, simply took my heart when I first heard it.
  leonthedog: An anthem - I love the backing vocals, and listen for the cameo by the horn section! Google for the old WFMU program that will let you hear the whole thing. My 6-year-old daughter loves to dance to this one.
Space Lord  performed by Monster Magnet  1998
Recommended by King Charles [profile]

After nearly three and a half years of speculation, I finally bought this album in the fall of 2003. Wow. As soon as I popped it in, I knew that it was Monster Magnet, but I knew I had a new band to add to my favorite list. These guys rock, period, they're in the lower upper class of hard rock (with upper upper being reserved for such acts as Metallica, Iron Maiden, and Dream Theater), hell I don't even want to categorize them, as this would place a restriction on their potential (in much the same way the Jewish cannot write the word "God," and Muslims cannot draw Him, according to friends I have of those faiths). The song starts off like a fireside story, we've got a low bass beat, a great little intro compliments of Ed Mundell. Wyndorf's space, money, power, sex and religion influenced lyrics become prevalent as soon as the song begins, and we are launched into a maracca, tambourine, and 70's/80's hard line influenced metal trip. Ned Raggett's characterization of an 'acid folk' edge to the beginning of the song gives it good justice, and Space Lord slowly cranks up the volume, settling down once, and then cranking it up again, ready to conquer worlds with the hard rock edge that has kept Monster Magnet in the limelight, but away from the new age/pathetic sounds. Upon listening to this song, we think "classic rock," not because of it's refusal to metamorphose (or rather, transmogrify) into today's rock, but because of it's influence from the aforementioned 60's - 80's hard core, unfiltered, instrumentally diverse sound (including alternate percussive effects from tambourines and maraccas, as well as keyboard infiltration that would make The Doors jealous), which is uniquely self-complimenting, orchestrated, and coherent. Space Lord deals with becoming (unconsciously) corrupt with power, wealth, and ultimately desire (Now give me the strenth to split the world into, yeah/I've ate all the rest, and now I've gotta eat you), which may delineate the stereotypical American 'powertrip,' hence the album's appropriate name. If you are looking for unrelenting excellent rock, which isn't too harsh to listen to, but most certainly isn't along the lines of Phish or Weezer (in any respect at all), I recommend this song, album and any others one could get one's hands on. 5 out of 5 stars for its genre.

from Power Trip


Speak Low  performed by Harpers Bizarre  1976
Recommended by konsu [profile]

When I first came to this site I was suprised to not see any Harper's Bizarre tunes! They were a pretty fab vocal group who seem to be getting their due.

This song is from an almost unknown "lost" album from 76'. (Their heyday was the mid to late 60's, and had great success with their hit "Feelin' Groovy" in 67') And is a suprisingly jammin' version of a song from 1943 called "Speak Low" (From the film "One Touch of Venus"). I've heard other versions of this song, but nothing like this!

It starts off sounding like an O'donell Levy track, with a slinky/breezy latin step, and smooth, jazzy, compressed chords gliding across the top..... And then the vocal kicks-in, with this apropos low vocal harmony, instantly recognizable as HB, but more subdued.... They take the song and totally make it their own! Really just a superb track! Very A&M like, but with a bit more whimsy.... This record is hard to come by and needs a re-issue..... HELLO?!

HB is a must for fans of later B-boy's stuff or other Sunny pop from LA in the 60's and 70's!!!

from As Time Goes By (Forest Bay Company DS-7545-LP)



Splash (sung by Peter Bloom)  performed by Ennio Morricone  1968
Recommended by delicado [profile]

This bizarre Morricone pop tune sounds as if it came from a parallel universe. With an instrumental mix of guitar, harpsichord, bass and drums, it achieves the same kind of spooky, melancholic atmosphere as 'Deep Down', another Morricone film song from the same year. But in contrast to Christy's passionate vocal in 'Deep Down', Peter Bloom's delivery is light-hearted and much more low-key. Both tracks feature classic Morricone wordless vocal effects and some truly ridiculous lyrics. I haven't seen Partner, but I'd be interested to see how this song fits in to the story:

"I want to be your dazzling white knight
I'll splash you sizzling cool with bright light

I'll kiss your cleanliness
...Your soft, silkiness
Oh what happiness:
It's biological...

SPLASH
DASH
FLASH"

Ridiculous words, but the arrangement makes the track genuinely powerful. Shame Ennio didn't bring this one out for the crowd at the Royal Albert Hall last year.

from Partner OST (Cam)
available on CD - Morricone a Go-Go




  bobbyspacetroup: I love this song! I haven't seen Partner either but have heard it's pretty awful.
  eftimihn: It's absolutely superb, that harpsicord sound is especially lovely and the lyrics are really weird throughout with Peter singing something with "my super-duper-baby/ we're goin' whoops-a-daisy" in the bridge part of the song...
  megaphonerecords: i can't beleive it!!!!!!!! i first heard this song while i was living in australia. it shot right into my being & resonated hard. since i've been back in the states i've been trying to find this song with no luck. it's been 5 years now & this is the first time i've seen a sign that this song really exists & wasn't just a magical dream i had. maybe i'll be fortunate enough to actually hear this song again before i die!
  dominb: I saw "Partner" at a revival at a cinema in Madrid and although Morricone does the whole s/track this song is the only pop number so it really stands out,the scene which accompanies it features the main character played by Pierre Clementi romping with his girlfriend in soap suds pouring out of a washing machine,he then jams her head in the washer's door and kills her!...Partner is a pretty pretentious film but it's odd enough to be enjoyable.When I saw it,this song was the high point for me,even though it only lasts a few mins....Where did you get this from?
  dominb: ah..."morricone a go go"...I'll look out for it,must be a million morricone compilations,finding new morricone music is a hobby of mine!
  delicado: To see the film clip with the music (dominb\'s description above is pretty accurate), visit http://youtu.be/ftueIAmdwBw
Stars  performed by Tatu  2002
Recommended by Mike [profile]

There are some disposable pop records that have certain things going for them which lift them above the norm and confer a kind of appeal which, though often temporary in nature, shines through in spite of their annoynances.

So it is with this one, which has a chord sequence that repeats over and over on the synth, and a rather annoying melody/rap sequence. It's also rather rhythmically unimaginative, and most western listeners will find that the Russian folk instrument (don't know what it is) will grate mercilessly. And if that wasn't enough, it ends unforgivably unmusically when an electronic beep simply cuts in suddenly.

However, because I am a such a sucker for this kind of minor key chordal writing, particularly when synths are involved, I enjoy the record, which at least does lack the merciless rhythmic hammering effect of their hit single "All the things she said".

from 200 km/h in the wrong lane, available on CD



  olli: now that's a careful, careful recommendation:)
  Mike: Hmm, yes. I'm a very careful kind of guy!!!!
  Mike: And I think you'd be a lot more concerned if you'd seen a less than careful recommendation for this one!
  olli: hmm, yes. true.
step inside love  performed by cilla black  1967
Recommended by olli [profile]

great song. because it starts off in a relaxed easy listening mood, the big paul mccartney chorus caught me completely offguard on first listen. Hasn�t left my playlist since...the demo version is superb, too.






  Swinging London: Oh yes...a great, great song. Her best by far. I agree, her demo version is also good or am I thinking of the bossa style version she did?
Step Out  performed by The Mamsa and Papas   1971
Recommended by geezer [profile]

If you are familiar with the,by now,well played M and P sound this will surprise you ,a gentle ,light funky ballad with an entirely male led vocal .The measured ,considerate vocal by John Phillips takes the Mamas and Papas into a new mature almost sophisticated territory.Regretably short at 2.20,the previous sunshine pop makes way for new feeelings and concerns ,from a fantastic album callled "People Like us " which seemed to pave the way for what came to be known as AOR,the relentless sunshine of California discovers the humidity of 70,s L.A .This was their last record

from People like us
available on CD - People Like Us


Steppin� Out  performed by Joe Jackson  1982
Recommended by eftimihn [profile]

I grew up listening to Joe Jackson and i still find his venturing into all sorts of musical styles and the eclecticism surrounding his musical work very interesting. Starting as a post-punk, new wave singer/songwriter he released three great albums from 79-81 with his "Joe Jackson Band" before going solo with a string of fine albums in the 80s (musically ranging from jazz, R&B, rock to latin-tinged sophisticated pop) and later writing and arranging soundtracks and even doing classical music. He recently regrouped with his band, produced another album and toured with the original line-up consisting of Gary Sanford, Graham Maby and Dave Houghton and surprisingly it worked as good as in the beginning of his career. "Steppin' Out" was released on probably his best solo offering "Night & Day" in 1982, a highly evocative, melancholic, catchy pop song skillfully mixing a synth sequencer beat and keyboards with piano jazz harmonies and xylophones.

from Night & Day, available on CD




  komodo: I'll second your comments regarding Joe Jackson. I'm surprised that with classic albums such as "I'm the Man", "Look Sharp", "Body & Soul" and the aformentioned "Steppin' Out", Joe Jackson doesn't, in my opinion, recieve the credit he deserves. "Steppin' Out" is a great track, but my favourite version is actually from "Live 1980/86" where he takes a dramatic - perhaps even melodramatic - approach to the song. It shimmers then swells into this wonderful sound, evocative of a kind of fantasy 40's New York, but anchored by JJ's usual lyrical poignancy. Somewhat overblown? Perhaps, but wonderful stuff nonetheless, and definately one to check out if you've not heard it before.
Stop  performed by Julie Grant  1965
Recommended by jeanette [profile]

A powerful, emotional, sophisticated song, the kind that Brit-girl Julie does the best. Without resorting to mawkish affectation, the sheer hush and force of her voice can make tears well up. This was her final single for the Pye label, and a fitting tribute to one of the most consistantly good careers of all the 60's UK female singers.

from the single Stop (Pye 7N.15884)
available on CD - Count On Me! (RPM)



Stop (in the name of love)  performed by Margie Joseph  1971
Recommended by sammykipper [profile]

Margie Joseph's 1971 cover of the Supremes "Stop in the name of love" starts off just as you would imagine it, and the first four or five minutes hold no surprises. It is a little funkier and a teensy bit sleazier and languid than the famous Supremes version, but there is no great departure until the middle of the song, when it changes into a grinding psychedelic humpathon. Margie squeals "stop it! stop it! stop it! STOP IT!" as an Isaac Hayes sound-alike slurps behind her ears and grooves sweet nothings for a full five minutes until she pops one off. Brilliant.

from Margie Joseph Makes A New Impression (Volt)


Straighten Up And Fly Right  performed by DeJohn Sisters  1958
Recommended by jeanette [profile]

Novelty pop from two American sisters of Italian origin. About their teachers telling them off after a visit to the zoo (?!). Their portrayal of authority figures is very like that in Charlie Brown - "wha wha wha whaaa....".

from the single Straighten Up And Fly Right (Sunbeam S-106)



Strange Fruit  performed by Billie Holiday & Her Orchestra  1939
Recommended by tinks [profile]

"Strange fruit hanging/from the poplar tree"...one of the most haunting songs ever written. Holiday recorded this song about a lynching several times throughout her career, but this original version features a performance so intense that it is impossible to beat.


available on CD - 1939-40 (Classics)



  Swinging London: Nina Simone's version of this is also very beautiful.
  space: An extremely important and agonizingly beautiful song.
Street Spirit (Fade Out)  performed by Radiohead  1994
Recommended by two-headed boy [profile]

If the sun would rise in a minor key, this is what it would sound like. The shadows dissolve around you in warm harmony, even death sunbathes here, in a song ripe with hope and humanity. It is a misnomer to 'Fade Out' when we are held not by darkness, but by light. The paralysis of a dreary existence is manifested in the 'Street Spirit' where 'cracked eggs, dead birds scream as they fight for life' and 'machines will not communicate these thoughts and strain I am under.' If we were to stifle the creative spirit all we would need to do is look down a suburb and notice the lack of aesthetics and individuality of the homes. 'Rows of houses all bearing down on me...all these things will one day take control and fade out again.' This is the prelude to the bigger picture found in Radiohead's songs. Sure they dwell on the robotics of Orwell's '1984', and at times they are tedious and painfully accurate, nevertheless they leave us with an indelible desire to survive. 'Immerse your soul in Love' wags it's tail at the end of the song to insure a new beginning, much like the death of night. When sung, it is a very exciting moment as Thom's voice soars above the convolutions of the incessant guitar picking and synth-strings. Not the most popular Radiohead song, but their brightest moment to be experienced.

from The Bends (Capitol CDP 7243 8 29626 2 5)


Suddenly Everything Has Changed  performed by The Flaming Lips  1999
Recommended by clupton [profile]

Ever been doing some mundane, everyday type chore and have a sudden, deep realization about life, the universe, etc., strike you from out of the blue? Here's your song. It's a wonderful piece of symphonic pop; kind of hard to believe how much these guys have matured over the years . . .

from The Soft Bulletin



Sugababes On The Run  performed by Sugababes  2000
Recommended by jeanette [profile]

Before the Sugababes became just a catalogue of "epic" ballads and stylist errors they were a phenomenally good UK pop band. Not marketing themselves as slappers or party girls, they exhibited an edginess not commonly associated with mainstream chart acts. The whole first album is a miraculous hotbed of beats and songwriting that gels so unbelievably well with the girls' image that you can believe their contribution to the process was more than just the "change a word, take a third" Spice Girls school of songwriting. Overload and Run For Cover are two of my favourite singles of the last ten years.

Equally commendable (and something else, along with member Siobhan and nice clothes, that fell by the wayside come second album time) was their attention to B sides and bonus tracks. Most had a quality that rivalled the album songs and singles - and Sugababes On The Run is even better. I can see why it wouldn't fit on the album - too novelty-ish, few people can pull off a track with their own name in it - but it works perfectly as a flitty ditty about the best teen subject: being pissed off at your parents.

Nevertheless, it does has a depth to it. In its own pop way, it's examining the precipice between youth and cynicism - does getting older always mean losing your ideals?

Probably....

The sweetness of the vocals (particularly Keisha's) and the general kid sister affection of the 'Babes mean that, however much crap they release I'll still be there every new release Monday hoping for another B-side of this quality - and getting a god-awful remix instead.

from New Year CD Single, available on CD



Sugartown  performed by Les Miladys  196?
Recommended by konsu [profile]

While miss boot's version isn't as sugary as I want it to be, this one succeeds. It starts off with the three singers giggling like the Powerpuff Girls tickling each other, and leads into the verses cooed in french, only to swing into harmonies on the chorus. The backing is like a tinkling country stroll in candy land... Very Charming.

The trio is Canadian, I believe. I tried to get the original for ages on ebay before I found this tasteful reissue from Gear Fab. I picked it up for the great scat number "Jazz A Go-Go", but this track is great for fans of Lee & Nancy and french pop.

from Les Miladys (Gear Fab (Reissue) RGF003A)



sunday morning  performed by margo guryan  1968
Recommended by daidai [profile]

i love this psyche sounding classic. the backing track vocals compliment one another perfectly. i love the strings in this song. a little poppy but rocking.

from take a picture



  delicado: I agree that this is quite brilliant. I've had the Spanky and our Gang version of this for a few years, and I have to admit I had assumed that they wrote it. But this version is even better! Amazingly rocking and beautiful. The rest of the album is superb as well, don't you agree? I can listen to it all day...
  tempted: Oh yes, the arrangement and the atmosphere on each and every song by Margo Guryan is so beautiful. The intimate chamber strings, flutes and Margo's voice.. a lot like Claudine Longet's. The version by Bobbie Gentry & Glen Campbell is a fine one, too.
Sunny  performed by Oscar Peterson  1969
Recommended by delicado [profile]

A great take on the pop classic “sunny” - taken at a fast tempo with a bouncy piano style and a hip beat. A really great track, produced by Claus Ogerman, who really was one of the coolest arrangers; perfect for me anyway - able to perfect both lush and beat oriented 'now sound' type stuff.

from Motions and Emotions (MPS 21207137)
available on CD - Snowflakes (Motor)




  konsu: A really cool record. Also with a nice version of "Ode To Billy Joe" and Jobim's "Wave".
Surfs Up  performed by The Beach Boys  1966
Recommended by Ganesha [profile]

Possibly the most beautiful and complex pop song ever written. This is the apex of Brians foray into modular music. Loved by Bernstein and McCartney. This song will take you years to sink in. Perfect. I have heard some amazing versions he has done of this equally as powerful.

from Surfs Up


Suspended From Class  performed by Camera Obscura  2004
Recommended by autopilot [profile]

Do you like soft rock? Belle & Sebastien? 60's pop?

If you answered yes to the above, this song (and the whole album) is a must listen. Twee vocals, cheeky lyrics, delicate harmonies and the occasional trumpet solo fill out a song about a schoolgirl crush gone wrong.

Quite simply a perfect song for lying in a grassy field watching the sun set.

from Underachievers Please Try Harder, available on CD


Swamp Thing  performed by Chameleons  1986
Recommended by lil_ze [profile]

Johnny Marr once said that he wanted to write a song with an unforgettable guitar intro, like Eric Clapton's "Layla". He was, at the time, talking about the penning of the Smiths' "How Soon is Now?" The Chameleons' "Swamp Thing" does everything still that "How Soon is Now?" did for me when I was 16. Difference is, I haven't popped in a Smiths mixtape since I was 20.

There's somthing very romantic about this song. I've never really paid too much attention to the lyrics of this particular Chameleons track, although Mark Burgess' oddly peotic songwriting skills on other tracks have haunted my mind years after I had heard them. This tune is led and driven by the chord structure more than just the delayed, jangly guitar, or the powerfully precise drumming. Midway into the tune, the song goes from minor chord structure to major chord structure, even though the lyrics remain as bleak as a Manchester weather report.

Whenever I hear this song, one word always pops into my head, "pretty". That's what this song is. Pretty.

from Strange Times, available on CD



  kohl: yes. excellent.
Sweet Talkin' Woman  performed by Electric Light Orchestra  1977
Recommended by scrubbles [profile]

Try to remove this from all the boring "classic rock" trappings its acquired over the years. Appreciate what a fascinatingly strange combination of overheated pop, symphonic grandeur, and rock-ish muscle this is. So 1977, yet so timeless. Thank you.

from Out of the Blue, available on CD



Taken By A Stranger  performed by Lena Meyer-Landrut  2011
Recommended by ESC_Dream [profile]

German entry for Eurovision Song Contest 2011, 10th place

from Good News, available on CD


Te Caliente  performed by Patsy Gallant  197?
Recommended by [email protected] [profile]

Brilliant wordless vocal/scat Latin jazz-pop from the mid-70's!

from Patsy! (Attic LAT 1051)



  Festy: This track never really stood out for me the first few times I heard it. It wasn't that I didn't like it, but, for the life of me, I can't work out how I overlooked it for so long. It is absolutely brilliant. You can't help but feel the pleasure of the song, which, from start to finish, is a relentless celebration for the ears. Recent, cheap imitation cover versions do it little justice.
Teardrop  performed by Santo and Johnny  1959
Recommended by delicado [profile]

This is a great twangy pop instrumental, which orginally appeared on the B-side of S & J’s big hit, Sleepwalk. I love Sleepwalk, but in a way I love this even more. It has all the deadly over the top seriousness of a mournful torch song, yet there are no vocals - the emotion is all coming from the steel guitar!

from Santo and Johnny (Canadian American CALP1)
available on CD - The best of Santo and Johnny (Starlight)



teenie weenie boppie  performed by france gall  1968
Recommended by daidai [profile]

i'm unsure about the year this was recorded but it's a great french pop song. apparently, france is singing about lsd. 'tee-nie wee-nie bopp-ie'is rather infectious.





  tinks: Yeah, I love this track. It was written by Serge Gainsbourg and recorded in 1967. It was released on the "1968" LP, which is available on CD as a French import. Also includes the great song "Made in France".
  tinks: i should also mention that the song isn't really about lsd...it's not really *about* anything. kinda like seinfeld. she just mentions it in there.
  daidai: yeh, i really wasn't too sure about this. i was merely going off of information from a source. ^.^
Tell Me When  performed by The Human League  1995
Recommended by dsalmones [profile]

Although a thick line has long been drawn connecting disco to the '90s techno scene, few have bothered to connect the dots between the more modern genre and synth pop. The Human League didn't need to fret about such things, though; they intuitively understood those relationships, having explored virtually all the influences over their career � industrial, funk, R&B, synth pop, new wave, and disco itself. And when the wheel turned again, the band was back on top with a sound that hadn't really changed, but just refined. With a few minor alterations, 1995's "Tell Me When" could have come from 1983, slotting nicely between "Fascination" and "Mirror Man." Of course, the drum programming would need to be changed (there were no jungle rhythms back then!), but the funky bassline can stay, along with the bubbly synths. In fact, the real difference is found in the vignette-esque lyrics and the more complex vocals. And these slight changes make all the difference, turning synth dreams into techno club success. A taster for the group's forthcoming Octopus album, "Tell Me When" hit on both sides of the Atlantic, landing just outside the Top 6 and Top 30 in the U.K. and U.S., respectively.
(AMG)

from Octopus, available on CD


Tell me why  performed by Nick Heyward
Recommended by moondog [profile]

Aaah, the eighties. Everyone´s got their memories, i do and you do too. One who soundtracked my youth was haircut one hundreds singer/songwriter Nick Heyward who went onto a not as succesful solocareer but who yielded many pearls of popsongs for those who cared to look. Tell me why from 88s "I love you avenue" has to be my favorite nick track since it encapsules all his qualties best. Regret, melancholia and longing for the mrs and a piano midtempo verse that leads up to a killer chorus. Avalaible in a bargain bin near you.

from I love you avenue (rca)


Temptation Eyes  performed by The Blake Babies  1991
Recommended by DecemberGuy [profile]

Great cover of a 60's pop classic originally done by the Grass Roots. Juliana Hatfield's voice barely registers at first, but once you adjust a bit to it..she completely pulls you in. "There's more baby..ok!"

from Innocence and Experience, available on CD


Ten Miles High  performed by David and the Giants   1968
Recommended by geezer [profile]

That rarest of anomalys, psychedelic Northern soul,a strange land where a late sixties slice of psyche pop can run amok with soul legends and funk obscurities in some dingy cellar club in the middle of Blackpool.Innocent and as catchy as hell ,some de riguer flanging and Who style backing vocals cannot deter this song from its righteous melodic path.

from single CAPITOL 1968
available on CD - Talcum Soul 2


The 3rd Time We Opened the Capsule  performed by Kitchens of Distinction  1989
Recommended by Genza [profile]

A great, great pop song. Just over three minutes of swirling noise and chunky power chords. Now readily available again on 'Capsule', a limited edition best of double CD. Nice one.

from Capsule (One Little Indian TPLP613CDL)



  delicado: I had completely forgotten about this. Nice one indeed! O'Leary, eh...
  Genza: It's easy to forget about it - but you should listen to how great it still sounds. I was amazed. It's slips down so sweet - like a smooth, velveteen bunny honey. And David O'Leary is a confirmed Kitchens fans apparently. Not sure if he likes Kachloul or Aplay though...
The 59th Street Bridge Song (Feelin� Groovy)  performed by Bobby Byrne  1970
Recommended by delicado [profile]

I recently found this LP in a stack that I had bought years ago and stored somewhere without having listened to them. It's on Evolution, which is the Command/Project 3-inspired label that was set up by former Command arranger Bobby Byrne. Many of the standard Command session players are featured, including Dick Hyman. Indeed, it's Hyman's moog playing that is the highlight of the album for me.

This song has never been a particular favorite of mine, but there's something in the mix of brassy, beaty late 60s pop and Hyman's delightful moog sounds that is very catchy in this version. The album also features a cover of 'Barbarella', along with a great 'Respect' and the best version of 'Delilah' that I've ever heard.

from Shades of Brass (Evolution 3003)



The Ambushers  performed by Tommy Boyce & Bobby Hart  1968
Recommended by tinks [profile]

Great bubblegum-pop theme to the Dean Martin spy flick done by Boyce & Hart, best known as one of the songwriting teams behind the Monkees. This track features some terrifically dated, non-P.C. lyrics like "blonde hair, brunette, redheads/lying like injuns in the grass/they're comin' through the pass/and buster/you're General Custer". It also features a great Tijuana Brass-esque horn arrangement, and since this came out on A&M, it may actually be Alpert and the boys themselves. The single is pretty easy to find, but it's also available on the fantastic "Mad, Mad World of Soundtracks" comp from Germany, with its accompanying book of soundtrack cover art.

from the single The Ambushers (A&M)
available on CD - The Mad, Mad World of Soundtracks (Motor Music)




  konsu: Super underrated songwriting duo. Fab stuff! Also check out their exellent LP "I Wonder What She's Doing Tonight?",a big hit for them, but the whole record is really solid! From what i've read, these guys are virtuosos, and did all their own arranging as well as guitar & keys! Very fun stuff...
  john_l: I just listened to this track (off their Anthology collection), and frankly it just sounds immature. For me the outstanding track by Boyce & Hart has to be "Alice Long", with its kitchen-sink production style; if I had to list my favourite 10 songs of all time I'm sure it would be right in there!
  tinks: i think immaturity is the a-number-one thing these cats had going for them...i mean, they wrote songs for paul revere & the raiders and the monkees for cryin' out loud! granted, this isn't my fave b&h tune (that title probably goes to "p.o. box 9847", but i digress) but it's good. not everything has to be of pet sounds calibre, after all.
the beer  performed by kimya dawson  2003
Recommended by olli [profile]

on a post-moldy peaches roll today.
lo-fi, blackly humorous, unrelenting singer-songwriter antifolk material. the lyrics are a stream-of-consciousness portrait of life in lower-class america, filled with weirdo pop culture references. i fell in love with this song from a badly recorded live version, available on her homepage: http://www.kimyadawson.com/audio/10_Kimya_Dawson_-_The_Beer.mp3
there`s an album version of the track on "my cute friend sweet princess", but i think it lacks a lot of the drive from the live recording (and the sound quality`s not really that much better, anyway. i wonder how this would sound on one of those ludicrously expensive hi fi sets that guys in cornflower-blue shirts tend to buy)

"even though i`ve never ever been in a band,
i`ve got cool as black ice tattooed on my hand.." gotta love that line.

from my cute friend sweet princess (important records)


The Breeze and I  performed by Santo and Johnny  1962
Recommended by delicado [profile]

This recording is utter genius, and I have no idea why I didn't recommend it before. The track opens with some spooky ambient steel guitar sound effects, before some bongoes and vibes set the scene for the tune, which is picked out superbly twangily on the guitar. The great thing about the track is the spooky little effects and chromatic tunes that pop in and out in the background. Some of these are on the steel guitar, but the others could be vocal or vibraphone; it's hard to tell. It's all over in just over 2 minutes, but this really is a delightfully exotic recording.

from Encore (Canadian American JUMP 1023)
available on CD - Encore - the best of the rest (Jump-O-Rama)



  Tangento: Yes! This is an excellent song, and I would also like to recommend the version by Pianists Ferrante & Teicher, available on one of their 6,000 albums. ;) It has such a great musical flow and retro-feel. There are a few other versions I recently downloaded, but virus problems prevent me from getting the artists names for you. I shall return with them.
  Tangento: I have returned with the definitive list of artists who have recorded this magical song: http://www.spaceagepop.com/breeze.htm Enjoy!
The Circus  performed by Take That  2008
Recommended by geezer [profile]

The cornertstone of their spectacular return was the songwriting and this piano led ballad is a fine example .A delicate melody that could easily become a "little old wine drinker me" standard at the hand of future lounge vegas artistes .The hook line and stinger is "everybody loves a circus show but im the only clown youll ever know",OUCH!!.A rare example of pop being allowed to grow up and turn into something more substantial.

from The Circus, available on CD


The Conductor  performed by the faint  2001
Recommended by elvisneedsboats [profile]

arguably one of my favorite faint songs. but they're all good. the faint is all about the eighties synth-pop aesthetic, but they reach out of that style enough to keep it interesting. a lot of their stuff, this song in particular, shows this keen sense of being able to combine the dark("macabre" even, if you will.) synth/drum machine sound and equally dark lyrics with catchy riffs in a way that keeps the pessimistic, shadowy side bubbling at the surface. kinda reminds me of joy division, not so much in the style (even though there are some points where the two sound similar) but in the general tone. 'the conductor' is all about the atmospheric key board drones and 'plunk' sounds, plus the vocoder thing they use on the vocals.

from danse macabre, available on CD



the craftsman  performed by the pussycats  1966
Recommended by olli [profile]

charming, catchy norwegian mid-60's beat pop, complete with heavily accentented vocals, simplistic lyrics and mouth harp solos.
not an important recording in any way, but it kind of rocks my boat right now, so i thought i'd share it:)






  Rendi1968: Please, Could you send me the lyric from the Crafstman?
The Cure For Broken Hearts  performed by ANT  2000
Recommended by kkkerplunkkk [profile]

If you like your pop, soft and acoustic with witty lyrics, then check this out! 'I'd give up all my selfish little dreams to be in hers' coos ANT over a strummed acoustic, brushed snare drum and tinkling Wurlitzer piano.

from Cures For Broken Hearts, available on CD


The Cutter  performed by Echo And The Bunnymen
Recommended by kkkerplunkkk [profile]

glorious piece of alternative pop. Catchy as hell.

from Porcupine, available on CD



  kohl: very true. amazing band.
The Cutter  performed by Echo & The Bunnymen  1983
Recommended by dsalmones [profile]

On �The Cutter� fellow Liverpool natives, Echo and The Bunnymen successfully wed the Eastern influenced psychedelic sounds made famous by hometown heroes, The Beatles. Crafting Eastern influences into a new post-punk hybrid that was sweeping England in the Early 80�s. It was songs like �The Cutter� that would help define the newly coined Neo-psychedelic sub-genre, practiced by such group�s of the period as The Chameleons U.K., Psychedelic Furs and Simple Minds amongst others. The track opens with a keyboard approximation of Indian strings, whirring briefly before the band kicks into a percolating groove of popping bass, driving straight drums and chinking guitar accents. Ian McCulloch adds another layer of �60 nostalgia, employing his expressive, slack-jawed vocal delivery that conjures aural images of the late Jim Morrison as he unfurls lines that drip with apprehension �Who�s on the seventh floor? / Brewing alternatives / What�s in the bottom drawer? / Waiting for things to give�. The Eastern strings re-enter at strategic points, filling in space between verses and McCulloch�s esoteric pleas to �spare us the cutter!�, which sounds like a good idea in any case. The arrangement also veers into epic territory quite unexpectedly in the second half, signaled by a sweeping wave of keyboard and McCulloch�s more subdued delivery as poses a string of rhetorically poignant questions, �Am I the happy loss? / Will I still recoil? / When the skin is lost / Am I the worthy cross? / Will I still be soiled? / When the dirt is off� -as the music swell behind him. Like any good single, the track never looses steam, cruising through each section with power and grace. A nod is in order for Ian Broudie, who�s smooth production helped The Cutter become Echo and The Bunnymen�s first top ten single in Britain and a linchpin track for the Neo-psychedelic movement.
(AMG)

from Porcupine, available on CD


The day the earth stood still  performed by David Essex  1969
Recommended by Ron1967-1970 [profile]

THE perfect popsong ? Not sure, but it comes close to it. The tune has that typical late 60s "sound". Bombastically orchestrated in the "Barry Ryan style"... it's a melodrama with lots of
catchy hooks... IF you can find it, you will love it ... I usually rate a song not higher than
8/10, but this one... well, what can I say... 11/10 !!!




The District Sleeps Alone Tonight  performed by the Postal Service  2003
Recommended by lintsay [profile]

It's just a beautiful song, very good for a Sunday morning, or an evening. Go buy the album.

from Give Up, available on CD


The End of Life  performed by Gabor Szabo  1967
Recommended by konsu [profile]

I have to write about this song just to defend it. Because,among Szabo fans, this is considered crap...

But for a guy not known for his pop,this is a slammer! Most of this can be attributed to the singers on the session, who incidentally, are from The Love Generation. The Bahler brothers wrote this under the guise of "The California Dreamers", who also did a record the same year for Impulse with Tom Scott... And, whereas the Scott record has become a plunderphonic classic, Szabo's record goes unnoticed for it's lack of "breaks".....

This song is a great groovy stomper much in the tradition of all sunshine pop from the time period. Only with the added bonus of being performed by some of the best west coast session players of the time including Tom Scott himself, alongside Jimmy Gordon, Mike Melvoin, and Carol Kaye. And as with all Szabo's stuff,dark and sexy,with that eastern twist that he added to everything he did.... Bill Plummer added some buzzy sitar to this track too, which makes it a must for indo-pop fans!!

Did I mention the cover art?

from Wind Sky & Diamonds (Impulse! A-9151)



The End of the Line  performed by Sandra Barry  1965
Recommended by scrubbles [profile]

This is a cute, somewhat slight piece of sixties girly pop with a nice Tony Hatch production. The thing that struck me about this tune is how it sounds exactly like the ironic, girl groupy stuff Tracey Ullman did on her 'You Broke My Heart In 17 Places' album. I wouldn't be surprised if Ullman covered this at some point; both singers have a winsome, appealing quality in their voices that overcomes their lack of range.


available on CD - Call Me: The Songs of Tony Hatch (Castle Music)


The Girl I Lost in the Rain  performed by The Walker Brothers  1965
Recommended by delicado [profile]

This is total genius. Perfectly formed dramatic faux classical mid sixties pop. Scott does a solo vocal.


available on CD - Everything Under the Sun (Universal)



The Hymn For The Cigarettes  performed by Hefner  1999
Recommended by LawrenceM [profile]

a great pop song, with fantastic, caustic lyrics. "how can she love when she doesn't even love the cinema that I love"

from The Fidelity Wars (Too Pure)
available on CD - The Fidelity wars (Too Pure)



  kkkerplunkkk: Yes I agree! It's wicked! Whether you puff firesticks or not you cannot fail to love this cool song. A Hefner classic.
The Jeweler  performed by Pearls Before Swine  1969
Recommended by Sem Sinatra [profile]

I first heard Tom Rapp's music via the version of 'The Jeweller' on one of the This Mortal Coil albums. From their first album on, Pearls Before Swine used a broad palette of sounds, in contrast with many of the garage punk guitar combos popular at the time and stood out like a sore thumb on the ESP Disk label (later Warners). It's one of the moving songs I've ever heard. Plaintive strings, understated brass and the most restrained steel guitar ever. Rapp's lisp contributes to the atmosphere of the song beautifully. 'Rocket Man' is a cracker too. That's also on this complimation.

from The Use of Ashes (Warner Brothers)
available on CD - Constructive Melancholy - 30 Years Of Pearls Before Swine (Radio Birdman)



The Last one to Know   performed by The Maisonettes  1982
Recommended by geezer [profile]

An obscure b-side of an obscure one hit wonder from 1983! but thats where you find the treasure ,by digging.A band from the tail end of the mod revival of 79 ,a sixties pastiche played on synthesisers but an overwhelming Motown influence played and written in good faith with a lush melody that would have suited the lonely spy from any movie from 1967 onwards .An eighties version of sixties soul heard 25 years later when pop almost lives on its reference points makes this sound like the first of its kind .The other side, Heartache Avenue ,is also a little nugget and worth a listen too.These boys were also City Boy of 5 7 0 5 fame from 1978.

from Heartache Avenue The best of (Readt Steady Go)
available on CD - Heartache Avenue The best of the Maisonettes



  delicado: i have this 7" but I don't remember this. I know the fleetwoods' version if it's the same track. I once played in a covers band with the drummer from the Maisonettes!
  geezer: dig it out and give it a spin its not the Fleetwoods versionbut it is good in a kind of nostalgic way from a time when i didnt have many records so the b side always got aplay by the way some brilliant recomendations Thanks
The Letter  performed by The Arbors  196?
Recommended by konsu [profile]

Man! Out of all the dollar-bin records i've bought in the last six months this one takes the prize. Amazing vocal pop ala' Harpers Bizarre or The Vogues, but more like the latter, due to the sheer genius production and selection of material.

This is a song by the great Box Tops that gets played all over your local "oldies" radio station, only made more superior with better production and beat. It has that misty sunshine appeal of HB, with cooed almost whispered verses, but then takes it higher with their own trademark choir-loft harmonies and effects. It supersedes the original by a longshot, bringing together sly shuffles and baroque arcs of genius.

The album has too many great versions to mention, but look for a review on their version of The Doors "Touch Me" coming soon, with a clip.

A must for fans of HB, Classics IV, Association, Cyrkle etc.

from The Arbors (Date TES 4017)



  delicado: yeah, this one has been on my list to recommend for a while. Superb stuff!
  artlongjr: I used to hear this song back in the early 70's, I didn't know who it was back then but it did get airplay. This group's first hit I really like and recommend, it's called "Symphony for Susan" and came out in 1966.
The Life of a Pirate  performed by Cady Groves
Recommended by toners789 [profile]

I love the little bit of "twang" in her voice mixed with her pop style.




The Lily  performed by Shelby Flint  196?
Recommended by konsu [profile]

This song is really nice.... Shelby's voice floats pillowy-soft above a lush, paced,jazz ensemble with vibraharp chiming chords alongside a heartbeat-like rhythym section.Her voice dipping down to touch it like a feather only to be lifted by the wind again... and again... A nice "Ode to a flower" almost in a hobbit rock mode, only without the schtik........

This is one of two that she wrote herself for (as far as I know) her only LP. The rest of the record is good, mind you. But the two songs she wrote are worth the price of the record. The other one is "Moonlight", which is an almost Stu Phillips-like bossa-nova...... Very pretty.

The Adrissi brothers look like they did some arranging, alongside Perry Botkin Jr., who did the two she wrote for the record. He's well known as an arranger and had done work with Harpers Bizarre, among others.

Good if you like A&M pop with folksy touches...

Claudine maybe?

from Cast Your fate to the wind (Valiant VLM-2/5003)
available on CD - S/T (Collectors Choice CCM 273-2 USA)


The Love Parade  performed by THE DREAM ACADEMY  1986
Recommended by beautifulmutant [profile]

Almost ethereal in delivery, The Love Parade or The Dream Academy for that matter, never fit into the period it was happening in. Too early for the sixties revival, too different from new wave and MTV pop, the Dream Academy found fame with R.E.M. and college fans... just a little bit.
This is a very emotional piece of soft pop from 1986.

from The Dream Academy


The Madman Running Through the Fields   performed by Dantalions Chariot  1967
Recommended by geezer [profile]

Former beat exponent Zoot Money quickly coming to terms with the arrival of psychedelia with almost soul selling precision .The bands only single has backward cymbals,flutes and lysergic lyrics but doesnt go the way of its peers of the time avoiding lightweight whimsy and stodgy jamming .In amongst these stellar components is a brilliant melodic pop song that gives a lesson in how to jump on a bandwagon without falling off.Co written by Andy summers later of The Police and if you know Synchronicity 2 by this band then "Madman" is where that may have come from

from Chariot Rising
available on CD - Chariot Rising


The marionettes  performed by Caravelli and his orchestra  196?
Recommended by bengi [profile]

I heard it for the first time in mid 60's.
For me, it sounds like a rock and roll performed by
a great orchestra, with a very beautiful melody.
The violins carry the main theme, backed with exciting drums who gives the "rockanrollesque" sound.
I think this version is much better than the original, performed by his author the french singer Christophe.
In the instrumental pop style I prefer Mauriat, Pourcel or Lefevre's orchestras than Caravelli's, but this version is excellent and I can't find it mistakes.


available on CD - "Los esenciales" and "20 grandes exitos" (Sony)


The Most Beautiful Girl (In the Room)  performed by Flight of the Conchords  2008
Recommended by Festy [profile]

Fans of Flight of the Conchords, who bill themselves as "New Zealand's 4th most popular guitar-based digi-bongo acapella-rap-funk-comedy folk duo", will know this track already as it is one of their most popular. Although lyrically clever and funny, I think their music writing is saved a lot by the production, to the point where the songs are very listenable and enjoyable (I wouldn't be recommending other wise, I guess). From their first widely available album (self-titled), this track is a highlight, as is 'Ladies of the World' (especially the shortvocal reprise - hard to believe it's them at times), and 'Business Time'. The second album has some great tracks also. The TV show's worth catching also.

from Flight of the Conchords, available on CD



The Next Step You�ll Take  performed by Club 8  2003
Recommended by eftimihn [profile]

Club 8, consisting of songwriter and multi-instrumentalist Johan Angergaard and vcalist Karolina Komstedt, started of in the mid 90s with a twee indie pop sound, with jangly guitars (Angergaard being a major Smiths fan) and simple instrumetation. With the release of their self- titled album in 2001 they added some electronica without losing the general tone of their music which is basically well crafted, melodic, gentle, airy, etheral, melancholic indie pop. Karolina Komstedt vocals are quite similar to early Nina Person of The Cardigans or Claudine Longet in their airy, angelic, dreamlike delivery. "The Next Step You'll Take" is a bossa nova influenced track, with gentle acoustic and electric guitars, some percussion and vibraphone. Nothing groundbreaking, but they combine well known elements in such a charming, delicate way i find them hard to resist.

from Strangely Beautiful, available on CD



The Night  performed by Frankie Valli & Four Seasons  1973
Recommended by tempted [profile]

Great soulful pop number with a stomping "northern soul" drum beat. If I ever wanted to be the bassist on one particular song it would be on this one. This song makes me think about driving on a quiet nocturnal freeway... fast. A great sense of drama can be felt on The Night.

from Inside Out (Mowest)



the owls go  performed by Architecture in helsinki
Recommended by moondog [profile]

A pure joy to listen to. Australias Architecture in helsinki manages to do popmusic that quite no one else at the moment. They never forget to craft a melody like the old masters but at the same time throws in so many new ideas as possible. The owls go is a minisymphony with a childrens choir, horns and could be described as somewhere between maher shalal bash and polyphonic spree.

from fingers crossed


The Passenger  performed by Iggy Pop  1977
Recommended by acidburn [profile]

from Lust For Life


The Passenger (Iggy Pop)  performed by R.E.M  1999
Recommended by acidburn [profile]

from Stockholm Act 2


The Past and Pending  performed by The Shins  2001
Recommended by xfanatic50 [profile]

A beautiful ballad, with minimal vocals and sparse acoustic guitar. A departure from the Shin's normal upbeat pop.

from Oh, Inverted World (subpop)



The Popular Girl  performed by Martin Newell  1993
Recommended by john_l [profile]

Martin Newell has been writing '60s-influenced jangly pop gems for decades, and this is maybe the best example. It's a mid-tempo affair with a good beat and ringing guitars sounding like the Beatles' "Rain". Other faves: "Goodbye Dreaming Fields" and "She Rings the Changes". The CD is a compilation of his work, and includes a number of tracks by his '80s band the Cleaners From Venus, notably the protest classic "Living With Victoria Grey".


available on CD - The Wayward Genius of Martin Newell (Cherry Red)


The Promise  performed by Girls Aloud  2008
Recommended by geezer [profile]

A calculated stab at cool retro pop and all the better for its contrived polish, a great pop song with a great pop chorus ,remeniscent of Northern Soul ,The Three Degrees and even the Spice Girls ,hear it once and be struck, there is no antidote, you will just have to sweat it out of your system.I think this will still sound good in 10years time . Wait and see!

from out of control
available on CD - Out of Control


The Proper Ornaments  performed by The Free Design  1967
Recommended by scrubbles [profile]

So groovy. Outstanding popcraft from an outstanding group. Love the contrasts between such pretty music and Chris Dedrick's trenchant lyrics. The arrangement - heavy on the trumpets and harpsichords - is exquisite. Fetch me my paisley nehru jacket, Gweniviere.

from Kites Are Fun (Project 3)
available on CD - Raindrops (Siesta)




  tempted: Kites really are fun!
  charlesives: Blow your mind (but not completely)!
  konsu: See!!
  Delimit: defintely one of their better songs. it's one of those weird songs that every once and a while i need to listen to about 50 times in a row. great lyrics, Free Designs usual amazing vocals and some slick arrangement.
The Seventh Wife Of Henry VIII  performed by Kahimi Karie  2000
Recommended by jeanette [profile]

Always a marriage made in heaven: the voice of Karie, a J-pop queen with a whispery, heavily accented turn of phrase and the convoluted, utterly expressive lyrics of Momus.

She positions herself as Tudor successor to Catherine Parr and, although adopting a cavalier attitude to the facts of English history ("his first six wives had their heads chopped off" - er, no they didn't) the image of a vastly overweight and gout-ridden Henry playing Greensleeves on a lute to a waifish Japanese woman is charming.

Plenty of what I'm presuming are geniune Tudor instruments such as the Hand-Pumped Regal, Sackbutt and Dulcion, performed by the Dufay Collective.

from Journey To The Centre Of Me, available on CD



The Show  performed by Lenka  2008
Recommended by weaselohs [profile]

Upbeat, poppy, piano-driven

from Lenka


The smell of incense  performed by West Coast Pop Art Experimental band  1967
Recommended by n-jeff [profile]

I love the WCPAEB, they really seem to encapsulate Psychedelia perfectly. Light, blurred and dreamy. And unlike many of their contemporaries seem completely untouched by Garage authenticity. Not that theres anything wrong with garage punk per se, but it means that theres none of blundering of 'talk about girls' to fray those tinted moods.

Oh, it has loud guitars and harmonies right enough, but the whole thing is pitched just right to lift the dregs of any mood enhancers you may have floating around in your bloodstream and send them spinning into your brain.

from Volume 2, available on CD




  john_l: I hadn't realized it was a WCPAEB original. I've only heard the version by Southwest FOB, which was pleasant enough.
The Song Is Love  performed by Montage  1968
Recommended by Pal [profile]

Sunshine pop.


available on CD - Montage (Sundazed)


The space track  performed by Cosmic Baby  199?
Recommended by AndreasNystrom [profile]

Trance/space/electropop when its at best. This track really gives you an impression about being in space, seeing colored nebulas, and pulsars.
This is the kraftwerk of the 90ies.
Starts with lots of spacesounds, and choirlike chords. Evolves with a snappy bass, and fast drums. Great chillout music.

Cosmic Baby also worked with Paul Van Dyk, and got Paul interest into music.


available on CD - TransEuropeExpress



The Story Of The Blues pts. 1 & 2  performed by The Mighty Wah!  1981
Recommended by LawrenceM [profile]

A fantastic 8 minute epic from Pete Wylie's overlooked Wah! As part of the crucial three (along with Julian Cope and Ian McCulloch) Wylie deserved to be a superstar, but, alas, fate conspired agaist him. This is the best song in a strong back catalogue, the final four minutes containing some of the most inspiring lyrics in pop history.

from The Maverick Years
available on CD - The Maverick Years ... and then some! (Sanctuary Records Group)



  john_l: It is a great song, although I much prefer the sung first half, which has a lovely melody, to the spoken second half. He does have a wonderfully smooth and soulful voice.
The Sugar Cane  performed by David McCallum  1966
Recommended by tinks [profile]

Interesting early composition/production work from Axelrod. Vaguely calypso-inspired orchestral pop with a very prominent piccolo and what sounds like a French horn solo...I think that I hear a glockenspiel in there, as well. All layered over trademark Axelrod drums and a cool walking bassline.

from Music...A Part of Me (Capitol)



  Sem Sinatra: I'd be interested to know exactly what David McCallum did on this track ... maybe the glockenspiel
  tinks: well, according to the liner notes, he supposedly is the conductor of the thing. i've seen his conducting in action in the film "the big tnt show" and all that i can say is that it looks sorta dubious.
  utada: David McCallum's father played french horn for the london symphony-he played french horn on the Beatles "for no one"-I think this is he and not the son
The Things we do for Love  performed by 10cc  1976
Recommended by Mike [profile]

I'm sure I've already said this about another recommendation, but this is just superb pop. 10cc were a group whose hits were very familiar to me as a child, although I wasn't particularly keen on them then. (We're talking the 1970s, folks!).

The group fused influences from the Beatles (particularly McCartney) and prog rock with their own brand of distinctively British whimsy (precursors of the Korgis here). They were also excellent harmony singers. I'm just discovering some of their album back catalogue for the first time - there is some superb material, to my ears. Their biggest hit was 1975's "I'm not in love", which I think reached no.2 in the UK and US singles charts - I've always dismissed it as being very saccharine-sweet. This group doesn't generally get the respect their output deserves for its quality and influence.

from Deceptive Bends
available on CD - several Mercury/Polygram/Universal compilations



  wimberly300: My passion for love and life has made me take on here to tell everyone how DR JAMIN ABAYOMI brought back my lover who has been gone for 6 years.It was all confusion and distress to me when my lover whom i love and cherish wouldn\'t love me anymore but
The Way that I Found You  performed by Ladytron  2000
Recommended by tempted [profile]

It's no matter what you do but how you do it! This is a darker song in the Ladytron repertoire and electro disco pop at its very best. Very synth bass heavy yet melodic thanks to these people who understand the recipe of making me happy! Ladytron succeed in making their highly synthetic music sound very organic. Just like Kraftwerk have always done. Apart from Kraftwerk this reminds me of... The Human League. But with a modern touch, leaving the trademark 8t's echoes out. Get up on the dancefloor!

from 604, available on CD



The Wild Ones  performed by Suede  1994
Recommended by LawrenceM [profile]

a classic pop song. a huge, sweeping chirus, fantastic production, a great string arrangement, vocals to die for, and great guitar playinmg. the best song Suede have ever recorded, from one of the best albums of the 90's

from Dog Man Star, available on CD



  delicado: Yeah, this is definitely one of my favorite Suede songs, and the album has grown on me. I still really like some of their earliest tracks though. Can't get into the heavily polished newer stuff at all.
theo b  performed by sunny day real estate  1995
Recommended by complacentbasement [profile]

the song starts out with three crisp hi-hat clicks, the bell of a ride, then the drums and a sweet, warm toned bass lock in for a driving, mid-tempo, beautifully melodic cut time. guitars, once in, are clean-toned and somewhat polyphonically arranged, (that is, they play alot of single-note lines that swirl around each other, harmonizing at spots, and creating counterpoint). the vocals are potentially a little hard to swallow at first, jeremy has a tendency to sing a little through the nose, but it's really quite endearing. i personally find that after a bit of exposure to it, not only does it fit the music perfectly, but i really have grown to love it, (i listen to them ALOT).
this is one of those songs that you put on when you need to feel better- a kind of resolute, "well, time to go on, and hope for the best" feel. it can also easily be listened to when in a great mood. best listened to outside, looking at the sky.
when listening to ANY sunny day real estate, you must be patient. it's patient music, and it requires a certain amount of consideration that keeps it from being good "background music."
i fucking love this stuff.

from lp2 (the pink album) (sub pop sp316b)


There She Goes  performed by The La's  1988
Recommended by LawrenceM [profile]

2:42 of pop perfection ... the chiming guitar sounds like something Roger McGuinn could have come up with. However, the skiffle beat and Liverpool drawl make this sound like a song from the docks, not the sunshine state.

from The La's, available on CD


There She Goes  performed by The La’s
Recommended by poly800rock [profile]

Amazing pop song, no if ands or buts. Period.




There She Goes  performed by The Las  1990
Recommended by xfanatic50 [profile]

The most perfect pop single ever from a band that only ever had the one perfect song off of the one perfect album.

from The Las (Go!)


They  performed by jem
Recommended by maizimay [profile]

Vocal, pop with elements of classical




They Reminisce Over You (T.R.O.Y.)  performed by Pete Rock and CL Smooth  1992
Recommended by lionson76 [profile]

Pure rhymes and ghetto eloquence: "When I date back I recall the man of the family tree, my right hand, poppa doc I see. Took me from a boy to man so I always had a father when my biological didn't bother..."

from Mecca and the Soul Brother, available on CD




  tinks: i absolutely love this cut, it was one of my favorites back in 11th grade when it came out. good choice!
  delicado: and that sampled beat/guitar riff at the beginning is awesome as well - anyone know where that's from?
things we said today  performed by sandpipers  196x
Recommended by olli [profile]

i'm really starting to get into the sandpipers nowadays because of their amazingly clear, fluid sound. great 60s vocal pop song, this. flute, soft strings and some sweet understated harpsichord (or some electronic instrument) playing in the background. the bassline and percussion gives it a slight italian 60's soundtrack vibe. i love how it seems to constantly change its mood, epecially when it returns to form after the first flute part. there's even a bit in there that sounds like syd barret...





Things you´ll keep  performed by The Apartments
Recommended by moondog [profile]

A life full of farewells, everything´s given to be taken away, thank you for making me beg. With song titles that rivals Morrisseys Australias Peter Milton Walsh remains one of pops best kept secrets. Only putting out four albums in 20 years he could be described as the missing link between the more doom laden melodrama of The Triffids and the popstrumming of Go-Betweens. Maybe he is a bit too self absorbed to reach a wider audience but this lovely track, complete with trumpets, finds him in his best form.

from A life full of farewells
available on CD - a life full of farewells (Hot)


This Afternoon  performed by Chad Mitchell  1967
Recommended by konsu [profile]

I almost know nothing about the Chad Mitchell trio, except that John Denver was in the group. I'm not even sure that this is the same guy for that matter. I guess it's really not too suprising that an old folkie would team-up with geniuses like Bob Dorough & Stu Scharf for a little boot in the ass, since those guys seemed to be working a lot of crossover pop material. That's really the reason I picked this up, basically to see what could happen.

The record ends up being incredible actually. Imagine a mix of "golden throat" type schmaltz, Tom Rapp-ish hip folk, Nilssonesque melodrama, and the poetic and jazzy humor of Scharf & Dorough and that will sum it up. It can grow on you for sure.

This track is in the sort of word jazz thing in a highly characterized way hard to describe without taking up too much space... just listen. I think this was a piece from an Alan Arkin LP. Suppose I will have to get one of those now.

from Love, A Feeling Of (Warner Brothers WS 1706)




  b. toklas: The album "Chad" on Bell records is the one to get. Great songs (by Jake Holmes, Joni Mitchell and others) and fantastic arrangements. Hal Blaine and a couple of other wrecking crew members and great musicians are on it, too. In places it also reminds me of the group H.P. Lovecraft. So it might even be interesting for lovers of psychedelic music (not for those who hate strings, of course). I wonder if I should call it a masterpiece.
  artlongjr: I second that on the "Chad" album...it's terrific. There's a 7-minute plus cover of Tim Buckley's "Goodbye and Hello" on there that rather stunned me, since it seems like a very challenging song to sing. The H.P.Lovecraft connection comes through Chicago producer Bill Traut, who owned Dunwich Records (the album is a Dunwich production). Traut was involved with H.P. Lovecraft, and of course the Shadows of Knight.
This Guy’s In Love With You  performed by Herb Alpert & The Tijuana Brass
Recommended by Jamie [profile]

Smooth pop, It's an audio massage.

from The Beat of the Brass


This Love  performed by Maroon 5  2003
Recommended by elfslut [profile]

If you happen to be a fan of trippy dance pop, with a little bit of soul, you'll love this song. When I first heard it I was reminded of the band Jamiroquai. They have that same feel to them. The song is infectious and very danceable. Not deep in the lyric department, but sometimes you just don't need to think while you listen.

from Songs About Jane (Octone)



This year  performed by Mountain goats
Recommended by moondog [profile]

When you´ve overdosed on soft pop and brazilian reissues of the sixties, well, you need something else. So, how about an alt-country concept record, sort of, on child abuse ? Now, don´t runaway because Mountain Goats singer/songwriter John Darnielle is in my opionon the antidote of all the other, look at me how authentic i am singer/songwriters, that have seem to have regular subscriptions in mojos review department. There is a sense of urgency in darnielles songs that he writes songs because he has to. Taken from a fine album overall,The sunset tree, "This year" is the stand out track with a chorus to seek comfort from in the darkest of times; "i am gonna make it through this year if it kills me".

from The sunset tree (4ad)


Thousands Are Sailing  performed by The Pogues  1988
Recommended by Bus [profile]

A song about mass Irish emmigration to the United States which happend during the The Irish Famine of 1846-50 (the population droped from 8 million to 5)and also refers to the second wave that left during the 1970s/80's due to unemployment.

A sad and bitter song with strong Irish pipe/fiddle playing.

from If I Should Fall From Grace With God (WEA Records Ltd.)
available on CD - The Best Of The Pogues


Three Days Of The Condor  performed by Rythm Heritage  1976
Recommended by Pal [profile]

Great soundtrack to a great film and composed by Dave Gruisin that some of you might know from the excellent the get easy! sunshine pop compilation from last year (2003). I think this was the one record who got me into the soundtrack genre. It�s got that typical 70�s funky soundtrack sound. Dig it.


available on CD - Playtime


Through The Sky  performed by Swing Out Sister  2001
Recommended by eftimihn [profile]

When mentioning Swing Out Sister casual listeners often dismiss them as forgettable, mere 80s martini pop kitsch. Or worse, one hit wonders due to the fact that their 1987 offering Breakout is still, by far, their biggest single hit. But this is completely wrong. In fact, they're enjoying an ongoing career for almost 20 years, recording 8 studio albums. Nowadays they�re fitting a niche no other group fits in so comfortably: escapist, late 60s oriented sophisticated glamorous easy listening pop music with all the right influences that spring to mind of that era: Burt Bacharach, Jimmy Webb, John Barry, late 60s european soundtracks in general, Ennio Morricone specifically and sunshine pop. Since these guys aren't necessarily household names in mainstream pop culture today, Swing Out Sister were practically invisible from the mid 90s on in Europe and the USA, releasing their records primarily in Japan, where easy listening music still gets the biggest exposure. The Sisters� 2001 album �Somewhere deep in the night� is their most cinematic, most elegant and visually evocative album to date, where the Bacharach/Barry/Morricone spirit is prevailing the most: 60s arrangements with Bacharach-oriented songwriting, Barry-esque lush strings, Morricone-style harpsicord, saxophone, harps, jazzy guitars, muted trumpets, fluegelhorn, wordless vocals, blending vocal songs with atmospheric instrumentals, creating an imaginary soundtrack. The whole album is a truly underrated gem.

from Somewhere Deep In The Night, available on CD




  jeanette: I have to say I am thoroughly delighted at learning of the continued career of SOS. I always had time for them, and thought Breakout was actually the weakest of the singles I heard. I particularly remember liking 'Fooled By A Smile' and 'You On My Mind'. Hearing the snippets of these songs here, I can say I'm intrigued enough to try and seek out some of this later work. It reminds me of the more produced end of Siesta records' (Spanish easy-pop label) output.
  eftimihn: You probably should try "Shapes and Patterns" from 1997 first, it's pretty much in the vein of 1989's "Kaleidoscope World" and thus a good starting point to rediscover SOS. This and the aforementioned "Somewhere Deep In The Night" (2001) as well.
Through the Yard of Blonde Girls  performed by Jeff Buckley
Recommended by two-headed boy [profile]

I'm into blonde women, always have been. Perhaps I share a kindship with the late great Jeff Buckley. I can just imagine where he's coming from, standing on stage, electric guitar amped to rock, all that power in his hands, peering out through the crowd into a yard of blonde girls. How wonderfully empowering! Just think of it? A young man in his prime slashing power chords in front of a legion of women, and leaving this song to remind us of what it's like to live this mythical life. I sing along, dreaming of what it would have been like as a rock star, what kind of pleasure could I derive from the world?

Jeff has certainly proven and disproven his own stylings from the seminal album, Grace, to the somewhat obscure and fragile My Sweetheart the Drunk. What could have been still reverberates through my mind when listening to this song in particular. Its compelling simplicity and catchy chorus, "very sexy, very sexy, okay, okay" beckons my blonde girlfriend to break out into song. The slow thrust of crunching guitars, standard rock 4/4 time, heavy drums sitting on every beat - it's almost glam, almost British invasion, almost cock-rock, but Buckley style. And yes, very sexy, very sexy. Trust me guys, girls will love this song!

from My Sweetheart the Drunk, available on CD




  amyliner: Hi, Just to say that Jeff Buckley didn't write Yard of Blonde Girls (not that you'd ever know from the way he performs it. *sigh*) It was written by A.Clark - L.Kramer - I.Lorre. But yes, girls do love this song. Espencially we blonde ones!!!!
  elision: 'yard of blonde girls' seems to be a somewhat pejorative term (the middle-upper class socialites, the 'gold sharks') so while Jeff Buckley may have stood rock god-like and looked upon legions of blonde girls (somehow I doubt that was his main audience) with a sexually approving eye, if the song spoke anything about his truth, he would probably have been looking out for the different one, the pure one who rises above social politicking in her innocence, the Lola.
  ultra-violent romantic: eloquently said elison; i have to agree with you, especially in reference to the "gold sharks glittering." in david browne's dual biography on tim and jeff buckley titled "dream brother," he points out that when jeff recorded this song he made it very apparent that he didn't want any Sony reps to get a hold of it...
Thru Spray Colored Glasses  performed by Dino Desi and Billy  1969
Recommended by delicado [profile]

A heavenly pop vocal track, one of the last tracks ever recorded by Dino, Desi and Billy. The production (by Stu Phillips, who did the Hollyridge Strings and some cool soundtracks) is dreamy and soft, perfectly matching the idealized lyrics (the world seems so wonderful...etc).

from Follow Me (soundtrack) (Universal City UNI73056)
available on CD - The Mad Mad World of Soundtracks (Motor music)




  yugo: Ooh!I love this LP.Besides,I've just finished to upload it into iPod. I love "Thru Spray Colored Glasses",too. But the tune I love best in this LP is "Just Lookin' For Someone". What do you think,mate?
  nighteye: I believe that both 'The Gentle People' and 'Handsomeboy Technique' has sampled this track?
  masayo: Since I know the Match version, I have been eager to listen to the original one. Thank you Delicado, finally I could listen to a piece of it!
Tiao bra�o forte  performed by Marcos Valle  1968
Recommended by delicado [profile]

A sophisticated and understated pop bossa. This song can breeze by the first time you hear it, but the unexpected hooks and chord changes make for addictive listening. There are strings, a gentle and high male vocal and a rhythmic piano. It really is heavenly. I should add that the CD compilation this appears on, 'the essential...volume 2', is really one of the very best single-artist compilations I've ever heard. The liner notes are not perfect though - this song is erroneously listed as 'Tiao branco forte'. Great compilation though, one which showed me that Marcos really is a genius.

from Viola Enluarada (Odeon)
available on CD - The Essential Marcos Valle, Vol 2 (Mr Bongo)



Timorous Me  performed by Ted Leo & The Pharmacists  2001
Recommended by popgoestheculture [profile]

Beautiful crunchy guitar pop to Irish dance music, all in the same song. An amazing song, great album.

from The Tyranny of Distance, available on CD


To Put Up With You  performed by The Sandpipers  1968
Recommended by eftimihn [profile]

Late 60s mellow sunshine pop with amazing vocal harmonies, composed by the legendary Roger Nichols with lyrics written by his long-time partner Paul Williams. A very gentle, breezy and light tune, due to excellent arrangement/production by Nick DeCaro and Tommy LiPuma with a delicately sounding trumpet playing the main melody. Like many Nichols songs, it's soft and mellow while being full of longing and melancholia at the same time.

from Softly (A&M)



To slow things down  performed by Random Bruce  2001
Recommended by phil [profile]

More grist to my mill that there are lots of really good things going unsigned in the easy listening-folk- pop world - the fella that wrote this sits very close to me where I work. A really nicely-put together, low key pop song with a beautiful vocal melody. Available for FREE dammit at http://artists2.iuma.com/IUMA/Bands/Random_Bruce/. 'Sometimes anything' and 'had to be there' are also well worth a listen.

from - (- -)
available on CD - not currently professionally recorded



today  performed by tom scott and the california dreamers  1967
Recommended by norfy [profile]

had this on a tape for ages and have recently found a japanese copy of the cd on impulse-awesome jazz/soft/easy vibes straight out of the free design school of harmonies-today [ a jefferson airplane cover i believe] is a jazzy/psych number that makes me half close my eyes and dream of places far away and times past-i would recommend the rest of the album too-all soft pop and sitar jazz...mush better than his fusion nonsense [bar the theme to starsky and hutch] from the 70's.the album is called the honey suckle breeze and is a revelation.

from the honeysuckle breeze, available on CD


Today  performed by Smashing Pumpkins
Recommended by brooksyinc [profile]

Wow! What a song! It starts off with the mock ice-cream jingle then Billy And The Guys craft a brilliant song. But dont be fulled with the lyric "Today Is The Greatest Day Of My Life" it seems to be upbeat and poppy but it has some dark lyrics

from Siamese Dream


Too Young  performed by Phoenix  2000
Recommended by eftimihn [profile]

To me this is one of the best pop songs of the last 10 years or so where just everything falls perfectly into place and couldn't be bettered in any way. It's insanely catchy without ever getting annoying, it's immaculately produced with the whole instrumentation blending together perfectly (including extremely lush synths all over the place provided by Daft Punks Thomas Bangalter) and it doesn't wear off even after listening to it for ages. I was glad to see this track finally getting some exposure on the "Lost In Translation" soundtrack recently. If only they would write more songs of that caliber, but instead both albums they released to date are rather patchy.

from United, available on CD



Tracy Had a Hard Day Sunday  performed by West Coast Pop Art Experimental Band  1967
Recommended by songs-I-love [profile]

One beautifully-constructed, jazz-flavoured number.
Its jazzy chords and conga rhythm are complemented by a set of psychedelic lyrics about Tracy who "had a hard day Sunday" for "she had to be herself and no one else". Real ear-candy for me. One of the best (mildly) psychedelic tracks out there, ever.

from West Coast Pop Art Experimental Band, Vol. 2: Breaking Through (Reprise)



  executiveslacks: I was going to recommend this one, but you beat me to it. Great song.
Trail Of Tears/Bristol Shores  performed by Eric Johnson  1986
Recommended by MoeShinola [profile]

My favorite ever guitarist. The song is on the Tones album, which was his 1986 debut for Warner Bros, produced by David Tickle(they should work together again - Eric's records have never sounded this good since). Trail Of Tears begins quietly, building up for quite awhile into a fusion of new-wave and Texas Hendrix - yes, you heard me, and it works. At the end the rhythm section drops out and you float with just synth and guitar, which coalesces into Bristol Shores' quiet, arpeggiated clean guitar intro. Bristol Shores is heartfelt and lonely guitar pop, also with a kinda new-wavy feel. I've never heard anything quite like this magical pair of songs, or quite like the sound & style achieved on this record. Eric really should think about revisiting this sound.

from Tones (Warner Broos)


Trampoline  performed by The Greenberry Woods  1994
Recommended by Yammer [profile]

Any label searching for the perfect pop cover to resurrect from the forgotten early-90s (as with "There She Goes") would do well to give several listens to this equally bustling-yet-melodic paean to the bittersweet tang of youthful somethingorothers. Jangling electric guitars, singalong choruses (it doesn't get any easier than "come and see/trampoline"), mumbling, presumably insightful scatting over the reprise, layered harmonies, and a throwback yowling guitar solo. Merely sneering, "I already have one Oasis album," does not excuse you from the obligation to hear and love this song!!!

from Rapple Dapple (Sire)
available on CD - Powertopia! Power Pop Classics of the '90s (Rhino)



  luvs23: Sugar by Stretch Princess IS VERY VERY VERRRRRY similar to There She Goes by the La's. A similar high-pitch vocal with an addictive hit chorus: "Sugar Sugar sticking me to my babe Sugar Sugar sticking me to my babe Sticking up to my babe sticking up to my babe sticking up to my babe" Beautifully sung, I can't stop listening to it.
Traps  performed by New Musik  1981
Recommended by Mike [profile]

A little like Kraftwerk but with extra emotional input and more musical interest. The music reflects the atmosphere of the lyric very effectively. Geek pop? Maybe, but it's damn good!

from Anywhere, available on CD


Trojan Horse  performed by Luv�  1978
Recommended by jeanette [profile]

Others go to Amsterdam for the sex and the drugs - on my trip there I was intent on discovering a hit of the purest Europop. And it came in the form of three lovely ladies who had millions of number ones in 1970s Netherlands.

Luv' (the apostrophe is not a typo - perhaps any Dutch grammar scholars reading this would care to tell me of its purpose) combine drums, bagpipes, cliche and corn in one bejewelled package. They have made many great records but this is their majesty, their Great Gatsby.

And the CD cited below is a 2CD anthology of Dutch 70s and 80s girl pop. My idea of heaven and the rest of the population's burning purgatory.

from the single Trojan Horse (Philips 6012 858)
available on CD - We Cheer You Up (Hunter Music)



Two Star  performed by Everything But The Girl  1994
Recommended by eftimihn [profile]

To me, Everything But The Girl are one of the most memorable bands of the 80s and 90s. What always strikes me is how their sound evolved from jangly, jazzy-pop in the beginning to polished, rather slick sophisti-pop in the late 80s/early 90s to sample-heavy, drum & bass/trip-hop influenced, house-embracing electronica at the end of their recording history in the mid/late 90s. Despite the change in sound they always managed to capture a consistency in the feel of the music, always revolving around the same themes over the years, dripping with melancholia, unrequited love, self-pity, romantic disillusionment etc. "Two Star" is a delicate, yet emotionally bleak ballad. Acoustic in sound, with piano, double bass and a wonderful string arrangement by Harry Robinson plus some cor anglais embellishments by Kate St. John.

from Amplified Heart, available on CD



Typing Pool  performed by Pam and the Paper Clips  1980
Recommended by jeanette [profile]

Who? It's a question I've been asking since I got this 45 as a birthday gift.

A bored admin assistant - "nobody cares for you when you're stuck in the typing pool" - bemoans her position in a squeaky voice. Our narrator intimately knows the concerns of every office worker - "Ere, gotta take a break, it's only twelve o'clock and I'm starving!". Belongs stylistically with Tracey Ullman's first album.

Purveyors of useless facts may wish to know that this was co-written by Nigel Planer, star of the 80's British sitcom The Young Ones.

from the single Typing Pool (EMI EMI 5015)



Unchanging Window  performed by Broadcast  2000
Recommended by tempted [profile]

Broadcast are the perfect retro-futuristic band. They make space age pop like no one else today. Haunting Moogs, fuzzy, reverb-laden guitars and tight bass and drums. Trish Keenan's voice sounds like an understatement with its simple, effortless tone. For lovers of Morricone, United States Of America and Stereolab.

from Noise Made By People, available on CD



Underdog  performed by Kasabian  2009
Recommended by dehoqu [profile]

A great song, used in the sony bravia ad.
a poppy feel but still guitar driven with a great riff. Great feel to it, good new stuff.

#1 on UK charts

from West Ryder Pauper Lunatic Asylum (Columbia)


Underwater Chase  performed by Al Caiola  1966
Recommended by delicado [profile]

I had forgotten quite how brilliant this track is until it strangely popped into my head yesterday. It was originally available on Al's superb 'Sounds for Spies and Private Eyes' album, as well as volume 2 of the 'Music to Read James Bond By' series on United Artists records. It's very obviously James Bond rip-off music, but it's so perfectly executed, with cool percussive brass and Al's reverb-laden guitar nicely complemented by a swinging organ, that you can't help but love it.

from Sounds for Spies and Private Eyes (United Artists UAS 6435)
available on CD - Ultra Lounge - Cocktail Capers (Capitol)



Untitled # 1  performed by Spain  1995
Recommended by Stian______ [profile]

Probably the slowest music I have I guess, from an album called The Blue Moods of Spain . Its dream-pop for evenings full of hope, or comforting music for days when all falls apart.The vocalist is not the worlds best , but because hes so natural it just adds to the mood I find. Its hard to pinpoint exactly what I like the most about it ,its just one of those songs u fall in love with and never grow away from.

from The Blue Moods of Spain, available on CD



Uptown Top Ranking  performed by Ali & Frazier  1993
Recommended by exceptinsects [profile]

The Althea and Donna version of this song is the original, but Ali & Frazier's is the best. I heard it on an album called 100% Reggae that I taped off a CD in Japan and then subsequently left in a tape player that I returned to KMart because it didn't work.
But if you diligently search on Kazaa or something similar, you can probably find it.

See me in me heels and ting
Dem check sey we hip and ting
True them no know and ting
We have them going and ting
Nah pop no style, a strictly roots
Nah pop no style, a strictly roots





  olli: the original is WAY superior to this "absolute music" trite.
Ur So Kute  performed by The Love Dolls  2007
Recommended by jzbass [profile]

Pop rock guitar oriented very hooky

from The Love Dolls (Doll House)
available on CD - www.myspace.com/thelovedollsband


Velouria  performed by The Pixies  1990
Recommended by wendyloohoo [profile]

This song is a great sing-a-long song while still really rocking!! Kim Deal's contrasting vocals really pop! I love this song!

from Bossa Nova, available on CD


Vem Vet  performed by Lisa Ekdahl  199?
Recommended by secularus [profile]

One of those songs that I liked upon first listen. Lisa Ekdahl is a chanteuse from Sweden who had an apparent hit with this track sometime in the 1990s. I don't recall what the words "Vem Vet" mean but according to a few Scandinavian friends, it's something silly. Listening to it now, the opening could be something from the Tijuana Brass. My favorite aspect of this track is her inflection of Vem Vet and the words preceding it. In her native Sweden she comes from a traditional jazz standards background. A few years back she released a record in English titled Lisa Ekdahl sings Salvador Poe (her boyfriend/husband) which I can't rate highly. It is just ok. She probably doesn't have cred like Nina Persson (of Cardigans fame) in the hipster scene but who cares! I see potential in this lady (who has looks to boot) and any Phil Spectors out there who have visions of "pure pop" should get their hands on her now.






  manikin: "Vem Vet" means simply "Who Knows"
Vermelho  performed by Claudette Soares  1970
Recommended by gregcaz [profile]

Perky, pint-sized bossa chanteuse Claudette Soares scored big in the late 60s by following Wilson Simonal's stylistic lead into an irresistible mix of pop, samba, French ye-ye, boogaloo, soul and bossa. This is a perfect example of the strangely Isaac Hayes-influenced arrangements to be found on her 1969-70 "pop" LP trilogy, and another winner from the then-unstoppable Adolfo-Gaspar writing team.

from Claudette No. 3 (Philips)


Vesti Azul  performed by Wilson Simonal  1967
Recommended by gregcaz [profile]

Merely one of dozens of killer Simonal tracks (my favorite male Brazilian voice outside of Milton Nascimento), this one is a stellar example of joyous 60s pop, impossible to hear without seeing images of mini-skirt-clad girls dancing away on American Bandstand or something. Handclaps, a "pa-pa-pa-pa-pa" hook in the chorus, Stax-style horns, Simonal's deep, rich wonder of a voice, what more do you want?

from Alegria, Alegria!! (Odeon)



Viva Bobby Joe  performed by The Equals  1968
Recommended by tinks [profile]

Who'd have guessed that Eddy "Electric Avenue" Grant had been in such an awesome psychedelic pop band? I'm not entirely sure what this song is about (Sex? Racecars? Paper towels?), but I do so love it.

from the single Viva Bobby Joe (Fontana)
available on CD - Viva Equals (MCI)



Vou Morar No Teu Sorriso  performed by Trio Ternura  1971
Recommended by gregcaz [profile]

Just one of many soul-pop-sunshine-rock stunners on Trio Ternura's 1971 LP (the title translates as "Gonna Live Inside Your Smile"). Brazil at this time was an endless source of top-notch coed sunshine-pop vocal groups, including these guys, Conjunto Sambacana, Quarteto Forma, Vox Populi, Coral Som Livre, Brasilia Modern Six, Antonio Adolfo & Brazuca and others. Heads up, 5th Dimension fans....

from Trio Ternura, available on CD



  scrubbles: This really is a fine track. What I love is the uninhibited exuberance of the singers. They're wild in a way that you could never picture in, say, the Fifth Dimension. Okay, they sound like they're about to go crazy!
Wake me I am dreaming  performed by Love Affair  1970
Recommended by Ron1967-1970 [profile]

To most people The Love Affair will always be connected with their hits "everlasting love" , "rainbow valley" or "a day without love" ... undoubtably great songs which had lots of airplay and all made it into the charts. BUT ... there was trouble inside the group. The members wanted to play a more progressive sound and get rid of their pop-image. So a deal was made with the producer... he picked material for the a-side, the group could record a progressive tune on the b-side. One of those great a-sides was recorded in 1970 and released in 1971. "Wake me I am dreaming" has all the elements of their hit sound, but was hardly played. Why ? No idea, because it has the commercial potential it needed. Maybe it's due to the fact that the overall music scene was changing rapidly (country rock, glamrock, etc)... they surely deserved a hit with this orchestrated melodramatic ballad




Wake Up  performed by Kitbuilders  2001
Recommended by PappaWheelie [profile]

Excellently arranged, male fronted vocal Electro Pop.

from Wake Up, available on CD



Walkabout  performed by Noah Lennox feat. Atlas Sound
Recommended by ianmalcolm2 [profile]



Doesn't everybody love a good collaboration? It turns out Noah Lennox's beachboy-inspired vocals fit in nicely with the sound-collage electronica of Bradford Cox's offbeat side-project, Atlas Sound. The tight vocal harmonies, and childlike sampled groove compliment each other perfectly.

Nothing too deep in terms of vocal content. It's one of those songs where the chorus is repeated about 800 times, but you can never remember the words.

Instead, this song is all about atmosphere. I'm a sucker for that bleached-out, 70's technicolor vibe lately, and this song captures it more effectively than most. The lo-fi skuzziness, however, only enhances its pop-perfection.

Enjoy before summer ends! This is the perfect doobed-up jam for driving to the beach on a day where you can see the heat. Happy listening.




wall street village day  performed by The Four Seasons  1969
Recommended by klatu [profile]

Yes, FRANKIE VALLI and the four seasons. You may be incredulous after listening to the album, as it's the concept excursion that derailed their singles chart streak. It has a nice lurching pop quality. I would put this album on a par with "Odessey and Oracle" and "S.F. Sorrow", but wouldn't that be silly? I think it was on a Rhino CD that's probably long deleted, but if you can find the vinyl with the newsprint insert intact, it makes for some funny reading...

from Genuine Imitation Life Gazette



  mabcms: Thought I was the only person in the world who knew this album (and this cut). It's an incredible musical and creative adventure. Nothing at all like the other 4 Seasons material.
Watch Take Care  performed by HE SAID  1988
Recommended by beautifulmutant [profile]

Lewis from WIRE formed this side band with John Fryer back in the late 80's. Watch Take care is probably the coolest song ever shat forth from the doomed Enigma label. It's a complete winner though. Scary, bumping bass rift... dark vocals. It's like pop goth almost. Very memorable. One of my favorites of 1989.

from Take Care (Enigma)


Waterloo Sunset  performed by The Kinks  1967
Recommended by shakeahand [profile]

For me, simply the most perfect, most luscious piece of pop of its era. I just have to hear the opening downward guitar riff and I'm wrapped up in every note of the song, virtually holding my breath until the premature fade. Wow!

from Something Else (Pye)



  stupidwall: village green is one of my favorite albums of all time
  bonzoboots: ray davies rarely put a foot wrong in that golden era : 66/68, and the three lps from then are filled with perfect gems- "lazy old sun", "rainy day in june", "animal farm" to name just three...but it could have been another three!
  b. toklas: There is one more album which was recorded between "The village green ..." and "Arthur" but not released before 1973, I think on Reprise, called "The great lost Kinks album". To say it�s even better than those officially released in the Sixties may be a little annoying, but ... well, give it a try! Anyway�: the Kinks are the Kinks are the Kinks.
We Ate Each Other  performed by The Robot Ate Me  2002
Recommended by ispoketofoxes [profile]

San Diego's Ryland Bouchard could be one of the most gifted musical persons to have ever lived. Bouchard's creativity is astonishing. With only three albums, Bouchard (The Robot Ate Me) has created a universe that tells stories of various images.
His first release, They Ate Themselves, was released in 2002. It is a story strange sounds ranging from different musicians. Ranging from Radiohead to Neutral Milk Hotel and maybe even The Microphones. Among the 17 tracks there is great variety and creativity; this makes it hard for one to pick a favorite track. After owning the album for a while now I think I've come to a conclusion. Entitled "We Ate Eachother," this song displays peaceful picking while Bouchard sings quietly and very saddened. It describes the basic concept of the whole album. The lyrics are also both descriptive and secretive.

Anyone who likes Radiohead, Neutral Milk Hotel, The Microphones and anything on K Records, I strongly suggest listening to The Robot Ate Me.

from They Ate Themselves, available on CD


We Must Be Doing Something Right  performed by Gordian Knot  1968
Recommended by eftimihn [profile]

This track is pure, unadulterated soft rock/sunshine pop heaven. This could easily be mistaken for a lost Association gem with beautifully arranged vocal harmonies by Hi-Los'Clark Burroughs, who, in fact, also produced "Never My Love" and "Windy" (and the rest of the "Insight Out" album for The Association). Combined with a slightly baroque sounding harpsicord, organ, xylophone embellishments and highly idealistic lyrics it makes a lovely piece of sunhsine pop.

from Tones (Verve V6-5062)



We´re here  performed by Guillemots  2006
Recommended by moondog [profile]

I can´t remember the last time i was so excited by an english band. Guillemots seem to have everything that´s been lacking in a british pop band for the last couple of years. we´re here is a stringladen,anthemic pop song and when i´m listening to it everyone from a-ha, prefab sprout,scott walker is evoked but in the end it sounds only like the guillemots. Seriously lovely

from through the windowpane



  moondog: Oh, and look at the lovely video here ;www.youtube.com/watch?v=1n6uV9wqpuU&mode=related&search=
Web Cam Kutie  performed by The Love Dolls  2007
Recommended by jzbass [profile]

guitar rock / pop mid to up tempo cool lyric observation in non judgmental fashion regarding girls who end up in the online modeling biz

from The Love Dolls (Doll House)
available on CD - www.myspace.com/thelovedollsband


Wendy McDonald  performed by Spookey Ruben  1996
Recommended by DecemberGuy [profile]

Predating "Fast Food Nation" by a number of years, Wendy McDonald is a two and a half minute pop song critiquing our need to have things fast and easy..like fast food. I love this song because not only does it make you think, but it also has this hip-hop folk beat to it, that's reminiscent of artists like Beck, Bran Van 3000, or Self. If you're a fan of these artists,..you'd love this.

from Modes of Transportation Vol. 1 (TVT)


Whack Whack  performed by Mariano & The Unbelievables  1968
Recommended by konsu [profile]

Wow! I have been consuming a lot of baroque pop and jazz recordings lately, and while some of them are just nice, this one is astounding! Just imagine Bach-boogaloo, and you have most of the picture here. This piece sounds as fresh today as it did in the 60's! The arrangement is wild as all hell, and has to be heard to be believed. They also do great versions of "Sunshine Superman" & "Up, Up and Away"!

from Mariano & The Unbelievables (Capitol ST 2831)




  delicado: This does indeed sound fantastic. The harpsichord break in the middle of your clip sounds very like Hugo Montenegro's 'Lady in Cement' theme. I understand they had other albums; have you heard them? Are there any vocals? Thanks!
  konsu: Yes. They did another for Capitol the same year called "The 13th Hour". Haven't gotten around to picking it up yet, but from what I can gather it's the same affair, no vocals I'm afraid... Hugo's stuff is great for funky harpsichord cuts, I love that soundtrack!!
  konsu: Sorry delicado, it's "The 25th Hour". I had it mixed up with another album, and another increment of time it seems...
What Becomes of the Broken-hearted?  performed by Colin Blunstone  1990
Recommended by Mike [profile]

I love the chord sequence of this sentimental number originally popularised by Jimmy Ruffin, and the two versions by Colin Blunstone that I've heard are my favourites.

from Greatest Hits (Castle)


What You Don’t Want To Hear  performed by Sam Phillips  1992
Recommended by Yammer [profile]

The former Leslie Phillips once recorded songs sold in Christian supply stores, disguising (presumably) the moist, carnal, and otherwise unholy drives behind The Indescribable Wow, her first release on the in-retrospect-mildly-ironic Virgin label. At a time when those of us with unslaked appetites for well-crafted Beatlesque pop were having to suck it up and try to get into rap or grunge, The Indescribable Wow appeared like a shimmering beacon of joy. This track's music is as perky and sunny as the beginning of a summertime fling, while Phillips's yearning voice and cutting lyrics have the sad truthfulness of the ending of a summertime fling.

from The Indescribable Wow (Virgin)


What You Want  performed by My Bloody Valentine
Recommended by poly800rock [profile]

The wall of sound covering an amazing pop song is apparent in this gem from My Bloody Valentine.




Whatever Happened To Claudine Longet ?  performed by The Crooner  2000
Recommended by eftimihn [profile]

This is quite a serious question if you ask me, but then again, this might not concern too many people and unfortunately The Crooner isn't able to give an answer. But if you expect some mockingly ironic, tongue-in-cheek lyrics about mademoiselle Longet it surprisingly isn't. It's quite on the contrary actually, a heartfelt homage, though rhyming "footsteps on the sand" with "pussywillowland" might appear cheesy of course. The music itself is a fluffy piece of indie-pop with a bittersweet tone, with soft male vocals, soft synths, a great vibraphone playing throughout and some airy, well, Longet-esque female vocals in the background.

from Soft Escape, available on CD




  konsu: You kind of have to dissapear for a while after you kill someone and get away with it. I mean, you don't see OJ hurdling suitcases anymore do you? Cool song though. I thought it would sound like Momus just from the description, and it does bear a resemblance in a way... maybe more like early Jimi Tenor?
Whatta Man  performed by Salt �N� Pepa featuring En Vogue  1993
Recommended by jeanette [profile]

This has to be my favourite song ever about being happy and in love. No piece of music gets it across just how damn happy you can be with the right person, when everything just falls into place.

Salt 'N' Pepa have one of the most consistently great back catalogues of any pop group. They just, seemingly effortlessly, wheeled out killer tune on top of killer tune in an era when pop-rap (pop-hop?) was at its apex.

My man has all the attributes the seven ladies describe here, alongside a willingness to put up with my Claudja Barry and Dolly Dots records. But don't take him for a sucker, cos that's not what he's about...

from Very Necessary, available on CD



When you live life alone  performed by Sarah Shannon
Recommended by moondog [profile]

To judge by the coverphoto of mrs Shannon this song doesn´t refer to her own personal situation. So, for at least this writer, to see that it was penned by her boyfriend at the time, Blake Wescott, makes a bit more sense. Anyroads, When you live life alone is one of those songs that could have been so much more. A bit properly edited and structured I believe that Burt Bacharach would have considered it among his best. Certainly, the verse is up there with the best burtinspired pop ever. In the chorus though, Barbra Streisand enters the stage and smudders it with a bit too much melodrama to make it the 24 carat gold classic of a song it could have been. But if you have read this far into the text do check it out.

from Sarah Shannon


Whistle Down the Wind  performed by Nick Heyward  1983
Recommended by geezer [profile]

A lush orchestrated pop song that carries the sadness of autumn and the hope of spring in its stunning almost visual arrangement ,piano ,acoustic guitar and strings weave in and around a deceptively simple song whose chorus will stay with you long after music ends.Very close to perfect pop ,if such a thing exists,thoughtful ,intelligent ,sensitive and humourous .

from North of a Miracle
available on CD - North of a Miracle (Bonus)


White Car in Germany  performed by The Associates  1981
Recommended by robert[o] [profile]

Post-punk "pop" at its most gorgeous/baroque/bewilderingly extreme - and the perfect introduction to the God-like genius of Alan Rankine and the late/great singer Billy Mackenzie. A four car-pile-up between Roxy Music (circa "For Your Pleasure"), Bowie (circa "Heroes"), Scott Walker's "Scott 3" and Kraftwerk's "The Man Machine", (with King Tubby and Shirley Bassey acting as ambulance attendants), this song is both empty and lush, creepy and hilarious, ice-cold and almost embarrassingly emotional. I have loved/lived/died by this song for almost two decades, and I still can't begin to tell you what its about. It's like something from outer space - like so many of the greatest pop songs are.

from The Fourth Drawer Down (Situation Two)
available on CD - From The Fourth Drawer Down (V2)


White Rabbit  performed by Jefferson Airplane  196?
Recommended by mattypenny [profile]

I'm going to post 3 linked songs. Eventually. This one, Somebody to Love by the same band and then the recent cover of Somebody To Love by the Boogie Pimps.

Anyway I must have heard this before, but sometime within the past few years it popped up on a free magazine compilation. I probably associated the band with their 80s (?) incarnation - the band that did 'We built this City On Rock and Roll'. Each to their own, but I have to say I really didn't like that song at all - to me it was bland, radio and MTV friendly big haired, anthemic music for people who don't like music. Really sorry if it was your favourite, but as I say, each to their own. White Rabbit is to me is the total opposite.

The best way I can think of to describe the sound would be as being like a cooler, more rocking 60s version of 'Metal Postcard' style Siouxsie and the Banshees. The words are a druggie take on Alice in Wonderland, and it finishes with the singer (Grace Slick?) basically shouting 'Feed my head' over and over. Although I wouldn't condone the sentiment (Just say No, kids!), it's all very impressive. It couldn't be less bland, radio and MTV friendly.

If you like the Banshees, Bauhaus, indie in general or on the otherhand the darker Beatles stuff or the Velvet Underground you might enjoy this.




White Sky  performed by Vampire Weekend  2010
Recommended by daniela_por [profile]

Crazy pop song. I smile everytime I listen to it.




who needs forever  performed by astrud gilberto  1966
Recommended by coffman [profile]

This exceptionally haunting and lyrical song by Quincy Jones has received its definitive interpretion by Astrud Gilberto with arrangement and accompaniment by the Brazilian organist Walter Wanderley. The melancholy urgency of the piece resonates well with the dark/sad tonality that pervades so much of Bossa Nova music, though its character is also reminiscent of certain otherwise very different pieces from the bebop era, which had a formative influence on Quincy Jones' music. There is definitely the remote influence of Charlie Parker and especially Dizzy Gillespie. It's truly a completely unique piece. The drifting melody which seems to skirt over the chord changes has a beautiful inevitability. Only a very gifted and skilled musician could have contrived such a beautiful work. So Quincy Jones deserves especial credit for crafting this song from the film "The Deadly Affair."

Astrud's delivery, so typically limpid and restrained, only serves to heighten the intensity of this darkly passionate song. The subtle but somehow fierce organ playing of Walter Wanderley acheives a sizzling romanticism that perfectly complements the reading of Astrud's apparently detached fatalism.

In my opinion, this track is a true musical masterpiece. Its remarkable economy of means is a testament to the skill of the composer as well as the artistry of the performers. In fact, it's a nearly perfect combination of expressive means and poetic intent. The beautiful resolution, with Astrud's perfect striking of the high B-flat over the half-diminished F-minor seventh, is a moment of sublime dramatic intensity, though profoundly understated, as is typical of her finest artistic moments. One is reminded of Miles Davis. Her poetic skill is rooted in subtlety.

I have listened to this extraordinary track hundreds of times, and always experienced chills rising up on the back of my neck. How amazing that this incredible musical gem was omitted from the original album A Certain Smile, A Certain Sadness. Perhaps it was too intense, too heavy; whatever the case, it's a truly remarkable piece of music.

I'm truly grateful to have discovered this great albeit minor musical masterpiece. There's really nothing else quite like it! The sizzling but subtle sensitivity of the rhythm section (Claudio Slon on drums, possibly Joao Gilberto on guitar and Jose Marino on bass) adds an intensity to the piece which helps project the almost existential tone of the song.

I'm really swept away by this obscure and neglected work, which attains -- for me at least -- to a peak of poetic intensity really rare in music. As is usual with Astrud at her best, it accomplishes its artistic ends with what seems like the most minimal of means. But subtlety is always the avenue to the most profound of artistic experiences. I think this is a remarkable example -- one of the greatest -- of the wedding of popular music and high art. It is a truly perfect performance. In my opinion, its greatness increases rather than diminshes with repeated listenings. There is only one word for that -- it's magic!

from A Certain Smile, A Certain Sadness, available on CD



  rio: you must pick-up the quincy jones soundtrack (released with the score to "the pawnbroker") with astrud singing "who needs forever". The lush quincy jones score is hauntingly beautiful, and astrud never sounded better. This version is the real deal for me..
  rferus: Amazing guitar on this piece.
Wild Horses  performed by The Sundays  1992
Recommended by genebean [profile]

This song has a folk-based sound on guitars and pop melodies. Its an awesome song for those who are into slow music. Those of you who are familiar with The Sundays can understand the sweet voice of Harriet Wheeler.

from Blind, available on CD


Will You Be Staying After Sunday  performed by Peppermint Rainbow  1969
Recommended by stushea [profile]

Overproduced 1969 hit. But under the strings and horns is a good song and an excellent group vocal harmony performance.

from Will You Be Staying After Sunday (Decca DL75129)


Wishing Now  performed by Glen Campbell  1974
Recommended by [email protected] [profile]

Absolutely incredibly hooky, soaring, romantic pop song, very much in the same world as some of the best Terry Sylvester solo stuff, those wonderful Mark Lindsay solo records, "Dusty in London," Peter Shelley's "Love Me, Love My Dog" etc.

from Reunion, available on CD


With My Looks And Your Brains  performed by The Mr T Experience  1997
Recommended by tapler [profile]

This is a really catchy and funny pop song. Dr. Frank is a masterful songwriter and this is among his finest efforts.

from Revenge Is Sweet And So Are You, available on CD



With this love  performed by Peter Gabriel  1989
Recommended by moondog [profile]

Peter Gabriel may be a thing of the eighties but this track from Martin Scorses film Passion of the christ makes me cry nearly evertime i hear it. Just a flute and a hymn like melody that offers a consolation that i have hard to find in any art form than popular music.

from Passion, available on CD


Without a Doubt  performed by My Dad is Dead  1990
Recommended by delicado [profile]

A wonderful guitar based pop song which strongly evokes the early 90s to me. The guitar work is superb - a clean electric sound with the kind of fast strumming I love (and used to try and imitate). It's an optimistic and uplifting track - check it out! The Peel session version sounds the best to me, but that's probably because I heard it first. At one stage Mark Edwards had made this available online.

from Chopping Down the Family Tree, available on CD




  konsu: Mark Edwards is one of the unsung heros of midwestern post-punk. His influence is often kept secret, as if to protect the pearls contained within from pop-poachers and indie-plagerists. His Homestead stuff is worth hunting down, particularly "Let's Skip The Details" & "The Taller You Are,The Shorter You Get". His self-effacing wisdom, and ironic poetics are the stuff of legend, as well as his no-nonsense approach to guitar, which much like mr. D, I had practiced in my solitude many times before. A rare recommendation indeed!
Without Her  performed by Herb Alpert  1968
Recommended by AndreasNystrom [profile]

This is a cover of Harry Nilssons song with the same name. Herb Alpert and the tijuana brass makes a wonderfull representation of the song, with very spare instrumentation. This is a song i can listen to on repeat for hours.
The song is really just this guy singing about how he cant live without her, and a guitar silently and spare playing along in the background, until the song explodes into lots of brass and horns playing with him.

Beatles were also fans by Harry Nilsson btw.





  johnnyweissmueller: This is perhaps one of the greatest songs of all time! I can say without a doubt that I have spent days listening to this one; it got me addicted. I just couldn't keep my finger away from the repeat button. I recommend the original by Harry Nilsson, who isn't with us anymore.
  Swinging London: Yes, great songs & so many people tried to have hits with it...little Lulu springs to mind, but every version failed to dent the charts.
Woman  performed by Peter & Gordon  1966
Recommended by Swinging London [profile]

There's a bit of a story to this one.

Peter Asher, who was the Peter part of this duo, was the brother of Jane Asher who was Paul McCartney's girlfriend at the time of this song, asked Paul to write them a song.

They decided it would be interesting to see if it would be a hit without the Paul McCartney/Beatle stamp on it. So they released this song saying that it was written by a Mr. Bernard Webb.

It only reached No. 28 in the British charts.

Jane Asher, many years later, chose it as one of her 'Desert Island Discs', but she never talks about Paul or her Beatle days and failed to tell the story around the song.

Very nice string arrangement/intro.

This was the early days of using classical instruments in pop songs. I think the classical slant is what appeals to me most about this recording.





Wonderful  performed by The Beach Boys  1966
Recommended by Yammer [profile]

By 1965, Brian Wilson's professional and personal lives were in such a state of constant panic that it was almost inevitable that he would turn to readily available forms of rock star relief. While his self-medication (and underlying mental illness) would ultimately render him into a poster boy for an imaginary DARE campaign, the early, merely marijuanic phase of his regimen yielded a brief but vivid string of almost absurdly gorgeous pop masterpieces. While a couple of these are permanently stamped into the forebrains of all radio listeners over a certain age ("God Only Knows," "Good Vibrations"), some remain almost unknown. Which brings us to "Wonderful," found on the Beach Boys box set, and remade a few years ago as part of the Don Was hagiography. It is a curious, brief (2 minutes) tune, austere in production (harpsichord and vocal) but staggeringly rich in harmonic interest. The melody evokes pure serenity and has no noticeable roots in any previous American pop style. Van Dyke Park's lyric is typically insane; what little one can make of it seems to dovetail with Wilson's growing religiousity, yet feels entirely physical, even pagan -- a sort of boy-loves-wood sprite nature idyll making the first movement of a really great ballet with set design by Maurice Sendak. Or something.


available on CD - Good Vibrations: Thirty Years of the Beach Boys (Capitol)


Wordy Rappinghood  performed by Chicks On Speed  2003
Recommended by barrythejackal [profile]

Great great cover of the Tom Tom Club song, and the highlight from Chicks On Speeds recent 99c album. Weighing in at almost 7 minutes, this is a great slab of electronica. Yes, ironic, yes, self referential, but here they totally excell their art school roots. Plinky plonky melody makes me think of the song 'Popcorn', and the nonsense chorus is like the poppier end of 60's girls with a dose of the Actionettes. Way too cool!

from 99 Cents



Wow oh Wow  performed by Jedward  2011
Recommended by rosemaryswf [profile]

Dance, slightly pop, up beat. I know people dismiss jedward, but this is really worth a listen to if you enjoy good pop music. It was writen by Ortise' of JLS fame and is a good all round pop song, very well performed, you will be suprised.

from victory (Universal music Ireland)



  delicado: Thanks for the recommendation. I always like to see suggestions that are unexpected, which this definitely was!
Xanadu  performed by Electric Light Orchestra featuring Olivia Newton-John  1980
Recommended by nicegeoff [profile]

Arguably one of the greatest pop songs of all time. The title song from the 40's meets 80's musical film disaster, Xanadu. The Electric Light Orchestra provided half of the soundtrack (the only part really worth listening to) and it's really good.

from Xanadu



Yes I�m Ready  performed by Barbara Mason  1965
Recommended by rum [profile]

I was utterly smitten with this track when I heard it in the film Jesus� Son. It�s a gorgeously sentimental Philly soul-pop number with Ms Mason cooing sheepishly to her lover that she, �doesn�t even know how to kiss [his] lips� in a moment like this�, before a choir from an ancient realm of heaven peer over the scene and ask if she�s ready to learn, and she says yes she is, she�s ready, she�s ready to, �FALL IN LOVE WITH� [him]��, and how the strings swoop and soar! For good or bad, songs will never sound like this again.


available on CD - Yes I'm Ready (Bear Family)


Yesterday Is Here  performed by Tom Waits  1987
Recommended by Fig Alert [profile]

When I think of my favorite stuff by Tom Waits, I always look back to the time when the writing and arranging of his songs were more playful, avant pop exercises, colored by a range of intense and deep emotional swatches, yet always with humor. My favorite stretch in his catalog of work is from Swordfishtrombones to Franks Wild Years (Marc Ribot?). Songs were always off-kilter, tenuous, unpredictable...far-away organs played against a punchy latin rhumba beat...oh, here comes the circus, jolted by a bended-note/feedback guitar part. Wha?

I heard a lot more characters in his voice, too. The sideshow barker, the Ironweed hobo, the cocky but sensitive playboy, or the frustrated, suburbia-warped freespirit looking to make a break.

This track off Franks Wild Years feels like an old, worn out, spaghetti western-inspired guitar shuffle. Its whispered from the lips of a grizzled shopkeeper in a soon-to-be ghosttown, telling his concerned companion the need to reach for where your dreams dwell: "out where your enemies lie." There's little consolation against what most likely will be an exercise in futility, but necessary nonetheless, to carve out some sort of happiness. Get used to it.

Somehow it seems to fit these times very well...

from Franks Wild Years (Island 7 90572-2)



Yo Que No Vivo Sin Ti (You Don�t Have to Say You Love Me)  performed by Luis Miguel  1987
Recommended by RCA76 [profile]

Yet another amazing Spanish version of an amazing song. Luis Miguel is a very suave latin crooner and this song especially demonstrates that. I love the late 80's instrumentation, it reminds me of late night in New Year City.

from Soy Como Quiero Ser, available on CD


You Are the Generation That Bought More Shoes and You Get...  performed by Johnny Boy  2004
Recommended by Ricard [profile]

...What You Deserve

There wasn't enough room for the full title of this song.
Phil Spector Wall of Sound-influenced pop genius!!! Probably the best song of last year, & the Crews Against Consumisimo extended mix is, amazingly, even better.
Surpirsingly, this was produced by James Dean Bradfield from the Manics, though way better than anything they've ever done.
Good title as well.




You can make me Dance ,Sing,or Anything  performed by The Faces  1974
Recommended by geezer [profile]

Late period Faces hint at the looser funkier sound which was calling Rod across the pond ,all the faces elements are on this slab of disco pop rock,i mean swagger ,melody ,tightness,looseness,atitude and humour and a chorus which subliminates love/lust into eight carefully chosen words .Possibly their last piece of greatness before Rod Stewart made his Atlantic crossing and headed for safer shores and leopard skin trousers .

from Snakes and Ladders (Mercury)
available on CD - Best of the Faces /Good Boys when there asleep


You Can Tell Me  performed by Tomi  2007
Recommended by chipster [profile]

R&B/Pop with a good groove. Reminds me of music from Justin Timberlake's first solo CD. Smmmmoooothhh!
Listen at www.myspace.com/tomi

Full CD comes out October 2- you heard it here first!

from Tomi (Rosehip)
available on CD - yes (tes)


You Can�t Win  performed by Ann Sexton  1974
Recommended by jeanette [profile]

Absolute beauty. A soulful chastisement about not winning, not breaking even, and not getting out of the game. Vocals as pure as morphine from the poppy, and just as hedonistically addictive.

This stunning Southern soul platter features virtuoso brass and drums, as well as what is possibly the only acceptable squealing electric guitar riff in recorded music.

I love this song so damn much.

from the single You Can�t Win (Seventy-Seven Records SP 2136)
available on CD - You're Gonna Miss Me (Charly)



You Get What you Give  performed by New Radicals  1998
Recommended by Mike [profile]

Probably the only anthemic pop song I will ever choose to listen to. Was drawn to it the first time I heard it, as a piece of chart music at the end of the 1990s.

The first two chords of the verse are audacious, most unusual in pop music, and are what makes the song for me. Without them, or with conventional choices, the song would lose its tension and power. The lyric can be considered cheesy, but it kind of aims high in searching out some kind of universal truth, and it works. When in the right mood, it is even elevating. The last part is lyrically very pathetic, a lame series of insulting name drops. But it probably got the record heard - this was their first single.

I recently read that this song was much admired by U2, and I'm not surprised as I can hear them striving for something like this. But they never get anywhere even slightly close.





  Mike: An opera singer included this in her \"Desert Island Discs\" selection last week.
You know how it is with a woman  performed by Jefferson  1969
Recommended by Ron1967-1970 [profile]

Jefferson (Geoff Turnton) was a member of the Rockin' Berries in the mid 60s. A couple of years later, top producer Tony MacAuley took him under his wings and he released a solo album. What can I say... these songs are 'tailor-made' for me, as if they written especially for my personal musical taste. He also released a couple of singles for PYE and some were meant for a second album, which was never released. I picked the single "You know how it is with a woman" but 'City girl" is equally good. I wouldn't know which one to choose... A recommendation ? 100% yeeeeeeeeees ! Did I mention it's all melodic and hugely orchestrated ? I guess not, but by now I think you'll know I like songs like that ;)




You Told Me  performed by The Monkees  1967
Recommended by nuthings [profile]

Underrated Monkees pop song with a country feel to it about getting tired of a lover's lies: "times have made me shy of all the things you're saying, times have made me shy of girls and all the games they are playing".

from Headquarters, available on CD



  adam12: Love this tune as well. As you may know this is the first song first side of Headquarters which was the first Monkees album that featured them playing arranging and producing the music. Mike Nesmith penned tune with a great banjo work from Peter Tork. This cut probably opened the ears of a few cynics when it came out. Definitely not light weight pop, more of a Byrds, country rock feel. Very underated song and album.
you were the last high  performed by the dandy warhols  2003
Recommended by angelica [profile]

the dandy warhols are particularly skilled at making songs that are simultaneously moody and dance-y, so you can listen to most of their output no matter what direction your mood is swinging in. this song is a perfect example of just this skill, being both tinged with melancholy and yet resolutely upbeat. in my mind, this is the best song off their last album (which was produced by nick rhodes of duran duran). like the other tracks, it has more of a synth-y electro feel than much of their previous output, but unlike the rest of the album, this is a strong song very much in character.

from Welcome to the Monkey House, available on CD




  olli: i really like the dandy warhols. too bad only about 1/3 of the songs on each of their albums are worth paying attention to. An eventual "best of" album released in about ten years time is going to be absolutely essential.
You Will Remember Me (Detalhes)  performed by Roberto Carlos  1981
Recommended by RCA76 [profile]

This is another one of those latin songs that was translated to English for the benefit of those that never heard of Roberto Carlos or his original version of this very popular song (Detalhes). It is a beautiful yet tragic love song. I prefer the original, although this version's orchestration and vocals are very similar to the original.

from Roberto Carlos '81, available on CD


You Won’t Feel A Thing  performed by The Evens  2004
Recommended by Durruti [profile]

It's from their debut. A very good but popy song.
READ MY REVIEW FOR OTHER EVENS SONG: "All these governors".

from The Evens (Dischord)


You’ve Come This Way Before  performed by Nancy Priddy  1968
Recommended by gregcaz [profile]

Shakespearean actress and mother of Christina Applegate, the lovely Ms. Priddy only made this one album, but what an album it is. This, the title track, shows her to be somewhat more than an ingenue. Over a stark arrangement centered around a spare bassline and DJ-enticing drum break, she sings lyrics far beyond the usual pop-romantic platitudes. Why hasn't this fantastic record been reissued yet?

from You've Come This Way Before (Dot DLP 25893)



Young, Alive, In Love  performed by Flipper�s Guitar
Recommended by snafkin [profile]

Japanese group from the early 90's where Cornelius first made his name. This track and especially the album Dr. Head's World Tower are fantastic, bizzare, exciting pop.





Zazueira  performed by Elis Regina  1969
Recommended by delicado [profile]

An incredible, stomping brazilian pop number, taken from Elis Regina's legendary album 'Elis Regina in London', recorded in England in 1969. Here she takes on the Jorge Ben classic 'zazueira', a seductive, hip, upbeat stomper of a track which just makes you smile every time you hear it. Wonderful stuff.

from Elis Regina in London (Odeon)




  heinmukk: you're right. this one makes you smile. i knew this song before from the mtv unplugged album from jorge ben jor. but this old cut is much more nicer, because...hm, maybe because it's older. :)
zebulon  performed by einst�rtzende neubaten  199?
Recommended by olli [profile]

i like eist�rtzende neubaten better after they started writing ballads. in my opinion, this is one of their finest pseudo-velvet underground moments. some nice metallic spring percussion, humming and subtle string backing. it plods along quite nicely and builds tension until it explodes into full industropop greatness at the end. i have no idea what the lyrics are about as i don�t speak german, but the music has quite an uplifting effect. a bit like playing around with controlled fire in science class or something.
(yes, i know, it's a stupid comparison).


available on CD - tabula rasa


Zigarillo  performed by Botho Lucas Singers und die Sound Masters  1972
Recommended by delicado [profile]

This one of the most insanely catchy and infectious tracks I've heard in a long time. Opens with a sparse bongo beat, accompanied by 'mouth percussion'. A German voice sounding slightly like aging British radio DJ Tommy Vance starts talking ('Der man, das Zigarillo'), before a catchy piano riff and jaunty easy listening chorus come in. A fun track - nice that compilations like 'pop shopping 2' come out and save things like this from total obscurity.


available on CD - Pop Shopping 2 (Crippled Dick Hot Wax!)



Zuhalterb�ssatle  performed by Harald Paulsen & Lotte Lenya  1930
Recommended by james [profile]

It seems unlikely to be able to pick one song from the threepenny opera that stands out above the rest since the thing in itself is so honed to perfection (and never moreso than in the very early recordings). But as a microcosm of the whole this track (track 8) encapsulates perfectly the balance between the borrowed idiom of the popular musical style and the squalor of the lyrics. there is a jaunty middle section in which Mac recalls how he would slip out of bed to let one of the whore Jenny's clients in, mix them a drink and treat them well. Then comes a duet and they sing together of how they long to return to that whorehouse and to those happy times. At the end the music lingers with added, disconnected percussive sounds, in which time the ambivilance and ironies all resonate, creating a moment of perfection for the work as a whole, where all meaning vanishes and mere rhythm persuades.

from Die Dreigroschenoper Berlin 1930 (Telefunken)


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