Slow beaty groove, deep, dramatic, emotive. This obscure French library tune was recorded in early 70s for an avant-guard French version of Shakespeare's 'Macbeth', and originally released on a very limited "Musique pour l'Image" 7-inch.

A long, wild, complex, dark, almost haunting jazz-rock piece that has changed the way I faced German 70s rock. It's in par with the rest of the tracks on the excellent 'Smile a While' LP by this legendary rock band. It's not very hard to find, and I believe it has been re-issued on CD.

A very tasty and rather 'European-sounding' cover of the 1967's psyche-jazz Tom Scott's original from the well-known session percussionist-vibraphonist Emil Richards. Although it comes in a compilation of Emil's best late 60s latin-jazz recordings (interestingly, not a single horn instrument is used in the whole set!), this is an energetic percussive jazz-rock piece, with great vibraphone and bells(!) solos.

Italian singer Edda dell'Orso is the voice backing many soundtrack scores and lounge-beat tracks by Ennio Morricone, Alessandro Alessandroni, Armando Trovajoli (and his 'Mark 4'). This is a Cinecitta-composer Romolo Grano composition for the cult fantasy-drama TV-series 'La Montagna della Luce'. A very deeply and sensually voiced Edda accompanies the slightly latin-flavoured, percussive funky-jazz piece; the haunting funky bassline and a very gentle tenor present throughout the track complete this exotic, obscure jazzy soundtrack.

The first track on the seminal 'Headless Heroes of the Apocalypse' LP McDaniels cut in 1971 is the most furious and energetic of the album. Spiritual afro-soul-rock with a politically aware attitude. A very 'dirty' psychedelic electric bass guitar with a top-class drummer (Alphonse Mouzon) comprise a hard-hitting rhythm section to remember. I prefer this very bluesy track over the more obvious selections from this top-notch release, e.g. the haunting Jagger the Dagger, and Freedom Death Dance.