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FlyingDutchman1971 [profile] has recommended 74 tracks.
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Once Upon a Summertime  performed by Blossom Dearie  1958
Composed by Michael Legrand, Johnny Mercer, Edmund Bacri, Ed

A very ethereal song that is perfect for the lilting girlish voice of Blossom Dearie. She is also an accomplished pianist and plays on every song she sings. She is backed by a standard jazz trio on this track and they play in a wonderfully subdued manor that allows her voice and the words to be the focal point of this song. Originally written by a french songwriter, Blossom Dearie heard the song while living and performing in France in the mid-1950's. Upon her return to the United States, she asked her friend, songwriter Johnny Mercer, to write english lyrics to the wonderful melody. The words he wrote tell a beautiful story of love lost, but fondly remembered thru a familiar smell or sound. A standout track from the marvelous LP of the same name. Give it a listen the next time you go to your local music store.

from Once Upon a Summertime (Verve Original LP - MGV2111 / CD 314 517 223-2), available on CD

You Fascinate Me So  performed by Blossom Dearie  195?
Composed by Cy Coleman and Carol Leigh

A great track by a true american treasure. Blossom Dearie's one-of-a-kind voice is perfectly suited for this song. You can hear the vixen just below the sweet innocent exterior as she demurely praises the object of her affection with a raised eyebrow and knowing look. She knows that she is going to get her way, but decides to throw in a little flattery to ensure that her intended shows no resistence to her plan.
This song is only available on the criminally unavailable album 'My gentleman Friend'. You may occasionally find a copy for sale on Ebay (like I did) or shell out about $35 for a japanese import CD.

from My Gentleman Friend (Verve MGV 2125)

I Want To Be Around  performed by Blossom Dearie  1963
Composed by Mercer-Vimmerst

Blossom manages to play the piano while filing her fingernails into sharp claws on this track. She assures her departing Romeo that he is going to get his come-uppance in the love department and justice will provide her with a "front row seat" to enjoy watching him squirm!
This wonderful album was originally recorded for the Hires Root Beer Company (!) while she was singing on their commercials, and was available for 50 cents and two bottle caps. Now, a copy can cost you around $150-$200. Luckily, the fine people at Disk Union in Japan have gotten a hold of a mint copy of the original LP and released it to Cd.

from The Most Rootin' Tootin' Songs of 1963 (Hires Hits ?), available on CD

It’s Love  performed by Trudy Richards  1957
Composed by Betty Comden and Adolph Green

Taken from her rare full length LP (many 45's and 78's are floating around out there) this wonderful track is perfect for Trudy's full, slightly husky voice. She is accompanied by the Billy May orchestra and he knows how to frame her voice with just the right arrangement! This fabulous composition by the great team of Comden and Green swings with all of the joy and enthusiasm you feel when you find your soulmate. Sadly, this album is out of print and somewhat rare. If you can get your hands on it, God has smiled on you and you should rush to the checkout counter without delay!

from Crazy in Love! (Capital T 838 (British pressing))

Love Is a Necessary Evil  performed by Blossom Dearie  1964
Composed by M. Fisher - J. Segal

I cannot say enough good things about Blossom Dearie! She is truly one of those performers that everyone should have in their collection. This song is perfect for her singing style and she runs with it. You can almost envision her throwing her arms up in resignation to the fact that love is a pain but none of us can live without it.
This track is pulled from Blossom's only album for Capital Records. She is backed by an orchestra rather than the usual small jazz combo which better suits her intimate style, but she shines nonetheless.

from May I Come In (Capital SM-2086), available on CD

  05 Jan 09 ·OrganLeroy: I love this Blossom Dearie album. While small combos normally backed her up, Jack Marshall really made the orchestra work, very sensitive, and subdued to not cramp her style...... I have been looking for charts/sheet music for this tune for my combo to use, NO LUCK so far..... If anyone has a lead on it, I'd REALLY appreciate. THANKS
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