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You searched for ‘Piano’, which matched 259 songs.
click - person recommending, year, performer, songtitle - to see more recommendations.
’Til I Die  performed by The Beach Boys  1971
Recommended by Genza [profile]

What a song. No time for breathing - because we're straight into three phases of soaring harmonies and choppy Wurlitzer piano chords. As your spine tingles get prepared for the cyclical refrain that brings the song to its climax. We're talking beauty defined.

from Surf's Up (Brother Records / Capitol Records 7243 5 25692 2 9)



  tinks: i'm witchu on this one, man...i can't even listen to it without getting all choked up. "i'm a cork on the ocean/floating over the raging sea".
  sok186: After being pushed and pushed to make more music for the Beach Boys, Brian contributes his last major composition. It's always seemed to be his way of saying,"This is why I can't keep making music, and I need to go away for a while, because this is what I feel." Easily essential listening.
100,000 Fireflies  performed by The Magnetic Fields  1990
Recommended by nicegeoff [profile]

Possibly one of the greatest pop songs I've heard. A minimal arrangement of synth bells and piano over a distorted & looped drum beat.

from Distant Plastic Trees


1000 Times  performed by Tahiti 80  2002
Recommended by eftimihn [profile]

A perfect piece of contemporary pop music: uplifting and sunshiny, yet with the right dose of melancholia. The production is excellent, as well as the instrumentation with a very driving rhythm section, warm electric piano, guitars and horns. What makes this really stand out is the terrific string arrangement by Richard Hewson (A protegee of George Martin and quite busy arranging during the 70s) which is very floating, sweeping and lush.

from Wallpaper For The Soul, available on CD (Minty Fresh)




  texjernigan: Ooh yeah
1972  performed by Josh Rouse
Recommended by sandra_danger [profile]

it's really amazing!
there's piano, drums, guitar andgreat Rouse's voice




500 Miles (Theme From Winning)  performed by Dave Grusin  1969
Recommended by eftimihn [profile]

Delicate instrumental by Dave Grusin, that grows with each listen and has all the charachteristics of late 60s arrangements i love so much. The instrumentation is diverse, rich, yet subtle with piano, organ, horns, flutes and wonderfully arrangened, smooth strings and some harp embellishments thrown in. The mood is mellow, romantic with a dose of melancholia. Another great instrumental from the soundtrack, "California Montage", has recently appeared on "The Get Easy! Sunshine Pop Collection", while this one unfortunately is only available on vinyl.

from Winning (Decca DL 79-169)



a coral room  performed by Kate Bush
Recommended by moondog [profile]

The album is a huge disapointment (12 years for making an album that sounds like rejected b-sidesmaterial to hounds of love) but this lovely, moving piano ballad about her mothers death shows why there really is no one else like Kate Bush.

from aerial, available on CD


A Dream Goes On Forever  performed by Todd Rundgren  1974
Recommended by BillyG [profile]

I was looking up and down the list and wondered "why wasnt there any Todd Rundgren"? This is one of my all-time favorites from him at his creative peak. Although sometimes his ego and additudes about the music business (and fans) gets in the way of me enjoying his music, on this track he keeps his ego in check and uses his melodic (and commercial) smarts to make this one of this greatest ballads.

This is just an wonderful track, along with a amazing Stevie Wonder meets Brian Wilson all synth production. Also check the solo piano version on his "Back to The Bars" 2-CD set.

from Todd (Bearsville, reissued by Rhino)
available on CD - Todd, also on The Best Of Todd Rundgren (Rhino)


A Losing Battle  performed by The Sims Twins  1964
Recommended by tinks [profile]

Killer New Orleans r&b with a great piano line supplied by none other than Mac Rebbenack (Dr. John).

from the single A Losing Battle (Omen)


A Song For You  performed by Ray Charles  1993
Recommended by FlyingDutchman1971 [profile]

Ray Charles makes any song that he sings his own. This song is certainly no exception. I've heard several versions over the years but none of them can compare to Mr. Charles'. Sitting at the piano and backed by an orchestra, Ray sings this song with an intimate feeling that nobody can match! The boxset that Rhino put out in 1997 is a great compilation that features tracks from several labels that Ray Charles has recorded for over the years and is worth every penny!!!

from My World (Warner Bros 26735)
available on CD - Ray Charles: Genius and Soul (Box Set) (Rhino 72859)


Ad Gloriam  performed by Le Orme  1969
Recommended by antarctica [profile]

Ad Gloriam is a beautiful, light, joyous psychedelic pop song. It's built on looping melodic layers of sound by the standard guitar/bass/drum combo as well as piano and background vocals. I challenge anyone not to smile when they hear this track.

from Ad Gloriam



Aikea-Guinea  performed by Cocteau Twins  1985
Recommended by delicado [profile]

A perfect song. I love every note. The mood is desolate, yet warm and reassuring as well. The bassline and guitar playing recall some of the great early-period New Order tracks. The track fades in beautifully with bass, drums, and guitar. The drums and bass are steady, while the effects-laden guitar shimmers over the top. Liz Fraser's vocal is at first understated, until the chorus begins. Her voice soars as a simple piano sound joins the mix. The chords are simple, almost inevitable, but the instrumentation and execution are quite stunning.

Happily, you can hear this song and see the original video at the Cocteau Twins official site: http://www.cocteautwins.com/html/media/video.html.

from the single Aikea-Guinea (4AD BAD501)
available on CD - Aikea-Guinea (4AD)



  audioadventures: Another one of my favourites of all time. Gives me goosebumps.
  leonthedog: Yes, I remember playing this EP over and over back when it was only on vinyl... Although "Kookaburra" is, in my opinion, even more heavenly! Like angels comforting you...
ain�t got no home  performed by clarence "frogman" henry  195x
Recommended by olli [profile]

nice slice of 50's piano-based novelty rock n' roll. at first this sounded pretty average to me, but when the second verse kicked in, and he started singing like a girl as he'd mentioned earlier in the lyrics, i knew it was a keeper. if you hang in there for the third verse, you'll hear where the man got his nickname, too:). i'm heavily into fifties and early sixties "semi-novelty" records, so this was pretty much like hitting the jackpot.
it's the only song of his i've heard that's done anything for me, though.






  n-jeff: Heh, I put this song on this years holiday tape I did for my 6 year old daughter. Quality, cheered me up whenever it rained. I went to see him perform in the 80's in a little pub in Putney. Can't remember a thing about it though apart from it being an old style Rhythm and Blues session. The only other song of his I know (and it was a big hit IIRC) is a ballad in the style my grandmother would have loved. And I can't remember the name of it, but its not a patch on this one.
"I sing like a girl, and I sing like a frog"

  bmsmithsmith: Good choice. First heard this on the Sounds of Monsterism Island compliation. It's a great feel good rock 'n' roll number guaranteed to put a smile on your face.
Alan Watts Blues  performed by Van Morrison
Recommended by PLQ [profile]

Love the piano sound - great lyrics

from poetic champions compose


All Blues  performed by Miles Davis  1959
Recommended by peek [profile]

A slow modal jazz blues from the record that defined modal jazz.
Miles - Trumpet
Julian "Cannonball" Adderly - Alto Sax
John Coltrane - Tenor Sax
Bill Evans - Piano
Paul Chambers - Bass
Jimmy Cobb - Drums
Like allways with Miles all musicians are outstanding. The modal form - in short very few chords and more based on notes in scales - whas new and fresh so the musicians had to be very creative and innovative. And They Succeded in making some of the best music ever created.

from Kind of Blue (Colombia CL 1355)
available on CD - CK 64935 (Colombia/Legacy)


All God’s Creatures  performed by Jason Falkner  1998
Recommended by snoodlededoogans [profile]

heavy guitar, a "liberace-esque" piano break, un-heavy lyrics. the guitar MAKES this song. jason can play...

from Can You Still Feel? (Elektra)


Amori Finiti  performed by Giancarlo Gazzani  1966
Recommended by delicado [profile]

To me, this track is a perfect distillation of all that is wonderful about bossa nova and the various hybrids which it inspired. Bossa nova was taken up all over the world after its rise in the late 50s and early 60s, but Italian musicians seem to have done an especially good job of absorbing its charms.

A simple instrumental, this opens with a plucked guitar and simply builds up and down, adding piano and strings and then taking them out so beautifully that it makes you shiver. Alas, the rest of the compilation this is taken from suffers from poor sound quality. If anyone comes across the original Giancarlo Gazzani album, I'd be very keen to hear it, although I fear this track may be an isolated gem.

from Musica per commenti sonori
available on CD - Metti una bossa a cena (Schema)




  Swinging London: Really nice. Reminds me of a 1966 movie soundtrack. Now I've got to search for the song.
ano zero  performed by egberto gismonti  1972
Recommended by 77lemming [profile]

astonishingly beautiful, early 70s brazilian masterpiece. a classical piece disguised as a pop song, with a simple piano playing a wistful melody punctuated by an amazing unexpected ascending chord hook. gismonti sings the original version, with a string section and morricone-like wordless vocal backing him. for the final minute the key changes and the vocals and accompaniment stop, and the solo piano veers off into satie territory, before resolving back into the refrain. gismonti re-recorded this a few times, after finding success in europe as an avant/classical composer. this song also inspired the guitar and mandolin trio agua e vinho, who cover it on their self-titled album along with a few other gismonti compositions.

from agua e vinho, available on CD


Apple Of My Eye  performed by Ed Harcourt
Recommended by LawrenceM [profile]

Ed Harcourt has now committed this song to tape three times in three years. Firstly on the excellent debut mini-LP "Maplewood" in 2000. It was fleshed out and re-recorded for his full-length debut LP, "Here Be Monsters", in 2001, and now surfaces again in 2002 as the a-side of his most recent single. This time it's even better still, and comes accompanied with a great video. This is classic, piano led pop which could have been recorded at any time in the last 30 years. Comparisons to Randy Newman, Nick Drake andTom Waits have been forthcoming, and not unjustified. A great song which just gets better with each trip to the studio.

from Here Be Monsters, available on CD



Are you the one that I've been waiting for?  performed by Nick Cave and the Bad Seeds  1997
Recommended by phil [profile]

Like most of the boatman's call album, this one is very sparse - it's essentially the piano and Nick's voice. The lyrics are Nicks best ever effort though I reckon - it's him trying to decide if someone really is the love of his life: "well we would know, won't we?/ stars would explode in the sky/ But they don't, do they?/ Stars have their moment, and then they die."
 
It really does repay listening to about a hundred times - very moving.

from The Boatman's Call, available on CD


Aren't You Glad  performed by The Beach Boys  1967
Recommended by tinks [profile]

This song has a very tender vocal, which I believe is by either Carl or Dennis, a super-cool reverb-laden piano and sweet handclaps that cue up organ and trumpets. As fully-realized a piece as anything on "Pet Sounds".

from Wild Honey (Capitol)
available on CD - Wild Honey/Smiley Smile (Capitol)




  Swinging London: I LOVE this song. From my favourite (under-rated) Beach Boys album, 'Wild Honey' (1967) There's also a live version available on a Beach Boys 'Live' album, which I believe was recorded in London in 1968...they fluff the lyrics, which, actually, adds to the charm. Anyway, thank you for reminding me of this little gem.
arise  performed by lynne Arriale trio  2002
Recommended by dexxas [profile]

If You have a good hi fi system seriously set up with good speaker cable and good interconects and your taste is smooth jazz. this lady is wonderful. Just piano double bass and drums hear. The detail in this CD recording is brilliant. every light touch the drummer makes you can pick it out. the track i have picked is the title its soft haunting and rather special have a listen.

http://www.jazzweek.com/feature/article/7_000432.html

from Arise (Motema Motema MTM/1372)
available on CD - yes (Motema)


As Strong As Samson  performed by Procol Harum  1974
Recommended by john_l [profile]

Best known for their organ-drenched debut 1967 hit "A Whiter Shade Of Pale", Procol Harum continued for quite a long while and in fact have re-formed in recent years. A lot of their 1970s songs seem to have an odd jerkiness about them, but "As Strong As Samson" is the one in which they put it all together properly, 'cause it's smooth, heavy, and it swings! With organ, piano, and pedal steel guitar all pitching in, surely this is high up somewhere in the 1970s top ten songs.

Produced by Chris Thomas, who later did "Back On The Chain Gang" for the Pretenders and the "Different Class" LP for Pulp, so that's quite a line of quality there.

from Exotic Birds and Fruit (Chrysalis)
available on CD - The Chrysalis Years (Chrysalis)


As We Fall  performed by Groundbreaking  2016
Recommended by TheLoganJackson [profile]

The beginning of "As We Fall" starts with piano and later some synths and drums. I love the lyrics and how well Groundbreaking creates the atmosphere for the song.

from Anarchy


Astronaut’s Wife  performed by Netherfriends
Recommended by evandavis7 [profile]

A trippy sounding track from the One-man-with-variou-people-helping-out band "Netherfriends. A Korg making weird sounds in the background, piano, a nice drum beat, and some pretty good vocals too.

from Home's Where My Houses


At My Most Beautiful  performed by REM
Recommended by javaviolet [profile]

This song is such a happy one, without being overly pop oriented. Just Michael Stipe's voice, a piano, simple percussion and the kindest words.

"I read bad poetry
Into your machine.
I save your messages
Just to hear your voice.
You always listen carefully
To awkward rhymes.
You always say your name,
Like I wouldn't know it's you,
At your most beautiful."





  FlyingDutchman1971: Mike Mills and Peter Buck orchestrated the music on this track as an homage to Brian Wilson of the Beach Boys. One of the best REM songs in recent years!
Bachianas Brasilieras #5  performed by Lalo Schifrin  1964
Recommended by tinks [profile]

Beautiful summery easy-bossa arrangement of this Villa-Lobos orchestral piece. The tempo floats along at a lazy pace, augmented by gorgeous piano and flute solos, then comes to an abrupt end with a very cool bass riff. Apparently, Schifrin recorded another version of this song in 1996 on the "Gillespiana" album, and that features Karlheinz Stockhausen's son Markus playing trumpet!

from New Fantasy (Verve V-8601)




  Swinging London: NICE...very nice!
Balance of Nature  performed by Burt Bacharach  1973
Recommended by konsu [profile]

What a great song! Burt's a heavy hitter on these pages, as you can tell I'm sure. There is something magical when he sings, maybe it's because he seems to humble the incredible songs he writes, or that he works with the best singers to walk the earth. Here is Burt at his best, in a spare setting with a strolling rhythm and paced piano chords, almost like he's singing to you across a smoky piano bar. The song conveys a simple truth, and almost makes it seem like a gospel, that nature continues unabated despite human trials and tribulations... How true.

A hard LP to get your hands on it seems. But worth the wait!

from Living Together (A&M SP 3527)


Berenice  performed by Marcos Valle  1971
Recommended by eftimihn [profile]

This track is only available on the japanese reissue of "Garra" as a bonus track. I can only assume it's from the same session, if so it's completely beyond me why this gem has been left out, maybe it didn't fit in the context of the album since it's incredibly mellow with great flutes, horns, piano, oboe and silky strings and possibly didn't properly mix with the rest of the songs on the record.

from Garra (Remastered Japanese Edition), available on CD



Big Town Boy  performed by Shirley Matthews  1963
Recommended by john_l [profile]

This is a very lively track that was produced by Bob Crewe, of Four Seasons fame (and who just might be my favourite producer of all time). It utilizes piano triplets, horns, clattering drums, and great lead and backing vocals to make a typically tight '60s track where not a moment is wasted. And it's in 6/8 time, which means it can sound straightforward but with a bit of "swing" to it, meanwhile some of the drum fills can hit on every second beat rather than every third one. There really hasn't been a better song out of Canada in these past 40 years ...


available on CD - Made in Canada Vol. 1 1960-1970 (RCA)


Black Coffee  performed by Petula Clark  1968
Recommended by delicado [profile]

Regular visitors to this site will know I'm partial to this song and to the era of this recording. But nothing could have prepared me for the mind-blowing grooviness this Petula Clark version from 1968. It has a 'slightly too slow to dance to' funkiness, kind of like the tastiest version of 'Watermelon man' you ever heard. The arrangement has piano, bouncy drums, peppy brass, flutes, and to top it all, some beautiful strings adding some complexity to what is basically a simple bluesy composition.

Isn't it great when you come across a track and just think 'this is the best thing ever'?

The entire CD is great - 28 of Petula's grooviest tracks. I recommend it!

from The Other Man's Grass (Is Always Greener) (Pye NSPL 18211)
available on CD - Feelin' Groovy (Sanctuary)




  FlyingDutchman1971: Ah, Ms. Pet! She is one of my favorites too. I've managed to get my hands on most of her 60's catalog, including the original album this song comes from. Thanks for mentioning her! k.d. Lang also does a beautiful rendition of this great torch song on her album "Shadowland".
Blowin' Bubbles  performed by Call and Response  2001
Recommended by ronaldo [profile]

Just a perfect, perfect pop song. Makes you wanna dance and groove along, but at the same time it's soo unbelievably sweet and a just a liitle melancholy. It starts with a drum beat, and then there's this bass-and-drums groove for a few seconds. Then a little sweet electric piano line enters, just before the voice begins singing the melody: "I'm drinking stars up in the sky, you know where you are / I'm driving cars around your house, it seems so fun". When it's time for the chorus ("So listen to my bubble go pop / I'm coming in, I'm coming over the top"), the main voice sings over a backing vocal doing an "ooh" harmony, and then there's absolute genius backing vocal, where the word "pop" becomes "papapapa". After that, a little guitar riff/solo, along with a very cool electric piano line. Then it just repeats everything all over again one more time, for infinite happiness. The time for a middle break has arrived. A new funky bass groove with lots of different "papapa"s harmonizing together. Now, go back to the first bass-and-drums groove, with a jazzy, relaxed guitar solo, and then it's just grooves and grooves and heavenly harmonies, "Blowin' bubbles".




Bones  performed by BRANDI IFGRAY  1999
Recommended by beautifulmutant [profile]

Kind of like a drole walk through rainy streets in Europe somewhere. Light, jangley echoy guitar reminds me of Ocean Blue, The Smiths and more but in a more mello mood. No one seems to know who Brandi Ifrgray is... he sang for Shadowplay before releasing two very cool CD's "Le Mutant" and "Stargazer".

from Stargazer (Sahko)
available on CD - STargazer


breakdown suite  performed by serge gainsbourg
Recommended by olli [profile]

a couple of great spy jazz tracks from the movie "si j'etais un espion" by my favourite old pervert..funky guitar/strings combination followed by a morricone-like piano part. (this entire soundtrack seems to be quite inspired by some of morricone�s work...) there's a really nice repetetive bass line that pops up a couple of times during the track.


available on CD - le cin�ma de serge gainsbourg, vol 1



Bridge Over Troubled Water  performed by Simon and Garfunkel  1970
Recommended by FlyingDutchman1971 [profile]

What a beautiful song from one of the most influential duos of the 1960's. Paul Simon has written some of the best songs of this past century and this is among his finest. The moving orchestration featuring piano, violins, and the booming kettle drums convey the emotions of this song in a way that transcends time. It is still as moving as it was 32 years ago at the time it was released!

from Bridge Over Troubled Water, available on CD


Broken Stones  performed by Paul Weller  1994
Recommended by ElOleg [profile]

Just a great song from a great artist. With a piano base, from the CD Stanley Road.

from Stanley Road, available on CD



  gaymod: genius tune...rhythm track is nicked off The Faces Oh La La track one Side two
Bumblebee  performed by Roman Andren  2008
Recommended by Festy [profile]

You'd be forgiven for thinking this one of Sergio Mendes' hipper tracks from his Brasil '66 or '77 period. It has that old sound to it and is really warm. It starts off breezy and builds with energy whilst Roman Andren, a young Swedish musician, composer and DJ, plays some beautiful electric piano over the top. Although it starts off with vocals over a sparse bass and electric piano combo, the vocals don't come in again until a while into the track. By the end of the track, the energy is at its most, yet still breezy, with brass, vocals and hand-claps providing a sense of a party. It's the perfect song for a summer's day or, close your eyes on a dreary winter's day and be transported.

from Juanita & Beyond : Live Studio Sessions, available on CD



By the time I get to Phoenix  performed by Dorothy Ashby  1969
Recommended by delicado [profile]

The idea of a funky jazz harp rendition of this classic Jim Webb song is probably cheesy to some people, but trust me, this one works brilliantly. The opening shimmers delightfully with fender rhodes piano, strings, and a huge breakbeat. Dorothy's harp then takes over, and we move into a nice pop/funk/jazz take on the song. The relentless beat is pretty funny when you compare this version to others (e.g. the Glen Campbell hit version, also Nick Cave's classic stripped down version from 'Kicking against the pricks'), but it is really very charming, happy stuff. A similar funk/pop hybrid occurs on her version of 'Windmills of your mind' - highly recommended.

from Dorothy's Harp (Cadet)



Call Me Irresponsible  performed by Stephen McCarthy  2006
Recommended by edhurst [profile]

This is the title track from Stephen McCarthy's debut album. It features Piano, Bass, Drums and Sax with Stephen providing the vocals.

It shows the upbeat version of Stephen McCarthy's voice ... he also does some really slow mournful tracks on this album as well.

One of the reasons I like it so much is because Stephen made the album independently of any label.

from Call Me Irresponsible, available on CD


Campground Daughter  performed by School for the Dead  2004
Recommended by catmarigold [profile]

Melancholy but hopeful. This is a gentle song, with acoustic and electric guitars, electric piano, bass, drums, and voice. Excellent lyrics, terrific mood.

There's a little story here, punctuated by flashes of images and moments.

The song is written by Henning Ohlenbusch who has worked with Chris Collingwood (Fountains of Wayne), Mark Mulcahy, and Lloyd Cole. If those names mean anything to you, then chances are you will enjoy this warm track.

from The New You, available on CD


Casa Bianca  performed by Ornella Vanoni  1968
Recommended by respiro [profile]

Guitar, piano, violins, drums, backing chorus and Ornella Vanoni singing in this gorgeous San Remo hit from 1968. This is one of the type of 'slow burn' italian 60's pop hits that I can't get enough of, sort of mid-tempo with a rich detailed backing arrangement and vocals with a certain weight but which by the end will soar.


available on CD - Nostalgia Italiana 1968


Cast Your Fate To The Wind  performed by the Vince Guaraldi Trio  1962
Recommended by FlyingDutchman1971 [profile]

Two years before he became the musician responsible for the great music featured in the classic 'Peanuts'animated TV specials, Vince Guaraldi and his trio hit the charts with this great little instrumental that is the epitome of San Fransisco-style jazz. Vince Guaraldi was a master at Jazz piano and the artists who performed with him created truly great performances that any lover of jazz will be glad to have in their collection.

PS: Released as the B-Side of a single to radio stations, disc jockeys preferred it over the A-Side.

from Jazz Impressions of Black Orpheus, available on CD


Catolé  performed by Orquestra Jean Kelson  1965
Recommended by delicado [profile]

This is a jazzy, haunting track from an LP I bought in Brazil last year. I've tried hard to find information about Jean Kelson, but the only mention I've found (other than those I've made myself) is in one of Ed Motta's excellent archived radio shows at his official site (http://www2.uol.com.br/edmotta/sala.htm). Ed plays a different track from this album, Munganga.

Catolé sounds musically like a variation of Baden Powell's classic 'Berimbau', and opens with an incredibly catchy refrain featuring piano, percussion and trumpet. Gentle male voices then come in and flesh out the melody. The entire album is great. I wonder what the chances are of it coming out on CD...

from Berimbau e Bigorrilho (Copacabana CLPS 21012)



Children (Dream Version)  performed by Robert Miles  1996
Recommended by FlyingDutchman1971 [profile]

A great thumping house-groove! Robert Miles flawlessly blends amazing piano work with great techno and produced a great album of very danceable tracks, especially this one. This is perfect for listening to while driving!

from Dreamland, available on CD



Cinnamon and Clove  performed by Sergio Mendes and Brasil ’66  1967
Recommended by delicado [profile]

A beautiful take on this tune, which sounds as if it were made for the group. The sound is typical of Sergio Mendes’s work - a strong driving bossa nova beat, a beautifully clean piano arrangement, and tasteful vocals.

from Sergio Mendes and Brasil 66 (A&M SP4122)



Clap for the Wolfman  performed by The Guess Who  1973
Recommended by Bebecca [profile]

Bluesy guitar and piano

from Road Food


Coffee Cold  performed by Galt MacDermot  1966
Recommended by brendan [profile]

I first heard this song sampled on 'The Truth' by Handsome Boy Modelling school, essentially the bones of the instrumental coffee cold, with new lyrics from Roisin Murphy (much better than Fergus MacRoy's on a alternate version of the original).

The song itself is piano based, and has amazing drumming. I am a musical goon and cannot explain it much more than that, but the song has a really nice dusty feel to it. The fact that this was sampled in a modern hiphop record and the drums remained unenhaced says a lot.

This is a great song and well worth tracking down for any fans of funk, jazz or hip hop.

from Shapes Of Rhythm (Kilmarnock Records)
available on CD - Shapes Of Rhythm/Woman Is Sweeter (Kilmarnock Records)



  konsu: I believe it's Bernard Purdie playing the drums. Possibly THE most sampled drummer in hip-hop...
Coffee Talk - Yukihiro Fukutomi Remix  performed by Jazzanova  2001
Recommended by secularus [profile]

Although this track is not my favorite from Berlin's Jazzanova, I think it best represents the best bits of of their own work and their remixes for others. This track is a few years old but has been newly remixed by Japan's Fukutomi. Jazzanova are at the forefront of the nu jazz scene in the dance world. Beginning with a soulful piano introduction, the tune breaks into a heavy bass driven uptempo beat, sprinkled with a bit of a jazz scat, and a sample of a very haunting and seductive flute solo that sounds as if it has been lifted from an old soundtrack. The song however is not as simple as this review and must be listened to carefully to appreciate all that it offers.




Complex  performed by Gary Numan  1979
Recommended by geezer [profile]

At the time a unique fusion of cold synthetic and a warmer organic fragility,following two consecitive number ones "Are Friends Electric"and "Cars" this track revealed the enormous potential of Numan,s futuristic vision.A slow piano led "ballad" with aching cello and violin parts ,sad and beautiful and if i must say utterly pleasant.

from The Pleasure Principle
available on CD - Pleasure Principle


Cough/ Cool  performed by The Misfits  1976
Recommended by Kriswell [profile]

This is by no means a new release, but I've recently gotten back in to it. Most people have a misconception about The Misfits. Yes they have recorded some very 'crap' songs, and the newly re-vised band and almost everything Danzig has done lately is complete garbage in my eyes, however the original Misfits early recordings, circa 1975-77 are simply amazing. 'Cough/ Cool' is a Hammond/ Fender Rhodes driven, atmospheric masterpiece. Danzig croons like Jim Morrison in this emotionally charged ballad(?). Granted, the lyrics are kind of dark, "scent of blood when you cough, cool, cool, cool, cough, cool ", and most of the other words are relatively indeciphrable, yet shockingly 'pretty'...at least in their tonal quality. The song is very scaled-down and under produced (organ, electric piano, bass and drums), but this is a good thing, it's part of its charm. The amount of reverb and slap-back echo on Glenn's voice is brilliant. So, I urge anyone who has never listened to The Misfits due to the forementioned reasons to get off their collective 'high horses' and give it a listen, they have some really great songs. Other good tracks from the same era include; "Return of The Fly", "She", "Hybrid Moments", "Come Back", "American Nightmare", etc...

from the single Cough/ Cool (Caroline)
available on CD - Coffin Box Set (Caroline)




  yoakamae: Ya I'd have to say, the Misfits were an amazing band during the 70's. Their old work was all so original, I can't get a feel for Danzig's new material with his current band. Last Caress is a great old track as well, one of my favourites with that awesome guitar riff, circa '79?
Creole Love Call  performed by The Comedian Harmonists  1933
Recommended by delicado [profile]

An amazing and atmospheric track by this famous German vocal group. There are no words, and the music is produced largely accapella - from what I can hear, there's just piano accompaniment, with some incredible vocal effects that range from beautiful to plain bizarre. The trills and glissando effects are other-worldly, but what really steals the limelight is the tradeoff between a bizarre kitten-like voice and a deep foghorn at 2:12 (featured in the clip)!

None of this will make sense until you hear it, so let me just add that the whole thing has a really pleasant, lazy mood that strongly reminds me of that amazing scene in 'Wild at Heart' when Laura Dern is sat on the car at the gas station and Glen Gray and the Casa Loma band's 'Smoke Rings' is playing.


available on CD - The Comedian Harmonists (Hannibal)




  Turangalila: This track is marvelous, thanks for the heads up.
Daddy  performed by Beyoncé Knowles  2003
Recommended by trixlation [profile]

it's a very beautiful song!! The piano in the background is sooo soulful!
I think, beyoncé sings in this song about her true experiences and feelings.

from Dangerously in Love, available on CD


Dance Girl Dance  performed by Cinerama  1998
Recommended by john_l [profile]

Dave Gedge, main man in long-time British alternative band The Wedding Present, decided to do something a bit different in the latter part of the 1990s, so he enlisted girlfriend Sally Murrell and a number of musical friends and put out some really good material under the name Cinerama. The purpose was to do some less noisy, more classic-pop oriented tunes, and it worked like a charm! This track, their second single, is a sprightly '60s-influenced number, which means it's mega-tightly produced and has the rhythm guitars at the back of the mix where they belong. It also has a nifty string and piano arrangement. Lyrically it's a fantasy about a girl he wants very badly (not in real life presumably). The song is on my '90s top ten list for sure!


available on CD - Va Va Voom (spinART)


Danger! She’s a Stranger  performed by The Five Stairsteps  1967
Recommended by delicado [profile]

I fell in love with this song this evening. At this point it's hard to find many words to describe it; I'm just dazzled by how wonderful it is. It's a mournful and spooky-sounding soul song, opening with some percussion, and then some harmonized background vocals, drums, brass and piano. I guess the kicker for me are the shimmering strings in the arrangement, which come in with the main vocal. The vocals are fraught with emotion, and there is a very interesting use of vocal sounds as the song fades out.

Being a Five Stairsteps novice, I'd like to know if they recorded many other tracks like this. I gather that the record was produced by Curtis Mayfield, but I've never heard anything by him with quite such a delectable arrangement. Any advice would be appreciated!


available on CD - The First Family of Soul (Buddah)




  Arthur: The Five Stairsteps have a history going back to the mid sixties -they recorded for Curtis Mayfields 'Windy C' label and later for George Harrison's 'Dark Horse' label Group main man Kenni Burke is still active in the music business, having co penned the much copied and sampled "Rising To The Top" and has recently (last year) visited the UK where he performed a number of PA's and recorded at least one song. I have to confess I never heard "Danger! She's a Stranger" but will make it my mission to do so!
  tinks: oh my god, this is one of my all-time favorite songs! i can't believe i never thought to put it up. i love the backing vocals..."danger! stranger!"
  delicado: You have excellent taste! For the record, I was able to find one other Five Stairsteps track that has a similar moody feel to it. It's called 'Something's Missing', and is almost like a prototype version of 'Danger...'
  bobbyspacetroup: Sampled by Outkast incidentally (check out "Two Dope Boyz In A Cadillac").
  delicado: Yeah, I read about this and checked out the Outkast song. I have to say I wasn't that impressed. I think maybe the big beat over the piano and gentle shimmering strings killed it for me a bit!
  artlongjr: Fascinating to read the comments here...I didn't know Outkast had sampled this. I remember first hearing this song when I got their first album way back in 1981, and it is my favorite tune on there. It's a classic of Chicago soul. The strings, horns and Clarence Burke Jr.'s lead vocals and the group harmonies add up to a delightfully foreboding, almost sinister mood on this number. This came out in 1966, I also have "Something's Missing", which came out on Buddah in 1967. I keep telling everybody I know that the Stairsteps are easily the equals of the Jackson Five! They also did a terrific funk-psychedelic number in 1969 on Curtom called "Madame Mary"...I can't figure out the lyrics but it may be about marijuana!
  karen: If you like "Danger She's a Stranger", you will love "You've Waited Too Long". I remember the Five Stairsteps, and they were a lot more talented than the Jackson Five (and better looking). But unfortunately they were not on a major label like Motown, but they got a lot of respect and admiration in the Black community and plenty of airplay in DC, NY, Philly, etc. "Oooh Child" was a major hit...I wonder what they are doing now and how they look.
Daphne (Laurel Tree)  performed by Kayak  1979
Recommended by john_l [profile]

This is one of the great chase songs that I know. From the insistent piano-based beat you can imagine Apollo getting it on for Daphne, and putting her in the sky or something, which seems to have been de rigueur for Greek gods. Kayak played guitar-and-piano-based progressive pop/rock (without anything overly long) but didn't really come together until "Phantom of the Night" in 1979 (ignore the UBL ratings, they're way off the mark). "Ruthless Queen" and the title track are very pretty and overall the whole album is excellent.

from Phantom of the Night (Janus)


Descarga  performed by Gerardo Frisina  2001
Recommended by secularus [profile]

Upon first listen to this tune, I was sold! Available so far only on 12", the track starts off in a traditional congas ala samba vibe with dashes of upright bass. Then the simple but colorful piano melody kicks in and your booty is ready to move. Although this is a modern dancefloor stormer you cannot help but hear its nod to a bygone era in Latin music. If it wasn't for the quick tempo I would think this fine example of a dancefloor delight was created in the late 60s, early 70s.


available on CD - Break n Bossa 4 (Schema)



  delicado: Frisina also compiled the excellent 'Up' compilation on Schema. Great early 70s instrumentals with a hard groove - highly recommended!
Di�logo  performed by Marcos Valle and Milton Nascimento  1969
Recommended by scrubbles [profile]

Gorgeous, sensitive piano-driven ballad with Valle and Nascimento trading lines. This reminds me of how rare it is to find a duet with two men (makes me wish I knew Portuguese to understand the lyrics!). Beautifully sung and arranged, the tune is pretty much an ideal melding of Valle's and Nascimento's sounds.

from Mustang C�r de Sangue, available on CD


Do it again  performed by Ronnie Aldrich  1969
Recommended by delicado [profile]

This is pure fun, a track with that 'easy cheesy' sound which many people love to hate. But wait, this is brilliant! Although rather clunky and an extremely 'square' take on 'hip', this is quite magnificent, honestly. Backed by a relentless beat, Ronnie plays the tune on 2 pianos, while for the bridge section the superb harmonies in the Beach Boys original are played out beautifully by the London Festival Orchestra. Although it's something of a guilty pleasure, I have to recommend this track very highly. Listening to it now on headphones, I notice that it even has that stereo effect having each piano come out of a different channel, an effect used to great effect on his version of 'soulful strut'.

from This Way (London/Phase 4 SP 44116)




  tinks: and here i was convinced that i was the only person in the world that liked this album! the cover of "mas que nada" on here is great!
Do What you Wanna  performed by Ramsey Lewis  1969
Recommended by delicado [profile]

A nice funky instrumental with simple blues chords. Ramsey plays electric piano, and the beat is sweet, like a lot of Cadet label stuff from the late 60s. Groovy stuff, and quite easy to come by on the reissue 2 LP - 'Inside Ramsey Lewis'.

from Another Voyage (Cadet LPS-827)




  tinks: excellent track! definitely one of my favorites from ramsey's late 60s work.
Do You Know The Way To San Jose?  performed by Bossa Rio  1969
Recommended by konsu [profile]

WOW! We all know how much the brazillians love Burt, well, this is a fine example of how well he was interpreted by the south.



They keep the original arrangement but spice it up a bit with snappy side-stick beat and pumped-up organ stabs ala' Wanderley.The singers are (I believe) Gracinha Leporace & Pery Ribeiro,and they harmonize beautifully as Manfredo Fest rythmically taps his organ paired with piano in a sumptuous unison.They carry the song along in gradually ascending stages of bliss,until they drop away only to build "Do-you -know-the-ways"in an rounded refrain to finsh it off...Absolutely gorgeous! Produced by Sergio Mendes in his imitable style!!!Also check out their version of "Up, Up, And Away", from the same LP.

from Bossa Rio, available on CD



Don’t Try Suicide  performed by Queen  1980
Recommended by Ozmala [profile]

A very cheerful song, with some great piano. The lyrics are funny, if you're into that kind of thing. (I am.)

from The Game


Don�t Leave Me  performed by Hal Hester  1968
Recommended by delicado [profile]

I know very little about Hal - I just picked up this LP for a dollar on a hunch that it might be good. It's pretty great. There are two or three very strong 'mod' tracks, and then this, an example of my favorite kind of easy listening cut. It's very pretty and reasonably slow, with nice strings, good piano and solid percussion. There are some vocals, but their involvement is minimal. If I have a complaint, it's that the piano becomes slightly overbearing. But it's a cool track all the same.

from Hal Hester Does His Thing (RCA)



Don�t Want To Know  performed by John Martyn  1973
Recommended by gregcaz [profile]

Starts out quietly, acoustic guitar playing the theme, joined quickly by discreet electric piano and stand-up bass, then Martyn's low, growly-yet-soulful voice starts repeating the chorus ("I don't wanna know about evil/Only want to know about love") like a mantra. Halfway through, the rhythm section kicks in, and you find yourself singing along to said mantra. Highly effective and very memorable.

from Solid Air, available on CD



Doop-Doo-De-Doop (A Doodlin' Song)  performed by Blossom Dearie  1958
Recommended by tinks [profile]

Blossom Dearie is, in my opinion, one of the most underrated jazz vocalists of all time. Dearie's phrasing and piano playing within the small group arrangements on this album of standards are very, very reminiscent of Mose Allison (who just so happens to be another of my all-time favorites). On this track in particular, she delivers a very charming performance, combining the innocent ingenue with the blase urbanite.

from Once Upon a Summertime, available on CD




  delicado: I love Blossom's stuff as well. Haven't yet heard a bad record by her. She did an unusual record in 1970 called 'that's just the way I want to be' on Fontana. It's available (coupled with 'give him the ooh la la) on a japanese CD, 'whisper for you'.
  tempted: Oh, and "London in the Rain". What a fabulous singer!
  egbdf: I have been hearing about a Japan CD which would be a reissue of Blossom Dearie's 1976 American double LP entitled 'My New Celebrity Is You'. No one however can locate it. If you can help please E me. Best Regards, egbdf.
  klatu: Definitely a favorite! I also love to 70 album "that's just the way i want to be" and think the version of "both sides now" blows away the Judy Collins. Also a huge fan of the schoolhouse rocks stuff "unpack your adjectives" and especially "figure eight".
  singjohn: A Doodlin' Song (not to be confused with "Doodlin'") apparently had an effect in it's time. Peggy Lee recorded it. It was even featured in an episode of the Dick Van Dyke Show where Mary Tyler Moore and Dick did a little dance number to it in their living room for their party guests! This song is perfect for the Blossom Touch! Cute simple lyrics and melody make the tune perfect for Blossom's child-like voice and bouncy delivery. She was the voice of several of the old Schoolhouse Rock shorts that used to play in Saturday mornings in the '70's. She is also an accomplished pianist and played on many of her own recordings. Another fave Blossom tune: "Rhode Island Is Famous For You"
  tinks: jesus, any version of "both sides now" that isn't by judy collins blows away the judy collins version. give me dick hyman any day!
  norfy: check out-'both sides now'by the veteran golfer tony jacklyn-from his excrutiating late 60's album-swings into...'-a superb psych-crooning version up [or down there]with william shatner and tony bennett's 'eleanor rigby' and richard harris!! judy collins entire existence is a crime.
  mpanzera: Thank you, Tinks! I *love* Blossom Dearie, but hadn't heard that track yet. I recently bought the eponymous CD (with a great picture of her in glasses at the microphone...), and must have played "Tout Doucement" about a thousand times.
  splurben: can anyone identify the male voice singing behind blossom on this track?
  andy: I believe the male voice is Cy Coleman, the song's composer. I have only another website comment's word for that, but it does sound like him.
down to you   performed by joni mitchell  1974
Recommended by flange1515 [profile]

from 1974, she had gone to the piano more by then




Dream On Dreamer  performed by Brand New Heavies  1994
Recommended by eftimihn [profile]

The Brand New Heavies were one of the significant groups of the then popular "Acid Jazz" sound in the early 90s. "Dream On Dreamer" still strikes me with it's precisely executed funk rhythm and lush production: Tight rhythm section with funky drums, guitar and bass combined with jazzy piano chords, swirling strings and a crisp brass section. On top of that some flutes, fluegelhorn, percussion and organ with a very pleasant vocal performance by N'Dea Davenport.

from Brother Sister, available on CD



Dressed In Black  performed by The Shangri-Las  1966
Recommended by m.ace [profile]

"Dressed in black, he walks alone, a shadow in the night." The Shangri-Las death trip reached a powerful climax in this eerie song of loss and lingering. Funereal piano chords balanced by surging choruses and a closing spoken section that leaves you as weak as the sadly wounded narrator. If this one doesn't get to you, you ain't got a heart.

from the single Dressed In Black (Red Bird)
available on CD - The Best Of The Shangri-Las (Mercury)



Eden Rock  performed by Fifth Avenue Band  1969
Recommended by gregcaz [profile]

Another stunner from an album full of them, "Eden Rock" finds common ground between folk-rock and quiet storm, sounding very ahead of its time. Piano, congas, bass, Spanish guitar and a smoooove lead vocal over jazzy changes mark this as a lost classic. It anticipates many of the paths that 70s pop, rock and R&B would follow. Two minutes and twenty-five seconds of joy.

from Fifth Avenue Band (Reprise RS 6369)


Eet  performed by Regina Spektor
Recommended by houndoom1234 [profile]

vocals and piano
lyrics and just the sound
D:D




Eleanor Rigby  performed by Oscar Peterson  1969
Recommended by delicado [profile]

Eleanor Rigby does not immediately seem like the kind of song which would sound good as a cover version, but this fantastic version by Oscar Peterson proves otherwise. It opens with a simply heavenly string sequence from Claus Ogerman. Then Peterson’s gentle and percussive piano comes in backed with an driving bossa nova guitar and a huge, rich string arrangement. The tempo then switches over to a more jazzy style with a walking bass.

from Motions and Emotions (MPS 21207137)




  n-jeff: For a version on another tack theres Enoch Lights' (I can't remember if its from Spaced Out or Brass Menagerie 73). But its a cracker. Driving bass, swinging horns and electric guitar taking it to a whole groovy level the Beatles wouldn't imagined for their ballad.
Elton’s Song  performed by Elton John  1981
Recommended by schlick [profile]

One of Elton's best piano ballads. This one deals with homosexuality in a sympathetic light.

from The Fox, available on CD


Empty Pages  performed by Traffic  1970
Recommended by geezer [profile]

Classic period Traffic ,soulful vocals ,jazzy electric piano and funky flute .Never soaring but gently uplifting on a sunny morning.

from John Barleycorn Must Die, available on CD


Eque  performed by Duke Ellington  1968
Recommended by delicado [profile]

Taken from his exquisite Latin American Suite, this is an unusual sounding track to me. Mid-tempo, with an unrelenting bossa nova style beat, the action is shared between the piano and various horns and saxophones. I guess it's the strange discordant tones that take this track higher for me. They remind me of some chords I've heard in the more adventurous Brazilian pop music of the late 1960s - basically taking what is fundamentally a sweet sounding, warm chord, and overlaying notes that provide a darker, more forboding feel.

Adding to this, the punctuating horns and reeds give the whole thing a gently groovy feel that's reminiscent of quirky 60s soundtrack music. Really cool stuff, and I recommend the whole album.

from Latin American Suite, available on CD


Escape  performed by Armando Trovaioli  1967
Recommended by bobbyspacetroup [profile]

Most of the soundtrack to this comedy-caper flick is pretty standard '60s soundtrack material. This track, however, is moody, top-notch crime jazz... The arrangement is chaotic but stirring with some really heavy bass-piano, wailing brass, and organ (used more as an atmospheric sound effect than to deliver any melody). Special thanks to Darrell Brogdon for playing this on his Retro Cocktail Hour.

from Treasure Of San Gennaro (Buddah BDS-5011)
available on CD - Jazz In The Movies, Cinecitta (CAM (Italy))



Esperanca  performed by Trio Mocoto  1971
Recommended by pleasepleaseme [profile]

Ben is one swingin' cat. Mocoto rock his Composition. Infectious piano & tamborine!

Very Perfect LP. Outstanding performing, nicely recorded, nicely paced. And a fine list of composers. Tim Maia, Antonio Carlos & Jocafi, Erasmo Carlos/Roberto Carlos & Jorge Ben.

from Muita Zorra!, available on CD



Eurpe After The Rain  performed by John Foxx  1981
Recommended by geezer [profile]

The magical Mr Foxx begins to allow some warmth into his sound after the detached ,sometimes clinical feel of his early Ultravox records and alienated classic "Metamatic".The voice is still remote and the lyrics open to a vaugue interpretation but this sublime piece of post punk pop benefits from Spanish guitar and an almost Abba-esque piano motif .This new found warmth adds a feel of hope and optimism to a previously bleak musical landscape .

from The Garden, available on CD


Even If You Dont  performed by Ween  2000
Recommended by Gwendolyn [profile]

This is such a fun song.. the lyrics outline this crazy relationship "I was happy this mornin/ you finally got yourself dressed/ eating raw bacon/ it's okay I was still impressed" It's got a happy beat w/ piano in the background. Love it.

from White Pepper


Extra Ordinary Thing  performed by Aqualung
Recommended by blindmelon7 [profile]

Almost a clasical piano piece but with amazing vocals




Face Of Yesterday  performed by Illusion  1977
Recommended by john_l [profile]

This is a slow, sultry, intimate piano-led song that makes a remarkable contrast to the frosty "Isadora" (q.v.) off the same LP, despite both songs having basically the same acoustic guitar / bass / drums / piano / vocals lineup. The difference between this kind of soft-rock and, say, the Carpenters, is that the latter were schmaltzy beyond endurance while Illusion provided the genuine article ...

"Face Of Yesterday" was recorded earlier by Renaissance on their "Illusion" LP, which gave its name to this group, which was actually mostly the same Renaissance lineup (with Jane Relf and Jim McCarty) before the Camp / Dunford / Thatcher group took over Renaissance. I know, I know, you can't follow the players without a scorecard in this case ...

from Out Of The Mist, available on CD


Faithfully  performed by Journey
Recommended by daniela_por [profile]

Beautiful song. It starts with a piano. "I'm forever yours, faithfully..."




Fascination  performed by Saint Etienne  2004
Recommended by eftimihn [profile]

With Saint Etienne being one of my favourite groups of the last decades (and possibly the best british pop group today) it's really hard to pick a track, it wouldn't be hard to recommend dozens of amazing tracks they did the last 15 years. That said, "Fascination" is the only new song they produced since Finisterre (2002) and it was included on their first compilation released in the US. It doesn't really matter if they embrace a more late 60s style a la Good Humor or a more electronic or dance approach to their music, due to Sarah Cracknells distinctive voice and Stanleys and Wiggs' ear for strong melodies it always sounds essentially Saint Etienne. This one is a heartfelt, bittersweet song, with an almost Hip Hop-ish basic beat, lush synths, floating harp-like electronica and a great piano melody.

from Travel Edition 1990-2005, available on CD



fell in love at 22  performed by starflyer 59
Recommended by olli [profile]

I'm not usually too big on this kind of indie pop, but this is just gorgeus. Melancholy lyrics, slow picked guitar, piano, church hall ambience...This could have been just about a zillion bands, yet it manages to have a voice of its own.
Just a great song for me right now.

Sounds eerily similar to Magnet, though.






  Ricard: Christian Rock... aaaggghh!
  olli: Yeah, i know, they're christian.. So was Johnny Cash. it's not like they're spreading propaganda or anything,and this happens to be a minor classic. The fact that I don't share the personal beliefs of the artists involved has never stopped me from listening to interesting music.. I'm not too narrowminded to shy away from music by buddhists, nazis, italians from the 80's, satanists, mooncat-worshippers or even christians, and neither should you be.
  rum: I agree olli. Good music is good music whoever's playing it. Narrow-mindedness will only lead to bitterness in old age, bemoaning all the great things you missed out on. I must confess though, ages ago I did once judge little known 80s Bristolian band, the Waxing Gibbons on their MoonCat worshipping beliefs. A mate of mine was really into them, but I was having none of it, wouldn't listen to their, "mumbo jumbo music". Then one time he played some stuff without me knowing who it was, and I was like, "woah, what is THIS?!" I couldn't believe what I was hearing. Absolutely awful.
  Ricard: Hmmm. You sound like some sort of preacher to me Olli... a Christian Preacher!!! Using the innocent world of Musical Taste to spread your sinister "Italians from the 80's" message to society's more susceptible elements. Despicable
  olli: Magnificent creatures, mooncats. Indeed. Take a look for yourself: http://www.mooncatstudio.com.tw/fu.jpg
Fidelity  performed by Regina Spektor  2007
Recommended by bikinisunday346 [profile]

The song has a soft piano/banjo/orchestra backround. The music flows through the heart with a soft melancholic note. Her voice reminds me of a sad cashier and a movie star combined. She isn't like any other singer i've ever heard. The lyrics related to me extremely well and made me truly smile. It truly is a beautiful song

from Begin to Hope



  mattishere: wonderful song. thank you
First Contact  performed by Erasure  1997
Recommended by FlyingDutchman1971 [profile]

Erasure is always guarenteed to get your feet moving and this song is certainly no exception. A surreal dancy story of alien abduction set to a great housy beat with prominent piano work that brings Robert Miles' "Dreamland" album to mind every time I listen to it. A great bassbeat mix of 'In My Arms' also appears among the nine tracks on this single.

from Rain CD Single, available on CD


Footprints on the Moon  performed by Francis Lai  1973
Recommended by delicado [profile]

An incredibly perfect easy listening piece, this opens with an other-worldly, John-Barry-ish synth sound, and then leads into a groovy, lightly funky piano riff, with shimmering strings. Francis Lai's signature organ sound carries the tune as the song builds into a dramatic orchestral pop masterpiece. A standout track, with superb wistful, lazy, summer day feel, rather like some of the best tracks on the 'Sound Gallery' compilation of a few years ago.

from Plays the compositions of... (UA UA-LA095-F)




  scrubbles: Yow! That sound snippet alone is so cool.
  AndreasNystrom: I finally got the version by Francis Lai, and i think its better then Johnny Harris one. Splendid song!. I love the ending part of it.. cant get that part out of my head :)
  standish: I'd have to go for the Johnny Harris original over the Francis Lai version. It's colder and spookier with less obtrusive strings. "Movements" is available on CD (great sleeve - his expression suggests a combined photo shoot/visit to his proctologist) - but the mono single version (w/"Lulu's Theme") is all you need.
  leonthedog: Well, thanks to all of you I had to track down BOTH versions! Amazing what a difference an arrangement makes. I agree with scrubbles: the clip of Lai's version is the most infectious thing around!
For All We Know  performed by Nina Simone  1957
Recommended by executiveslacks [profile]

I haven't heard any other versions of this song, although I can't imagine anyone else making it their own to extent Ms Simone does. With just a piano and her voice, it's such a beautiful yet majestic song.

from My Baby Just Cares For Me, available on CD


For Years And Years (Cathy)  performed by Tai Phong  1975
Recommended by john_l [profile]

This must be the epitome of French progressive rock, a (mostly) languid song made by piano and organ on top of the usual rock instrumentation. There is a short fast/noisy bit just before the middle that jars a bit, but basically you want to just lie back and relax while listening to this track, it's so mellow and lovely. Also recommended: "St. John's Avenue" and "The Gulf Of Knowledge" from their second LP "Windows".

from Tai Phong (WEA)


Fragil  performed by Jorge Palma
Recommended by daniela_por [profile]

Simple but powerful song. One of the best portuguese songs ever. The only instrument is a piano.




Getting Away With It  performed by Electronic  1989
Recommended by eftimihn [profile]

The amount of 80s talent was really incredible on Electronic's debut single: Bernard Sumner (New Order) doing vocals and synths, Johnny Marr (Ex-The Smiths) on guitar (pulling off a wonderful solo in the middle of the song), Neil Tennant (Pet Shop Boys) providing background vocals and Anne Dudley (Art Of Noise, arranger on ABC's legendary "Lexicon Of Love") orchestrated a wonderfully lush string arrangement. The outcome is a fluffy, elegant, slightly melancholic and almost timeless piece of british pop music (except for that dated, rather bland sounding electric piano).

from Getting Away With It (Single), available on CD




  delicado: odd - I was thinking about this song just yesterday. The B-side, 'lucky bag', was also quite good as I recall.
  Mike: Electronic could be very good indeed when they started out and I'm a big fan of a number of their songs from this period. Tennant and Marr went on to work together on the last PSB album, but I'd like to hear more collaborative work from Tennant and Sumner.
Going out of My Head  performed by Sergio Mendes and Brasil ’66  1966
Recommended by delicado [profile]

A wonderful version of “Going out of my head”, which was originally sung by Little Anthony and the Imperials. It's a great song anyway, with really nice words (well, nice for a Smiths fan like me, anyway: 'there's no reason why...my being shy...should keep us apart...'), but Sergio Mendes also adds an extra musical edge to the chorus, and this really adds a new dimension to the song. The instrumentation is classic Brasil 66: Percussive jazz piano, group vocals, and a driving bossa nova beat.

from Sergio Mendes and Brasil 66 (A&M SP4116)




  whoops: I totally agree with you. Their version of Caetalo Veloso's Lost in paradise is also quite wonderful.
Golden Hours  performed by Brian Eno  1975
Recommended by penelope_66 [profile]

Brian Eno on guitar, percussion, organs and piano and John Cale on viola. When you put geniuses like these two together, something brilliant is bound to happen. In this case, it's this song. This one gets me every time.

from Another Green World




  G400 Custom: Talking of Eno and Cale, 'Wrong Way Up', the LP they released together in 1990, is intermittently excellent. Both of them indulge their poppier side, particularly on 'Lay My Love'.
Good Fruit  performed by Hefner  2000
Recommended by delicado [profile]

I've come to really like this band, but when I first heard them, I wasn't so keen. Like many great bands, Hefner feature a highly distinctive singer, who can take some time to grow on you. This simple 3 and a half minute pop song has an engaging arrangement, in which the piano, drums and guitar are superbly complemented in the chorus by synth, brass, and some great backing vocals. The chorus is quite glorious, with a chord sequence that somehow reminds me of the group Mercury Rev's very best songs. The words go very well with the emotional music as well: 'Lost feelings of love come flooding back/Every time you cry/ you give me little heart attacks/Love seems strongest when it's new/but that's something I can't prove/I can't prove that I love you...'

The only other reference point that occurs to me is Pulp - as the song builds, lead singer Darren Hayman's delivery becomes ever more exhuberant, like that of Jarvis Cocker in the best Pulp songs. Looking at the CD, I notice that the excellent backing vocals are by Amelia Fletcher, who if I remember correctly did some Wedding Present backing vocals, and was the singer in the Sarah records band 'Heavenly'. Anyway, this is a really infectious track, highly recommended.

from We Love the City, available on CD




  kkkerplunkkk: Good taste my friend! That is one of my favourite Hefner songs. Should have been a huge hit, it only made number 50 in the UK charts for 1 week. It did go straight in at 1 in the indie charts though!
Goodbye to Love  performed by The Carpenters  1972
Recommended by delicado [profile]

Terrifyingly fantastic track.

Piano noodling, oboes, crisp 1972 drums.

What lies in the future is a mystery to us all. There may come a time when I will see that I've been wrong. But for now this is my song. And it's "Goodbye to love".

Waves of vocals raining down.

A guitar solo that refuses to die.

from A Song for You (A&M)
available on CD - Carpenters Gold (A&M)




  FlyingDutchman1971: Excellent track. A lot of fans were upset by the guitar solo at the end of the song, feeling that the Carpenters had sold out to the hard rock sound that bands like Led Zepplin were creating at the time.
Gudrun  performed by Pierrot Lunaire  1976
Recommended by dedismo [profile]

One of the best groups immersed in the second wave of Italian progressive bands. They were able to fluidly combine classical and avant-garde elements in an involving manner with electric and acoustic instruments complemented by light, soft vocals. Arturo Stalteri piano, organ, spinet, cembalo, synth, glockenspiel, acoustic guitar, recorder, tambourine, violin Gaio Chiocchio electric & acoustic guitar, mandoline, harpsicord, synth, shaj baja, zither tirolese, sitar, bell Jacqueline Darby voice This group was formed by piano virtuoso Arturo STALTERI , it reminds me of Schoenberg+Ennio Morricone goes to the prog church with a crisp broadcast-like vocalist (experimental). Sometimes it makes people want to skin cats.

from Gudrun (MP RECORDS MPRCD008)




  delicado: this sounds very cool! I particularly like your last comment about skinning cats; I wonder if it will have that effect on me...
Hammer in the sand  performed by Steve Hackett  1980
Recommended by Mike [profile]

A beautiful piano-led instrumental, mainly gentle in mood, and an affecting vehicle for the distinctive harmononies and layered textures that characterise Steve's work.

from Defector, available on CD


He Used To Be A Lovely Boy  performed by Keane
Recommended by daniela_por [profile]

Perfect combination between a piano and Tom Chaplin's voice. Very simple song, but still wonderful.




He War  performed by Cat Power
Recommended by he_war [profile]

It has piano and bass and drums
It sounds amazing
I love it because it is slow and easy listening

from You Are Free


Heaven Must Be Like This  performed by Ohio Players  1974
Recommended by pleasepleaseme [profile]

Seven minutes of soul bliss. Loverboys the Players are. Amazing vocals. Great piano work.

Sweet guitar riffing. Nice Flutelines. The title doesn't lie.

from "Skin Tight", available on CD


Hiding  performed by Simon Warner  1997
Recommended by delicado [profile]

Simon Warner sings beautifully orchestrated and heartfelt songs with a mixture of 60s (e.g. Scott Walker) and modern pop (e.g. Julian Cope) sensibilities. Most people ignored his album when it came out in 1997. Apparently he recorded a second that even his record company ignored. I was lucky enough to see the great man a few times live in 1997. He's an incredible performer, with a slightly rough but very tuneful voice. The compositions, all his own, are also first-rate. This is my favorite track from the album, a melancholy pop tune with piano, guitar and bass, and later a full orchestra.

from Waiting Rooms, available on CD




  Eden Marmalade: Yes, Hiding is a superbly melancholy and well crafted song - also one of my favourites, though it depends what mood I'm in. Thankfully, Waiting Rooms has a song for almost any mood (including irritation at slobby flatmates; inappropriate lust; drunken joy et al). I can't actually think of another songwriter as talented as this guy - writing the lyrics and the music and bringing them together so cleverly. Makes ya sick!
  understudy constantine: It strikes me that the music world just isn't ready for someone as eccentric and talented as Simon Warner... who bothers with lyrics these days? Does anyone really appreciate a good witty tale, smattered with drama and an edgy charm? No. Does anyone long for real music, as opposed to a monotonous beat overlaid with a dull mantra? No. But this shouldn't stop the creation of brilliant songs. Simon, you're not the only one swimming against the tide. If you're happy doing it then that's all that matters. Oh, and it looks like you've picked up a few fans along the way - despite the lack of media support!
Holy Thursday  performed by David Axelrod  1968
Recommended by delicado [profile]

An instrumental of monumental brilliance. Mixing religious moods with tight beats and strings really seems to work for me. The track opens quietly with piano chords and a bass guitar. A slow, funky drum beat comes in, and after this the track goes on all kinds of journeys, building up and down with doomy strings and psychedelic guitars. A really incredible way to set a mood...

from Song of Innocence
available on CD - 1968 to 1970 (Stateside)




  tinks: and if you like this, you'll probably dig the work axelrod did on the electric prunes' "mass in f minor" lp, too.
  tempted: Endtroducing... by DJ Shadow would've never happened without David Axelrod. Not the way it did.
Hot Heels  performed by Vocal shades and tones  1969
Recommended by delicado [profile]

This track opens with a twinkling sound, and a thick chord carried by harmonized vocals. It quickly builds into a ‘Mission Impossible’–like jazzy groover, with piano and bongos. Although this seems to owe a great debt to Lalo Schifrin, the overall sound is somehow very different and refreshing.


available on CD - Up! The Psycho Mellow (Schema)




  jezandliz1: Not sure why this has been listed in the French section as Barbara Moore is, I think, English. The whole album is fantastic though for fans of wordless female voices like Edda Dell'Orsa and a dreamy long-forgotten-summer vibe. Worth every penny of the steep import(Japanese_)cost.
  n-jeff: Barbara Moore was the go-to gal for wordless vocals on the UK session scene, she did soem great work on things like "Sort of Soul" by Birds and Brass etc.
Hurry to Me  performed by Roy Budd  1969
Recommended by delicado [profile]

A superb recording of a really perfect song. Ennio Morricone's theme to the obscure movie 'metti, una cera a cena' (one night at dinner) is here performed in a classic crisp, clear version by Roy Budd. I'm not sure if I love this recording so much because it was the first version I heard, but I think it may even be better than the Morricone recording. Anyway, if you don't know this song, you will probably recognise it when you hear it. It features an infuriatingly catchy repetitive female wordless-vocal over a gentle bossa beat, with rich strings and piano. Every now and then everything goes quiet and all you hear are the vocals and a faint tremelo guitar. It is really amazingly beautiful. There is also a great italian version of this song by Milva, which sounds amazingly like the group Stereolab.

from Soldier Blue (Pye NSPL 18348)
available on CD - Sound Spectrum (Sequel)




  leonthedog: The Budd version is also available on "Rebirth of the Budd," for those (like myself) wanting an introduction to his work. The Sandpipers' version on "Canto Morricone Vol." is equally nice.
  DickieB: I just wanted to recommend ‘The Sound Spectrum’ which this is on. I’ve had a copy of years but have only just realised that it’s essential listening - if you like this sort of thing, probably drive you mad otherwise.
  delicado: Yes, it\'s a cracking compilation. It\'s so well done that if you listen to the tracks out of context (e.g. on the original LPs), they don\'t sound as thrilling as they do on this mix!
I Belong To You - Mon CÅ�ur S’ouvre Ã� Ta Voix  performed by Muse
Recommended by wonderlandfalling [profile]

It's an interesting and refreshing track from their latest album; very upbeat and powerful with its array of instrumentation, (piano, oboe, especially)
The lyrics are those of one professing their undying love for another. The band manages to keep up their tradition with providing something new to the table by adding a verse from a popular French opera as well as an oboe solo instead of the usual generic guitar.
It's a great listen :)

from The Resistance


I hung my head  performed by Johnny Cash  2002
Recommended by andrew76 [profile]

This is a cover of a song by Sting. I haven't heard Sting's version but I am not a fan of what I have heard. Anyway, Cash's version is stripped down to the bare essentials, acoustic guitar and piano with a little bit of keyboard in the background to add some depth, but the music is secondary to the great mans voice. He's in his seventies, and all the age an experience in his voice just makes the youth and experience of the lyrics all the more poignant. His voice reminds me of my grandfather (May he rest in peace). The whole Album (American Recordings IV - The Man Comes Around) is incredible and this song is a stand out track among many, both original and covered.

from American Recordings IV The Man Comes Around, available on CD


I love being here with you  performed by Diana Krall
Recommended by jazzman [profile]

hot, swinging jazz at its best. Diana Krall with an incredible talented ensemble, John Clayton - Acoustic bass, Jeff Hamilton - Drums and Anthony Wilson on guitar. On this recording Krall shows her full potential, amazing technical skills on the piano combined with an exceptional vocal interpretation.
She also made a studio recording of this song which is good, but nothing compared to this version. However, if you are interested in buying this song I strongly recommend buying the DVD, then you get 2hrs+ of top quality entertainment.

from Live In Paris (Verve)


I Never Dreamed  performed by The Cookies  1964
Recommended by john_l [profile]

A girl-group classic! It has a very interesting rhythm, which guitars, bass, piano, drum fills, and backing vocals all help to construct ... and then it changes completely within the bridge! The sound is lush, the lead vocal great and soulful. Even in its own genre this is a standout, so why it didn't become a hit is beyond me.


available on CD - The Complete Cookies (Sequel)


I Say A Little Prayer  performed by Aretha Franklin  1968
Recommended by FlyingDutchman1971 [profile]

Ms. Franklin tears into yet another great song and delivers a performance that is second to none! Poor Dionne Warwick's version doesn't stand a chance against the queen of soul!! Aretha sits at the piano and turns out a beautiful and emotional hymn to love. Hallelujah, sister soul!

from Now (Atlantic 8186)
available on CD - Aretha Franklin: Queen of Soul, the Atlantic Sessions (Box Set) (Atlantic R2 71063)



  Flippet: My favourite recording of Aretha's. An awesome song and an awesome recording!!
I Think It’s Going To Rain Today  performed by Dusty Springfield  1968
Recommended by FlyingDutchman1971 [profile]

The lady may have left the stage, but her spirit lives on in her recordings, and this is among her finest!! Sadly unreleased in the US for 28 years, this gloriously somber song was included in the 1995 anthology box set. Dusty sings with a sadness in her voice as she vocally paints a picture of a dreary day. While the overcast sky fails to crush her spirit, it does provide an opportunity for introspection and reflection. She is accompanied only by piano and orchestral strings which give this song a beautifully sad sound that make it perfect for playing on a rainy day.

from the Dusty Springfield Anthology, available on CD




  delicado: I must say, this is a quite brilliant recording; thanks for mentioning it! I heard the original Randy Newman version the other day, but to me, neither the arrangement or vocal performance were a patch on Dusty. Not that I'm biased or anything!
I Use Her  performed by Tony Kosinec  1971
Recommended by snafkin [profile]

A really beautiful acoustic song that I just can't get out of my head. The rhythm track consists of handclaps/taps or comething similar, it has a lovely, light guitar line and some beautiful piano. The gasp at the beginning is great too!

from Bad Girl Songs (Sony Japan)




  artlongjr: I have an LP of Tony's from 1969 called "Processes". Seeing your post jogged my memory on it...he sort of sounds like another of my favorite artists, Emmitt Rhodes.
I Want To Be Around  performed by Blossom Dearie  1963
Recommended by FlyingDutchman1971 [profile]

Blossom manages to play the piano while filing her fingernails into sharp claws on this track. She assures her departing Romeo that he is going to get his come-uppance in the love department and justice will provide her with a "front row seat" to enjoy watching him squirm!
This wonderful album was originally recorded for the Hires Root Beer Company (!) while she was singing on their commercials, and was available for 50 cents and two bottle caps. Now, a copy can cost you around $150-$200. Luckily, the fine people at Disk Union in Japan have gotten a hold of a mint copy of the original LP and released it to Cd.

from The Most Rootin' Tootin' Songs of 1963, available on CD


I'm Gonna Miss You  performed by The Mingles  1971
Recommended by john_l [profile]

My favourite Canadian rock single of all time. It's a slow one, which starts with solo piano, picks up the acoustic guitar, then gets a heavy fuzzy guitar in the chorus that complements the melody perfectly. Then repeat! With an organ and full band. Followed by a nice guitar solo at the end! Add in some interestingly-placed key changes (which are necessary to keep it level) and you've got a masterpiece, says I. Needless to say, I'm the only person on the planet outside the artists themselves who remembers it ...




if you could see me now  performed by bill evans  1965
Recommended by jazzfanwv [profile]

if you love trio jazz ie bass, drums, and piano you will love this version of a great standard. along with chuck israels on bass and larry bunker on drums. i never get tired of this song also check out the 2nd cut elsa a very dreamy song

from trio '65', available on CD


Interlude (Time)  performed by Diamanda Galas  2008
Recommended by robert[o] [profile]

A truly heartbreaking/hair-raising reading of the Timi Yuro classic.
Just Diamanda's spacey/ghostly piano and that apocalyptic voice, recorded live.
The lady sounds like a lovelorn Banshee, wandering some abandoned, seaside amusement pier...in the rain...in the middle of January...at 2 a.m.
Astonishing....

from Guilty, Guilty, Guilty


Into My Arms  performed by Nick Cave  199?
Recommended by chris kane [profile]

Really nice piano and bass ballad with Nicks best ever vocal.




Isadora  performed by Illusion  1977
Recommended by john_l [profile]

This track kicks off the first album by the Jane Relf - Jim McCarty - John Hawken group which arose from the ashes of Renaissance when the latter was taken over by the Camp / Dunford / Thatcher cabal after a couple of LPs (that's not a knock at Renaissance by the way!). "Isadora" is interesting because although it's almost seven minutes long and doesn't have a great deal of lyrical content, it does have a wonderfully frosty mood to it (all those minor chords will do that) and I love some of the piano riffs that fall in behind the lines of singing. And its frostiness makes a remarkable contrast to the sultry "Face Of Yesterday" (q.v.) from the same album!

from Out Of The Mist, available on CD


Italian Ground  performed by Glenn Gould
Recommended by dothat [profile]

Beautiful renaissance music played on the piano by one of the best performers ever.


available on CD - Consort of Musicke by William Byrd & Orlando Gibbons


I�ll keep it with mine  performed by Nico
Recommended by Gwendolyn [profile]

I believe this song was written in the late 60's by Bob Dylan, however it was performed by Nico, whose original band was The Velvet Underground before she went solo. This track has a lovely up-beat combination of piano and violin to acompany Nico's deep, melodic voice. I love it because of it's artistic without being depressing or too complex.

from Chelsea Girl


Jesusland  performed by Ben Folds  2005
Recommended by gopeeinafridge [profile]

This song starts with lush orchestration and a pretty melody, followed by Ben Folds' sweet and wonderful voice, and then the bouncy piano line kicks in and the whole effect is sublime. I really like this song, and I'm not usually much of a Ben Folds fan, even.

from Songs For Silverman (Epic 5170122)


Jet Society  performed by Cordara Orchestra  197?
Recommended by nighteye [profile]

The mother of all 'Jet Society' themed songs. Play this at your penthouse-apartment cocktail party and you'll most likely score a free layover with one of the air stewardesses. The choice of a lone laidback trumpet over piano chords is excellent. Mix in a soft percussion beat and you're all set. Come to think of it, phone up your friends and invite them over for cocktails in the grotto.


available on CD - Caf� Noir - Cocktail & Lounge Vol 1




  eftimihn: Amazing track, excellent choice. The title resembles the mood perfectly.
Julia  performed by Ramsey Lewis  1969
Recommended by delicado [profile]

This one really has everything, to me. I'm not a connoisseur of the Beatles's 'White album', but I'm completely crazy about Ramsey Lewis's superb LP in tribute to it. The entire album has a delicious balance of crisp beats, electric piano, strings, and subtle touches of moog, played by the album's producer, Charles Stepney. I've chosen 'Julia' to recommend because I enjoy the way it changes mood - opening mournful and slow, and then getting very funky. But the entire album is really packed with winners; other highlights are a wacky and extremely funky 'back in the USSR', a superb 'Dear Prudence', and a great 'cry baby cry'.

from Mother Nature's Son (Cadet)




  vince: Is there any way to get the whole album Mother Nature's Son on CD?
  delicado: yes, there's a Japanese CD, which you could probably get via www.dustygroove.com. It really is a wonderful album (for those that like this kind of thing!)
Just for a moment  performed by Aqualung  2002
Recommended by Mike [profile]

Beautiful and intense song, musically and lyrically. The breathy and sometimes nasal vocal sound won't suit everyone, but the melody itself is of undoubted beauty, and the arpeggiated piano backing (shades of Bach and Chopin at times) contains a good dose of this writer's usual harmonic subtlety.

from Aqualung, available on CD


Just In Time  performed by Blossom Dearie  1959
Recommended by FlyingDutchman1971 [profile]

Blossom bounces her way thru this happy song about perfect love that has arrived just at the moment the end of the rope had been reached. She sings with a sense of joy and relief and you can't help but feel that things are going to be better going forward. Blossom's years of cabaret performing have given her a perfect piano playing style that accompanies her voice to a perfect fit. Kudos to Verve for dusting off this great recording, shining it up and putting out in a deluxe CD package!!

from Blossom Dearie Sings Comden and Green, available on CD


King of the Carrot Flowers Prt. 1,2 & 3.  performed by Neutral Milk Hotel  1997
Recommended by two-headed boy [profile]

A perfect segue into a perfect album, King of the Carrot Flowers is a masterpiece. This is the way songs should be written, performed, and produced. Jeff Mangum strums the catchiest 3 chords on his acoustic guitar while his piercing vocals spill lyrics of psychedelic sophistication. I can still remember the first time I heard him sing the lyric - 'and your mom would drink until she was no longer speaking, and dad would dream of all the different ways to die, each one a little more than he would dare to try' - in a rising climax. The energy and power is then sustained into a C drone from an organ, followed by an amped acoustic guitar being plucked clumsily. And like a street preacher we again hear Jeff, he belts 'I love you Jesus Christ' while the rest of the band hit fuzzed-out power chords F and C until a storm swells with cymbals, horn, bass, guitar, Jeff's voice and another rising movement to yet another climax. Propelled by an electric frequency that chops like a helicopter blade inches over-head we are lead into Part 3, often referred to as 'Up and Over'. This last part explodes into fuzz rock in all it's garage-roots glory with lyrics like - 'I will shout until they know what I mean, I mean the marriage of a dead dog sing, in a synthetic flying machine'. As the fuzz is sustained heavily the song ends with 1 last climax; the one-note piano brings us to a close.

King of the Carrot Flowers Part 1 introduces the theme of 'loss of innocence'. The narrator, addressing his lover nostalgically, compares the emotional deterioration of the older parents with the emotional and sexual discovery of their youth - 'your mom would stick a fork right into daddy's shoulder, and dad would throw the garbage all across the floor, as we would lay and learn what each other's bodies were for.' This motive returns later in the album, as does his 'Jesus Christ' theme. Jeff Mangum alerts the listener in his lyric sheet that he believes what he sings, and that this 'Christ' theme is but the spiritual light he finds within everything. The album further treats themes like the Holocaust, death of loved ones, visions of ghosts, and all the horrors of man with this light. It is a beautiful and terrifying experience unlike any rock record to date. Personally, my favorite song of all time.

from In the Aeroplane Over the Sea (Elephant 6)


Knight Moves  performed by Chilly Gonzalez  2010
Recommended by geezer [profile]

A gorgeous ,lively instrumental set to a gentle piano driven house beat.Uplifting and glad retaining the joy of disco music

from Ivory Towers, available on CD


knights of cydonia  performed by Muse
Recommended by pluginbabyX [profile]

vocals, guitar, different, drums, bass, piano




L.O.V.E. and You and I  performed by Jazzanova  2002
Recommended by secularus [profile]

"Sun, the moon, the sky ... and you and I," - I wish I knew where the samples used in this track are from - from the opening piano melody to the refrain (it's possible that the vocals were recorded specifically for this tune). If someone can help out, thank you. I am pleased to hear Jazzanova offer such decent track. After being disappointed by the less than stellar remixes 1997-2000, I was thrilled to hear a very good original creation off of their forthcoming debut full length. Soulful, mellow and ez.

from In Between (JCR JCR 025)



  pleasepleaseme: The first track's o.k. ,though after 2 or 3 listenings a had to through the record in the garbage. i find todays "Neo-Soul" so lacking.
La Bamba  performed by Edmundo Ros and Catarina valente  1966
Recommended by n-jeff [profile]

Starts with a piano tinkling up and down the scale, and then the whole Latin Orchestra starts, ultimately Edmundo's raspy voice bellows out of the speakers sounding for all the world like Shaggy's drunken grandfather. Kind of Rhumba, very very danceable, surprisingly modern sounding with a terrific breakdown to the piano in the middle. Beware Edmundo ros has done another version of La Bamba which is terrible.

from Nothing But Aces (Decca PFS 41457)



La Discotheque  performed by Mike Rozakis  1973
Recommended by human-cannonball [profile]

This is an absolutely impossible rarity, as it has never been released out of the original master-tape (until 1 year ago)! Part of the soundtrack of a 1973 Greek psychedelic underground film with the international title 'She Knew No Other Way' (local title: Children of the Flowers). However, this is not a mad freak-beat groovy tune (which is the case for most of the rest of the tunes in the soundtrack score); instead, it's a warm, classy, mid-tempo, funky jam with wah-wah guitar & sax solos and a very discreet piano backing. As a Greek, I was astounded by the discovery of this 70s funky gem from a totally unknown composer (Mike Rozakis). A true obscurity masterpiece, seek the proper vinyl release from Greek label 'Potfleur'.

from She Knew No Other Way OST (Potfleur)



  n-jeff: Thanks for the heads up on this LP! Its a great one, I love the way its at once stumbling and psychedlic, but at the same time maintains the great groove. Good fuzz guitar and great strings, plus that lovely wayward organ. Is there any more Mike Rozakis music lurking around?
Late Goodbye  performed by Poets of the Fall  2003
Recommended by wlodi [profile]

This great song made its first appearance in the hit game "Max Payne 2: The Fall of Max Payne" (released October 2003) and instantly became a hit - people were asking for this song everywhere they could, they were sending emails, trying to buy it. It has an indescribable atmosphere. The song was released in June 2004 as a single and then on the first Poets of the Fall's debut album that hit the road 19th January 2005.

from Signs of Life, available on CD


Laura  performed by Julie London  1955
Recommended by delicado [profile]

'Laura' has long been my favorite standard. The tune is elegant and haunting, and completely devoid of some of the schmaltzy feel that plagues many popular standards.

Written as an instrumental for the 1944 film of the same name, this was composed as a piano-based number, and so Julie's version is perhaps not the most orthodox recording. However, it's incredibly powerful and atmospheric, and I *think* it's my favorite version.

The entire track lasts just 1 minute and 40 seconds. The first verse is sung as a solo voice without any accompaniment other than the spooky reverberation effect. When the music does come in, it's provided by a small jazz trio led by Barney Kessel. Kessel's delicate jazz chords and picking complement Julie's voice beautifully.

from Julie is her name, available on CD



Lazy Afternoon  performed by Anita Ellis - vocalist, Ellis Larkins - piano  197?
Recommended by egbdf [profile]

'Lazy Afternoon' is sung here as never before.
Her sensuous and pure intrepretation will transport you, it simply must be heard!

from A Legend Sings/With Ellis Larkins, Pianist (Orion Master Recordings ORS 79358)


Leaving So Soon  performed by Keane  2006
Recommended by callgirlscene [profile]

This is a song about a tragic break-up. Keane seem to be masters at the tear-jerker that rocks. It starts with piano, bass, & drums, and guitar comes in for the climax. But my favorite thing about it is the singing. Keane's singer at times has an improbaby high voice, yet you know it's a guy. They're like Queen in the vocals, but they sort of out-Queen Queen with the highness. That's part of their appeal for me. Anyway the song goes from annoyance to anger to grief in a rocking climax.


available on CD - Under the Iron Sea (Island)


Lights In The Sky  performed by Nine Inch Nails  2008
Recommended by SamHall [profile]

You can't go wrong with NIN, and you certainly can't go wrong with NIN and a piano.

The soft piano element and Trent Reznor's voice make for a beautiful combination, underscoring a melancholy contemplation of self. The song, like much of the album, is a very reflective examination of Reznor in his older years. I think it's powerful stuff, especially when the song trails off into the rhythmless void of "Corona Radiata."

from The Slip, available on CD


Linus and Lucy  performed by Vince Guaraldi  1964
Recommended by FlyingDutchman1971 [profile]

This song is the most recognised theme from any of the numerous Peanuts television specials. While I am a huge fan of Charles Schulz and his beloved comic strip characters, this song and the album it is pulled from could easily stand on it's own. Mr. Guaraldi is a master at jazz-oriented piano and his trio plays together like a well-oiled machine. The absence of any vocals makes his music the perfect background for dinner parties and gatherings where conversation is to be encouraged.

from A Boy Named Charlie Brown, available on CD


Lluvia de Primavera/Spring Rain  performed by Bebu Silvetti  1975
Recommended by tempted [profile]

The definition of a groovy, instrumental easy listening disco tune. Makes me wanna jump on the first plane to somewhere warm and swinging. Great piano and acoustic guitar accompaniment from this Spanish lizard with a hairy face. And that girl backing choir.. there are two single versions of this that are slightly different and a full length version which is the best.






  tempted: To correct: the "full-length version" is in fact a disco mix by Salsoul stalwart Tom Moulton. So good, man... Crazy percussive middle part galore! Available as a Salsoul 12". Tell me if you bump into one!
Look After You  performed by The Fray
Recommended by TheTromboneNinja [profile]

I love this song because it is so romantic, sweet, and perfect. There is Isaac Slade on vocals, along with back vocalist Joe King (<3). There's a piano, cello, and drumset. It's a beautiful song, happy and passionate, perfect to sing along to, Isaac has a great voice, and lyrics are beautiful.

from How to Save a Life (Epic)


Love Song  performed by Lani Hall  1974
Recommended by ambassador [profile]

This is one of those songs that really sounds nothing like any of the artists' other songs. This is off Lani's first solo album "Sundown Lady" and was produced by her husband and label executive Herb Alpert. The song is the first song on the album and sets the tone with a nice easy bass line accented by the tinkling of an electric piano. The real money is the combination of Lani's impassioned vocals with whoever (maybe Herb?) singing a simple male vocal complement during the chorus. The song is effortlessly funky, understated and oh-so-deep. I haven't played this song for someone who hasn't loved it.

from Sundown Lady (A&M 4359)



  delicado: By coincidence I picked up a compilation CD of Lani's work (a 25 year A and M anniversary disc that came out in 1987!) just yesterday, and this track and 'we could be flying' were the ones that really stood out. I'm a big Brasil 66 fan but had never picked up her albums. Strange that you happened to recommend this track today!
  scrubbles: You're right -- this is a lovely, understated yet passionate song. That male singer might possibly be Burt Bacharach, since the tune was included on a Bacharach collection.
Love's theme (Saint Etienne Mix)  performed by Pizzicato Five  1998
Recommended by delicado [profile]

A great track that comes in two parts. The first is a sweet repetitive pop tune with electronic piano, synthesized strings, pleasant guitar chords, and wordless 'ba ba' vocals. Just before the three minute mark, it begins to mutate gradually, until it turns into a glorious early New Order-style sound, with a piercing, punky guitar sound and a loud bassline. The vocal elements from early in the track then come back in. A great fusion of different styles.

from Happy End Of You (Remix), available on CD


Lovelier than you  performed by Bobby ray
Recommended by KidCudiMod [profile]

Acoustic recording from bobby ray, a highly talented muscian. accomplished on both piano and guitar. this song uses his guitar and singing skills. However he is equally adept at rapping and producing




Lullaby  performed by Krzysztof Komeda & Mia Farrow  1968
Recommended by jeanette [profile]

And I am not just including this because it is from Rosemary's Baby, my very favourite film of all time. Well, maybe I am a little - the opening credits where Polanski guides us over the rooftops of the Bramford while Mia murmurs her "la la la"s sets up perfectly the movie heaven that is to come.

Actors usually make a hash of singing (and, of course, vice versa - Bjork is great in Dancer In The Dark but that's all I can come up with), although I've heard that Cybil Shepherd makes a decent stab. But Mia can't fail to impress with her innocent singing voice, keeping in the character of Rosemary even though she doesn't speak a word in this song. Komeda maintains his usual atmospheric wonder, with the sort of piano based joy that gave such a fruitful relationship with Polanski's films.

Lots of others have had a pop at this, usually with some degree of success as the melody is so strong (discounting a dodgy metal version of it by some chancers whose name escapes me). My favourites are Hugo Montenegro's (on Good Vibrations) and Claudine Longet's lyric-added version, Sleep Safe And Warm.

from Rosemary's Baby, available on CD




  Swinging London: I love this too! It seems to pull the whole movie into a class of it's own. I've been trying to find the Claudine Longet version for years!
Mad World  performed by Gary Jules  2001
Recommended by cryofthecelt [profile]

"Mad World" was written and originally performed by the popular 80's band Tears for Fears. A more mellow, piano-based cover of the song was featured in the cult movie "Donnie Darko" (Jake Gylenhaal, Patrick Swayze) as performed by folk artist Gary Jules. His version of "Mad World" reached the coveted Christmas #1 spot in the UK in 2003, despite that it was 3 years old and performed by an unknown artist.
This song is quite possibly my favorite song of all time, at least in my Top Ten, because I feel that it describes life very accurately. The chorus of the song is:
"I find it kind of funny
I find it kind of sad
The dreams in which I'm dying
Are the best I've ever had."
To me, this song is saying "Hang in there...I know life sucks on this earth, but you will go to a far better place after your death."
Depressing? No. This song helps me to carry on.

from Donnie Darko (Enjoy)
available on CD - Trading Snakeoil for Wolftickets (EMI International)



  malpt: This is a rare occasion where I love the cover more than the original. A very awesome song.
Mahahbalipuram  performed by Stu Phillips  1969
Recommended by delicado [profile]

An exotic, atmospheric and unique masterpiece, this is taken from the portion of surfer flick 'Follow Me' in which the surfers visit India. The tune drifts along with some sitar and spooky vocals before exploding into life with a furiously catchy and groovy segment with piano and plucked strings.

from Follow Me (soundtrack) (Universal City 73056)




  chukelley: Great taste!
  bsgkr: Thank you "delicado" for your wonderful review of "Mahabalipuram." I'm only three years late in thanking you, so please forgive me. Stu Phillips
Make It Easy On Yourself  performed by Connie Francis  1968
Recommended by eftimihn [profile]

Always loved this song by Burt Bacharach and this version sounds just heavenly. From the credits, it's easy to spot why: Claus Ogerman. He's in top form here, transforming the song into a gentle bossa nova with all the Ogerman magic of that time, very similar in sound and texture to his work on Antonio Carlos Jobim's "The Composer Of Desafinado Plays": Gentle basic rhythm section, subdued piano, airy flutes and trumpets and of course those impeccably arranged strings swirling in and out during the song.

from Connie Francis Sings Bacharach And David (MGM 4585)



Mambo Italiano  performed by Bette Midler
Recommended by ladyfelicity [profile]

Fun lyrics, especially for one with Latino/Italian heritage. Great singing, good piano.




Mary�s Prayer  performed by Danny Wilson  1987
Recommended by MoeShinola [profile]

I saw a video of this a couple times on MTV and never forgot it. I finally caught up with the album "Meet Danny Wilson" years later, in a used bin. None of the three members are named Danny Wilson; it's named after a Frank Sinatra movie. They dress like Sinatra fans as well, and the music's influenced by that era, but it's pure new-wavy piano pop. Reminds me of Joe Jackson, but softer, more romantic. "Lorraine Parade", "Nothing Ever Goes To Plan", and "Steamtrains To The Milky Way" are also album highlights.

from Meet Danny Wilson (Virgin)


MFEO  performed by Jack's Mannequin
Recommended by TakanHime [profile]

another of Andrew McMahon's(Something Corporate)bands. Like SoCo they are a piano band

from Everything in Transit (Drive Thru)


Modesty (The Modesty Blaise Theme)  performed by Cal Tjader & Eddie Palmieri  1966
Recommended by tinks [profile]

Excellent gentle mambo arrangement, courtesy of Claus Ogerman, of this spy theme featuring Tjader's vibes and George Castro's flute in nice counterpoint with Palmeiro's piano and some very lively percussion.

from El Sonido Nuevo: The New Soul Sound, available on CD



moon river  performed by pascals
Recommended by king8egg [profile]

pascals are a japanese band that started out as a pascal comelade cover band. but have since ventured off into covering other people as well as writing their own material. this is a mancini cover incorporating what i think is a toy piano among other isntruments. some of the lyrics are sung in japanese as well. by far one of my favourite versions of this song.

from pascals, available on CD


Mother we just can't get enough  performed by New Radicals  1998
Recommended by LateBirdsInMay [profile]

A really really great pop song by dint of the fact it just refuses any categorisation other than 'Ace'. But I'd better give it a go. 'Mother' is a very nineties mix of genres; Gospel-ey piano, driving pop beat, terrible vocals, and great pop lyrics that soars, taking in scat, madchester, falsetto and more before exhausting itself - I can't think of any other song that could conceivably have worked as a blueprint for 90's pop - if we'd worked from this instead of 'Baby one more time' things could have been much different. Re. the song - two things then - 1. it's a fantastically catchy 'choon' with guts and attitude, 2. it's a bit revolutionary, as all good pop should be.

from Maybe you've been Brainwashed Too



Music to Watch Girls By  performed by Horst Jankowski  1967
Recommended by tinks [profile]

Great cut with angular piano and brushed drums. Bongos provide an excellent percussive counterpoint on the breakdowns. A very well-crafted version of the Sid Ramin lounge classic.

from With Love (Mercury)


My Ashes  performed by Porcupine Tree  2007
Recommended by mardikas [profile]

Has a mellow sound, involves mellotron, piano. I like it because of its dreamy mood and the lyrics.

from Fear of a Blank Planet


My Life As A Carcrash  performed by tompaulin  2000
Recommended by Leonard [profile]

exceptional song about love and life in smalltown northern england. A fabulousopening line 'I know she has a boyfriend and I guess we both take turns,he gets hot meals his washing done,I get carpet burns' All the things you loved about the Smiths, a quiet piano led intro bashed into submission by noisy guitars and drums and then back to the quiet bit. Wonderful, buy it.

from the single My Life As A Carcrash (Action)
available on CD - My Life As A Carcrash (Action)


My Suitor  performed by Berntholer  1984
Recommended by jeanette [profile]

Rediscovered this as I was uploading an audio clip for Belle Epoque (this is next alphabetically in my 45's).

I can't work out whether this is joyous or heartbreaking. It eats into the very soul of you when you hear it. My, that sounds dramatic - different from my usual carping. Tinkles on the piano break up the dense atmosphere herein and get you into the claustrophobic world of singer Drita.

Stands alone in 1984. Nothing else sounded anything like it.

from the single My Suitor (Blanco Y Negro NEG 5)



My Weakness  performed by Moby  1999
Recommended by lionson76 [profile]

Instruments are piano and strings (I think). The music is hypnotic; it overwhelms me with a profound sadness yet simultaneously instills a sense of complete joy and satisfaction. The track is entirely too short, which justifies the execution of Moby for such an act of cruelty.

from Play, available on CD




  javaviolet: I love this song. Though I could never explain to anyone to what full extent. The music speaks volumes to me, and makes my heart just melt away.
Neptune�s Hep Tune  performed by Antonio Carlos Jobim  1966
Recommended by delicado [profile]

An unusal Jobim track, which was recorded in Brazil and is much rougher around the edges than most of his better known work. This track explodes into action half way through with some killer jazz piano.

The big news that I just found out is that this isn't really a Jobim track at all! Apparently, this is really just the work of Deodato and Gaya, even though Jobim's name was put on the cover for the US audience.

from Love, Strings and Jobim, available on CD




  brasilnut: This song is actually "morte de um deus de sal" by Marcos Valle
  eftimihn: And actually the whole album isn't an Jobim album at all, it was originally titled "Tom Jobim apresenta". The purpose was to benefit from Jobims name (and fame) to introduce new brazilian artists to american audiences. The confusion resulted, if i remember correctly, in the fact that the musicians names were not credited on the album and people thought this must be a Jobim album.
Never Let You Go  performed by Thirstbusters
Recommended by MrMusiqism [profile]

So emotional and beautiful piano line with incredible voice and chords and lyrics and the way the whole band fits together. Absolutely perfect and inspiring. PLEASE LISTEN TO IT!


available on CD - Time you awake


Niki  performed by The Third Wave  1970
Recommended by Festy [profile]

It took me a while to get a copy of this album as even the out-of-print re-issue on Crippled Dick Hot Wax (that's the name of the label, folks. Promise!) sells for a bit these days. I'm glad I got it as it's a fantastic album - the only LP released by the 5 Filipino/American sister vocal group, although I think they released at least one 45". Discovered by George Duke, he wrote the arrangements and his trio of the time provides backing. The album was recorded in Germany (released by MPS) and is a little bit poppy, a little bit jazzy, a little bit funky. There are a number of songs which could be recommended (a number of them jazz standards, such as 'Maiden Voyage' and 'Cantaloupe Island'), but the one I've chosen is 'Niki'. I hadn't come across this track before getting the album, unlike a few of the other tracks which have turned up on compilations over the years.

'Niki' is a song that builds. It starts off fairly casually and builds up to a swinging chorus, accented by some very hip playing by George Duke, still on an acoustic piano during this stage of his career.

Another commendable and notable track on the album, and which I discovered through a compilation created by 'mine host' of Musical Taste, Senhor Delicado, is "Waves Lament". Absolutely fantastic.

from Here & Now, available on CD



No More Running Away  performed by Air Traffic  2007
Recommended by garminge [profile]

Sounds like:
a mix between Coldplay, U2 and Embrace.

I like it because:
it has piano in it and the vocal line during the chorus is beautiful.

from Fractured Life, available on CD


Noah’s Dove  performed by 10,000 Maniacs  1992
Recommended by Yammer [profile]

For admirers of classic pop song construction, production, and performance, Noah's Dove is jaw-dropping in its perfection. The subtle piano hook, deep and dark chord changes, and the warm, dry-eyed, heartbreakingly acute singing grab your ears, while the lyrics (an unhurried, unsparing epitaph to a relationship with a cheating scumbag) clench your heart. The best part may be that it introduces Our Time In Eden, a collection of finely-crafted folk-pop songs that served as a worthy finale for the Maniacs.

from Our Time In Eden


Noah’s Dove  performed by 10,000 Maniacs  1992
Recommended by genebean [profile]

The sound is just perfect. The piano part has been stuck in my head for years. Its another one of those rainy day songs that kind of make you stop everything you're doing and just sit there and listen.

from Our Time in Eden (Elektra)


Nothing Shaking  performed by Eddie Fontaine  195?
Recommended by n-jeff [profile]

Another song I heard John Peel play a long time ago, possibly THE BEST ROCKABILLY SONG EVER. And now I finally have it on single.
It starts with a clicky little riff for one bar, then the piano trill, then the ascending twang "bum-bum-bum-bum" And the full Rockabilly thing kicks in. Ringing twanging guitars, it stops and starts, stutters and hiccups, a great vocal of teen angst.
"Ain't nothing shaking but the leaves on the trees"

from The BEst of Chess Checker and Cadet Rockabilly


Nothing Takes the Place of You  performed by Toussaint McCall  196?
Recommended by FlyingDutchman1971 [profile]

A beautiful song by a rare artist. I would never have heard this gorgeous song if it weren't for filmmaker John Waters. It is about a man who is completely devoted to his faithless love. He will sit and wait for eternity in the hope that the woman he loves will return. The vocal was recorded inside a small closet and the acoustics provide a haunting sound in Mr. McCall's voice. He is accompanied by piano, a soulful organ, and percussion. This song alone is worth the purchase price of the Hairspray soundtrack!! Pick it up today!


available on CD - Hairspray - Original Motion Picture Sountrack (MCA-6228)


Ode to Billy Joe  performed by Ronnie Aldrich  1968
Recommended by delicado [profile]

A near-perfect take on this classic song. Ronnie dispenses with vocals, instead building a beautiful mood with some great strings, a relentless beat and percussive guitar. The bluesey melody is carried delicately by the piano. I'm not really getting it across here, but the track is astounding - astonishingly addictive and well recorded, building wonderfully to a warm and incredibly groovy climax.

from For Lovers Only (London/Phase 4)



Oh, Calcutta!  performed by Dave Pell Singers  1969
Recommended by delicado [profile]

This short track opens the classic 1995 easy listening compilation The Sound Gallery. I'm sure it's well known to anyone with a remote interest in the whole revival scene. It's a really beautiful track, with funky drums, organ, a gentle, whispery vocal chorus, and some great jazz piano. Evocative and glamorous, this evokes a swinging party attended by people wearing sparkly dresses. For me, this is perhaps the ultimate stylish/glamorous 60s recording.

from Mah-Na-Mah-Na (Liberty)
available on CD - Sound Gallery (EMI)




  n-jeff: Its funny that it should make you think of people wearing sparkly dresses, when of course the show itself was primarily famous for having large numbers of hairy hippies naked onstage.
On Broadway  performed by BILL EVANS AND ORCHESTRA
Recommended by bert [profile]

Borderline,Big City, Piano led MOL orchestral with that extra little something that lifts it out of the bland. Girl backing singers ' wooo -ooo" and Sing the title.




On Saturday Afternoons in 1963  performed by Rickie Lee Jones
Recommended by fitzpatrick [profile]

Anytime there's touching lyric and piano involved, it's a recommendation - at least in my biasy --- The most as you'll ever go Is back where you used to know If grown-ups could laugh this slow Where as you watch the hour snow Years may go by

from Rickie Lee Jones (Reprise 3296)



  Swinging London: I love this record. Especially, I think, because I was born on a Saturday afternoon in 1963. Nothing else of her's has ever done anything for me.
Otis’ Blues  performed by Otis Spann
Recommended by dwmjuk [profile]

Introduction to post-war Chicago Piano Blues, by its master Otis Spann. The piano-work on this track in particular is extremely impressive and follows a wonderfully flowing blues / r&b pattern.




OWC  performed by Kent
Recommended by Michelle [profile]

A rock ballad played by band and piano.

from Isola


P’ra Que Chorar  performed by G/9 Group  1968
Recommended by sodapop650 [profile]

This LP was recorded for export in 1968. The group is Dom Salvador (piano); Neco (guitar);Wilson Das Neves (drums); Pedro (percussion); Sergio (bass); and Joab, Zeze, Edgardo and Valeria on vocals.

P'ra Que Chorar is the opening track of this amazing LP. Its light, it moves, and the vocals are reminiscent of the landmark Sergio Mendes Brazil 66 recordings. Its also sung in English, as are several of the songs on the LP. Im not sure who penned the original version of the song, but its rendering here is wonderful and sets the tone for this entire landmark LP.

I plan to post the entire LP on my website www.sabadabada.com later this month.

from G/9 Group


Pale Shelter  performed by Paul Young  1983
Recommended by geezer [profile]

Another hidden gem ,unreleased and gathering dust untill the age of "Deluxe Editions".A well known song from Tears for Fears covered by the then "hot"Paul Young within a matter of weeks of the original release.Stripped down to acoustic guitar and demo piano and some blokey backing vocals ,Youngs powerful voice cuts through the originals somewhat fey vocal style and reveals the songs muscle and sinew and another example of a song from a supposed synthetic era being as good as their organic rivals.

from No Parlez(expanded), available on CD


Pavane for a Dead Princess  performed by Eumir Deodato  1973
Recommended by delicado [profile]

This stunning instrumental is a reasonably straight version of a classical piece by Maurice Ravel, originally written in 1899. Eumir plays piano over a dense string background, adding a tiny bit of jazz phrasing. The texture of the layered strings and piano is remarkably intense and beautiful, and the piece is quite exquisite. I expect this recording would offend classical purists, but I must admit that having heard this version first, I still like it the best. Perhaps this is down to the sheer richness of the string recording, which may be endowed by studio wizardry rarely used in classical recordings. Either way, it's really quite incredible, and I urge you to check it out.

from Deodato 2, available on CD




  Mike: While I find Deodato to be a stimulating and interesting artist (and am far from being a "classical purist" of any sort), I can't really muster any great enthusiasm for this recording. Too close to being a kind of synthesis of Ravel's original for solo piano (1899) and version for full orchestra (1910), I find Deodato's funky adaptations of Stauss's "Also Sprach Zarathustra" and, particularly Debussy's "Prelude to the afternoon of a faun" somewhat more worthwhile. Maybe I should listen again to the Ravel adaptation, but in the past I have found its blandness a little irritating...
  G400 Custom: What I like about this track is the fact that it's a very black, funky take on a piece with questionable Aryan overtones. It can be heard to great affect in Hal Ashby's 'Being There', which I think was Peter Sellers' last film.
  G400 Custom: Re the above comment: I was talking about 'Also Sprach Zarathrustra', not the Ravel piece. Sorry for any confusion.
  G400 Custom: As far as the Ravel adaptation goes, I find it pleasant if a little bit chocolate-boxey, reminiscent of the 60s soundtracks of Francis Lai. I can't argue with Delicado's comments about the string sound though, which is astonishing.
  sodapop650: Bore - Ring! If you are going to listen to Deodato. Listen to the early Equipe LPs. When his sound was so hip, hipper than hip, the bastard brazilian son of Henry Mancini hip. Get a copy of "Tremendao" grab a beer and try to find a nice warm spot of sunshine.
  delicado: Well, you have to remember that I'm someone who is obsessed with string sounds. I listen fanatically to late 50s and 60s mood music records, and am a fan of both Percy Faith and Jackie Gleason's records. Yes, I love Brazilian music, and enjoy all of Deodato's 60s Equipe LPs, but I also have a very real and intense love of what my pal G400 defines as 'chocolate-boxy' easy listening music. Deodato's 1972 LP 'Percepcao' (recently reissued on CD in Brazil) also falls into this category, and I adore it!
  [email protected]: One of the purist fusion jazz artists of his time. Listen to the music, don't try to interpret it or rationalize it. Your missing the point. Eumir is unmistakeably one of the pioneers in this gendre.
Penny Lane  performed by Stephen McCarthy  2006
Recommended by edhurst [profile]

This is a track from Stephen McCarthy's debut album. Originally recorded by The Beatles as a traditional pop song, Stephen's version is a jazz swing with Piano, Bass and Drums.

from Call Me Irresponsible, available on CD


Perdita  performed by Angelo Badalamenti  1990
Recommended by delicado [profile]

A perfectly distilled instrumental which seems to capture everything poignant and affecting about Badalamenti's soundtrack work. 'Perdita' opens with a faint piano, being played seemingly with one finger, which gets louder and is joined gradually by a rich string section. Rather like some of Ennio Morricone's best themes, this is very simple, but so beautiful that it doesn't end up sounding obvious or clich�d. On the other hand, perhaps I'm just being nostalgic about being 16 again.

from Wild at Heart (Soundtrack), available on CD



Piano  performed by Glassjaw  2000
Recommended by Vagina Man [profile]

Glassjaw to me is by far the best emo band I have ever heard. Forget about live performances, just album music, they are phenomenal. I'll be honest with you emo is basically a required taste, not all people like it, let alone all metal heads but if you can dig Piano then you wil dig the rest of the album. Piano is by far the most melodic song on the album but don't let it fool you, it can still rock. It may take a few times for Glassjaw music to sink in but once it does it never leaves.

from Everything You Ever Wanted to Know About Silence (Roadrunner)


Piano Sonata No. 14 (Moonlight Sonata)  performed by Ludwig van Beethoven
Recommended by Darke Soul [profile]

This is my favorite piece of classical music, so beautiful it often brings me to tears. You are strictly forbidden to go to your grave without having heard this song.


available on CD - Beethoven's Greatest Hits


Picturama / The Middle Bit / Soul Surrender  performed by The Motors  1978
Recommended by john_l [profile]

The B-side of the 12" single "Airport", this seems to be the Motors' forgotten song, although Virgin is about the most clueless of record companies when it comes to re-releases and best-ofs. This 8:15 track is a rollicking piano-driven stomper which gets into the groove right away and holds it throughout. The three parts do have the same tempo but it works a treat.




Pleasures  performed by Cubismo Grafico  2000
Recommended by bobbyspacetroup [profile]

Cubismo Grafico -- aka Gakuji Matsuda -- has quickly become my favorite J-Pop act, and this here is one of my favorite tracks. My impression of J-Pop has been that it is either too overtly dancy or sickeningly cute for my tastes. (To be fair, my bias is based on a relatively small cross-section of music.) Anyway, this track is neither. This is an extremely well-constructed selection that strikes me as both very modern and very "easy" in a way that sounds good to my ears. On this track, Gakuki Matsuda is credited with guitar, steel pan, rhodes piano, mc-303, turntable, and voice. So, yeah, he seems like a talented guy. The music is structured around a child's narration of an amusement park attraction (found on the fascinating "Sounds For Little Ones" compilation of a few years back). The sample lends a fun, playful atmosphere. Delicado thinks he has spotted two of the musical samples used here (or at least the compositions used), and I'm pretty sure he is right. They're both very well known, and, much to the credit of this song, I'm amazed I didn't spot them myself. I'll give you a hint: one of them is one of Burt Bacharach's biggest hits.


available on CD - Mini (Escalator Records (Japan))



Poema Ritmico do Malandro  performed by Sonia Santos e Zito Righi  1969
Recommended by DJ Markinho [profile]

This is the first track from the album Aluciunolandia van Zito Righi e Seu Conjunto, a very rare record. Original copies are sold for $ 350,-. I am very happy with the reissue. This song is like a early Brazilian rap (1969). All in Portuguese of course. It starts with a funky piano and spoken words by singer Sonia Santos. When she has finished her introduction, there is some cheering by the musicians and after the whistle has blown a very rhythmical samba starts. Sonia Santos starts rapping and rhyming. The words from title poema ritmico are well chosen. It sure is a very rhythmic poem! I havent been able yet to understand what it is all about, but this rap is about um malandro, a rascal.




Prociss�o  performed by Tamba Trio  1967
Recommended by delicado [profile]

Tamba Trio were a Brazilian jazz group more commonly praised for their jazz instrumentals than for their vocals. Their vocals on this track are nice and simple, but it is the instrumentation and arrangement which really make the song. What does it sound like? I do honestly like other types of music, but here goes: jazzy piano, bossa beat, thick strings, group vocals. Really great track, and from what I've heard of other versions, they really transformed this song, which normally sounds very different.


available on CD - Tamba Trio Classics (Polygram Brasil)



Pyramid Song  performed by Radiohead  2001
Recommended by space [profile]

An elegantly surreal trip through a dream world. Although this song has only eight lines (repeated twice), it manages to say an amazing amount within that short frame. Thom Yorke's wavering vocals and the slow and simple piano instrumentation strip the song down to its fundamental elements, allowing Radiohead's talent to shine through. From "I jumped in the river, what did I see" to "There was nothing to fear and nothing to doubt," this is an amazing song. Every time I listen to it, it gives me a deeper sense of peace.

from Amnesiac



  CEEMOBILE: Good following in the tradition of radioheads style
Quando o carnaval chegar  performed by Quarteto em Cy  1972
Recommended by delicado [profile]

The opening track on the 1972 album 'Quarteto em Cy,' this is an interpretation of a Chico Buarque song, written for the film of the same name by Cac� Diegues. I find this recording very affecting. It helps that the spectrum of sound is that kind of superb blend of strings, piano, bossa nova guitars, and female vocals that I find so perfect. But I think it's also just the fragile, melancholic atmosphere of the song that gets me. After the introduction, featuring a flowing string arrangement that reminds me of the work Claus Ogerman did with Jobim, the song gets going, and the mood becomes a little lighter. This album has just been reissued on CD in Brazil, and is highly recommended.

from Quarteto em Cy, available on CD




  konsu: Yes! I've been hooked on their version of "Tudo Que Voce Podia Ser" lately, from the same 72' LP. That year was great for brazillian recordings in general. Also check out Marcos Valle's "Vento Sul".
River Deep Mountain High  performed by Celine Dion  1997
Recommended by ajhorse21 [profile]

Powerful vocals... the verses have a strange and different tune- they sound almost like Celine's making it up as she goes along, but in a good way. Even if this isn't her most heartfelt song, it is very good and fun to listen to.


available on CD - VH1 Divas Live



  delicado: Celine Dion recommendations are like buses - you wait 5 years and then two come along at once!
  n-jeff: You should listen to the Ike and Tina Turner version, produced by Mr Spector P himself.
Mighty doesn't do it justice: it sounds like it's sung from the top of a mountain with the forcefulness to carry it clean across the ocean.

  konsu: I'm a digger of Harry Nilsson's version myself... But I agree with n-jeff, the Ike & Tina version is definative. I haven't heard the Celine version, but I imagine it being housed-up... ick.
  n-jeff: Harry Nilsson, eh? Interesting choice of cover for him, being something of a non-bombast type. I'll have to find that. Thanks konsu!
  konsu: Well... I wouldn't call his version bombastic, but it picks up nicely on the energy of the original without leaving it in their court. It appears on his debut "Pandemonium Shadow Show".I would have to say his earlier work just contains more verve in general. I would also recommend his "A Little Schmilsson in the Night" LP to any Celine fan. His range as a vocalist cannot be underestimated.
Riverside  performed by Agnes Obel  2010
Recommended by Issie [profile]

Interesting track. I like the effects to the vocal. Like the piano part too. The song tells a story and has almost a childlike feel to it. If you haven't heard of the artist, I recommend listening to this track first.

from Philharmonics


Road ode  performed by The Carpenters  1972
Recommended by delicado [profile]

The Carpenters have become like Abba were for me about 15 years ago - I can lose hours at a time just listening to their best songs with the volume up high. I actually never really dared to venture beyond my favorites from Abba's hits, but with the Carpenters I have a few LPs and recently picked up a 5-CD reader's digest set, allowing me to hear some less famous tracks by them.

This track is a bit of a revelation for me. Highly produced, early 70s. Piano-led, with strings, guitar, bass etc, and Richard providing some backing vocals. Karen's singing is beautiful as ever, although her voice sounds a bit funny - she over-pronounces words like 'goes'. The verse is plaintive and moody, while the brief chorus is funky in that glorious way tracks from the early 70s can be funky. This section is reprised with pretty sick flute playing!

In all, a really beautiful track that for me showcases all the best things the Carpenters have to offer. The band are still stigmatized by many, for reasons I'm not exactly clear on. I understand that this kind of highly produced, clean sounding music might not be for everyone, but if you've just been put off listening to them because they're not very cool, maybe give this track a try!

from A song for you (A song for you)
available on CD - Magical Memories of the Carpenters (Reader's Digest)



  FlyingDutchman1971: You are not alone in you love of the Carpenters! I am proud to say that I have every studio album produced by Richard and Karen and still play them all the time. I need to pull them off the shelves and post a few songs on here... thanks for bringing it to my attention!
  callgirlscene: I like the Carpenters too. They have a pristine flawless and happy quality that is slightly unreal. It's fascinating and yet there's a kind of tragic undercurrent in some of their music too.
Romeo’s Tune  performed by Steve Forbert  1979
Recommended by fost\'r [profile]

I think this one was recorded in '79...It was released late that year and peaked (at least in the US) in 1980.

Strikes a perfect balance between simplicity (Forbert's a singer-songwriter type) and complexity (there are several sections mixed and matched). Probably my favorite of the 1980s.

You've likely heard this song if you were listening to Pop music in 1980; it also received Adult Contemporary and Rock airplay. It has a beautify piano introduction which is repeated throughout. The intro piano gives way to a piaon-acoustic guitar-bass-drumkit backing to Forbert's vocals; later embellishments include backing singers, organ, and electric guitar.

Anyone heard this one?

from Jackrabbit Slim (?)


Roskilde Song  performed by Henry Sails  2005
Recommended by mickotoole [profile]

This is a song that was written in Denmark by a very good friend of mine, it starts of with a piano solo accompanied by a harmonica. It is a very simple yet very deep and effective song. You can listen to it on www.myspace.com/henrysails or on www.henrysails.com

from Untied (Unsigned)


Royal Blue  performed by Henry Mancini  1963
Recommended by delicado [profile]

A beautiful Mancini piece from one of his best-known soundtracks that I had somehow managed to neglect completely. The Pink Panther was never at the top of my wish-list, but after picking up the CD last week for a mere 50p, I was very impressed. The score utilizes the accordian slightly more than I would have liked, but has some fantastic textured tracks, such as this one.

The track opens with a 'Blues in the night' style riff on the piano. The lead is then taken by a blistering muted trumpet sound. I've always thought of Angelo Badalamenti's Twin Peaks work as being heavily Mancini-influenced, but that link has never been more clear to me than on this track, which has a similar moody tone to some of the best tracks on the Twin Peaks: Fire Walk With Me soundtrack. The classic Mancini string sound is also in evidence, as well as a gentle wordless chorus. About half-way through, legendary tenor saxophonist Plas Johnson takes up the melody. The dreaded accordian gets a brief look-in before the track concludes with some more riffing on the trumpet. Fantastic stuff; Mancini really was an inspirational arranger.

from The Pink Panther, available on CD




  Issie: I like Pink Panther so I bet I like this song!
Ruby  performed by The Apples in Stereo  1997
Recommended by two-headed boy [profile]

A classic pop gem with the quintessential catchy, sing-along melody. Pristinly written, performed & produced by E6 Godfather Robert Schneider and his Apples in Stereo. With a chorus determined to make you hum in your sleep, or over a dozen pints with your mates, or loud enough for your co-workers to secretly dispise your chummy disposition, this song will never lose its appeal. Piano, guitar, snare and bass bring back the days of 'ole, and they do it in style. This has to be someone's favorite song somewhere!

from Her Wallpaper Reverie
available on CD - Her Wallpaper Reverie, EP




  opl3003: I agree, this is one of the best tracks by The Apples in Stereo! And of of my overall favorite songs! I can listen to it over and over..
Same Girl  performed by Randy Newman
Recommended by umbrellasfollowrain [profile]

This song is devastating. The piano is precise, but halting and delicate, as though the melody is just as tentative about saying anything at all as the singer is. The song clocks in at less than three minutes, but the strings shudder like a dark devouring cloud hovering at the horizon, drinking up the lyrics for what seem like months, or years.




Scar  performed by Missy Higgins  2004
Recommended by Circusfreak [profile]

Sounds like Australian Folk music that center's around her piano playing (though she also plays guitar). It's quite upbeat and has lyrics I think we can all relate to. It's a beautiful song.


available on CD - Sound Of White (Warner Bros)



  BrSoccerChic89: True, the upbeat instruments do give a nice touch. Her voice fits so well in it!
  MoeShinola: I love this song, too! It was on a Paste Magazine comp.
Sensorium  performed by Epica  2003
Recommended by Shifuede [profile]

Symphonic Metal. Wonderful piano intro and Simone Simons' voice is excellent as always.

from The Phantom Agony, available on CD


Sequenced Time  performed by Cubismo Grafico  2007
Recommended by sardonicsmile [profile]

cubismo grafico's (matsuda gakuji) current output leans heavily towards new wave and other general 00 trendy sounds, but 'sequenced time' sounds more like the soft pop rock stuff with his other band neil and iraiza. one chord piano and sequenced drums, simple, sparse and sounding very much like a quiet night in the city.

from Nuit (Escalator Records)


Set The Fire To The Third Bar  performed by Snow Patrol ft. Martha Wainwright  2007
Recommended by garminge [profile]

great vocal harmony, sound nice together. tranquile song, very beautiful melody, with main instrument the piano.

from Eyes Open, available on CD



  mattishere: thanks. great recommendation
Shadows breaking over my head  performed by The Left Banke  1967
Recommended by roger_roger [profile]

A melancholic, baroque pop song.
It's an hand-made jewel, with this piano scale doubled by the voice, and those gently waves made by the string arrangements.
Your time *perdu*.

from Walk away Ren�e/Pretty Ballerina (Smash srs-67088)
available on CD - There's gonna be a storm. The complete recordings 1966-69 (Mercury)




  delicado: I have to agree that this one is fantastic; thanks for recommending it!
She Told Me, She Told Me  performed by Marcos Valle  1967
Recommended by konsu [profile]

If there has been any really great re-discoveries in brazilian music as of late, Marcos Valle is one of them. The Samba 68' record is one of the few he gave to the USA, and we should be grateful!

This has to be THE most endearing duet I have ever heard. MV's wife of the time, Anamaria,joins him in a walk on the Impanema beach... hands clasped in the evening moonlight,stopping only to say to themselves "To look at delicious you, and know that it's all for me..." and continue their thoughts of possible love..." And you'd feel as I do, if you knew what I knew..."A childlike two-finger piano line emphasizes the naiveity of a young couple so eloquently and poignantly... against a backdrop of waves crashing softly from a string quartet....A song you'll never forget.

from Samba 68', available on CD


Shearwater  performed by Pete Kennedy  1993
Recommended by Harch [profile]

A lovely, melodic, pensive guitar and piano piece.

from Shearwater: The Art of the Unplugged Guitar, available on CD


Shooting Star  performed by Les Baxter  1958
Recommended by nighteye [profile]

As Delicado said in one of his track recommendations: "Les Baxter's work is under-represented on this site". To try and change that here's a recommendation of another of my favourite Baxter songs.

Get in your space-ship and get ready for your first space cocktail. The mood of this song truly represents the 'Space-Age' everybody was anticipating in the late '50s and early '60s. We've got a happy fast paced beat, with bright strings, pianos, vibraphones, flutes and what not. Not that unfamiliar to the KPM library music from the '50s. I can't stop listening to this song, I only wish it was a bit longer.

from Space Escapade (Capitol Records)
available on CD - Ultra-Lounge Volume 8: Cocktail Capers



Sinnerman  performed by Nina Simone
Recommended by gnasher [profile]

Quite unlike most of Nina Simone�s work the beautifully smooth jazz of �please don�t let me be misunderstood� and sometimes slightly sleazy orchestral numbers �feeling good�, �I put a spell on you�.

For me, Sinnerman� is out on its own, a 10+ minute opus, based around a rolling piano and double bass and often frantic cymbal accompanying Nina�s rueful voice tinged with desperation as she recounts the tale. Searching for somewhere to hide, from what is not explained, a man first runs to the rocks, the river, and the Lord, who all refuse him, the music booming louder and with more urgency following each rejection. The Lord even tells him to go to the waiting Devil, and the situation looks bleak, until the rhythm running alongside him suddenly clatters into a tree, and the sinner throws himself before the Lord once more, �Don�t you see me prayin�?� he cries, �Not nearly enough� replies the Lord, until the chasing evil presumably sniffs him out, the drums and bass pick themselves up and we�re off and running again, into the sunset together.




Sixth Station  performed by Joe Hisaishi
Recommended by unacceptable [profile]

soundtrack for "Spirited Away", a beautiful Japanese animated film for all ages.
I love this song as a piano piece as well as in full orchestra form.
Joe Hisaishi is my hero.




Skippin’  performed by Ramsey Lewis  1977
Recommended by scrubbles [profile]

On my weblog, I referred to this song as a "Funky Housewife Thang", since "Skippin'" was used as the theme song for a local homemakers' TV show in the late '70s and early '80s. It really is funky (several members of Earth Wind and Fire play on it) -- squishy synths bobbing along until Ramsey's piano enters and brings it down to earth. The kind of thing you could get down to safely while dusting around the house.

from Tequila Mockingbird, available on CD


so good to see you  performed by Mark Kleiner power projekt  2001
Recommended by moondog [profile]

Powerpop the way it�s meant to be. The opening track on canadian`s Mark Kleiner fabulous debutalbum is just as uplifting as the songtitle might imply. Piano, guitars a killerchorus and songwriting with such an effortless flow that it blows away all the recordcollecting dust that usually litters the genre.

from love tonight (mint records)



Some of your lovin'  performed by Dusty Springfield  1965
Recommended by delicado [profile]

This song is a little more....soulful.. than lots of the stuff I listen to. I find it utterly charming though. Dusty was a goddess, and singing this lovely, simple Goffin/King song she completely slays me. It's a slow arrangement in which Dusty is accompanied by piano, light, gospel-style backing vocals and unobtrusive strings. There's nothing complex or especially clever here; just beautifully executed and perfectly distilled pop.

from the single Some of your lovin'
available on CD - Silver Collection (Philips)




  Mike: Nice pun on "slays" and "executed" there.
  Swinging London: Dusty said that this was the only song she sang that she actually took home after recording it and played it over & over.
Someone Saved My Life Tonight  performed by Elton John  1975
Recommended by cryofthecelt [profile]

This song was written for me. From the first seconds of "Someone Saved My Life Tonight", the striking sound of piano chords causes me to envision a tear-streaked face overcoming a lifetime of struggle.
My attention was first brought to this beautiful song when I saw the preview trailer for the movie "Moonlight Mile" (Jake Gylenhaal, Susan Sarandon, Dustin Hoffman). Don't bother to rent the movie, it's not that great, but if you're like me, you saw the movie simply because you felt the sweet sounds of "Someone Saved My Life Tonight" move you towards a movie theater or a Blockbuster. I didn't even know that Elton performed this song until I heard it on a CD of my mother's! I fell in love with it immediately - one of my favorite songs ever!

from Captain Fantastic and the Brown Dirt Cowboy (Polygram Records)
available on CD - Greatest Hits 1970-2002 (Universal)


Someone To Watch Over Me  performed by Blossom Dearie  1959
Recommended by FlyingDutchman1971 [profile]

Just about everyone has a favorite version of this song and Blossom Dearie's recording is mine. Sitting quietly at the piano with bass and percussion joining in Blossom maps out the man of her dreams and what she plans to do when she finds him. Another gem from the sadly out-of-print album 'My Gentleman Friend'.

from My Gentleman Friend (Verve MGV 2125)
available on CD - The Gershwin Songbook / Blossom Dearie - Verve Jazz Masters 51 ((Verve 314 513 928) / (Verve/Polygram 529906))



  FlyingDutchman1971: a reliable source tells me that this original album will be released to CD sometime in late 2003. I highly recommend it!
  Nycteris: Una cancion conmovedora, en el registro que solo Blossom puede ofrecer, como curiosidad la version de Blossom de esta cancion y "Manhattan" estan catalogadas como insuperables. La puedes encontrar en el disco de Verve "Jazz Masters" vol. 51 (que es una joya).
Steppin� Out  performed by Joe Jackson  1982
Recommended by eftimihn [profile]

I grew up listening to Joe Jackson and i still find his venturing into all sorts of musical styles and the eclecticism surrounding his musical work very interesting. Starting as a post-punk, new wave singer/songwriter he released three great albums from 79-81 with his "Joe Jackson Band" before going solo with a string of fine albums in the 80s (musically ranging from jazz, R&B, rock to latin-tinged sophisticated pop) and later writing and arranging soundtracks and even doing classical music. He recently regrouped with his band, produced another album and toured with the original line-up consisting of Gary Sanford, Graham Maby and Dave Houghton and surprisingly it worked as good as in the beginning of his career. "Steppin' Out" was released on probably his best solo offering "Night & Day" in 1982, a highly evocative, melancholic, catchy pop song skillfully mixing a synth sequencer beat and keyboards with piano jazz harmonies and xylophones.

from Night & Day, available on CD




  komodo: I'll second your comments regarding Joe Jackson. I'm surprised that with classic albums such as "I'm the Man", "Look Sharp", "Body & Soul" and the aformentioned "Steppin' Out", Joe Jackson doesn't, in my opinion, recieve the credit he deserves. "Steppin' Out" is a great track, but my favourite version is actually from "Live 1980/86" where he takes a dramatic - perhaps even melodramatic - approach to the song. It shimmers then swells into this wonderful sound, evocative of a kind of fantasy 40's New York, but anchored by JJ's usual lyrical poignancy. Somewhat overblown? Perhaps, but wonderful stuff nonetheless, and definately one to check out if you've not heard it before.
Suburban Berlin  performed by Japan  1978
Recommended by geezer [profile]

The first real signs of brilliance from this most under rated outfit .Once directionless and too eclectic "Suburban Berlin" is born into an electric piano intro and clipped guitars and grows into a fully formed performance soon after,Sylvians odd sounding voice begining to make more sense .Calm ,cool and collected

from Obscure Alternatives (Hansa)
available on CD - Assemblage


Summer (The First Time)  performed by BOBBY GOLDSBORO  1973
Recommended by callgirlscene [profile]

This story-song uses an imposing repeating piano riff, 12 string guitar, a little tasteful organ, and dramatic wistful strings as it recounts someone's first, well, lay. On a hot June day/night the singer loses his virginity with a older Southern belle. The version on the Honey CD though isn't as good as the original Bobby Goldsboro vinyl- it seems too lavishly produced, and is from the Summer of '42 soundtrack.

from SUMMER (THE FIRST TIME) (UNITED ARTISTS LA-124)
available on CD - HONEY (REMEMBER)




  Arthur: Millie Jackson covered this song and takes all the saccharine out of it!
  pottymoon: 'Summer the first time' by Bobby G doesn't have an ounce of Saccharine, it is a powerfully evocative track taking me back to when I was 19 (and that's 32 years ago!)so completely that I can smell, taste and feel everything as if I'd dropped back into 1973 from a time machine! And if you think that I write with Saccharine, then hey,I get paid for it!
  commonsense: I am just listening to this tack as I am typing and it really is an excellent example for nostalgia. The way the song is constructed makes it easily slip into your mind and float downstream to past encounters...
Summetime  performed by Nina Simone
Recommended by kaptnunderpnts [profile]

instrumentally, it's extremely simple. it seems to have nothing more than simple percussion and a haunting, eerie piano. and then comes the voice that makes this song just so thick. it's my favorite version of the song. the version i have is live and actually sounds pretty lo-fi. look for that one. i got it off the internet and have no information for it.




Sunken City  performed by Les Baxter  1961
Recommended by nighteye [profile]

This is one of Baxters best songs, although there are many incredible Les Baxter pieces, this one really stands out from the rest. The title 'Sunken City' is perfect, you really feel like you are floating in the bright blue ocean, searching for a lost city. The instruments Baxter chose for this song are interesting; oboes, a haunting choir along with some vibraphones and piano chords, the result is however amazing.
Listen to this song late at night with the lights dimmed.

from Jewels of the Sea (Capitol)
available on CD - Exotic Moods of Les Baxter



Sunny  performed by Oscar Peterson  1969
Recommended by delicado [profile]

A great take on the pop classic “sunny” - taken at a fast tempo with a bouncy piano style and a hip beat. A really great track, produced by Claus Ogerman, who really was one of the coolest arrangers; perfect for me anyway - able to perfect both lush and beat oriented 'now sound' type stuff.

from Motions and Emotions (MPS 21207137)
available on CD - Snowflakes (Motor)




  konsu: A really cool record. Also with a nice version of "Ode To Billy Joe" and Jobim's "Wave".
Sunset  performed by Pierre Dutour  197?
Recommended by callgirlscene [profile]

Trumpet, strings & a subtle jangly sound begin this song in a way that suggests a tale of heartbreak, as Burt Bacharach can do it. Then piano and wordless female vocals join, in a chorus that seems to say love or redemption is going to come. And this is done in a Todd Rundgren way, as on his Something/Anything album. Then it repeats, and you're redeemed again. Two winsome influences are combined in this sound library recording for a real slice of heaven.

from Dance & Mood Music #9 (Chappell DMM309)


Sweet Susan  performed by Ennio Morricone  1972
Recommended by eftimihn [profile]

You probably wouldn't expect an amazing easy listening track by Morricone on a western soundtrack i guess, but that's what you get here. Except for the harmonica intro this is pure Morricone lounge and it features the most delicate use of a muted, toned down trumpet sound one can imagine. The way it's gently built up is just fantastic and it surely can make your hair raise, it's so subtly but overwhelmingly performed. After the harmonica there's piano chords fading in, then the song kicks off with subtle strings in the background and with a midtempo drumbeat. Wonderful melody, after a while the strings start to crescend leading into a swirl and a harpsicord is added in the right places. This track just melts in your ears like italian ice cream in the sun. Another gem by Ennio, the song was even issued as a single in Italy in 1972, together with "Sonny", recommended elsewhere on musicaltaste.

from La Banda J. & S. (CAM CSE 050)
available on CD - CAM (CSE 050)




  dominb: Yes, this song, hidden away on the "La Banda J & S" soundtrack is quintessential Morricone, it is truly sublime. One of the joys of Morricone is discovering tracks like this given his overwhelming output so thankyou for pointing this song out.
sweets for my sweet  performed by The Carnival  1969
Recommended by klatu [profile]

Another Brazil '66 knockoff band, maybe not as solid as the Mendes-endorsed Bossa Rio, but they did do a nice version of the Roger Nichols track "love so fine". More importantly, they did this, a cover of one of the Drifter's less memorable hits, done over with a very punchy, immediate arrangement. More aggressive than most of Sergio's stuff. Nice Peanuts, Guaraldi/Schroeder style piano intro! Recorded in L.A. with a few studio guns on board. (added later) Maybe I have velveeta pumping through my heart, but I do enjoy this whole album, even the pretty bad version of turn, turn, turn.

from The Carnival, available on CD


Sympathy For the Devil  performed by The Rolling Stones  1968
Recommended by xfanatic50 [profile]

With the wild African rhythms, yelped back-up vocals and honky-tonk piano, this song is bizarre and crazed and lot of fun. Lyrically it's also very cool with Mick Jagger singing from the persona of a very gentlemanly and straightforward Satan. It's also incredibly timeless and influential. Listen to Outkast's recent album, or the Libertines, or the Music and you can hear shades of this song without a doubt.

from Beggar's Banquet (Abko)


Take it easy my brother Charlie  performed by Astrud Gilberto  1972
Recommended by delicado [profile]

This entertaining track opens with Astrud talking over a groovy guitar and piano background. As she starts to sing the words, the percussion becomes more pronounced, producing a nice bossa/funk hybrid. The production is very different to a lot Astrud’s work, probably because this album was from an obscure label (Perception) with contributions from different personnel than on many of her Verve recordings (e.g. Airto Moreira, Maria Toledo and Eumir Deodato).

from Astrud Gilberto Now (Perception)



Take Me Out  performed by Scissor Sisters  2004
Recommended by lilly747 [profile]

You can't ask more from a cover, SS really make this Franz Ferdinand track there own complete with cheeky country guitar twangs and the ever present Elton-esq piano power chords.......recorded for Jo Whileys Live Lounge for BBC Radio 1, so you can hear it here www.melodynelson.com/music/Takemeout(LiveLounge).mp3





  Issie: I didn't know it wwas arranged by the scissor sisters I just thought it was by franz ferdinand. Are they friends? I'm a fan of both groups. Hi to Jeanette
Tell me why  performed by Nick Heyward
Recommended by moondog [profile]

Aaah, the eighties. Everyone´s got their memories, i do and you do too. One who soundtracked my youth was haircut one hundreds singer/songwriter Nick Heyward who went onto a not as succesful solocareer but who yielded many pearls of popsongs for those who cared to look. Tell me why from 88s "I love you avenue" has to be my favorite nick track since it encapsules all his qualties best. Regret, melancholia and longing for the mrs and a piano midtempo verse that leads up to a killer chorus. Avalaible in a bargain bin near you.

from I love you avenue (rca)


Tema de la Onda (Nicola Conte Remix)  performed by Aldemaro Romero & Onda Nueva, remixed by Nicola Conte  2003
Recommended by autopilot [profile]

Nujazz maestro extraordinaire has taken Alemaro Romero's "Tema de la Onda", a Sergio Mendes-style light vocal bossa number, and turned it into a jazzdance smasher.

Conte takes the female lallation-like vocals and a simple two note piano riff, adds his trademark samba/dance-skewed percussion work with a huge shaking piano breakdown, and creates a number that would have been as much a dancefloor filler in the 70s as it is today.

from Onda Nueva Remixed (Dejavu)


Tereza and Tomas  performed by Bright Eyes  1998
Recommended by two-headed boy [profile]

'Bright Eyes' O'Connor Oberst is a gifted lyricist and probably the best for his age (19 at record release). With his literary references and unconventional recording, listening to Bright Eyes is quite an experience. In this instance we meet the protagonists of the novel, 'The Unberable Lightness of Being,' and find in their weightlessness the desire to escape. Slow acoustic struming by O'Conner steady his intense vocals and between the chimes and reverberating forte piano we experience a disjointing storm used to great effect. The song has us drifting at sea with a delicate melody until we are at last erased like a skeleton in chalk. Bright Eyes sings - 'Let's sail away disappearing in a mist. Let's sail away with a whisper and a kiss. Or vanish from a road somewhere, like Tereza and Tomas, suspended in this bliss.' We feel his expressive words and sound pass through us, and late in the day we find it echoing softly in our heads. Quite an accomplishment for someone who couldn't drink yet, I look forward to following his career.

from Letting Off the Happiness (Saddle Creek Records lbj - 23)



The birds are leaving  performed by Boo Hewerdine  1999
Recommended by Mike [profile]

This simple song has a kind of wan beauty and a lovely piano and strings backing. The relationship lyric is a good one which seems an ideal foil to Hal David's "Why do birds..." from "(They long to be) Close to you".


available on CD - Thanksgiving (Black Burst)


The Breath of Death  performed by Ennio Morricone  1969
Recommended by tinks [profile]

Morricone seems to have taken quite a few pages from Komeda's score for "Rosemary's Baby" here for the soundtrack to this Dario Argento serial killer movie. This track features some creepy heavy breathing, cascading dissonant piano notes, and some of the scariest "la-la-la"-ing ever committed to wax. I've never seen the movie, but based on the record, I'm pretty certain that it would scare the hell out of me.

from The Bird with the Crystal Plumage (Capitol ST-642)



  sodapop651: the movie is pretty whack.
The Circus  performed by Take That  2008
Recommended by geezer [profile]

The cornertstone of their spectacular return was the songwriting and this piano led ballad is a fine example .A delicate melody that could easily become a "little old wine drinker me" standard at the hand of future lounge vegas artistes .The hook line and stinger is "everybody loves a circus show but im the only clown youll ever know",OUCH!!.A rare example of pop being allowed to grow up and turn into something more substantial.

from The Circus, available on CD


The Cure For Broken Hearts  performed by ANT  2000
Recommended by kkkerplunkkk [profile]

If you like your pop, soft and acoustic with witty lyrics, then check this out! 'I'd give up all my selfish little dreams to be in hers' coos ANT over a strummed acoustic, brushed snare drum and tinkling Wurlitzer piano.

from Cures For Broken Hearts, available on CD


The Dogs and the Horses (NYC acoustic)  performed by The Divine Comedy  1996
Recommended by Mike [profile]

A very beautiful song musically and lyrically. I much prefer this piano/vocal version from the Becoming more like Alfie CD single to the rather over-orchestrated one on the album "Casanova"

from Becoming more like Alfie


The Ghost of the Robot  performed by Sounds Like a Personal Problem
Recommended by eevas86 [profile]

Very, very, very beautiful piano.




The Holy Filament  performed by Mr. Bungle  1999
Recommended by Tangento [profile]

This is a truly unique song, from a beyond unique band. Mr. Bungle has a rabid, almost cult-like following, and songs like this are the reason why.
This band has always drawn on many different, widely varying influences, including ska, grindcore, jazz, and funky beats, to name just a few.
This track displays a whole new direction for the band, with dreamy, ethereal bass and piano interplay, retro-vocal harmonies, and an almost rapturous climactic sequence, followed by a melancholy fade-out.
This is a work composed by Bassist Trevor Dunn, (a true talent) and I feel it is more than worthy of a place on this list.
The album is a classic, I highly recommend it for people with just about any kind of musical taste.
I am providing a review/ option to purchase:
HERE

from California, available on CD


The Moon  performed by The Microphones  2001
Recommended by ispoketofoxes [profile]

The Glow Pt. 2 was on so many "best of 2001" lists that it pretty much had to be true. The biggest Microphones fans even state The Glow Pt. 2 as being their favorite. That has to show something.
From the opening track you are immediately hooked. The first two tracks build up for my personal favorite, "The Moon." The moon has such a beautiful beginning that that alone makes it my favorite. The lyrics tell a little romance but still remain to keep the weird feeling when listening to The Microphones. Fuzz, drums, piano, and horns make up the pretty sounds that carry the song along. Of all the great songs this album contains, "The Moon" contains Phil Elvrum at his best.

from The Glow Pt. 2, available on CD


The Moon Was Yellow  performed by Ferrante and Teicher  1957
Recommended by texjernigan [profile]

These guys did some weird effects using pianos, ending up with spacey percussive effects.

from Heavenly Sounds In Hi-Fi



The Peterman  performed by Bullet  1975
Recommended by HoboTech [profile]

Beautiful slow jazz funk. Funky bass, floating flutes, trombone, rhodes piano. This entire album is a classic. You've probably heard some of it somewhere before, it's been sampled by lots of people from DJ Vadim to Buck 65. Originally recorded as library music and then used in the British TV series the Hanged Man, this record is one of my favorites.

from The Hanged Man, available on CD


The Saddest Song  performed by The Ataris  2003
Recommended by izumi [profile]

I love the meaning and melody of this song. It's not about love or death or anything, but about how the singer feels sorry because he doesn't spend enough time with his daughter. It always makes me feel sad listening to this because I can relate to it on a personal level. There are two versions of this song, a guitar/drum version (which I prefer), but the acoustic version is just as good and the same piano theme occurs in both.

from So Long, Astoria (Columbia 5105302)


The Scientist  performed by Coldplay  2002
Recommended by cryofthecelt [profile]

I've been a huge fan of the UK-based "wuss-rock" band Coldplay since their debut album "Parachutes." One night, as I was watching a much-anticipated episode of my favorite TV show, "Smallville" - an episode called "Rosetta" guest-starring Christopher Reeve - I heart the heart-rendering chords of lead singer Christ Martin's piano and thought aloud "Hey, that's Coldplay!" I hadn't yet heard that song, so I surfed onto a "Smallville" fansite to check the title and found that it was called "The Scientist" from Coldplay's most recent album "A Rush of Blood to the Head."
"The Scientist" is a song that will remind you of being in love - more likely, of being in love with someone who doesn't love you back or with someone whom you pissed off and doesn't want to be around you anymore. It's basically the most perfect song about unrequieted love. It is beautiful and haunting, as many of Coldplay's songs are. Give it a listen. You won't regret it.

from A Rush of Blood to the Head, available on CD


The Show  performed by Lenka  2008
Recommended by weaselohs [profile]

Upbeat, poppy, piano-driven

from Lenka


The Sword and the Pen  performed by Regina Spektor  2009
Recommended by Mike [profile]

Absolute minor-key classic from the first listen. I suppose it's a bit too "obvious", but hey, I like it. She gets a bit "Ruski" in the chorus.

An "extra" track with deluxe versions of the album; also in piano/vocal only version with one of the CD singles.

from Far (some versions only), available on CD


The Way We Get By  performed by Spoon  2002
Recommended by eve [profile]

I like this song for alot of the same reasons I like other Spoon songs-- driven melody and attractive vocals. The melody is driven as much by piano as guitar, which is always delicious. The song is also well-written; it's the all-around harmony of these different elements that make it have all the repeat value that it does.

from Kill the Moonlight (Merge)



  Reina: Spoon is really cool--but nobody I know, even people who listen to really cool obscure music--has ever heard of them. Sad, really.
  xfanatic50: This is my favourite Spoon song, by far.
Theme From "Blow Up"  performed by Bobby Hutcherson  1967
Recommended by gregcaz [profile]

This whole album is a masterpiece, but "Blow Up" is a track that should definitely be better known. It's a vibes-piano-bass-drums quartet session with Herbie on piano that inexplicably was never released at the time, only in Japan over a decade later. It was available on CD for a while in the early 90s, but has since been deleted. The track builds on a steady, understated 4/4 groove anchored heavy bass and creative drumming courtesy of Joe Chambers. Eight minutes of relaxed heaven, with messrs. Hutcherson and Hancock engaging in sublime vibes/piano dialogue over a very catchy theme. Seek out this album any way you can!

from Oblique (Blue Note)



Theme from "The Go-Between"  performed by Michel Legrand and the LSO  1969
Recommended by Mike [profile]

The minor key, pedal bass, double-dotted theme, and piano and orchestra scoring create an atmosphere which I find very enjoyable. I only have an edit of the original, which I think was available as them adn variations and various suites, and would like to hear the rest to see how/if Legrand develops the material.





  delicado: Just listening to what I assume is the same version of this (mine is on a cheapo Bell compilation from the early 70s). Fantastic track indeed!
This Way Mary  performed by John Barry  1974
Recommended by delicado [profile]

I love John Barry. Actually he doesn't seem like such a great guy personally, but I love a lot of his music. This track was originally composed for the soundtrack of the 1971 film 'Mary, Queen of Scots'. However, the sound is very modern. The track is built around a recurring piano riff (which incidentally was sampled by the group Chapterhouse on their 1991 indie/shoegazing single 'mesmerize'), and the tune is played by a synthesized, echoey harpsichord. It's a delightfully simple but very catchy track which stands up to repeated listening.

from Play it again (Polydor)
available on CD - The very best of (Polydor Europe)



Tiao bra�o forte  performed by Marcos Valle  1968
Recommended by delicado [profile]

A sophisticated and understated pop bossa. This song can breeze by the first time you hear it, but the unexpected hooks and chord changes make for addictive listening. There are strings, a gentle and high male vocal and a rhythmic piano. It really is heavenly. I should add that the CD compilation this appears on, 'the essential...volume 2', is really one of the very best single-artist compilations I've ever heard. The liner notes are not perfect though - this song is erroneously listed as 'Tiao branco forte'. Great compilation though, one which showed me that Marcos really is a genius.

from Viola Enluarada (Odeon)
available on CD - The Essential Marcos Valle, Vol 2 (Mr Bongo)



Ticket to Ride  performed by Mystic Moods Orchestra  1968
Recommended by delicado [profile]

This probably sounds like an odd thing to recommend, but the more I hear this track, the more I love it. It's as if the arranger didn't actually like the song that much - he has changed it a great deal, but for better. Mixed with the trademark Mystic Moods sound effects, it begins lush and gentle. However, after the sound effects fade away, the quality of the arrangement and recording come through, with crisp drums, a nice bass and some great piano. It has a very cool funk-orchestral feel, recalling some of Pete Moore's best work.

from English Muffins, available on CD




  delicado: Erm- when I wrote this I think I hadn\'t yet got into the Carpenters. this is basically the Carpenters\' version of ticket to ride but an orchestral version. Still very cool, but that was the origin of the arrangement!
Ticket To The Moon  performed by Electric Light Orchestra  1981
Recommended by Goldtransam [profile]

The song is somewhat reminiscent of their earlier output, featuring grand piano and more strings than their past few singles. Beautiful song by a brilliant band.

"I've got a ticket to the moon, but i'd rather see the sunshine in your eyes"

from Time (Jet Records & Columbia Records)



  Mike: Nice to see this recommendation! Simple song with a pretty post-Beatles melody. I've just dug out my LP of Time and have been playing side 1. It really sparkles!
  Mike: My favourite song on the album is "21st Century Man" on side 2, which I thing rates highly among their overall output and is maybe the last great song they produced. The weakest song on the album has to be the single "Hold on Tight" which sounds as though they were trying to compete with Shakin' Stevens!
Tinseltown In The Rain  performed by The Blue Nile  1983
Recommended by eftimihn [profile]

The Blue Nile must be one of the most enigmatic and fascinating bands of all time. Formed in Glasgow in 1981 they released just 4 albums in 23 years with 6 years between the debut "A Walk Across The Rooftops" (1983) and their sophomore effort "Hats" (1989), 7 years between this and their third album "Peace At Last" (1996) and an 8 year break until their latest record "High" was released in 2004. That sums up to a mere 33 album tracks in almost a quarter of a decade, but what they lack in quantity they make up in quality. While "Hats" is undoubtedly their masterpiece, "Tinseltown In The Rain" may be their strongest single track. Backed by a strong, funky bassline combined with jazz-like piano chords and incredibly lush strings the track shines with a wonderfully clear, sophisticated arrangement and production. Paul Buchanan delivers wonderfully emotional, heartfelt vocals to it that tinges the song in a melancholic and uplifting mood at the same time.

from A Walk Across The Rooftops, available on CD




  ronin: "Tinseltown in the Rain" brought BN to the DC airwaves, as also did "Stay." A band not based on 3 guitars, and I actually liked it! "Easter Parade," also on lp, is a very slow, detailed description of an event, loaded w/haunting atmospherics, coming to an understated climax. (To me "Hats" is their least exciting work.) "Peace at Last" and "A Walk Across.." are the most exhilarating... electronics/Linn drum machines aside, it's the magic of Paul Buchanan's incredibly moving voice. His heart's on his sleeve... a big sleeve. Emotion drips from every syllable. These get constant airplay at home.
Travolti Da Un Insolito Destino Nell�Azzurro Mare D�Agosto  performed by Piero Piccioni  1975
Recommended by eftimihn [profile]

Mixing light bossa nova guitar, gentle strings, flutes, subdued piano and muted trumpet (or trombone, not sure) this is a very elegant, romantic sounding track by Piero Piccioni, evoking, as the title suggests, images of the blue sea glittering in the summer sun. Moodwise it's quite reminiscent of Jobim's "Tide" and "Triste".

from Travolti Da Un Insolito Destino Nell'Azzurro Mare D'Agosto (CBS)
available on CD - Swept Away (King)



Trejeitos  performed by Jun Miyake  2001
Recommended by stakadush [profile]

Beautiful bossa nova by the Japanese artist.
The whole album is sweet guitar & piano bossa nova.

from Innocent Bossa In The Mirror (Tropical Music tm068823)



Tres Cosas  performed by juana molina  2002
Recommended by fiftyfootgirl [profile]

This is an absolutely magical song! Juana Molina is a singer/songwriter from Argentina. I first heard her on KCRW (Santa Monica radio station) when I was living in Los Angeles. Her music is totally captivating; it's melodic, ethereal, quirky, whimsical, a little melancholy sometimes, very very sweet. She often uses acoustic instruments (guitar, piano), but what makes her music unique is her use of electronic elements. It often sounds like she is recording in the middle of the rainforest. Tres Cosas, from the album of the same name, is a very up-beat, sparkly little song. Her live performances are archived on the KCRW website: http://www.kcrw.com/ (do a search for Juana Molina in the "Find it!" feature), and you can purchase her music at:
Gourmet Musical http://www.gourmetmusical.com

from Tres Cosas, available on CD


Triste  performed by Pizzicato Five  1995
Recommended by johannp [profile]

This song has a simple but effective instrumentation; piano, drums and bass for the most part, and brass here and there. It manages to be catchy and interesting because of the melody and chords in my opinion. It's hard to point at something specific, yet the song in its entirety just has a certain, very definitive appeal, especially the ending where it almost has an improvised feel.

This song is from what one could think of as the 'middle period' of Pizzicato Five; they had acquired Maki Nomiya as a singer, and not yet ventured into the experimental things they did in the late 90's. Another, shorter version of it is on "Big Hits & Jet Lags '94-'97'", and that's about the only difference between the two.

from Romantique '96, available on CD


Two Star  performed by Everything But The Girl  1994
Recommended by eftimihn [profile]

To me, Everything But The Girl are one of the most memorable bands of the 80s and 90s. What always strikes me is how their sound evolved from jangly, jazzy-pop in the beginning to polished, rather slick sophisti-pop in the late 80s/early 90s to sample-heavy, drum & bass/trip-hop influenced, house-embracing electronica at the end of their recording history in the mid/late 90s. Despite the change in sound they always managed to capture a consistency in the feel of the music, always revolving around the same themes over the years, dripping with melancholia, unrequited love, self-pity, romantic disillusionment etc. "Two Star" is a delicate, yet emotionally bleak ballad. Acoustic in sound, with piano, double bass and a wonderful string arrangement by Harry Robinson plus some cor anglais embellishments by Kate St. John.

from Amplified Heart, available on CD



Um Girassol da Cor de Seu Cabelo  performed by Milton Nascimento / Lo Borges  1972
Recommended by mr_klenster [profile]

This entire album is beautiful and fascinating. I seem to be a sucker for rather melancholic, afflicted, and intoxicating sounds, so here I go again. The first half of this song is slow and haunting, I don't understand Portuguese, but the tone sounds like a filmic remembrance of tragically lost love, with yearning lyrics paired to beautiful piano-led orchestration . In the middle of the song there is a break of dark, doomy strings, followed by the second half, which is a quicker tempoed revisit of the first half, taking the form of a psychic climax.

from Clube Da Esquina


Una Tromba a Dallas  performed by Ennio Morricone  196x
Recommended by olli [profile]

"Frontier Psychiatrist" by the Avalanches was built around the �bercool vocal hook from this. catchy and simple tune, the feel lies somewhere in between go-go, epic drama and mariachi music. Dig the way the drums and piano work together. (Is that a harpsichord later on?) Never seen the film this is from, but i'd be dissappointed if this song wasn't used in a great scene.


available on CD - Svegliati E Uccidi & Sacco E Vanzetti




  delicado: Thanks for recommending this! I actually really like the avalanches song, and of course however much Morricone I think I know/have, there's always more!
  dominb: The "Svegliati e Uccidi" s/track is available at allofmp3.ru,though the best version of Lisa Gastoni singing "Una Stanza Vuota" is not on it only a 7" single version which omits the guitar section which makes the song IMO,the better version of this song features on the "Canto Morricone 60's" record.
Up In The North  performed by The Fiery Furnaces  2003
Recommended by alba [profile]

this is one of the best rock songs released recently...i love the piano...its got a folky, rootsy thing going on

from Gallowsbird's Bark


Viola  performed by Sergio Mendes & Brasil �66  1969
Recommended by eftimihn [profile]

This is Mendes' take on Viola Enluarada, one of my favourite Marcos Valle tunes, and what a beautiful interpretation this one is: starting of with just electric piano it later comes into full gear with a wonderful Dave Grusin orchestral arrangement including lush strings, flutes, trumpets and some harp embellishments.

from Crystal Illusions, available on CD



Wait and See  performed by Lee Hazlewood
Recommended by bobbyspacetroup [profile]

I didn't notice this great song the first time I heard it, but now that I have, I can't get out of my mind. This is one of Lee's sadder songs, but don't let that turn you away. The piano on here (played by Don Randi) reminds me SO MUCH of a specific Nick Cave song, but I haven't been able to place it. Didn't Lee and Nick perform together recently?

from Love And Other Crimes (Reprise RS 6287)




  delicado: alas, my copy of this album is not with me, but yeah, Nick invited Lee to perform at the Meltdown festival in 1999, and I'm sure he was an influence. On a related note, Lee's song 'Forget Marie' starts off sounding exactly like the Tindersticks to me. I actually originally got into Lee through cover versions of 'A cheat' and 'Look at that woman' on early 90s releases by London bands Gallon Drunk and The Earls of Suave.
Waltz for piano in A flat major, Op. 42  performed by Dinu Lupatti  195?
Recommended by Celainn [profile]


available on CD - Chopin: Waltzes, etc. (Angel Records)


We Belong To The Night  performed by Ellen Foley  1979
Recommended by john_l [profile]

Ellen Foley is best known for being the foil to Meat Loaf on "Paradise By the Dashboard Light" (and for a season on the TV show "Night Court"). This track which opens her first LP "Nightout" is a thunderous roar that rivals Phil Spector's wall of sound like little else. It starts quietly enough with piano motifs and an organ backing, but really cranks it up in time for the chorus. Ian Hunter and the late Mick Ronson produced. Repeat after me: bombast is good!

from Nightout (Epic)
available on CD - The Very Best Of Ellen Foley (Columbia)


What Sarah Said  performed by Death Cab for Cutie  2005
Recommended by nospmohtetak [profile]

This song is a very sad revelation of what it means to truly love someone. Gibbard is telling a story of what it's like to be awaiting bad news in a hospital. The piano reflects the sad realization that at some point, the person you love will die, and if you're really going to be there for them, you have to watch them. The best lyric is "but I'm thinking of what Sarah said: 'love is watching someone die.'" It's a very well written, thought-provoking song.

from Plans (Atlantic Records)


Whistle Down the Wind  performed by Nick Heyward  1983
Recommended by geezer [profile]

A lush orchestrated pop song that carries the sadness of autumn and the hope of spring in its stunning almost visual arrangement ,piano ,acoustic guitar and strings weave in and around a deceptively simple song whose chorus will stay with you long after music ends.Very close to perfect pop ,if such a thing exists,thoughtful ,intelligent ,sensitive and humourous .

from North of a Miracle
available on CD - North of a Miracle (Bonus)


Yesterday and Today  performed by YES  1968
Recommended by geezer [profile]

Sweet and simpler than this groups future output ,a piano,acoustic guitar ballad ,with angelic vocals and unusual chord progressions which make it sound less repetitive than it actually is .This was Yes,s first album and gave little sign of their future prog direction this track has more in common with The Beatles than than the wigged out fantasy jams that filled future albums .Short ,sweet and lovely

from YES!, available on CD


You Know What They Do To Guys Like Us In Prison  performed by My Chemical Romance  2005
Recommended by lets_laugh94 [profile]

This is the best My Chemical Romance song. It starts with a piano intro, unheard of for this band, and then brings in strong musical talents and intresting lyrics.




You've Lost that Lovin' Feeling  performed by Lee Hazlewood and Nancy Sinatra  1968
Recommended by delicado [profile]

I put this record on again yesterday for the first time in a while, and was reminded of how utterly astounding this track is. Lee's voice is incredibly low. Both Nancy and Lee add little variations to the tune, and are accompanied by some simple instrumentation: a catchy strummed guitar, drums, bass and occasional piano and strings. At various points, the song just stops as Lee sings 'Woah Woah Woooe'. Very highly recommended.

from Nancy and Lee (Reprise)
available on CD - Fairytales and Fantasies




  Liv: Lee's voice is a bit of an acquired taste(-but too,uh,rusty for me anyway-),but as for Nancy,her best recordings from this period(the 60's)are top quality..she became something of a cult heroine for die-hard 60's collectors..and went into pop history..
  ronin: I'll always remember them for "Some Velvet Morning When I'm Straight," which I never understood, but liked anyway--his rather drawling delivery opposite her more conventional one.
  n-jeff: Post Top Gun this song is remarkably popular in its Righteous Brothers version amongst the local rugby and hockey playing types, so when doing sports parties its always good fun to play the nancy and Lee version for its disturbing "Slowed down" feeling. But at home, its always just good to play it.
Your Funny Uncle  performed by Pet Shop Boys
Recommended by daniela_por [profile]

Beautiful piano-led song that can make you smile. I discovered this PSB's b-side after listening to Tom Chaplin's home-made cover.




Zigarillo  performed by Botho Lucas Singers und die Sound Masters  1972
Recommended by delicado [profile]

This one of the most insanely catchy and infectious tracks I've heard in a long time. Opens with a sparse bongo beat, accompanied by 'mouth percussion'. A German voice sounding slightly like aging British radio DJ Tommy Vance starts talking ('Der man, das Zigarillo'), before a catchy piano riff and jaunty easy listening chorus come in. A fun track - nice that compilations like 'pop shopping 2' come out and save things like this from total obscurity.


available on CD - Pop Shopping 2 (Crippled Dick Hot Wax!)



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