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You searched for ‘cool’, which matched 230 songs.
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(What's your story) Morning Glory  performed by Milt Jackson  1963
Recommended by delicado [profile]

An excellent cut, with wailing big band brass and cool vibes. The song is quite familiar - musically it is an early draft of the standard 'Black coffee', sounding similar, but slightly sped-up. The percussion is also excellent - lots of bongos. Overall, the sound recalls some of Mancini's best 50s work, but somehow sounds even more vital and brilliant to me. Milt's work on the vibes also seems to have influenced Angelo Badalamenti (his David Lynch soundtrack work, anyway), and the solo work of Barry Adamson.

from For someone I love, available on CD ()

100  performed by Dean blunt   2014
Recommended by Pinkfoxracing [profile]

The sweet soft voice of joanne Robertson makes a really cool contrast with the graspy and kinda dark voice of Dean Blunt plus the classical guitar playing chords that sounds like the end of a movie or a sunset. IDK it just sounds pretty cool, one of my favorites songs of my life.

from Black metal (? ?), available on CD

A Festa  performed by Silvio Cesar  1977
Recommended by gregcaz [profile]

A smooth jazz-funk groove with Rhodes and synths playing melodically against each other. It sounds like Azymuth. In fact, it is Azymuth. Conversation, glasses clinking, a girl laughs in the distance. And Silvio's voice comes in, nice and mellow, describing what it's like to have a bunch of friends over for a get-together. Although he's one of Brazil's hippest crooners, a man who specializes in somewhat cliched yet mysteriously cool and affecting love songs, he lays back here and lets the country's greatest jazz-fusion outfit do its thing. How many romantic crooners ever do that?

from Som e Palavras (RCA)

Afro - Harping  performed by Dorothy Ashby  196?
Recommended by Arthur [profile]

Cool in the Xxtreme !
Sixties dance jazz funk instumental from harpist Dorothy. Complete with organs, flutes and bongos it is driving classy joyful music .

The album also contains the awesome "Action Line " which is weirdly atmospheric and deeply strange

from Afro - Harping ( CADET LPS809)

Ain't There Something Money Can't Buy  performed by Young-Holt Unlimited  1968
Recommended by tinks [profile]

This is one of my favorite songs of all time. Very cool soul-jazz, with vicious, biting lyrics. "Money can buy you silk and sable/false religion/fame and fable". Young and Holt even manage to get a dig in at their former boss Ramsey Lewis by mockingly quoting from his big hit "Wade in the Water".

from Soulful Strut (Brunswick)
available on CD - Wack Wack (Kent)

  sok186: and here I thought I was alone, excellent pick
All Around the World  performed by Cooler Kids
Recommended by Zissy [profile]

All We Have is Now  performed by The Flaming Lips  2002
Recommended by xfanatic50 [profile]

I don't know why I like this track so much. I'll admit that Do You Realize? is the better track from the album. But this song just always makes me stop in my tracks and listen. It's an interesting song, about a man meeting himself from the future. It's really cool.

from Yoshimi Battles the Pink Robots (Warner Bros.)

Altogether  performed by Styrofoam  2002
Recommended by Genza [profile]

I really love Slowdive. I guess it's fair to say they're the most under-rated band of all time (yeah, I know you all have your own opinions but you're wrong and I'm right - okay? ).

So imagine my surprise when electronica masters Morr Music decided to compile a Slowdive tribute record last year, featuring luminraies such as Icelandic beauties Mum.

The album is a sheer joy - and highlights the quality of Halstead's original song-writing (before the layers of reverb and delay were added).
The stand-out track is Altogether, taken from Slowdive's second Creation release 'Souvlaki'. An astonishingly pretty but achingly mournful track is turned, by Morr's Styrofoam, into a trippy work of blissed-out happiness. Cool.

from Blue Skied 'an Clear (Morr Music)

Am i the Same Girl   performed by Barbara Acklin  1966
Recommended by geezer [profile]

A staple Northern Soul fave ,though not a dancer its cool breezy rhythym has been loved and revered by everybody from Dusty Springfield to Joss Stone ,.A relentless verse chorus onslaught boosted by fantastic brass and clen drums with a melody to sit down for .One of this over exposed genre.s unsung artists who is well worth a second look .

from Best of , available on CD

An Angel Is Love  performed by The Bob Crewe Generation Orchestra  1968
Recommended by masayo [profile]

The song I have been eager to get since I saw a movie "Barbarella" about 6 years ago. Finally I got the soundtrack CD. I do love the theme tune, Barbarella, too, but this somehow makes me feel "America", the place I have been longing for.
What mekes me feel so? Bob Crewe's sexy and gorgeous vocal? Cool horn and brass arrangements? widely spreading atomosphere? Everything is attracting reminding me of the scene where Pygar is flying after getting his new wings!

from Barbarella Original Soundtrack, available on CD

  n-jeff: Its hard to pick just one track off an LP thats this good. It took me ten years to track down my copy, and I had to pay full collectors price for it, but it was worth every penny. By the way, I don't think thats Bob singing, is it? He sings on one of his other LP's and its not too, er, memorable.
  masayo: According to the liner notes, "Bob Crew was persuaded by producer Dino de Laurentiis to sing on the wonderful end cue, 'An Angel is Love'." But I haven't listened to his other songs, so I can't say it's definitely his voice, though...
  n-jeff: Liner notes, blimey. Top song even so.
  heinmukk: truly great song. but i have to say, that i like the theme tune more. but it's maybe because i only listen to it while watching the intro with jane fonda undressing. best intro scene of a movie ever! and jane is supersexy, isn't she?! candy!!
  skooba: Does anyone know where could download mp3s of the Babarella soundtrack? Any other recomendations welcome.
  delicado: It's in print on Harkit Records. Here's one of many places you can buy it:
  olli: probably my favourite soundtrack ever. has to agree with heinmukk though, the title tune is better. the version in the actual movie is a bit different from the soundtrack version, probably worth ripping from the dvd if you can get your hands on it. I also love the track "fight in flight", it probably has one of the coolest combos of funk guitars and string arrangements there is.... there�s a rerelease of the album with some bonus tracks by the young lovers out, (some pretty standard easy listening cover versions of existing tracks, nice if you're a completist though.) dont remember wich label it�s on though.
Anyway  performed by Barbara Lewis  1969
Recommended by delicado [profile]

Barbara Lewis was famous earlier in the sixties for 'Hello Stranger.' This is simple, soulful pop music with a very cool production: crisp drums and nicely orchestrated woodwind on top of rhythmic guitars. Somehow the charm of the recording overrides any feeling that the chord sequence is slightly obvious. Barbara's voice is beautiful here: emotional, yet understated. A small female choir comes in to accompany her at various points. The song is remarkably tight and catchy, with a prominent bass part driving it on. The producer at Stax for this record was Ollie McLaughlin, and I'm now looking out for more stuff that he worked on.

from Many Grooves of Barbara Lewis, available on CD

  Arthur: Ollie McLaughlin was a prolific producer. Look out for 45's on the Carla and Karen labels. They where both his labels
Are You There (With Another Girl)  performed by Anita Kerr Singers  1969
Recommended by scrubbles [profile]

This is one of my favorite Bacharach-David songs. It would be difficult to top Dionne Warwick's original, but Anita Kerr's jazzy cover comes awfully close. Kerr's arrangement is more muted and pretty - and when the drums kick in between chorus and verse, the results are breathtaking. Real cool!

from Reflect on the Hits of Burt Bacharach and Hal David (Dot)
available on CD - Reflect on the Hits of Burt Bacharach and Hal David/Velvet Voices and Bold Brass

  delicado: I was just about to recommend this. Isn't it a superb version!
Areas  performed by New Musik  1981
Recommended by Mike [profile]

A song about personal body space. I know that this doesn't exactly sound electrifying, but the song itself does. In fact the whole album this is from is filled with fantastic lyrically unorthodox songs, most of which are extremely good.

During this very skilfully constructed song, we hear some of the most lyrical, expressive sounds ever to be played on synths. We hear that slightly strange vocal performance style that makes a virtue out of sounding uncool - but it's always very musical.

Tony Mansfield is an absolute musical genius and innovator. After the three new Musik albums, he went on to produce A-ha's first album and a few records for other artists, but never seems to have had the recognition Trevor Horn recieved. I wonder what he's doing now...

from Anywhere, available on CD

Aren't You Glad  performed by The Beach Boys  1967
Recommended by tinks [profile]

This song has a very tender vocal, which I believe is by either Carl or Dennis, a super-cool reverb-laden piano and sweet handclaps that cue up organ and trumpets. As fully-realized a piece as anything on "Pet Sounds".

from Wild Honey (Capitol)
available on CD - Wild Honey/Smiley Smile (Capitol)

  Swinging London: I LOVE this song. From my favourite (under-rated) Beach Boys album, 'Wild Honey' (1967) There's also a live version available on a Beach Boys 'Live' album, which I believe was recorded in London in 1968...they fluff the lyrics, which, actually, adds to the charm. Anyway, thank you for reminding me of this little gem.
Bachianas Brasilieras #5  performed by Lalo Schifrin  1964
Recommended by tinks [profile]

Beautiful summery easy-bossa arrangement of this Villa-Lobos orchestral piece. The tempo floats along at a lazy pace, augmented by gorgeous piano and flute solos, then comes to an abrupt end with a very cool bass riff. Apparently, Schifrin recorded another version of this song in 1996 on the "Gillespiana" album, and that features Karlheinz Stockhausen's son Markus playing trumpet!

from New Fantasy (Verve V-8601)

  Swinging London: NICE...very nice!
Balada Conducatorolui  performed by Taraf de Ha�douks  199?
Recommended by nrnono [profile]

Romanian gypsy music at its best:
- fast rhythm and chord progressions that make you listen in anticipation
- singer's voice (singing in Romanian/Gypsy?) rough sincerity reminds me of an old black delta bluesman
- the coolest violin riff ever.

from Taraf de Ha�douks (Elektra/Asylum)

Baoba  performed by Claudia  1971
Recommended by gregcaz [profile]

Great track. Entirely scat-sung, steady midtempo funky groove, with that distinctive Odeon Studios sound, and the bridge breaks into a waltz-time section, with Claudia's high-pitched vocal effects strongly reminiscent of something off the Vampyros Lesbos soundtrack album. Claudia's a big collector's favorite among Brazilian femme singers, since her stuff's consistently strong, she's got this great strong expressive voice, cool material choices including a number of exclusive Marcos Valle songs, and NONE of her early 70s Odeon sides have been issued on CD.

from Jesus Cristo (Odeon MOFB 3668)

  delicado: Yes! I picked up a Claudia compilation LP recently in Brazil. It was all great stuff, but this was really the standout track.
Beginnings  performed by Astrud Gilberto  1969
Recommended by delicado [profile]

An amazingly warm and funky cover of the Chicago song 'feelings'. I know that doesn't sound like a recipe for success, but it really is very cool. The song degenerates into a huge jamming session at the end and carries on for 9 minutes. But it's storming stuff!

from September 17, 1969, available on CD

Berimbau  performed by Golden Boys  1969
Recommended by delicado [profile]

An addictive and perfect track, which fuses several of my obsessions (vocal groups, Ennio Morricone-style chord sequences, Brazilian pop) with incredible power. The song is a Brazilian standard, written by Baden Powell, but this version is very different to any other I've heard. This recording opens feverishly with brass and strings, maintaining a doomy and very serious mood throughout. All the same, it manages to be extremely groovy, with rock drums and a twangy guitar accompanying the strings and harmonizing vocals. The arrangement is quite brilliant and never sounds crowded, with a stark feel produced by the different parts dropping in and out. The part of the track which to me is pure genius is the instrumental break in the middle, which sounds like it's excerpted from one of the coolest of Morricone's late 60s B-movie soundtracks - honey smooth strings, blended with some excellent drums and a cool trumpet part. The vocals are also rather gripping - always very serious sounding, and often wordlessly chanting the melody.

from Golden Boys (Odeon MOFB 3590)
available on CD - Blue Brazil Vol 3 (EMI)

  Galt: You should check out the 1971 Odeon album 'So Vou Criar Galinha': 'Chuva de verao' starts with the sound of rainfall (always a winner) and 'Com a lembran�a apenas' has one of those amazing Brazilian melodies you just can't get out of your head.
Best Adventures  performed by THINKMAN aka RUPERT HINE  1986
Recommended by beautifulmutant [profile]

From the 1986 concept album "The Formula" by Rupert Hine, this is an excellent mid-eighties dnace number which received no radio or MTV rotataion but deserved to. Highly dancable, cool, European and memorable. Rupert Hine is famous as a producer for badns such as The Fixx, Howard Jones, Tina Turner, Eight Seconds, Rush, Stevie Nicks and more...
Don;t let that throw you off though. His solo material is ofetntimes very dark, futuristic, apocolyptic and just plain catchy.

from The Formula (Island)

  ntrembat: I loved the song production (if not the lyrics) and, after watching the video over and over on MTV in '86 (black, paramilitary vans racing around for some forgotten reason), raced out to buy the tape. The rest of the album was really bad. Can't find it on iTunes.
Bittersweet  performed by Lewis Taylor  1996
Recommended by Latimer [profile]

Lewis Taylor is a major musical talent, and his first album stands as a landmark among modern soul / R&B productions. Imagine Prince on a roll, with the Beach Boys on backing vocals and Jeff Beck adding psychedelic guitar. He does it all. Sweet falsetto vocals, funny lyrics and a worldwide groove. You'll want more.

from Lewis Taylor, available on CD

Blowin' Bubbles  performed by Call and Response  2001
Recommended by ronaldo [profile]

Just a perfect, perfect pop song. Makes you wanna dance and groove along, but at the same time it's soo unbelievably sweet and a just a liitle melancholy. It starts with a drum beat, and then there's this bass-and-drums groove for a few seconds. Then a little sweet electric piano line enters, just before the voice begins singing the melody: "I'm drinking stars up in the sky, you know where you are / I'm driving cars around your house, it seems so fun". When it's time for the chorus ("So listen to my bubble go pop / I'm coming in, I'm coming over the top"), the main voice sings over a backing vocal doing an "ooh" harmony, and then there's absolute genius backing vocal, where the word "pop" becomes "papapapa". After that, a little guitar riff/solo, along with a very cool electric piano line. Then it just repeats everything all over again one more time, for infinite happiness. The time for a middle break has arrived. A new funky bass groove with lots of different "papapa"s harmonizing together. Now, go back to the first bass-and-drums groove, with a jazzy, relaxed guitar solo, and then it's just grooves and grooves and heavenly harmonies, "Blowin' bubbles".

Bones  performed by BRANDI IFGRAY  1999
Recommended by beautifulmutant [profile]

Kind of like a drole walk through rainy streets in Europe somewhere. Light, jangley echoy guitar reminds me of Ocean Blue, The Smiths and more but in a more mello mood. No one seems to know who Brandi Ifrgray is... he sang for Shadowplay before releasing two very cool CD's "Le Mutant" and "Stargazer".

from Stargazer (Sahko)
available on CD - STargazer

Bossa for My Eet  performed by Andre Ceccarelli
Recommended by mr_klenster [profile]

This is part of the De Wolfe library collection. A good library collection has just been reissued in Japan that includes some of the better selections that this catalog has to offer. Now that most of the great music libraries have found snug homes, this CD is an easy way to avoid the price gouging and hassle of scoring a song you just want to listen to. I like this song because it has a unique cool and light tone, while being somewhere in between bossa and uptempo dancefloor jazz. Something to listen to in the shade at the beach. It only clocks in at 1:41, but you couldn't ask for more or less.

C'est Pas De Ma Faute  performed by Brigitte Fontaine
Recommended by djfreshmoney [profile]

Great loungey beat that's dying to be sampled. This is early Brigitte Fontaine and it reminds the folks at Dusty Groove of early Serge Gainsbourg. I agree. Cool upbeat jazzy beat with emotive singing. Wish I spoke French. The only problem with this song is that it's too short.

from 17 Chansons D�cadentes

  jeanette: Ha! If you think this song is too short, you wanna catch the Vous Et Nous album with Areski: millions of songs, most clocking in under 3 mins, many under 1. And they look like primary school teachers on the cover. Good call; brilliant tune.
California Waiting  performed by Kings of Leon  2003
Recommended by xfanatic50 [profile]

This song grabs you and doesn't let go. Catchy, melodic and flowing... It's very hard not to listen to this song without bobbing your head along with it. The slurred southern drawl of the lead singer, and the sparkly melody really put you in a specific place and time. A very cool track, and one that's perfect for drinking to.

from Youth and Young Manhood (RCA)

Cape Cod Kwassa Kwassa   performed by Vampire Weekend
Recommended by icerberg [profile]

OMG i love everything, like this song is so much fun to play on the bass and stuff, and the vocals are cool idk.

Carcara  performed by Nancy Ames  1968
Recommended by delicado [profile]

A great track, sung in spanish by Nancy Ames. It opens with pulsating horns, a wall of strings and an insistent latin beat. Everything quietens down in the middle, and Nancy sings accapella before the song explodes into action again. The way the brass, strings, flute, bossa guitar and fiery pop vocals are all crammed into two minutes is pretty cool. The whole thing is extremely catchy and intoxicating.

In 2004 this album, along with Spiced with Brasil, finally made it onto CD.

from Latin Pulse (Epic)
available on CD - Latin Pulse/Spiced With Brasil (Collectables)

Casino Royale  performed by 18th Century Corporation  1969
Recommended by delicado [profile]

This is a rather ridiculous but super–catchy take on this theme to the 1967 spoof Bond movie. Performed by German session musicians, it ends up being a rather groovy mix, with viola d’amore, flute, female wordless vocals, harpsichord, and that other staple of the Baroque era, funky drums. It’s short and sweet and really very cool. The late sixties were cool for many reasons, but one of them is that they could accomodate TWO albums called 'Bacharach Baroque' - this one, and the other great Snuff Garrett-produced one by 'The Renaissance'. Both are superb.

from Bacharach Baroque (United Artists)

  leonthedog: I found the entire "Bacharach Baroque" album superb! The "baroque" is not overdone. The arrangements are very pleasing - better than most of the hundreds of instrumental takes on Bacharach that surfaced in the 60's and early 70's. So where can I find more by the ephemeral "18th Century Corporation"?
chase the devil  performed by max romeo and the upsetters  1976
Recommended by olli [profile]

"I'm gonna put on an iron shirt/
An' chase Satan out of Earth.
I'm gonna put on an iron shirt/
And chase the Devil out of Earth.
I'm gonna send him to outer space/
To find another race.
I'm gonna send him to outer space/
To find another race.

Satan is the evilest man/
But him can choke sit on a man.
So when I check him my life's in hand/
And if him flip I gone with him hand.

I'm gonna put on an iron shirt/
An' chase Satan out of Earth.
I'm gonna put on an iron shirt/
And chase the Devil out of Earth.
I'm gonna send him to outer space/
To find another race.
I'm gonna send him to outer space/
To find another race.

Him have to drop him fork and run/
Him can't stand up to Jah Jah's son.
Him have to left here with him gun/
Take off with him bomb."

gotta love a bit of max romeo. great trippy reggae song. wonderful production by lee "scratch" perry, too.

available on CD - jammin-supreme reggae vibes

  james: Yes it rocks. but have you heard Wet Dream? quite purile and filthy lyrics but great x-rated Ska
  olli: Yeah, i love his early rude boy stuff.
  fruity: theres a really good jungle dubbed version of max romeo's chase the devil done by Spacebar Collective from Malaysia.u guys should check it out.
  bahaar: hey olli, hope you don't mind if copy here a more precise version. And LOL for this line in your version: So when I check him my life's in hand --- Lucifer son of the morning, I'm gonna chase you out of earth! I'm gonna send him to outa space, to find another race I'm gonna send him to outa space, to find another race Satan is an evilous man, But him can't chocks it on I-man So when I check him my lassing hand And if him slip, I gaan with him hand I'm gonna put on a iron shirt, and chase Satan out of earth I'm gonna put on a iron shirt, and chase the devil out of earth I'm gonna send him to outa space, to find another race I'm gonna send him to outa space, to find another race Him haffi drop him fork and run Him can't stand up to Jah Jah son Him haffi lef' ya with him gun Dig off with him bomb I'm gonna put on a iron shirt, and chase Satan out of earth I'm gonna put on a iron shirt, and chase the devil out of earth I'm gonna send him to outa space, to find another race I'm gonna send him to outa space, to find another race Satan is a evilous man, But him can't chocks it on I-man So when I check him my lassing hand And if him slip, I gaan with him hand I'm gonna put on a iron shirt, and chase Satan out of earth I'm gonna put on a iron shirt, and chase the devil out of earth I'm gonna send him to outa space, to find another race I'm gonna send him to outa space, to find another race Move ya with your gun Mi sey fe lef' ya with your bomb... ---
  n-jeff: true, a great song - isn't there a mad hardcore version, too?
  n-jeff: Yes there is. The Prodigy, before they (he) became a pop metal band. lol.
Claudie's Stockings  performed by Jerry Goldsmith  1971
Recommended by bobbyspacetroup [profile]

Goldsmith's score to this (supposedly forgettable) action film is mainly in a Lalo Schifrin/John Barry bag. This track even recalls Les Baxter's best work of the era. It begins with the main theme reminiscent of Barry's "Ipcress File." I think they even use the same instrument, the cymbalum. The main them then breaks out into this beautiful, lush orchestration topped with electric organ, a funky electric bass, and a very nice backbeat. It totally sounds like "Que Mango"-era Baxter. Anyway, this track and really the entire score are very cool in their own right.

from The Last Run
available on CD - The Last Run/The Wild Rover (Chapter III)

Claudine (Instrumental Theme)  performed by Gladys Knight/Curtis Mayfield  1974
Recommended by dacottom [profile]

What a wonderful gem of a song. It gives a "Shaft" type of feel with an fresh air feel to it. A great underated masterpiece written by the late great Curtis Mayfield for this movie. Apparently this is a forgotten track on this album and overshadowed by the sublime on and on. Break this song out during a party and you become the definition of hip. Enjoy!

from Claudine Soundtrack
available on CD - Claudine (Motion Picture Soundtrack) (Capitol)

Colors Bleed  performed by Call And Response  2004
Recommended by MoeShinola [profile]

It's in waltz time, with a strummed electric guitar intro followed by female vocals, bass & drums. There's a short female vocal counterpoint part, then the louder chorus. Towards the end the song changes key with a solo guitar figure, joined then by bass, then the the synth & drums enter in a musical explosion that's really cool.
I did'nt like this song at first, liking the rest of the album("Winds Take No Shape") better but the song has grown into one of my favorites on this record.
The full album is one of my favorites of the decade, second only to "Flying Saucer" by Astronaut Wife.

from Winds Take No Shape (Badman)

Come Back Suzanne  performed by Bill Wyman  1981
Recommended by geezer [profile]

A surprisingly accurate slice of new wave from Wyman,s solo album which contained his only hit "Je Suis un Rock Star" ,this was the follow up.While the Stones moved towards an increasingly stodgy over produced sound at this time ,Wyman was happy to acknowledge the prevalent new wave sounds ."Suzzane" is an upbeat and catchy vignette not a million miles away from Squeeze,s "Cool for Cats".This confirms a lot of peoples opinions that Wyman was always the most quirky and inventive Stone.

from Stone Alone An Anthology
available on CD - Stone Alone

Comin� Home Baby  performed by Claus Ogerman  1965
Recommended by delicado [profile]

This track wasn't what I expected. My previous favorite version of this song (although I have many) was probably the one by Mel Torme on his 1962 album 'Right Now'. And since that version was arranged by Ogerman, I had expected this version to be simply an instrumental version like Torme's recording - a cool, finger-clicking, jerky pop number. In fact, there's something much cooler and more sophisticated about this version.

The tune is picked out first by an organ, and then by the brass and woodwinds before returning to the organ, which then jams around the main tune. A really beautiful string section comes in early on, creating some unusual chords that really add to the song and work very well alongside the 'cool' effect of the organ and rhythm. I wish Claus had recorded more songs with this mixture of percussion, jazzy instrumentation and lovely thick string parts. A few tracks on one of his other 60s LPs, 'Latin Rock,' come close, but I'm not sure any of them are as nice as this one.

from Soul Searchin' (RCA LPM 3366)

Confessions  performed by Usher  2004
Recommended by Issie [profile]

A cool song, I like the style.

Cool For Cats  performed by Squeeze
Recommended by gutterandstars [profile]

cool on your island  performed by tori amos
Recommended by xoxota [profile]

from y can't tori read

Cough/ Cool  performed by The Misfits  1976
Recommended by Kriswell [profile]

This is by no means a new release, but I've recently gotten back in to it. Most people have a misconception about The Misfits. Yes they have recorded some very 'crap' songs, and the newly re-vised band and almost everything Danzig has done lately is complete garbage in my eyes, however the original Misfits early recordings, circa 1975-77 are simply amazing. 'Cough/ Cool' is a Hammond/ Fender Rhodes driven, atmospheric masterpiece. Danzig croons like Jim Morrison in this emotionally charged ballad(?). Granted, the lyrics are kind of dark, "scent of blood when you cough, cool, cool, cool, cough, cool ", and most of the other words are relatively indeciphrable, yet shockingly 'pretty' least in their tonal quality. The song is very scaled-down and under produced (organ, electric piano, bass and drums), but this is a good thing, it's part of its charm. The amount of reverb and slap-back echo on Glenn's voice is brilliant. So, I urge anyone who has never listened to The Misfits due to the forementioned reasons to get off their collective 'high horses' and give it a listen, they have some really great songs. Other good tracks from the same era include; "Return of The Fly", "She", "Hybrid Moments", "Come Back", "American Nightmare", etc...

from the single Cough/ Cool (Caroline)
available on CD - Coffin Box Set (Caroline)

  yoakamae: Ya I'd have to say, the Misfits were an amazing band during the 70's. Their old work was all so original, I can't get a feel for Danzig's new material with his current band. Last Caress is a great old track as well, one of my favourites with that awesome guitar riff, circa '79?
Cutout  performed by The Shocking Pinks  2007
Recommended by mattishere [profile]

just a cool song

Dansero  performed by Richard Hayman  1969
Recommended by delicado [profile]

The album that this track is taken from was one of those strange albums that acquired mythical status in my mind. Based on a mixture of rumor and personal imagination (I could never actually find a copy), I convinced myself that this must be the coolest album ever made, a perfect fusion of moog, latin and mod sounds. A few years later I picked up the album very cheaply on ebay. Beautiful and interesting as it is, many of the tracks go slightly over the line for me.

'Dansero' is the only track on the LP that captures the blend that I was looking for. It's nice and short at under 3 minutes, and features a delightfully kooky introduction that sounds like the Jean-Jacques Perrey moog flourishes that the group Stereolab sampled on their 'Transient Random Noise Bursts...' album. The drums and moog then join up for a nice pop instrumental, catchy and bouncy. Different moog effects are piled on, but always quite effectively, making this one of the most enduringly successful moog-pop tracks in my collection.

from Genuine Electric Latin Love Machine (Command)

Deep Down  performed by Christy  1968
Recommended by delicado [profile]

I'm surprised to find I haven't recommended this song before. An enchanting piece of futuristic pop written by Ennio Morricone, this great tune was part of the score for the wonderfully stylish Mario Bava movie 'Danger: Diabolik'. Christy, who also sung on some Piero Piccioni scores, was (is?) a heartfelt 'belter', and here she sings the italian lyrics, which are peppered with English phrases, especially passionately. There is a cool echoey effect on her voice, giving the whole affair an other-worldly, underwater feel. Musically, it's a very catchy psych-pop track, with a twangy, rocky guitar. It's quite short, but extremely powerful.

from the single Deep Down
available on CD - Canto Morricone Vol. 1 (Bear Family)

  leonthedog: This "Canto Morricone" volume sent me on a frantic chase for so many things; most rewarding was the "Danger: Diabolik" soundtrack. (The movie is a hoot and quite a bargain, too.) Mina... Spaak... Miranda Martino... Rita Monico... and what about Ken Colman? "Trio Junior"??? This CD will infect you, so you'd better just go get it!
  delicado: I realize it has been almost 10 years since I wrote this - but just to throw it out there - this track really is absolutely amazing!
Diga Diga Doo  performed by Martin Denny  1960
Recommended by Solo [profile]

Featuring a strange assortment of melodic percussion instruments, brass and punctuated with animal calls which are only equaled by those of Roger Waters on Pink Floyd's Umma Gumma, this is BY FAR the strangest (and coolest) version of this song ever recorded. The Residents must have developed their whole series of Mark of the Mole albums after hearing this recording. "Diga Diga Doo" was originally a show tune for a Broadway review called The Blackbirds of 1928.

from Exotic Sounds Visit Broadway (Liberty Records LST-7163)
available on CD - The Exotic Sounds of Martin Denny (Capitol (Ultra Lounge imprint))

Do it again  performed by Ronnie Aldrich  1969
Recommended by delicado [profile]

This is pure fun, a track with that 'easy cheesy' sound which many people love to hate. But wait, this is brilliant! Although rather clunky and an extremely 'square' take on 'hip', this is quite magnificent, honestly. Backed by a relentless beat, Ronnie plays the tune on 2 pianos, while for the bridge section the superb harmonies in the Beach Boys original are played out beautifully by the London Festival Orchestra. Although it's something of a guilty pleasure, I have to recommend this track very highly. Listening to it now on headphones, I notice that it even has that stereo effect having each piano come out of a different channel, an effect used to great effect on his version of 'soulful strut'.

from This Way (London/Phase 4 SP 44116)

  tinks: and here i was convinced that i was the only person in the world that liked this album! the cover of "mas que nada" on here is great!
Do you know the way to San Jose  performed by Pete Moore  1970
Recommended by delicado [profile]

A great instrumental by Pete Moore, which is laid back yet gently funky at the same time with nice brass and a cool wah-wah guitar sound. The production and arrangement is typical of his other work - clean sounding with a slow introduction and a superb rhythm section. Check out what is probably his best known track - Catwalk, which was featured on the Inflight Entertainment CD.

from Pete Moore plays the best of Burt Bacharach (Rediffusion ZS61)

  umbrellasfollowrain: I must have this song. Where could I find the record?
Don�t Leave Me  performed by Hal Hester  1968
Recommended by delicado [profile]

I know very little about Hal - I just picked up this LP for a dollar on a hunch that it might be good. It's pretty great. There are two or three very strong 'mod' tracks, and then this, an example of my favorite kind of easy listening cut. It's very pretty and reasonably slow, with nice strings, good piano and solid percussion. There are some vocals, but their involvement is minimal. If I have a complaint, it's that the piano becomes slightly overbearing. But it's a cool track all the same.

from Hal Hester Does His Thing (RCA)

Dragonfly  performed by Ziggy Marley
Recommended by Reina [profile]

Basically any song off his album Dragonfly is good...but I especially liked this one. Upbeat and mellow, like any Ziggy Marley song. Very cool.

"We're on a ride that never stops..."

Duel  performed by Propaganda  1984
Recommended by Mike [profile]

More first rate synthesizer music from the 1980s. The album also features a remixed/re-recorded version "Jewel". Catchy. Unfortunately this line-up only recorded this one "proper" album plus an album of remixes before splitting up. The album is excellent almost throughout, the band's slightly artsy aesthetic conveyed lyrically and through mixing atmospheric chordal writing, inventive instrumentation/production and some almost industrial-sounding beats. Kraftwerk were never remotely this musically interesting. Propaganda were also better looking...

from A Secret Wish, available on CD

  audioadventures: Another one of my all time favourites. The extended 12" is outstanding.
Earth People  performed by Dr. Octagon  1997
Recommended by jwmoz [profile]

"Dr. Octagon" is actually Kool Keith, who must have had something on the brain when this record was produced. This is my favorite song on the album, and it is a good representation of the the cool, controlled beats and inane, yet infectious lyrics present throughout. Dr. Octagon's words are on the same level as Eminem's in that they are not to be taken literally. Eminem took the gangsta/mysogyny route, Dr. Octagon took the thirteen year old boys immature babble about god-knows-what route. In any case, this song is fresh, and you can't help getting that little bob of your head going when you listen. When you catch yourself singing along, realize you sound like an idiot though.

available on CD - Dr. Octagonecologyst (Uni/Dream Works Records)

  spinspin: I was obbbbbsessed with Blue Flowers off that same-diddly-aim album for forever... he's got the smoothest sinister technobabble ever.
Elias  performed by Dispatch
Recommended by Reina [profile]

This song is a song everyone should hear. Beginning with African drum beats and chants, it has a tribal feel to it. Really cool, upbeat...great to listen to while driving. Check out the live version too.

"I think you could answer all the questions of the world in just one word..."

Elle a... elle a pas...  performed by Michel Legrand  1965
Recommended by delicado [profile]

A very cool and swinging jazzy pop vocal. Michel's range is quite remarkable, and there are some cool backing vocals too. About halfway through of the song, some completely over the top scat vocals kick in, and two different vocal Michels carry out a nonsensical scat 'conversation' until the end. Definitely an unusual way to complete a song, but it works fantastically.

available on CD - Le Meilleur de Michel Legrand (Philips France)

Enchanted Lady  performed by Milt Jackson  1969
Recommended by mr_klenster [profile]

Jazz music for a hazy dream. Clean and simple arrangement with nice moments of well-articulated soloing. Altogether beautiful, with a cool and detached sound.

from Memphis Jackson

Endless Sacrifice  performed by Dream Theater  2003
Recommended by izumi [profile]

It's a shame not everyone can be into this type of music, because this is really one of the best, most incredible songs I've ever heard in my entire life! It's good for all the right reasons...everything about the music is amazing, from lyrics, guitar, bass to drum and all the cool instruments they've used.

This song is REALLY long (about 10 minutes I think!) so it's a real musical odyssey and worth listening to. It's one of those great works of art that needs all your attention because it won't let your mind stay idle while you're listening to it. The guitar riffs are so breath-taking and the big instrumental break halfway through the song makes it outstanding.

from Train of Thought (Elektrik 7559628912)

Eque  performed by Duke Ellington  1968
Recommended by delicado [profile]

Taken from his exquisite Latin American Suite, this is an unusual sounding track to me. Mid-tempo, with an unrelenting bossa nova style beat, the action is shared between the piano and various horns and saxophones. I guess it's the strange discordant tones that take this track higher for me. They remind me of some chords I've heard in the more adventurous Brazilian pop music of the late 1960s - basically taking what is fundamentally a sweet sounding, warm chord, and overlaying notes that provide a darker, more forboding feel.

Adding to this, the punctuating horns and reeds give the whole thing a gently groovy feel that's reminiscent of quirky 60s soundtrack music. Really cool stuff, and I recommend the whole album.

from Latin American Suite, available on CD

Est-Ce Que Tu  performed by Dusty Trails  2000
Recommended by djfreshmoney [profile]

I can't get enough of cool electronic beats, guitar strums and whispered vocals. This track is a good example, it's from an album by the keyboardist from Luscious Jackson and bassist from the Breeders.

from dusty trails

Fender Bender  performed by Kid Koala
Recommended by timbotones [profile]

A cool turntablism track about a minor accident... the sounds of the scratch are actually two creatures arguing. You can find the filmclip around. That scratch is making me itch...

Flowers And Beads  performed by Iron Butterfly  1968
Recommended by john_l [profile]

Not everybody remembers this, but the "other" side of the famous "In-A-Gadda-Da-Vida" album featured five rather terrific songs. And this one has "cool passion" written all over it, because the lyrics are straight-ahead I'm-in-love-and-I'm-almost-tongue-tied-about-it but within a medium-paced 6/8 framework rather than a frantic groove. Meanwhile the organ and the choir-like backing vocals give it a lot of warmth. So it sounds like what I'm saying is that it manages to be both cool and warm at the same time. That may not make sense, but it's a great song off a classic LP.

Incidentally, rock writer Dave Marsh in one of his reviews said "It's now garbage" about this LP. Bullfeathers! It's still a classic. It makes me wonder what Marsh thinks is not garbage these days -- misogynous rubbish about ho's and bitches perhaps?

from In-A-Gadda-Da-Vida, available on CD

Footprints on the Moon  performed by Francis Lai  1973
Recommended by delicado [profile]

An incredibly perfect easy listening piece, this opens with an other-worldly, John-Barry-ish synth sound, and then leads into a groovy, lightly funky piano riff, with shimmering strings. Francis Lai's signature organ sound carries the tune as the song builds into a dramatic orchestral pop masterpiece. A standout track, with superb wistful, lazy, summer day feel, rather like some of the best tracks on the 'Sound Gallery' compilation of a few years ago.

from Plays the compositions of... (UA UA-LA095-F)

  scrubbles: Yow! That sound snippet alone is so cool.
  AndreasNystrom: I finally got the version by Francis Lai, and i think its better then Johnny Harris one. Splendid song!. I love the ending part of it.. cant get that part out of my head :)
  standish: I'd have to go for the Johnny Harris original over the Francis Lai version. It's colder and spookier with less obtrusive strings. "Movements" is available on CD (great sleeve - his expression suggests a combined photo shoot/visit to his proctologist) - but the mono single version (w/"Lulu's Theme") is all you need.
  leonthedog: Well, thanks to all of you I had to track down BOTH versions! Amazing what a difference an arrangement makes. I agree with scrubbles: the clip of Lai's version is the most infectious thing around!
For a Few Dollars More  performed by Al Caiola  1967
Recommended by delicado [profile]

A wickedly funky and twangy take on this classic Morricone theme. The beat is very cool - funky and surprisingly insistent, reminiscent of some of the best tracks on Howard Roberts's albums of the time on capitol. This track is from the interesting LP 'King Guitar', which also yields a Vinnie Bell-esque 'watery guitar' take on 'Sleepwalk' and a version of 'Tiny Bubbles' done in Latin boogaloo style.

from King Guitar (United Artists UAS 6586)

Freak  performed by Days of the New  1997
Recommended by falicon [profile]

The deep and catchy voice kinda cool lyrics...check it out. The beat is a bit more of a dark and repetative type sound, really the vocals in this are what the song is all about. Plan to have them get old really fast though as they do repeat the same thing over and over many times.

from Days of the New, available on CD

Freio Aerodinamico  performed by Os 3 Morais  1969
Recommended by delicado [profile]

A truly incredible vocal/jazz pop track which really has everything. Os Tres Morais were (are?) a mysterious Brazilian vocal trio. Here they tackle a great Marcos Valle song, and do such a storming job of it that this may be one my very favorite tracks EVER in the whole world ever! Honestly. Until I put a sound sample up, please accept these measly words of explanation:
1. It's bouncy and smooth and has warm strings
2. It's actually quite funky as well
3. The vocal harmonies are fantastic. I don't think there are any actual words - it's all just beautiful interwoven sound
4. Someone starts playing a scratchy electric guitar rebelliously at end of the song, completely out of context with the rest of it. It sounds cool.

from Os Tres Morais
available on CD - Blue Brazil volume 2 (EMI UK)

  tinks: i have a sneaking suspicion that os tres morais and os tres brasilieros were in fact the same group...the reason that i say this is because os tres brasilieros were a family group comprised of two brothers and a sister, whose last name just happened to be "morais". if so, have a look for the album that i've made a recommendation from. it'd seem to jive, since this comp is on emi, and the lp i have is on capitol.
  delicado: hmm, interesting. Shame there is a dearth of info available for either group... are os tres brasilieros consistently good, out of interest?
  tinks: well, the album i have is pretty standard vocal bossa & samba-type stuff, but it's not bad. very easy to listen to, and there are a few inspired moments. i'll check the liner notes to see if i can garner any more info on them.
  clmarcel: i think the correct name this band is "os tres moraes". here in Brazil, moraes is frequently a last name, while "morais" can be traduzed by "ethics", "moral".
  clmarcel: sorry, i made a mistake. The real name is MORAIS. The link to this band is . There can be downloaded the mp3 e see the album cover.
  Luroberto: This ensemble was the best one in the end of the 60s in Brazil. The accurate voise of Jane Moraes was simply marvelous. They have been influenced by Les Swingle Singers. They began their career singing music erudite and in a second moment they joined Bossa Nova hits of Chico Buarque and Tom Jobim. They have enregistered three LPs. When Jane married Herondy and make the kitsch couple Jane & Herondy her brothers relpaced her by Ana Lucia and after one last LP they splited the ensemble for separate careers. One of them is now new as "Santo Morales", a bolero singer. One of their best hits was O Sonho (The Dream), 1968, of Egberto Gismonti.
Fridays Angels   performed by Generation x  1979
Recommended by geezer [profile]

A punk band that made the progress limited to just a few like the Jam and Killing Joke.This is guitar shaped power pop with a healthy slice of mod swagger and a fantastic chorus .A kind of Bowie esque tribute to wasted cool and what should have been a sure fire top tenner .This came from a buried gem of an album produced by Mott the Hooples Ian Hunter and listening now with hindsight that makes perfect sense ,the group and producer managing to crytalise glams optimism and punks negativity.

from Valley of the Dolls (Chrysalis)
available on CD - Valley of the Dols

Fried Bananas  performed by Benny Golson  1967
Recommended by konsu [profile]

Freakishly cool jet-set jazz from the great Benny Golson. A Gary Mcfarland tune that he wrote for his "In Sound" LP, and I must say his version seemed pretty hard to top,until this. A mindblowing mix of styles from the period are included in this one track:Gary Mcfarland's easy-latin swing(complete with whistles),The elecrtrified sax sound of Eddie Harris, and a swirling vocal ensemble thats almost in a Hugo Montenegro mode! Wild!!

from Tune In, Turn On, available on CD

Fuel  performed by Ani Difranco
Recommended by Reina [profile]

A smart, funny rant -- half talking, half singing. Political as any of her music, but less angry and more mocking. Very cool. Even if you don't like Ani, this one deserves a listen.

"...all the radios agree with all the tvs, and the magazines agree with all the radios and I keep hearing that same damn song everywhere I go! Maybe I should put a bucket over my head and a marshmallow in each ear, and stumble around for another dumb, numb week for another humdrum hit song to appear."

Fumemos Un Cigarrillo  performed by Piero  1969
Recommended by konsu [profile]

Piero sings in a soothing, breath-y tenor... More italian in tone than latin, although,the best comparison i've found is Luiz Henrique.His phrasing reminds me of Luiz as well,but there is no real relation.The backing has a nice spaghetti -western kind of vibe ala' Moriccone,which gives the whole thing a kind of high planes drifter setting,with plucked electric bass, strummed acoustic guitar,and occasional female chorus with a light string arrangement,Very cool.The whole record is really good,and a lot of the songs have a distinctly latin ballad feel.

from Piero, available on CD

  modette: choose the italian compositers but choose them better: isn't "luiz henrique" , is LUIS ENRIQUEZ. other marvellous song of his: lo scatenato. sorry for my english!!!
  klatu: Pretty sure "Luiz Henrique" is the correct spelling, and that he is Brazilian. Must be a different guy than the similarly named Italian.
  Betto_Colombia: Piero is from Argentina.
funnel of love  performed by wanda jackson  1962
Recommended by olli [profile]

essential listening. psychedelic rockabilly doesn't get much better than this. check out the chanting in the background! the bells! the sitar-guitar sound! the drum pattern! wanda jackson's vocals! love it to death. can't believe i hadn't recommended it yet...

available on CD - rockin' with wanda

  jeanette: Woooh. I love Wanda and this is fairly atypical of her, but even better for it. It's in the film "But I'm A Cheerleader" too, one of the finest movies I've seen in the last few years. RuPaul is the greatest. After Wanda Jackson.
Further  performed by Longview  2003
Recommended by izumi [profile]

I first heard this song on MTV, back when nobody knew who Longview were. The music (guitar, bass, drums) is great and the melody is awesome. The lyrics are simple and poetic at the same time and I get really nice images in my head when I hear this song, partly because it's very vivid and also due to the fact that they made a really cool video for it. Some people think this is a religious song just because it mentions God, but that's completely irrelevant. I can't say I know what it's about but I know it's a good listen.

from Mercury (14th Floor 5046762032)
available on CD - Further

Get A Hold  performed by A Tribe Called Quest  1996
Recommended by sok186 [profile]

From their criminally overlooked album 'Beats Rhymes & Life', "Get A Hold" features Q-Tip over an extremely smooth production from a young J. Dilla (aka Jay Dee of Slum Village, Pharcyde, and Jaylib). Better reasons to nod your head just don't exist.

from Beats, Rhymes, and Life (Jive)
available on CD - Yes (Jive)

get a move on  performed by Mr Scruff
Recommended by timbotones [profile]

wicked beat... cool ass clarinets... sounds of people going off... lots of good energy.

from keep it unreal, available on CD

  delicado: I'm very fond of his track 'Fish'. I never seem to tire of it.
  n-jeff: Its a great track, they were playing it in a local record shop, and I had to buy the LP. Nearly all the musical parts are off a much shorter track by Moondog, called Lament #1, and I'd recommend that as well. In spite of the identity of the musical source thay are very different beasts.
Goons (Baby I need it All)   performed by Mona
Recommended by icerberg [profile]

I really like the vocals on this song, and the other stuff is kinda cool too idk.

Guitar in Orbit, PT. 37  performed by Deke Dickerson and the Ecco-Fonics  1998
Recommended by Solo [profile]

cool high speed clean guitar instrumental with a 1950s tonalizer sound. I feel like I'm watching Sputnik in orbit while hearing a jet break the sound barrier when I listen to this. Deke and the Ecco-Fonics are noted for a phenomenal period-style production on albums, retro but never wistfully nostalgic songwriting, and exceptional virtuosity at live performances. The rest of this CD is loaded with great vocals and hip tunes.

from Number One Hit Record! (HighTone (HMG) HMG 3005)

Haunted  performed by Shane MacGowan and Sinead O’Connor  199?
Recommended by mattypenny [profile]

A rock-y love song. Shane in good voice - maybe the last time he has been in such good voice, I dunno. The voices go together brilliantly.

Its a nice contrast with 'Fairytale of New York'. Sample lyric 'you were so cool you could have put out Vietnam'

It was originally recorded with original Pogues bass player Cait O'Riordan (forgive the spelling - I'm crap at Irish names) which I heard at the time but not since - it was on the soundtrack to Sid and Nancy

from Not on an album

  tonyharte: How right you are Matt - tis a mighty fine nugget from 10 years ago. Should've been top 5 - instead of the lower reaches of the chart (if anybody cares these days). The voice of an angel meets devilish genius in a smokey tap room near Wardour St. Sunlight and pathos in equal measures.
  mattypenny: Many Thanks for the comment Tony. I dunno how many people would feel the same way, but I really love some of the songs that Sinead O'Connor has been involved with, although I'm not as keen on all of her own stuff. The collaborations I've paticularly enjoyed: Marxman - Ship Ahoy Damien dempsey - Negative Vibes Something by Jah Wobble I forget the name of Terry Hall and Sinead - All Kinds of Everything I'll type some of these up as recommendations when I get the chance
het gerucht  performed by egbert douwe  1967
Recommended by shaka_klaus [profile]

strutty hammond teaser. the singer sings in dutch i think. a cool song.

from kom... something (7")

Home  performed by Lene Lovich  1978
Recommended by mattias [profile]

This is the first song I heard by Lene Lovich and I imidietly fell in love. Probably one of the coolest new wave-tracks from that time. Very fast and groovy beat. Lene's voice is icy and deep and really on top. A great song from a great album

from Stateless (Stiff)
available on CD - The Stiff years vol. 1

Hot Wind  performed by Les Baxter  1969
Recommended by scrubbles [profile]

I'm surprised this hasn't been recommended already! "Hot Wind" is a breakbeat classic that's been sampled by the likes of DJ Shadow. Unlike a lot of breakbeat sources, however, this is a great little number in itself. It begins with a desolate harmonica, then those killer drums, fuzz guitar and quasi-Blaxploitation horns kick in. I could picture it backing a raunchy scene with some biker dude peeling out into the desert, spreading dust everywhere. Cool.

from Hell's Belles soundtrack (Sidewalk)

How to open at will the most beautiful window  performed by Lalo Schifrin  1968
Recommended by delicado [profile]

A beautiful, lush masterpiece with a bossa nova beat (hmm, is there a pattern to the songs I'm submitting?), 'how to open...' is one of my top tracks ever. It opens quietly with a slightly cheesy flute sound over a gentle guitar. A great wordless vocal then comes in coupled with strings. Superb. If you never listen to music like this, what I'm saying probably doesn't exactly make it sound cool. But it really is cool, very very cool indeed.

from There's a Whole Lalo Schifrin Goin' on (Dot)

  Sem Sinatra: A lot of Lalo Schifrin's music doesn't seem to adhere to a formula, and this is one of those ... I never get tired of hearing it
  Fox: This track is so quiet and peaceful. Lalo is a genious. We got in France, an electronic artist called Alex Gopher (I think he took his name from the soap opera "Love Boat", it's a sign!) that sampled the three first strings notes from that track. His album is called "You, my baby and I" but is more famous for the interpretation he made on "The child" based on a beautiful song from Billie Holliday "God bless the child". For those who want notice the fruits that have grown from the roots! Ennio Morricone made a concert recently in Paris, if Lalo could do the same soon...
How We Do  performed by The Game
Recommended by loganrhowell [profile]

pop hip-hop rap pop beat

Hurt So Bad  performed by Nancy Holloway
Recommended by mr_klenster [profile]

This is a perfect cover in every way, arranged by Daniel Janin. The heavy, driving bass, long whine of the horns, and thick drumming make a monster instrumental. Nothing like the Bacharach version. Nancy Holloway does an outstanding rendition of the lyrics, delicate in some places, husky in others, bleeding and pleading the whole way through. The slow, pained delivery of the lyrics almost seem to be off pace with the tempo of the beat, but the horn melodies punctuate and hold this song together. There are qualities about this song that I find impossible to describe. All that's left to say is that this song is so cool and mesmerizing that it's hard not to close your eyes, and let yourself slip into the textures of this song. I never get tired of it.

from Hello Dolly!

I Can't Wait To Get To See My Baby's Face  performed by Dusty Springfield  1967
Recommended by tempted [profile]

To me this is the coolest recording of the loungey soul pop classic. Dusty's performance is as excellent as ever and it puts a lot of weight on the lyrics that contemplate what to do with an unfaithful man. Saint Etienne built their track "Nothing Can Stop Us" on a sample of the main flute and horn riff.

from Where Am I Going?, available on CD

  delicado: Wow, Saint Etienne used the sample well! I must confess I had no idea that riff was sampled. Great track!
  Arthur: A much covered song and I'm afraid the over rated Dusty is way down the list in the quality stakes. Stick with Jeanette "Baby" Washingtons 'Sue' label version !
  eftimihn: Hmm, i must admit i don't know enough versions of this song to put up a ranking, but i just can't imagine Dusty scoring rather low on such a list. Simply wonderful and yeah, Saint Etienne used that sample to great effect.
I Dream of Wire  performed by Robert Palmer  1980
Recommended by geezer [profile]

An emerging Palmer covers a song from the fully emerged Gary Numan ,who also plays on this ,a great time capsule instance of what was once considered cool.The droning single not synth line occasionally errupts into a somewhat clumsy chorus which dates the track beyond belief ,but if you can recommend a track on the premise of interesting then this would qualify.

from Clues, available on CD

Ice Cold Lemonade  performed by Death By Chocolate  2000
Recommended by djfreshmoney [profile]

There must be tons of songs that follow this format. I'll call it the 'Tequila' form. Cool instrumental punctuated by someone speaking the name of the song. There are so many songs like this I'd guess that no one could pull off this kind of tune nowadays- without it sounding hopelessly retro. But this tune does it for me. Perfect summer groover. Sound like a bedroom recording, kinda lo-fi.

available on CD - Death By Chocolate

  ronaldo: really great song. perfect for a 60s-themed party. bet everyone will dance just like the people in the background of pulp's video for 'common people'. it also sounds a lot like the archies' 'sugar sugar'.
If I Were a Bell  performed by Blossom Dearie  1958
Recommended by malpt [profile]

This song is from my favorite musicals, Guys and Dolls. Blossom Dearie's version of this song is, in my opinion, the best. It's because of her voice. She's a musical marvel.

from Once Upon a Summertime, available on CD

  FlyingDutchman1971: I couldn't have said it better myself! I can't think of any song in her catalog that I prefer someone else's version of better. Blossom is a treasure!
Im 80 Stockwerk  performed by Hildegard Knef  1970
Recommended by delicado [profile]

A stunning piece of pop, one of a few great and really hip sounding tracks Hildegard Knef recorded around this time. This sounds like a Bacharach song made even cooler, stripped down to its essentials. Knef�s smoky, detached vocals add to the effect to make this a real winner.

from Knef (Decca)
available on CD - Get Easy vol 4 (Motor music)

  scrubbles: I've been digging this one a lot lately and even put it on my latest mix disc. Way funky - imagine what an enterprising drag queen could do with this!
  AndreasNystrom: Yes, very good song. Love it as well as her other song "dieser herren..."
  heimwehblues: A new version of this song was produced in 2001, CD "17 Millimeter", it's a marvellous modern song...
Indian Summer  performed by Chris Botti  2003
Recommended by milesblue [profile]

Chris Botti is an accomplished musician in the worlds of Jazz and Smooth Jazz. His style is reminicent of Miles Davis but with a more melodic approach. This song incorporates an ultra-lounge feel with a cool jazz vibe. Botti's trumpet playing here approaches Miles Davis' minimalist playing style.

from A Thousand Kisses Deep
available on CD - Thousand Kisses Deep

It’s Cool Not To Care  performed by Mark and the No-Marks  1988
Recommended by rum [profile]

The late eighties wasn�t the ideal time for Mark & The No-Marks� deranged hybrid of English folk, free jazz and ghost puppetry, but there never has been an ideal time. Exclamation Mark, dressed up in his ridiculous David Crosby-esque green cape, refused to pander to contemporary fashions and trends, and even seem to resent any acclaim or approval, as if it was a sign that he was doing something wrong. This may explain why he hated this live favourite, scornfully introducing it at shows as �our sell-out�.

I chose the track not only because it�s the only thing that was ever officially released (along with its b-side, an utterly spastic reworking of the Monkees� Theme called �March of the No-Marks� replete with Tube station announcements- �this is the Bakerloo line service to Elephant & Castle�- and girls yelling, �Mark NO! No MARK!!!� at the singer) but it is also by far the best thing they ever did. And it was still far, far from sell-out material (it barely sold any). It is the only No-Mark record you need to hear. All of their less grating eccentricities are here, the schizophrenic dialogues, the lyrical obsessions with pylons and German bunkers, the shoddy jazz drumming, the demonic chanting, the cackling, the mewing (!), but this time it�s all held together by an ace nagging riff, and a supremely warped and swashbuckling chorus where an increasingly unhinged mark sneers, �it�s cooool not to care, sooo cooool not to care�� before he eventually loses all sense entirely and barks breathlessly, �NOT NOT, it�s not sooo care! COOL!!!�

Mark of course was incensed that their label released it as a single and vowed never to �bow to the pound� again. And as a result retired to his studio cave, muttering that their forthcoming album, �a didactic concept album about animal reincarnation� would be their most progressive work yet. And disastrous. If the rumours are true �My Family Are Other Animals� was abandoned after a record company executive visited the studio, described the tapes as �utter utter shit�, and then tried to throttle Mark with a microphone cable.

  n-jeff: This would be your band perhaps?
I think I recognise the attempt to write about ones own music.

  rum: good guess, but not my band no. i'm much too young. just used know a couple of No-Marks. local heroes/weirdos about town. they were very resentful of the whole experience, so i thought i'd give them their small dues.
  Gnasher: Was this the same Mark from 'Mark and the Monsters' infamy? I saw them once, in a mirror. Their sound made me want to pull my brain out through my ears and beat myself about the head with it. Shame, really, they looked really mad.
  rum: No, Gnasher, what you see in a mirror is a very troubled and confused soul, who needs alot of care and attention. Unfortunately is not the place.
  gnasher: Be nice!
It’s Oh So Quiet  performed by Björk  1995
Recommended by Betto_Colombia [profile]

This song of this crazy girl's is really cool. She's like playing during the whole song. Very soft song but at the same time full of energy. Very eclectic, very original, very surreal, very Björk!!

available on CD - Post

Kee-ka-roo  performed by Walter Wanderley and Luiz Henrique  1968
Recommended by delicado [profile]

A very cool track, but not in the way I normally find Walter Wanderley's quick-draw hammond organ technique cool. This is a simple, bluesey number on which he is joined by the Brazilian singer Luiz Henrique. Luiz doesn't sing though, he just contributes some nice scat vocals, rather like the work Marcos Valle does on 'Garra'. In my experience, this is about as close as Walter gets to 'funky', and this version from the 'Popcorn' album is a great improvement from the 1967 'Kee-ka-roo' LP version.

from Popcorn (Verve)

Kelly's Heroes  performed by Lalo Schifrin & the MGM Orchestra  1970
Recommended by tinks [profile]

Superb Mike Curb production of a Schifrin theme to an absolutely terrible WW2 action-comedy. Militaristic drumming and a very cool whistling chorus (reminiscent of Quincy Jones' theme to "The Italian Job", which came out the previous year) make this a piece of extremely groovy soundtrack work. The same album also yields a horribly sappy Hank Williams, Jr. song and the much-sampled "Burning Bridges" by the Mike Curb Congregation.

from Kelly's Heroes (MGM)
available on CD - Kelly's Heroes/The Cincinnatti Kid (Chapter III)

Kick Start My Heart  performed by Motley Crue
Recommended by blackbison2008 [profile]

Distortion, hair metal era but it doesn't sound typical of that style. It's hard to describe. Cool sounding vocals, pretty sweet guitar hook.

from Dr. Feelgood, available on CD

Kinky Love  performed by Nancy Sinatra  1976
Recommended by delicado [profile]

A highly enjoyable song on many levels. Firstly, the words are ridiculous. 'Don't you know I understand you're a man, and you've got to have your kinky love' is pretty funny, but that's nothing compared to 'baby take me inside, and let the honey slide'. Musically, it's really rather charming as well, opening with just Nancy's voice and a cool watery guitar sound, building beautifully with some great strings. Even though I find myself laughing at the lyrics, she sounds very vulnerable and serious; her voice seems to break at certain points. All in all, this is really every bit as enjoyable as her superb 60s material.

from the single Kinky Love
available on CD - Sheet Music

  tempted: The British art pop group The Pale Saints recorded a terrific version of Kinky Love around 1990. Beautiful homage to this exceptional song!
  delicado: yeah, I'm a huge fan of the pale saints, and I actually heard their version first. I think a few of their songs are truly incredible; I'll have to recommend some here soon.
  bobbyspacetroup: Wow. This is a cool track. I played it for my girlfriend, and the lyrics really cracked her up. Anyone know who produced or arranged this track? I'd definitely be interested in other material along these lines, Nancy Sinatra or otherwise.
  joakimbo: !!! im desperate to get hold of the pale saints version of kinky love but cant find it anywhere!! can anyone help? i may have to call my boyfriend of 10 years ago to ask for a copy of his, tho i think his now wife may not approve!
  delicado: A belated response for bobbyspacetroup: the track was from a single, produced by Snuff Garrett and arranged by Al Capps. Yes, let's find some more stuff with this sound!
  Johnny Wonny: To Joakimbo .... hey Stupid ... why don't you do what I did about 14 years ago when I first heard Kinky Love by the Palesaints ... go to your Record Store and ORDER the 4 song EP ... duhhhh ... pretend there's no Kaaza and support this fabulous band that has disbanded .... Spend some MONEY for a change.
  Johnny Wonny: Delicado ... Kinky Love was originally written by Dave Ellington, for Nancy Sinatra. Once again "Bimbo" .. borrow some cash and order this EP ... you'll be glad you did. KL was the first song I heard by the palesaints, and now have everything they published. They disbanded in the late Nineties.
  Johnny Wonny: To all ... the palesaints was one of the most creative 90's British Alternative bands to ever exist, along with My Bloody Valentine, The Cocteau Twins etc etc ....
  Johnny Wonny: Just one more thing, Delicado .. you say these lyrics are "stupid" .. sung by Nancy S yes .. the palesaints version, with the gorgeous and subtle guitarwork of Graeme Nesmith, along with Mariel Barham's sultry and
  Johnny Wonny: dark voice make up the whole recipe to make this song work ... a woman and a man are in love ... they have a perhaps twisted but beautiful sexual relationship as well ... it's a love song .. NS's version is eww.
  delicado: to my namesake mr. wonny: I'm a huge fan of pale saints; bought the 12" on the day it came out. Also rather like the Nancy version; let's live and let live, eh!
  Johnny Wonny: Well .. hello ... here's some dumb Johnny/Palesaints trivia .. the first cd I ordered lasted about 2 weeks ... I was drunk, and a few cds were on the floor by my bed .. I thought one was the ashtray and ruined it. Ordered another the nest day. First heard it on CJSW (University FM).
  Johnny Wonny: By the way Kimbo, if you ever come back here, I found a site where you can order Flesh Balloon, along with anything else they did ...
  Johnny Wonny: Course you can try Ebay .... I may have spoken in haste ... perhaps these cds are no longer in print ... I bought them all up till about 1994 or 5 ... since then the band has died ...
La Foresta Incantata  performed by Piero Umiliani  1970
Recommended by delicado [profile]

Although I'm very interested in the batch of cool Italian soundtracks from the 60s and 70s which have recently been reissued, I often feel pretty overwhelmed by the volume of stuff out there. So I was pleased to find a used copy of Piero Umiliani's 'Angeli Bianchi...Angeli Neri'. It really is an intoxicatingly brilliant record, and this track is one of the highlights. The musical setting moves around a lot over four minutes - the opening sounds almost like fairy tale music; this then fades out, and some spooky and very cool sounding wordless vocals come in, accompanied by a slick, hip easy listening-style sequence with strings, bass and drums. As this builds, the wordless vocals continue, backed by increasingly beautiful and unexpected chord changes. I'm not doing a great job of describing this record, but happily in this case you can hear the whole song (streamed, real audio) at the excellent '' site. Anyway, it's a wonderful track, up there with my absolute favorite soundtrack pieces.

from Angeli Bianchi...Angeli Neri, available on CD

  bobbyspacetroup: Magical track. It's can also be found on Easy Tempo, Vol. 9. Too bad atrecordings has shut down.
  leonthedog: Magical indeed! Morricone, Piccioni, Umiliani, and Trovaioli are like Sirens... I am sure there are others - God grant me the time and good fortune to find them!
La Lucertola  performed by Ennio Morricone  1970
Recommended by delicado [profile]

This is an extremely atmospheric soundtrack piece, with a wordless vocal melody from Edda Del Orso. Strings, electric harpsichord and some subtle electronic effects set the scene. There are also some beautiful Bacharach-style twists with brass. Overall it's a deadly serious and delicate number, incredibly intense, while still sounding very 'cool' (whatever that means...).

from La Lucertola (Soundtrack)
available on CD - Mondo Morricone (Coliseum)

  eftimihn: Perfect description, delicado. This track is firmly in my Morricone Top 10, though it would be impossible for me to actually write down a top 10, maybe top 20, no, a top 50 would be possible...maybe...damn, one man - so many terrific tunes!
  dominb: I got the first Mondo Morricone cd on its original release nearly 10 years ago now,I was familiar with Morricone's stuff but when I heard this it totally changed me.I became a Morricone devotee and this first track along with "Metti..." blew me away.The version on Mondo is actually about a minute shorter than the original version,so is "Metti" and some of the other "Mondo" tracks,they've abridged them no doubt to fit the cd...I found this out gradually from hearing the complete versions,they're not different versions,they've just been cut down....This is one of Ennio's all time great themes.
Last Night  performed by Vitamin C  2003
Recommended by unathanthium [profile]

I used to be such a boy,but I have seen the terror of my ways.The Strokes have cornered a few hooks and terrorized them into submission,using them to tantalize testosterone top-heavy lads,making them dance like innocents caught in American/Iraqi crossfire;but I'm past that age where testosterone tampers with my thought processes.

Vitamin C,real name Colleen Fitzpatrick,ex-singer of Eve's Plum,has made Last Night,by blending it with Blondie's Heart of Glass,into the pop song it always wanted to be.Gone is the nasal whine of the original replaced by cool clear vocals that caress rather than puncture the ears.

On the 12" you get three versions.If you want a good dance work out you'll pick the A side.I favour track two,not so hurried I think it's slightly more reflective tenor illuminates where other versions obfuscate.

  gaymod: oh come on unathanthium, I iike your style, Last Nite, is a great song but it is a very obvious sub motown parody...and Dr. Feelgood- She Does It Right does it a milllion times better
  unathanthium: Sub motown,I love sub motown.Parody,I love that too.And if Dr.Feelgood do it better,congratulations to them.A million times better,though,hm,that's an awful lot of noughts.And I don't think we need a pub rock revival.
Lazy  performed by X Press 2 featuring David Byrne  2002
Recommended by secularus [profile]

No doubt will be on every forthcoming Ibiza summer 2002 compilation but I do have a small spot for this top house record. First heard it on Danny Rampling's show on Radio 1 and it really grabbed me. It is a simple repetitive tune (which constitutes most 4/4 house records) but its the vocals that do it for me. That awkward sounding vocalist is none other than David Byrne, pop music's official cool eccentric. Due out officially in the UK on March 25, 2002, it can be heard out in clubs and on aforementioned radio stations. X Press 2 is the collaborative effort between Ashley Beedle and Rocky & Diesel, London based electronica/dance producers who have had success in their solo efforts. Love it or hate it it's nice to hear David Byrne do something different.

  G400 Custom: I have to say I was appalled by this awful record when it became a big hit here in the UK. I'm a huge Talking Heads fan, and hearing David Byrne doing his thing over an utterly imagination-free piece of chart cheese was enough to break my heart. I'd advise anyone to go back and listen to 'Remain In Light', ironically an album that showed danceable grooves don't have to be mindlessly 4/4.
Leave (get out)  performed by JoJo  2004
Recommended by Issie [profile]

Cool song and video, i love it.

Let me love you  performed by Mario  2005
Recommended by Issie [profile]

I love the background to this song. I like it because I think it's a thoughtful song

Let the Sunshine In (The Flesh Failures)  performed by The Don Kirshner Concept  1969
Recommended by tinks [profile]

A surprisingly hip easy-listening orchestral version from the decidedly unhip Kirshner. Very funky drumming and a cool girl chorus make this my favorite version of this song.

from Don Kirshner Cuts Hair (RCA Victor)

Life on Mars  performed by Barbara Streisand  1974
Recommended by robert[o] [profile]

This is so wrong; it ends up being right somehow. On paper, this cover is a car wreck. Barbara takes on Bowie�s brilliant, epic ballad of camp surrealism � his homage to big, theatrical female belters like Judy Garland, Shirley Bassey and�Streisand, herself � and the song escapes her utterly. Her delivery sound like she learned the lyrics phonetically. (She might as well be singing in Cantonese.) And Jon Peters� production/Tom Scott�s arrangements bring to mind the cool, �L.A.-sound� of Joni Mitchell�s �Court and Spark� LP � minus all the clever bits Joni brought to the table. Yet it spite of all of these faults � this version works. The song is just too good, and Babs� charisma is just too powerful. It�s a [Space] oddity you�ve got to hear to believe.

from Butterfly (Columbia)

Like to get to know you  performed by Spanky and our Gang  1968
Recommended by delicado [profile]

This lovely late 60s pop track is wistful and atmospheric. The instrumentation is exquisite (vocal group with a delicately strummed/picked acoustic guitar, strings), and there is a cool false ending. The result is a very rich sound, evocative of lost summers. A sound which I'm very fond of...

from Like to get to know you (Mercury 61161)
available on CD - Spanky’s Greatest Hit(s)

  tempted: I just found the original album of the same name this song is on. It's beautiful with just the right kind of softly psychedelic artwork and some crazy, groovy spoken word passages on some tracks. "Like to Get to Know You" stands out as the definitive song and remains one of the most mesmerizing soft pop tunes in the world.
  gregcaz: It's also worth noting that the single version, found on the 1969 "Spanky's Greatest Hit(s)" album, is the definitive one, free as it is from the pickup-line chatter that obscures the intro on the original album, as well as featuring the gorgeous coda which is included separately on the "LTGTKY" LP.
  artlongjr: This is my favorite Spanky and Our Gang tune, a gorgeous and wistful number. I also have the original LP, which features a different version from the 45 as gregcaz mentioned. There is a video of the band performing this on Youtube that I think originally aired on the Smothers Brothers. I saw Spanky and the Gang a number of times on TV as a kid.
Lonely is as lonely does  performed by The Fleetwoods  1964
Recommended by delicado [profile]

The Fleetwoods were an excellent vocal group from the late 50s and early 60s who are best known for 'Come Softly to Me' and 'Mr. Blue'. Both of these are 'classic' oldies tracks, evocative of the late 50s.

'Lonely is as lonely does' came late in their career, and actually sounds much more modern than its 1964 recording date would suggest. This is really a prototype of the 'soft pop' style that would become popular later in the 1960s. The composer, Chip Taylor, went on to write 'Wild Thing' and 'Angel of the Morning'.

The track opens with a nice picked guitar introduction. As in many of my favorite Fleetwoods tracks, Gary takes the lead vocal, with Gretchen and Barbara singing backing vocals. Gary has a very sincere voice. At the beginning the song sounds very routine, but there are some clever chord changes and some cool lyrics. My favorite line is 'As your tears fall, remember this: you're just a kiss away from happiness'.

from the single Lonely is as lonely does (Dolton)
available on CD - Come Softly to me - The Very Best of The Fleetwoods (EMI)

Lookin� At A Baby  performed by The Collage  196?
Recommended by konsu [profile]

Another awsome but forgotten vocal group from 60's California that deserves a proper re-issue!The Collage were a vocal quartet(2 boys & 2 girls)with a very cool sound.Not enough to set them apart from the pack,but very groovy out of their context.The sound is as good as re-discovered groups like Free Design, or Millenium.In fact,Curt Boettcher wrote one of the songs on the LP,as well as Roger Nichols!
This song has a kind of"love awareness" message that seems just as relevant in today's troubled world: "...Look at a baby,what do you see?What do you see,lookin' at a baby?/I can see the world the way that I would like the world to be!..."This song,as the opener on the LP,has a lot of power, with that great 8th note stomp and a big,boomy,bass line with harpsichord.The arrangements are by the great Perry Botkin Jr.,and he gives the whole record a nice swirling,magical quality.And the rest of the album is just as impressive, and should be worth the high price for any lover of the genre.

from The Collage (Smash SRS 7101/MGS 27101)

  kwan_dk: Great song! I was lucky enough to find their album for 1 (!) dollar at a garage sale and loved that great opening track...
  rum: I heard a version of this track on that excellent rhino handmade 'Hallucinations' compilation. It was by the Collectors. I'm not sure whether it was the original or not, but it's really good. I remember looking at a picture of the band and thinking that if these 'collectors' started peering over into my baby's pram, I'd be wheeling him away to the nearest bobby. Ah such was the carefree innocence of the 60s that shabby young men could spend balmy afternoons in the park staring at young children.
  maya: I love this album! I may post some recs once I've listened to it a few times more...and since the year has a question mark, it's from 1967! they've got such a soft, sweet sound, that it's hard to resist.
  artlongjr: This song and band are great, no doubt. They were Canadian and later evolved into Chilliwack (who I haven't heard). I have their first LP which contains this song, and is excellent, it's a classic of West Coast psychedelia. I had a chance to hear their second album from a friend of mine who works in a record store, it's terrific! I think I heard that the name "Collectors" was given to them by a manager or record executive...but please, overlook the dorkiness of the name! This song is getting around, I now have it on two comps.
lose yourself  performed by eminem
Recommended by ashley14 [profile]

this song is probably one of the best songs eminem has written, although everything he writes is amazing :) its more emotional and serious than his other songs which is cool. plus, i really like the beat, backround music,and of course, the lyrics

available on CD - curtain call, etc

Lovely Head  performed by Goldfrapp
Recommended by tuktman [profile]

This reminds me of Portishead but it's not as downright depressing. There's a really cool whistle/mellotron hook in it.

Lover’s Rock  performed by The Clash
Recommended by inbloom44 [profile]

This song just sounds cool and it's about making love not just having sex.

Lust for Life  performed by Girls
Recommended by icerberg [profile]

Idk it's really indie and cool and stuff. It's the best.

Más Papaya  performed by Sidestepper  2003
Recommended by Betto_Colombia [profile]

Cumbia folk music from Colombia with really cool modern arrangements. An amazing fusion of Carribbean with electronica with a very unique Afro-Colombian style.

available on CD - 3 AM

Man With The Hex  performed by Atomic Fireballs  1999
Recommended by Betto_Colombia [profile]

This Neo-Swing Song from the American Pie soundtrack. Kinda blues, kinda rock... Pretty cool. And John Bunkley's voice!! Wow it's really something. This song cheers me up a lot.

from Torch This Place, available on CD

Mandato  performed by Osmar Milito e Quarteto Forma  1972
Recommended by delicado [profile]

A very cool sunshine pop style number from the soundtrack to the Brazilian soap opera 'selva de pedra'. This two-minute track has an irresistable groove and some nice harmonized group vocals. The vocals are mostly gentle and smooth, like strings, but there are also some jazzier scat phrases thrown in. The entire soundtrack is highly recommended.

from Selva de Pedra, available on CD

march of the mimeographs  performed by Fred Karlin  1967
Recommended by klatu [profile]

One of my favorite soundtracks, with several reoccuring motifs utilizing different instrumentation in each incarnation. My selection of one track was based as much on the cool title as anything else. If you find this vinyl in good shape for less than thirty dollars, it would be worth considering.

from Up The Down Staircase Soundtrack (United Artists)

mashin' on the motorway  performed by dj shadow  2002
Recommended by djfreshmoney [profile]

From DJ Shadows latest CD, a cool driving tune, that's really catchy. I'm a sucker for spoken word over beats. This sounds a bit like theme music for a driving video game - complete with other motorists cursing at you.

available on CD - The Private Press

Masterplan  performed by My Morning Jacket  2003
Recommended by xfanatic50 [profile]

Moody, cool and smooth. A great track from a great album.

from It Still Moves

Meaning of Love  performed by Karin Krog  1974
Recommended by mr_klenster [profile]

What a strange and beautiful song! Cool-toned organ melodies played against a thick, warm, bass vein running through the entire song, complex drum backing, and the oddly distant, yet personally reflective lyrics of Karin Krog, combine to create a dream-like sound.

  Pal: Excellent song! Written by Steve Kuhn an american jazz musician/composer/arranger who I think lived in scandinavia in the late sixties. Besides Karin Krogh he has also worked with Monica Zetterlund. The best version of this song he has recorded himself though. Featuring Gary Mcfarland, Airto, Ron Carter & Billy Cobham!!
Melody  performed by Serge Gainsbourg  1971
Recommended by lilly747 [profile]

Stunning melancholy and wonderously modern opener to Gainsboroug's concept album about jailbait love, road accidents & brightly coloured rolls-royces - a masterpiece...

from L'Histoire de Melody Nelson (Mercury)

Mi Querido Amor (My Cherie Amour)  performed by Cristian Castro  1994
Recommended by RCA76 [profile]

I love this Spanish version of the Stevie Wonder classic because it the new instrumentation. It is still very Stevie Wonder with a new, latin flair. The vocals are absolutely amazing, this guy can really sing.

from El Camino Del Alma, available on CD

Midnight Swim  performed by Al Caiola  1966
Recommended by delicado [profile]

I love the sweeping introduction of this track so much that I would almost recommend it based on that alone. A brass flourish leads into a really cool, jerky beat. It continues with nice multitracked guitars that produce a harpsichord-like effect. Very cool.

from Tuff Guitar (United Artists UAL 3389)

Mississippi Delta  performed by Zack Laurence Orchestra  1969
Recommended by delicado [profile]

Another recent rediscovery from a record I bought long ago, and another song I'm not normally crazy about. But the arrangements are too outrageously groovy for me to ignore here. I'm a sucker for beaty late 60s instrumentals, and I can forgive the lack of musical variation when the production is as cool as this.

from A taste of Zack Laurence (Silverline DJSL007)

Misty Canyon  performed by Sven Libaek  1970
Recommended by mr_klenster [profile]

What can one say that hasn't already been said about this much sought after library track by Norwegian composer Sven Libaek? It's elegant, replete with cool tones, beautiful arrangement, and the feeling of longing. I've listened to this song countless times, and the mist still gives me the chills.

  delicado: Yes, it's a really lovely track with a delicious arrangment - love those vibes and the relentless beat. I had been wondering why the lower-register melody sounded so familiar to me (the one played by what sounds like a distorted horn section, and then by a saxophone). I figured it out today - it's very similar to the tune in the bridge of Bacharach's 'What the World Needs Now' ("Lord, we don't need another mountain"), except that it's played over a very different chord sequence.
  mr_klenster: The two songs definitely do share similar tonal shadings. I was at a loss, trying to describe the Libaek song, it's quite a strange, haunting tune, but you've made a great observation.
Moles  performed by Ashley Park  2000
Recommended by saturnhead [profile]

Back with yet another Ashley Park number. This one is bit more Floyd-ish, but of course the Beatles sound is a bit of an influence. Used on Felicity. Very cool.

from Town and Country, available on CD

More Today Than Yesterday  performed by Spiral Starecase  1969
Recommended by fost\'r [profile]

Released in 1969; peaked in the US in 1970. I always thought it was by Stevie Wonder, but as it turns out, it's by a white California group. You've probably heard it: "I love you more today than yesterday / but not as much as tomorrow..."

A great combination of upbeat lyrics and music with a slight tinge of melancholy, as if the singer is recognizing that tomorrow isn't quite here yet and there's always the chance that his plans will be derailed...

Great horns on this and several of their other singles (e.g., "No One For Me To Turn To"), but I read somewhere that the band's lack of a concert horn section led to their demise... apparently Pat Upton (writer of this track and lead singer) has also blamed poor management or record-comany politics. Too bad.

Also check out a cool Ska version by Goldfinger on the WATERBOY (late 90s) soundtrack.

  konsu: Bout' time someone handed this one in. I guess I take it for granted like most americans who still like AM radio... right up there with "Lovin' You" for songs that you can't sing along to without looking like a fool.
  thewilyfilipino: It is indeed one of those unabashedly ecstatic, so-in-love songs that plaster a foolish grin onto your face.
  Arthur: Much covered song - versions by Barbara McNair, Sam Fletcher , Barbara Acklin and Richard 'Groove' Holmes spring to mind. Pat Upton's solo stuff is very similar and if you like this one look out for anything by Robert John too.
  Swinging London: Oh yes, a great song. Reminds me of when I had my first transistor radio. All I've got is a very scratchy 45...time to remedy that. This sort of reminds me of Blood, Sweat & Tears.
Move ya body  performed by Nina Sky  2004
Recommended by Issie [profile]

Good track. Quite catchy actually.

Mrs. Bluebird  performed by Sunshine Day  1999
Recommended by bobbyspacetroup [profile]

"Mrs. Bluebird" by Eternity's Children is one of the great songs I carried away from the now-defunct LuxuriaMusic. This version is from a "children's record" produced by Richard Preston & Louis Philippe. The arrangement is pretty faithful to the original, maybe a little longer with subtle but important differences. Philippe's singular vocal style compliments the song suprisingly well. Very cool.

from Simultaneous Ice Cream, available on CD

Musica del Alma  performed by TNT Boys
Recommended by Festen [profile]

Cool and groovy latin soul

from Playtime (superclasse adi 0002 cd)
available on CD - yes

My Baby Likes to Boogaloo  performed by Don Gardner  1967
Recommended by realpill [profile]

It's an absolutely over-the-top hard soul dance tune. I first heard it on a soul compilation and recently, against all odds, I found the 45! Really cool mid paced groove with amazing guitar sound.

My love, my life  performed by Abba  1976
Recommended by Mike [profile]

Such a ludicrously sentimental depiction of one party's feelings after a relationship breakup that I can imagine few would admit to liking it. However, it's a beautifully-crafted and wonderfully performed song with a superbly effective arrangement. I admit to liking it despite its total sentimentality and lack of any kind of coolness.

from Arrival, available on CD

My Love�s A Monster  performed by Clea Bradford  196?
Recommended by jeanette [profile]

A cool portion of that underated genre, easy soul. Bradford's vocals (a less roaring Shirley Bassey is the nearest comparison I can think of) complement the light arrangement perfectly. Fits in with that whole John Schroeder Orchestra vibe. Sometimes you just want a lovely vocalist singing a nice song.

from the single My Love�s A Monster (Cadet 5602)

My Way  performed by Brook Benton  196?
Recommended by oldmangeorge [profile]

The best version of My Way I ever heard. Unfortunately I haven't heard it for thirty years or more. Never been able to find it since I had it as a single when I was a teenager.

Name of the Game  performed by ABBA  1977
Recommended by Genza [profile]

This is ABBA's best song. The syncopated drum-track in the verse is smart and the general feel of the song is cool. But the best part is the harmonised singing in the chorus. The background harmony which drops down a tone or two (imagine Jonny Marr shifting his guitar down two bars in a chord progression and you're there) is total class.

Never Win  performed by Fischerspooner  2005
Recommended by Ketori [profile]

Extremely catchy. And cool lyrics.

Nice music video, too. xD

available on CD - Odyssey

New York New York  performed by Nina Hagen  1983
Recommended by Yammer [profile]

The DIY ethos of punk served to liberate performers from the obligation to have a great deal of technical ability. The unfortunate corollary was that any display of already-acquired virtuousity instantly marked one as part of the Uncool Wankerage, forcing nascent guitar gods like Andy Summers to play as though suddenly arthritic. Possibly the first artist to successfully bridge Old World training and New World raucousness was Nina Hagen. "New York New York" is the East German-trained singer's signature tune. Over a clipped, dry Morodor techno-dystopia background, the verses present Hagen recounting her then-current regimen of glamourous excess in a harsh, metallic raven's shriek. Then, as though descending from the heavens at the end of a Wagnerian opera, comes the chorus -- a meltingly warm (yet uncomfortable) wave of minor chords, then a soaring, yearning, superbly modulated mezzo-soprano...which, after a jolt of realization, is understood to also belong to Nina Hagen. And so on.

from Fearless (CBS)

No Brakes On My Roller Skates  performed by Hot Skates 3000  2003
Recommended by jeanette [profile]

Billie Ray Martin under a briefly fashionable electroclash pseudonym. Our Germanic techno-soul diva sonically revisits and updates her underrated Electribe 101 days for a foray into what almost becomes disco metal. This quirky 12" is on lurid pink vinyl, and features a blistering remix by her old mate Mark Moore (of S-Express fame) on the B-side.

from 12" single (Disco Activisto DAREC001)

Northern Sky  performed by Nick Drake  1970
Recommended by genebean [profile]

Nick Drake's style is probably catagorized under British folk rock. This song is smooth with the happy keys jumping around and the organ in the background. Best if played while driving with the windows down on a cool morning.

from Bryter Layter, available on CD

  eftimihn: A song of plain, pure beauty. It's emotionally moving, especially when he sings "Would you love me through the winter/Would you love me 'til I'm dead"
Off and Running  performed by Lesley Gore  1965
Recommended by tinks [profile]

Here's a really cool one. This is Lesley Gore doing a cover of the Mindbenders' stomping mod classic "Off and Running", which originally appeared on the "To Sir, With Love" soundtrack. This version completely outpaces the original, in my opinion.

from the single Off and Running (Mercury)
available on CD - Sunshine, Lollipops & Rainbows: The Best of Lesley Gore (Rhino)

Oh Happy Day  performed by Quincy Jones  1969
Recommended by delicado [profile]

A great soul jazz track with one of the most beautifully spare and groovy introductions I've ever heard. Featuring Bernard 'pretty' Purdie on drums, Ray Brown on bass, and Quincy Jones on Fender Rhodes, it really is irresistible. The track explodes with a huge vocal choir about half way through; it ends up sounding almost like a gospel song, before slipping back into the cool funky instrumental sound from the introduction

from Walking in Space, available on CD

One More Time  performed by The Clash  198?
Recommended by mattypenny [profile]

I love the Clash. I love the way they were four disparate individuals each bringing their own stuff to the mix. Topper's excellent drumming, Simonon's cool, Mick Jones musicality and street smarts, and Joe Strummer's....umm...Strummer-ness.

I love the fact they didn't play Top of the Pops. I love the fact that Strummer admitted that this was mainly 'cos he was crap at miming rather than out of any significant political stance or anything.

I love how gooood they were live. And I love the fact that I was lucky enough to see them.

I love the fact that Strummer picked 'Crawfish' as his favourite Elvis song. I also love the fact that sometimes, to my mind, they got things badly wrong, sounded a bit gauche or wrongheaded or worse. I'm thinking of Red Brigade t-shirts, using Belfast as a photo opportunity, and maybe singing about ghettos and Brixton, for the 'romance' of it when they weren't necessarily the closest to either. I dunno. That side makes me feel uneasy at times, but that's fine - makes me think.

This song is great. Reggae influenced rock, Strummer belting out 'one more time in the ghetto...'.

Its been so sad losing Joe, Johnny (Cash) and John (Peel) over the last couple of years. Good men, you feel.

from Sandanista, available on CD

Pandora’s Golden Heebie Jeebies  performed by The Association  1967
Recommended by delicado [profile]

This track sounds better to me every time I hear it. Ironically, I had a copy of The Association's Renaissance LP for years, but for some odd reason didn't get as far as listening to this song until recently.

It's a very accessible but powerful late 60s pop song with a psychedelic edge. It can't have taken long to write, but the production is excellent, with a nice effect on the vocals, and a wonderful use of early 70s Beach Boys-style swelling vocal harmonies over the vocal phrase 'and all that's left for me to cry'.

Musically, it's an upbeat track with a slightly claustrophobic arrangement. But it's cool - that's all part of the effect! As well as drums, vocals and upbeat guitars, they employ the koto, which adds an unusual edge to the sound.

from Renaissance, available on CD

  konsu: Again, one of the most underrated of US pop bands. Confined to "Oldies" FM radio forever, except for the occasional DJ who is tempted by the album "filler" which is where their real gems lie. This album is almost never mentioned, even though this tune charted in the top 40. And it being overshadowed by their more popular Curt Boettcher produced LP "And Along Comes...". A great tune, and a record that deserves more attention indeed!
Pas Gentille  performed by Fran�oise Hardy
Recommended by djfreshmoney [profile]

Guitar strummin', laid back tune from Fran�oise Hardy. Cool, bluesy.

available on CD - The Vogue Years

Pe  performed by Silvia Machete
Recommended by MRadix [profile]

really good brazillian singer, even though nobody really enjoys her in brazil, still an amazing talent. Her band is pretty cool too. Sounds like a mix between Os mutantes with a some samba in it.

from Extravaganza

Pelas Sombras  performed by Arthur Verocai  1972
Recommended by mr_klenster [profile]

I'm really blown away by this song (and this entire album), it's simply a masterpiece to my ears. A possible comparison might be to Oba, La Vem Ela by Jorge Ben (who Verocai arranged for), as the guitar chords and lush, cool tones are quite similar. This song however moves with a much greater sense of urgency, and right from the start, it a spills out like a mournful plea. As a listener, the attention to detail in the arrangement and instrumentation is obvious. The song is packed densely with sound and great short soloing, all played skillfully by a large band of famous contemporaries, whom Verocai personally recruited. There's something very magical about how the vocals and instruments combine, and how the song plays out. It feels as though you are witness to a uniquely perfect and possessed performance that would be impossible to reproduce. A beautifully moving and perfect song that leaves you craving more.

available on CD - Arthur Verocai (Luv N' Haight)

Pense à moi  performed by France Gall  1964
Recommended by delicado [profile]

One of a few especially jazzy and hip tracks by France Gall, I enjoy this one even more than I enjoy her more sugary pop tracks like 'Christansen'. The arrangement is quite spare - basically just France singing with a groovy small jazz combo. She also gets into some very cool scat vocals. Very, very cool.

from Ne sois pas si b�te (EP) (Philips)
available on CD - Poup�e de Son

  modadelic: most of france gall's 60's output from her yeh yeh bubble pop to the NOW sounds is excellent and highly recommended by moi. her compilation poupee de son is a great place to start for anyone new to the charms of france and her lovely songs. her later 70's records are not so wonderfull but then thats only my opinion, some of us may feel different. happy listening everyone.
  G400 Custom: Great song, this. I find much of her mid-60s output highly enjoyable, however throwaway they were supposed to be. 'Laisse tomber les filles' from around the same time is great too.
Photobooth Curtain  performed by School for the Dead  2004
Recommended by catmarigold [profile]

Poppy Rocky Indie. This song is kind of funny but also kind of sad. Power-pop instrumentation with lots of harmonies. Great lyrics and melody, very cool arrangement.

from The New You, available on CD

Pra Manha  performed by Da Lata  2000
Recommended by roger_roger [profile]

Dreaming speedy bossa for the upcoming summer.
The album is cool for all you brazilian based heart.

from Songs from the tin
available on CD - Da Lata - Songs from the tin

Prelude in Black  performed by Cy Coleman  1968
Recommended by delicado [profile]

Both shocking and extremely cool, this has to be heard to be believed - a 'rock' adapation of Rachmanninov's Prelude in C# minor which really does rock. Cy Coleman lays a huge funky breakbeat and a heavy bassline on top of the beautifully dark, doomy theme. A jazzy guitar comes in and out as the track builds. I've never heard anything quite like it (I mean that in a good way). I am now unable to hear the original piece without Cy Coleman's breakbeat!

from The Ages of Rock (MGM)

Premonitions  performed by Townhall
Recommended by Reina [profile]

This song will probably be very hard to find. They are kind of a local band and not that well known. But they are really cool--unique, passionate, free spirited. Basically hippies. In Premonitions they express concern over the state of the planet but remain upbeat and optimistic.

"Let's be creative with our destinies..."

Presidential Suite  performed by Super Furry Animals  2001
Recommended by delicado [profile]

To be honest, I have little idea of what this song is about, but it certainly sets an intoxicating mood - rather intense and dramatic, but very cool. It's a sprawling, majestic pop song, opening gently with a faint trumpet solo and a picked guitar, and then building up nicely with strings soon after the vocals come in. The chorus is simple and catchy, and the orchestration is lush and beautiful, and the vocals are tender. There is a nice cinematic instrumental section in the middle, with some nods to Burt Bacharach. I don't get the impression this is the most coherent song ever, but there are poignant moments lyrically, such as 'You know that when we met, there were fireworks in the sky...sparkling like dragonflies', set against the moody chorus. It feels kind of nice to be really enjoying a new, 2001 song for once. The new album is really quite good. There are some duff songs, but overall I'd say it deserved better reviews than it received.

Update, ok, I've now figured out this is about the Clinton/Lewinsky furore. I guess I'm just not primarily a lyrics person...

from Rings around the World, available on CD

purple haze  performed by Johnny Jones & The King Casuals
Recommended by djfreshmoney [profile]

cool old R&B version of purple haze. The singer doesn't get the lyrics quite right, but there's a lot of soul and horns on this track.

available on CD - Northern Soul Dancefloor Classics 1 (Deep Beats)

  delicado: I meant to say to you before: this is utter genius, thanks so much for recommending it!
R Bop  performed by Eleven Eyes  2005
Recommended by kylemangan [profile]

Super Cool Jazz jam from a group based in Eugene, OR.
Interesting instrumentation too: Trumpet, Sax, DJ, Drum, Guitar, Bass, Keys, FXs. Good stuff.

from Scope, available on CD

Requiem pour un con  performed by serge gainsbourg
Recommended by olli [profile]

unbelievably cool track, one of my top ten gainsbourg compositions. great jazzy sex beat, smooth vocals.
it's one of his more agressive songs, similar to the also recommended "un poison violent c'est l'amour".
there seems to be a bit of a bit of a prog vibe going on (in lack of better words, i'm not exactly an expert in the technicalities of music).
nice guitar hook. though the track is pretty repetitive, it's by no means boring. the repetition only helps to make it more intense and interesting.
taken from the film le pacha. i think a lot of gainsbourg's soundtrack work is pretty interesting stuff, though some of it often seems a bit rushed or too similar to other cool compositions from the same era (hey, i'm a sucker for plagiarism...)
the soundtrack to cannabis comes especially recommended.

available on CD - le ciin�ma de serge gainsbourg, initials b.b and a bunch of othe

  n-jeff: There is an instrumental version on a twelve inch I have that sounds remarkably prescient of Metal Box era PiL: heavy repetetive bass, odd guitar noises and something about the drums, too. Great track, vocal or no.
  olli: oh, that�s awesome, n-jeff! i always wondered if there was an instrumental of the funkiest white tracks ever
Requiem Pour Un Twisteur  performed by Serge Gainsbourg  1963
Recommended by delicado [profile]

A super cool french vocal with an excellent organ sound running through it. Serge's jazzier output (showcased on the excellent 'du jazz dans le ravin' CD compilation) really blew me away when I first heard it, and this track is probably my favorite from this period.

from No. 4
available on CD - Du jazz dans le ravin (Philips)

  tinks: i absolutely love this song, especially how serge just sounds so very...FRENCH! the way he draws out the word "twisteur" cracks me up every single time i hear it.
Restless (Fake Blood Remix)  performed by Unkle  2008
Recommended by juliagroce [profile]

lots of bass, kind of dubstep-ish, its just a cool song to listen to

Richard Nixon  performed by Rod & The MSR Singers  197?
Recommended by jeanette [profile]

One of the more famous song-poems, this is sung by the man with a thousand names, Rodd Keith. Being English, I had never really heard of the song-poem concept until an article in (I think) Cool & Strange Music magazine. Then this compilation CD came out and, wow, pinch my cheeks and call me a convert.

Anything that encourages the bizarre side of human nature gets my approval and song-poems certainly do that. Especially the right wing freaks, who seem to be over-represented in the genre. This is one of those very over-zealous numbers, stating (pre-Watergate) that Nixon is "a man of priceless worth".

What I love about Rodd Keith is that, no matter how banal or weird the lyrics kicked out by some Arkansas dweller are, he gives a sterling performance. This is no different. The spirit in which the song is written is strictly adhered to by Keith, adding of course to its overall charm.

from The American Song-Poem Anthology: Do You Know The Difference..., available on CD

Road ode  performed by The Carpenters  1972
Recommended by delicado [profile]

The Carpenters have become like Abba were for me about 15 years ago - I can lose hours at a time just listening to their best songs with the volume up high. I actually never really dared to venture beyond my favorites from Abba's hits, but with the Carpenters I have a few LPs and recently picked up a 5-CD reader's digest set, allowing me to hear some less famous tracks by them.

This track is a bit of a revelation for me. Highly produced, early 70s. Piano-led, with strings, guitar, bass etc, and Richard providing some backing vocals. Karen's singing is beautiful as ever, although her voice sounds a bit funny - she over-pronounces words like 'goes'. The verse is plaintive and moody, while the brief chorus is funky in that glorious way tracks from the early 70s can be funky. This section is reprised with pretty sick flute playing!

In all, a really beautiful track that for me showcases all the best things the Carpenters have to offer. The band are still stigmatized by many, for reasons I'm not exactly clear on. I understand that this kind of highly produced, clean sounding music might not be for everyone, but if you've just been put off listening to them because they're not very cool, maybe give this track a try!

from A song for you (A song for you)
available on CD - Magical Memories of the Carpenters (Reader's Digest)

  FlyingDutchman1971: You are not alone in you love of the Carpenters! I am proud to say that I have every studio album produced by Richard and Karen and still play them all the time. I need to pull them off the shelves and post a few songs on here... thanks for bringing it to my attention!
  callgirlscene: I like the Carpenters too. They have a pristine flawless and happy quality that is slightly unreal. It's fascinating and yet there's a kind of tragic undercurrent in some of their music too.
Rythm Bandits  performed by Junior Senior  2004
Recommended by Issie [profile]

A cool, catchy song. i see the junior as the small male and the senior as the large male.

available on CD - Doooo't stop the beat

samba primitivo  performed by nouvelle
Recommended by leontjr [profile]

from free bossa, available on CD

Sand And Rain  performed by Nancy Holloway
Recommended by heinmukk [profile]

my favourite tune on the newest issue of dusty fingers. the dusty fingers series is a compilation of rare and obscure tunes mostly from the 60s and 70s. the styles cover funk, jazz, krautrock and tunes like this one. it's a bombastic pop song with strings and a huge brasssection, which i come to admire more and more in the last time.
the intro is sooo cool. bitter spoken words by nancy about love and pain.
well, take a listen yourself.
last words: check out the dusty fingers series, there are a lot of true gems on this one!

available on CD - dusty fingers vol 10

S�o Paulo  performed by Nelson Riddle  1970
Recommended by delicado [profile]

A superbly catchy mood music piece, with a gentle bossa rhythm and Claus Ogerman-arranged strings. Very cool, and from the same album which featured strongly on the superb 'Snowflakes' CD compilation of the best mood music from the German MPS label. This track arrived in my head after I woke up this morning and demanded to be played. Very sleek and cool.

from Colors (MPS/BASF)

Saturday Night in Knightsbridge  performed by Rod McKuen  1968
Recommended by tinks [profile]

Lord knows that I would never recommend a McKuen vocal, but this tight, jazzy little soundtrack instrumental is quite another matter. This cut moves along rather nicely, with a cool taut rhythm. The arrangement was written by Arthur Greenslade, a longtime collaborator of both Serge Gainsbourg and Alan Hawkshaw.

from Joanna (20th Century Fox)

Say Hello to the Angels  performed by Interpol  2002
Recommended by xfanatic50 [profile]

Interpol are a great band... This track stands out for me because it's fairly uptempo. It's angry and sad and menacing all at once. That's kinda cool.

from Turn on the Bright Lighs (Matador)

Set the Ray to Jerry  performed by Smashing Pumpkins
Recommended by meatball [profile]

There's an instrument in the background (harp? xylophone?) that really appeals to me. The song is pretty mellow which is cool. Corgan's voice tends to be screechy at times but the magic instrument (in the background) along with some nice (well timed) bass evens it out.

from 1979 cd single

showroom dummies  performed by kraftwerk  1976
Recommended by phil [profile]

I'm on such a kraftwerk tip these days that I could recommend loads of their tracks, but this one is a real classic - there they all are, looking super-geeky on the cover, and then they serve up an ice-cool 8 minutes complaining about the horrors of fame. It's the normal kraftwerk thing - robotic beats, beautiful, simple melodies, and heavily accented singing, and going on for a LONG TIME.

My favourite bit is when one of the guys counts in the song - ein, zwei, drei, vier! As if - as if! - the machines need telling the tempo...

from Trans Europe Express, available on CD

Sleepwalk  performed by The Supremes  1965
Recommended by delicado [profile]

What can I say! I always imagined there would be a vocal version of this classic Santo and Johnny instrumental, but I had never located one until I found this recording. This track remained unreleased until the mid-1980s, was recorded in March 1965.

I can't deny that much of the appeal of this song for me lies in the novelty factor of hearing lyrics sung to this classic tune. If you're interested, the lyrics go something like this:

Sleep walk, instead of dreaming I
Sleep walk, cause I lost you and
Now what I am I to do;
Can't believe that we're through
(I don't care how much you tell me)

Sleep talk, cause I miss you I
Sleep talk, while the memory of you lingers like a song;
Darling I was so wrong
(but I'll be right some day)

Fills me my lonelyness;
I see your face
Spinning through my brain

I know
I miss you so
I still love you
And it drives me insane

Sleep walk, every night I just
Sleep walk; and when
You walk inside the door,
I will sleepwalk no more

If you're having trouble imagining how these words would fit to the tune, I think the Supremes did too; this may explain why the track remained unreleased. Don't get me wrong - the overall sound is very cool, and the verses work quite well. But I think the tune is so well-known that they didn't feel they could change a note, and so some of the vocals are a bit laboured.

Still, a great track, which seems to hold up to repeated listens!

from 25th Anniversary (Motown 5381ML3)
available on CD - 25th Anniversary Volume 2 (Motown)

Sly  performed by Herbie Hancock  1974
Recommended by charlesives [profile]

This 1974, 12-minute electric-jazz masterpiece starts with an attractively sexy, slinky soprano melody and sneakily mutates into blistering solo sections played at a blinding tempo. Recorded before the word "fusion" became a tag for a tired genre this track comes from the seminal album, Headhunters. If you have ears for Hancock's cool Fender-Rhodes shadings and the Headhunter's blazing rhythmic kinetics this could be the very strongest music of this period. Harvey Mason drums brilliantly, forging new rhythms that are peculiarly unique to this recording. I don't know where he comes up with this shit; brilliantly inventive, his energy is unflagging set amidst ascending levels of white hot, mercurial tempo. Paul Jackson plays electric bass with concentrate funk phrasing, his coolly repeated ostinato line is a satisfying compliment to the hyperactivity of the chattering drums and clavinet. The track builds and as it sheds its skins each level is slightly more intense. This is a great record, ignore all the amateur web critics and get this track now!
Note: Many people seem to prefer the sequel album THRUST with the decent Mike Clark on drums. I wish it was as good or better than HEADHUNTERS but it is not.

from Headhunters, available on CD

Smoke Rings  performed by Les Paul and Mary Ford  1952
Recommended by delicado [profile]

I've been in love with this tune since I heard the superb instrumental version of it on 1990's 'Wild at Heart' soundtrack. I'm a big fan of Les Paul and Mary Ford's records - the combination of immaculate multitracked guitars and spooky, clear vocals is a real winner for me. I only found out about this recording quite recently. It really is stunning. It's slow, plodding along while Les's intricate but very cool guitar lines twinkle around over the top. This song makes me feel very nostalgic, although I'm not sure exactly what for. The lyrics really add something to the atmosphere - 'tell me where do they go/those smoke rings that blow each night'. Anyway, please ignore my inadequate description and listen to this exquisite, perfect recording.

from Bye Bye Blues (Capitol)
available on CD - Bye Bye Blues/Les & Mary (COLLECTABLES)

So Nice (Summer Samba)  performed by Howard Roberts  1967
Recommended by delicado [profile]

I just heard this for the first time and was completely bowled over. Summer Samba, which in its famous Walter Wanderley organ version sounds like a not-particularly-hip roller-rink tune, is here given a funky treatment with organ and guitar. The guitar gets a little noodley, but in a cool way. Most of Howard Roberts's capitol albums have just been re-released as 2-on-1 CDs; I hope they are all as good as this one.

from Jaunty-Jolly! (Capitol ST-2716)
available on CD - Jaunty-Jolly!/Guilty!! (Euphoria/Sundazed)

So Stylistic  performed by Fannypack  2003
Recommended by jeanette [profile]

Looking at these three girls on the cover of their album (and the two shadowy, deadly-dull string-pulling guys on the inside) you'd never think that something so chock-full of bubblegum Brooklyn attitood could produce the smart, sexy sound that is this marvellous track.

It's class in a glass. Sidestepping the cuteness factor and packaged cool (both of which, to their credit, they also do very well) of other tracks on the album, So Stylistic bombs along with a real old-skool hip-hop feel. This is balanced nicely by more than a smattering of electropop and gratuitous use of the vocoder, making it seem relentlessly contemporary. This is a band so up-to-date that they don't bother sampling any of that old jazz or funk nonsense, but go straight for the Yeah Yeah Yeahs (on Things, another album highlight).

A rare example of a band manufactured down to the last pendant and all the better for it.

from So Stylistic, available on CD

So what cha want  performed by Beastie Boys
Recommended by MRadix [profile]

Cool sounding by the Beastie boys, one of their best i think. Always pumps me up

Soul Love  performed by David Bowie  1972
Recommended by geezer [profile]

Only someone with the Eclectic curiosity of Bowie could conjure up a "rock smaba" it sways like the Girl from from Ipanema but bristles with a mod-ish cool and English edginess.

from Ziggy Stardust, available on CD

Splash (sung by Peter Bloom)  performed by Ennio Morricone  1968
Recommended by delicado [profile]

This bizarre Morricone pop tune sounds as if it came from a parallel universe. With an instrumental mix of guitar, harpsichord, bass and drums, it achieves the same kind of spooky, melancholic atmosphere as 'Deep Down', another Morricone film song from the same year. But in contrast to Christy's passionate vocal in 'Deep Down', Peter Bloom's delivery is light-hearted and much more low-key. Both tracks feature classic Morricone wordless vocal effects and some truly ridiculous lyrics. I haven't seen Partner, but I'd be interested to see how this song fits in to the story:

"I want to be your dazzling white knight
I'll splash you sizzling cool with bright light

I'll kiss your cleanliness
...Your soft, silkiness
Oh what happiness:
It's biological...


Ridiculous words, but the arrangement makes the track genuinely powerful. Shame Ennio didn't bring this one out for the crowd at the Royal Albert Hall last year.

from Partner OST (Cam)
available on CD - Morricone a Go-Go

  bobbyspacetroup: I love this song! I haven't seen Partner either but have heard it's pretty awful.
  eftimihn: It's absolutely superb, that harpsicord sound is especially lovely and the lyrics are really weird throughout with Peter singing something with "my super-duper-baby/ we're goin' whoops-a-daisy" in the bridge part of the song...
  megaphonerecords: i can't beleive it!!!!!!!! i first heard this song while i was living in australia. it shot right into my being & resonated hard. since i've been back in the states i've been trying to find this song with no luck. it's been 5 years now & this is the first time i've seen a sign that this song really exists & wasn't just a magical dream i had. maybe i'll be fortunate enough to actually hear this song again before i die!
  dominb: I saw "Partner" at a revival at a cinema in Madrid and although Morricone does the whole s/track this song is the only pop number so it really stands out,the scene which accompanies it features the main character played by Pierre Clementi romping with his girlfriend in soap suds pouring out of a washing machine,he then jams her head in the washer's door and kills her!...Partner is a pretty pretentious film but it's odd enough to be enjoyable.When I saw it,this song was the high point for me,even though it only lasts a few mins....Where did you get this from?
  dominb: ah..."morricone a go go"...I'll look out for it,must be a million morricone compilations,finding new morricone music is a hobby of mine!
  delicado: To see the film clip with the music (dominb\'s description above is pretty accurate), visit
Spooky  performed by Chris Montez  1968
Recommended by konsu [profile]

If anyone could improve this Classics IV ditty, it's the adorable Mr. Montez!

Although the arrangement doesn't change much, (it didn't need to) Nick De Caro did add some nice little "effects" that really set the mood. Like a cool bit of "spooky" delay/filter effecting after the refrain...nice.

Montez's voice just seems to add to the story of the song. Like a guy like him could get spooked by a chick more than your average dude... he's sensitive.

Great Grusin-like organ solo too... That just nails it for me!

from Watch What Happens (A&M SP 4157)

St Matthew Fashion  performed by Stanley Myers  1968
Recommended by delicado [profile]

One of two astounding percussive cuts on the soundtrack 'No way to Treat a Lady'. The film is apparently a light-hearted look at murder. This cut has a solid beat, which sits behind a church organ sound. This is soon joined by a dirty-sounding guitar. The effect is trashy, but very cool. This track reminds me of the John Schroeder cut 'Soul Trek' (aka 'Astra Nova Orchestra's 'Soul Sleeper'), with a feel that is slightly 'rock'.

from No Way to Treat a Lady OST (Dot)

Starsign  performed by Teenage Fanclub  1991
Recommended by MoeShinola [profile]

This song helped turn me on to Alt-Rock. There was a homemade-looking video that MTV aired a few times. It was kinda grainy and unfocused, which suited this song well as it sounds like it's coming from far away. Still rocking, though. There are moments of shimmery clean guitar that compliment the grunge perfectly. The intro is also shimmery & cool. It takes it's time washing over you before the drums come in. A classic. This whole album is a classic. Only one misfire on it, Bandwagonesque was Spin Magazines record of the year for 1991, eclipsing Nevermind and a host of others in that magical year.

from Bandwagonesque (Geffen)

Still is Still Moving To Me  performed by Toots & The Maytals w/ Willie Nelson
Recommended by Steenie [profile]

I'd actually never heard of this band, but after having heard the song over the speakers in a bookstore I was in I went to one of the cashiers and asked her the name of it. She passed me the CD it is one of my favourite tunes (to listen to and to sing!).

Very catchy reggae, simple but meaningful lyrics. And though Willie Nelson has never been tops on my favourite singers/bands list, I veyr much like the way he sings this song...and surprisingly he doesn't sound so out-of-place doing reggae. I'd like to know what other recordings of this song exist. In the meantime, listen to this version!

The percussion is VERY cool.

"Still Is Still Moving To Me"

Still is still moving to me
And I swim like a fish in the sea all the time
But if that's what it takes to be free I don't mind
Still is still moving to me
Still is still moving to me

And it's hard to explain how I feel
It won't go in words but I know that it's real
I can be moving or I can be still
But still is still moving me
Still is still moving to me


from True Love, available on CD

Stingray  performed by Claus Ogerman  196?
Recommended by konsu [profile]

A great kind of euro-surf discoteque tune. Trobbing percussion and a cool snakey guitar. Claus did a lot of these "Brass-ploitation" LP's for RCA in the mid sixtes. Some surf, latin , and a really cool soul one that i've been trying to track down. Very solid stuff from one of the best arrangers ever!

from Watusi Trumpets (RCA SPRS 6115)

Suburban Berlin  performed by Japan  1978
Recommended by geezer [profile]

The first real signs of brilliance from this most under rated outfit .Once directionless and too eclectic "Suburban Berlin" is born into an electric piano intro and clipped guitars and grows into a fully formed performance soon after,Sylvians odd sounding voice begining to make more sense .Calm ,cool and collected

from Obscure Alternatives (Hansa)
available on CD - Assemblage

Summer Sound  performed by Joe & Bing (aka Best Of Friends)  1970
Recommended by eftimihn [profile]

Fantastic piece of gentle soft rock, filled with simple and effective bittersweet lyrics. Soundwise, delicado appropriately described it in his review as a "cooler and classier take on the Chad & Jeremy sound with superior performances, songwriting and arrangements". I can absolutely subscribe to that description, the whole album is a long lost softrock gem.

from Daybreak, available on CD

Sunny  performed by Oscar Peterson  1969
Recommended by delicado [profile]

A great take on the pop classic “sunny” - taken at a fast tempo with a bouncy piano style and a hip beat. A really great track, produced by Claus Ogerman, who really was one of the coolest arrangers; perfect for me anyway - able to perfect both lush and beat oriented 'now sound' type stuff.

from Motions and Emotions (MPS 21207137)
available on CD - Snowflakes (Motor)

  konsu: A really cool record. Also with a nice version of "Ode To Billy Joe" and Jobim's "Wave".
Swing, Swing  performed by The All-American Rejects  2003
Recommended by izumi [profile]

I love the organ used in this song's intro, and Tyson Ritter has really yummy vocals. :D Okay, well, besides that, it's a soppy, lovey-dovey song about loneliness and heartbreak and losing your girlfriend (I guess). The lyrics may seem a bit tacky but it's still a cool melodic song with lots of catchy hooks and a great sing-along!

from The All-American Rejects (Polydor 4504606)

Sympathy For the Devil  performed by The Rolling Stones  1968
Recommended by xfanatic50 [profile]

With the wild African rhythms, yelped back-up vocals and honky-tonk piano, this song is bizarre and crazed and lot of fun. Lyrically it's also very cool with Mick Jagger singing from the persona of a very gentlemanly and straightforward Satan. It's also incredibly timeless and influential. Listen to Outkast's recent album, or the Libertines, or the Music and you can hear shades of this song without a doubt.

from Beggar's Banquet (Abko)

Take 8  performed by Pete Moore  1970
Recommended by delicado [profile]

A simple blues/funk instrumental with a fuzzy bassline and an incredibly infectuous groove. It's short and sweet, and the drum sound super fresh and funky. This is typical of Pete Moore, who made some incredibly cool records in the easy-funk vein, which are rarely seen outside his native UK.

from The Exciting Sounds of Tomorrow (Fontana)

Take Off Your Sunglasses  performed by Ezra Furman & The Harpoons
Recommended by TimCat [profile]

Lyrics aren't tightly bound by any pattern, but it's still catchy and fresh like the air on a cool summer night.

Tambo  performed by Gilberto Valdes  1940
Recommended by tapler [profile]

A peculiar recording from the early 40s in Cuba. This song sounds like a Carl Stalling, Raymond Scott, or Leroy Shield piece from a cartoon. Abrupt tempo changes, a cool bass clarinet. Unlike any other song I can think of, except "Sangre Africana" also by Valdes.

available on CD - Cuban Big Bands (Harlequin)

Te Ofrezco Mi Coraz�n (Make It With You)  performed by Roberto Jordan  1971
Recommended by RCA76 [profile]

This is a very cool, sultry and funky Spanish version of Bread's "Make It With You". Of course the vocals are definately not par to the original, but I like it. This guy has like a million other translated 60's and 70 rockabilly tunes; La Chica De Los Ojos Caf� (Brown Eyed Girl), Uno, Dos Y Tres �Detent�! (1, 2, 3, Red Light), Rosa Marchita (Cracklin' Rose), Juntos Felices (Happy Together), Ven A Darme Amor (Come And Get Your Love), Estos Ojos (These Eyes). Check 'em out!

from Rosa Marchita (RCA)
available on CD - Lo Mejor De Lo Mejor De RCA Victor (RCA Victor)

Tear It All Away  performed by The Church  1981
Recommended by dsalmones [profile]

Following shortly on the heels of Of Skins and Heart, "Tear It All Away" still was the picture of a developing band, but one already more comfortable with the studio, able to use subtlety and quiet drama to inform its cool, soothing yet tense take on post-punk filtered through psychedelic touches. The familiar Byrds-derived guitar and Bowie-tinged lyrical regret and sighing crop up as they so often would in the earliest days, but there's a clean, blue tinge to the whole performance, something that feels inexpressively like an eighties recording rather than a sixties throwback. Call it the space in the mix, the gentle keyboards here and there, or the substituting of folk and country roots for something more urban and faster-paced. The lovely mid-song solos show the Marty Willson-Piper/ Peter Koppes team still well within its element, and the whole composition has a rich, lush feeling to it that's most attractive.

from Of Skins and Heart, available on CD

The 8.17 Northbound Success Merry-go round  performed by Margo Guryan  1968
Recommended by delicado [profile]

Margo Guryan wrote several quite famous songs in the 60s, the most famous of which are probably 'Sunday Morning' (made famous by Spanky and our Gang; also recorded by Julie London and others) and 'Think of Rain' (recorded by Claudine Longet, among others).

After the incredibly brilliant reissue of Margo's solo LP, 'Take a Picture', Franklin Castle released a compilation of Margo Guryan's demos. This is the standout track on that disc, a very spare and funky number with a cool organ sound, nice drums and catchy vocals. As would be expected from a recording intended only as a demo, this is a little rougher sounding than the studio LP, but it's a brilliant song. I wonder if anyone else ever recorded it...

available on CD - 25 Demos (Franklin Castle)

the beer  performed by kimya dawson  2003
Recommended by olli [profile]

on a post-moldy peaches roll today.
lo-fi, blackly humorous, unrelenting singer-songwriter antifolk material. the lyrics are a stream-of-consciousness portrait of life in lower-class america, filled with weirdo pop culture references. i fell in love with this song from a badly recorded live version, available on her homepage:
there`s an album version of the track on "my cute friend sweet princess", but i think it lacks a lot of the drive from the live recording (and the sound quality`s not really that much better, anyway. i wonder how this would sound on one of those ludicrously expensive hi fi sets that guys in cornflower-blue shirts tend to buy)

"even though i`ve never ever been in a band,
i`ve got cool as black ice tattooed on my hand.." gotta love that line.

from my cute friend sweet princess (important records)

The Dark of the Matinee  performed by Franz Ferdinand  2004
Recommended by xfanatic50 [profile]

This song is so sinister sounding, and so dark, but at the same time you can dance to it. It's uptempo, but somehow still vaguely depressing. Plus, "It's better in the matinee, the dark of the matinee" is just such a cool lyric.

from Franz Ferdinand (Sony)

The Detectives  performed by Alan Tew  1974
Recommended by nighteye [profile]

Another "detective themed" song that sounds like the backside of the theme from 'The Streets of San Fransisco'. Heavy basses, powerful percussion, trumpets and a cool melody to top it off. Run before they catch you!

available on CD - The Sound Gallery (Scamp)

  n-jeff: This is a variation of one of the tracks off the "Hanged man" Soundtrack. There is also a third version I believe on a library record soemwhere. Anyway, its well worth tracking the Hanged Man down, its been re-issued by DC recordings and on bootleg (vinyl and cd). The original on contour can be expensive. I think moviegrooves have the re-issues.
  nighteye: You're right n-jeff there are a variation of it on the 'Hanged Man' soundtrack avaiable at I also recognize the track 'Smokey Joe the Dreamer', not sure from where - but it might have been on one of the 'Dusty Fingers' compilations?
  n-jeff: Tew was one of many UK composers who also did shedloads of Library music, so it could have been anywhere, TV, Film, another LP.
For lots of information on the UK Lounge/ Library/ Collecting thing have a look around

  nighteye: There are a shitload of variations and other builds on the same theme on a De Wolfe compilation called "Alan Tew - Drama Suite Part 1". I think that's the library record you are thinking of n-jeff.
The Dis-Advantages of You  performed by The Brass Ring  1967
Recommended by artlongjr [profile]

This song has become known as one of the quintessential "Now Sound" numbers, and I go a LONG way back with it as far as memories go! As a kid in the sixties I used to love the Benson and Hedges cigarette commercials-although I was very much anti-smoking even then! But the cool theme music and humorous content of these commercials was a hit with us kids. Well, flash forward to the mid-1980's...I was doing my usual record collector thing in a local thrift store and came across an album called "The Dis-Advantages of You" by the Brass Ring, a group that I had several 45s by already. It looked interesting, so I picked it up...and was blown away by the first track, which was that wonderful Benson and Hedges theme that I remembered from childhood. I
couldn't believe my luck in stumbling across it, and
it immediately became one of my all time favorite tracks. The cool, wordless female vocals, whimsical melody, and smooth saxophone playing never fail to transport me back to the 1960's of my youth! I did some research on the song at the time and was surprised to find that it had been a chart hit in the spring of 1967. I was listening to the radio a lot back then and didn't recall hearing it. But rediscovering this recording really was a highlight of my musical development.

from The Dis-Advantages of You (Dunhill 50017)

The Evenings Young  performed by YELLO  1981
Recommended by beautifulmutant [profile]

Dieter Meier is a hero of mine. Some say I resemble him. If only I had as much suave and cool in my whole body as he possesses in one note, I would be happy. This is synthetic underground dance music at it's finest. They kep on producing albums which may tread familiar territory, but which are never stale or old. I first saw the video for "The Evening's Young" on USA Networks "Nite Flite" TV show and was hooked by the throbbing synths and odd vocal delivery. I became hooked on Yello. This is a quintessential song IMO

from Claro Que Si (Polygram / Mercury)

The Girl From Ipanema  performed by Antonio Carlos Jobim  1963
Recommended by heinmukk [profile]

hm, i wonder why this hasn't been added yet. if this isn't classic, then what is?
there are about a zillion different interpretations of this song by about a million different artists. there are compilations only with this song but by different artists. and i got two of them.
maybe it's mainstream and it's played too often but i love it nonetheless.
my favourite version is on the album "the composer of desafinado plays". of course arranged by claus ogerman. he did also the arrangement for "the wave" which is i think the best album by antonio carlos jobim. an album packed full with classics.
he made the strings sound so cool and you really get the feeling of what for a lifestyle bossa nova seems to have been those days. (as i think and hope it has been...)

from the composer of desafinado plays

  delicado: Totally digging those Ogerman strings. Ogerman is a genius arranger; I particularly like the work he did with Astrud Gilberto ('funny world' and 'non-stop to brazil' are two great ones) and Joao Gilberto.
  brasilnut: I always hear Claude Debussy's 'Claire de lune' in the phrase 'ah, but he watches so sadly'
The Girl from Ipanema  performed by Antonio CArlos Jobim  1999
Recommended by aea.lima [profile]

The girl from Ipanema is the greatest song in this planet. I got (belive!) 320 versions of it. And wht I guess so cool is that it has been recorded in all styles of music: Jazz, blues, Reggae, Techno, Rock, Salsa... Its very nice. My favouritte version is played by the brazilian singer "GAl Costa" in album "Gal Canta Tom Jobim". Its a swinger jazz. Very nice!!!

Please... is anyone got unknow versions of this song or enjoy it as me, send me a e-mail, ok?:
[email protected]

The Good, the Bad & the Ugly  performed by Luiz Bonfa  1968
Recommended by tinks [profile]

A rather warm and funky take on the Morricone classic, with harp, violins, trumpets and very cool percussive elements.

from Bonfa! (Dot)

The House Song  performed by Scott Walker  1974
Recommended by callgirlscene [profile]

This has a country-western kind of swing to it - the type of song Waylon Jennings might do. It seems to be about selling a house full of precious memories. Scott manages to sound like a really cool Elvis Presley, that is, with a swagger Elvis had but without Elvis's annoying mannerisms. For me, Scott's forte has been moody ballads, but he shows here that he can pull off country western too.

from WE HAD IT ALL (Philips)
available on CD - stretch/we had it all (BGO)

The Life of the Party  performed by April March  2003
Recommended by delicado [profile]

Shock modern recommendation. The entire 'Triggers' album sounds great to me, with Bertrand Burgalat's production very prominent alongside April's vocals.

'The Life of the Party' has lots of interesting electronic and vocal sounds, including some excellent synths, and a cool and rather spooky chord sequence.

Big thanks to robert[o] for turning me on to the album.

from Triggers, available on CD

  olli: i really dig bertrand burgalat. 'specially sssound of music.
The Look Of Love  performed by Diana Krall  2001
Recommended by eftimihn [profile]

For "The Look Of Love" Diana Krall managed to bring the legendary Claus Ogerman out of his retirement as an arranger (in fact, at that point, he didn't arrange for other people for 15 years or so). That was due to the fact that Krall's longtime producer, Tommy LiPuma (who did some marvelous production work for A&M in the late 60s e.g. for Claudine Longet or The Sandpipers) used to work with Ogerman in the past and so Claus got on board. While Krall's jazz followers found the result all too schmaltzy i just love it. The track is a very laid back, gentle, cool sounding version with a subtle bossa rhythm. And the arrangement and production is as immaculate as you might expect with Mrs. Krall giving a fine vocal performance, reminding me a lot of Julie London.

from The Look Of Love, available on CD

  konsu: It reminds me of some of Ogerman's work for Verve/CTI in the late 60's. Really the nicest version of this song in years.
The Minx  performed by Cyrkle  1967
Recommended by bobbyspacetroup [profile]

Cyrkle recorded the soundtrack to this X-rated adult film in 1967 -- only shortly after after their biggest hit, the Paul Simon-penned "Red Rubber Ball." The film didn't screen until 1969. Judging from the title track, it is a pretty cool score and maybe not what I would expect. Soft, almost bossa acoustic guitar and wordless ba-dum-dum vocals that could of come off of a Gary McFarland record. Supposedly, Cyrkle appear in the film as well.

from The Minx
available on CD - Cafe Apres-Midi - Marine

The Nights  performed by Lee Hazlewood  1968
Recommended by delicado [profile]

This song is unlike any other I've recommended, but it's hard to hear this and not sense the pure genius which infused Lee's best work. The song is a dramatic narrative about an American woman who runs off to marry an Indian and join their tribe. Instead of singing, Lee simply speaks the words, while every now and again a manic chorus chimes in with 'Thuuu Nights' while a string section scratches away. If I had as cool a voice as Lee (er, and some talent at recording), I guess I could take the songwriting approach that he has here - the music is quite simple, but the narrative as spoken by Lee is gripping, and the entire production is impeccably executed. Check out 'Jos�' for another successful song with this formula.

from Hazlewoodism - its cause and cure (LHI)

The Peterman  performed by Bullet  1975
Recommended by HoboTech [profile]

Beautiful slow jazz funk. Funky bass, floating flutes, trombone, rhodes piano. This entire album is a classic. You've probably heard some of it somewhere before, it's been sampled by lots of people from DJ Vadim to Buck 65. Originally recorded as library music and then used in the British TV series the Hanged Man, this record is one of my favorites.

from The Hanged Man, available on CD

The Promise  performed by Girls Aloud  2008
Recommended by geezer [profile]

A calculated stab at cool retro pop and all the better for its contrived polish, a great pop song with a great pop chorus ,remeniscent of Northern Soul ,The Three Degrees and even the Spice Girls ,hear it once and be struck, there is no antidote, you will just have to sweat it out of your system.I think this will still sound good in 10years time . Wait and see!

from out of control
available on CD - Out of Control

The Real World  performed by The Ga Ga’s  2004
Recommended by izumi [profile]

This song was first released on their limited edition debut single "Breaking America" which is where I first heard it. Incidentally, I think it's the best song on this 3-track single as opposed to the title track. The lyrics and concept are uber-funky, and the guitar riffs are really really cool. This is a song that points to a band with lots of spunkiness and talent. ^_^

from Tonight the Midway Shines (Sanctuary SANCD319)
available on CD - Breaking America

The Sugar Cane  performed by David McCallum  1966
Recommended by tinks [profile]

Interesting early composition/production work from Axelrod. Vaguely calypso-inspired orchestral pop with a very prominent piccolo and what sounds like a French horn solo...I think that I hear a glockenspiel in there, as well. All layered over trademark Axelrod drums and a cool walking bassline.

from Music...A Part of Me (Capitol)

  Sem Sinatra: I'd be interested to know exactly what David McCallum did on this track ... maybe the glockenspiel
  tinks: well, according to the liner notes, he supposedly is the conductor of the thing. i've seen his conducting in action in the film "the big tnt show" and all that i can say is that it looks sorta dubious.
  utada: David McCallum's father played french horn for the london symphony-he played french horn on the Beatles "for no one"-I think this is he and not the son
The Wiggely Cat Walk!  performed by Montparnasse  2000
Recommended by tinks [profile]

One of the coolest-sounding things from the past couple of years! A very funky breakbeat, odd sound effects, wordless vocals and an organ sample come together in this very chic (and very Japanese) melting pot. This comes to us from Masanori Ikeda, who was a longtime resident DJ at Blow-Up in London (DJ Nori) and also records under the guises of Mansfield and the High Yummies.

from Escalator Records, Tokyo, available on CD

Theme from the Traitors  performed by Packabeats  1962
Recommended by delicado [profile]

Another superb instrumental track which had vanished from my mind during the last few years, but which I found again yesterday during a self-indulgent marathon record-listening session. This is a very memorable theme, produced by Joe Meek. There's a cool opening with a catchy drum pattern. The rest of the instrumentation is organ, bass, and some very cool twangy guitars, often with some heavy reverb.

available on CD - Joe Meek Presents 304 Holloway Road (Sequel)

there’s no satisfaction  performed by hubler/schwab  1971
Recommended by shaka_klaus [profile]

my fav song on the vampyros lesbos ost. the whole soundtrack is fantastic but this song is really cool, with sitarlike sounds (which i've been heavily into the last 18 months) and great atmosphere.

from vampyros lesbos ost
available on CD - ?sexadelic danceparty?

Thru Spray Colored Glasses  performed by Dino Desi and Billy  1969
Recommended by delicado [profile]

A heavenly pop vocal track, one of the last tracks ever recorded by Dino, Desi and Billy. The production (by Stu Phillips, who did the Hollyridge Strings and some cool soundtracks) is dreamy and soft, perfectly matching the idealized lyrics (the world seems so wonderful...etc).

from Follow Me (soundtrack) (Universal City UNI73056)
available on CD - The Mad Mad World of Soundtracks (Motor music)

  yugo: Ooh!I love this LP.Besides,I've just finished to upload it into iPod. I love "Thru Spray Colored Glasses",too. But the tune I love best in this LP is "Just Lookin' For Someone". What do you think,mate?
  nighteye: I believe that both 'The Gentle People' and 'Handsomeboy Technique' has sampled this track?
  masayo: Since I know the Match version, I have been eager to listen to the original one. Thank you Delicado, finally I could listen to a piece of it!
Ticket to Ride  performed by Mystic Moods Orchestra  1968
Recommended by delicado [profile]

This probably sounds like an odd thing to recommend, but the more I hear this track, the more I love it. It's as if the arranger didn't actually like the song that much - he has changed it a great deal, but for better. Mixed with the trademark Mystic Moods sound effects, it begins lush and gentle. However, after the sound effects fade away, the quality of the arrangement and recording come through, with crisp drums, a nice bass and some great piano. It has a very cool funk-orchestral feel, recalling some of Pete Moore's best work.

from English Muffins, available on CD

  delicado: Erm- when I wrote this I think I hadn\'t yet got into the Carpenters. this is basically the Carpenters\' version of ticket to ride but an orchestral version. Still very cool, but that was the origin of the arrangement!
Tracy  performed by Mogwai  1997
Recommended by Genza [profile]

Like all perfect Mogwai's tracks, Tracy is quiet and then loud. However, the track is particularly spine-tingling. Mogwai use sustained reverb guitar and xylaphone to stunning effect. The taped argument between the band, that is added to the fade out of the song, is also cool.

from Mogwai Young Team (Chemikal Underground CHEM018CD)

  delicado: I still think 'helicon played at 45 instead of 33' is their best track! Funny - hearing it at the wrong speed and really liking it kind of ruined it for me...
Trop's  performed by Alberto Baldan Bembo  1969
Recommended by delicado [profile]

A super cool instrumental track which for me is one of the highlights of the Italian 'Easy Tempo' series of film music compilations. A laid back funky beat drives the song forward. Strings seep in and out, twangy guitars play on. I guess if you're reading this you are getting the picture of the kind of stuff I like by now...

available on CD - Easy Tempo Volume 8 (Right Tempo)

Turkish Bath  performed by The Don Ellis Orchestra  1968
Recommended by Festy [profile]

When my musical tastes changed nearly 20 years ago, it was a drastic shift. This track, and the album it's from, was definitely significant in this change. It was a completely new sound for me and even now, all this time later, I still love it. Don Ellis was a trumpet player and band leader. He was renowned for composing and arranging tunes in really unusual time signatures (this track, in 7/8, is an example). In fact, it's said that the only song he played in 4/4 was Take Five (a little joke for the musos out there ;)...). It was 1968 that this was recorded, so at the peak of experimentation Western/Eastern music fusion. This track starts off with sitar providing the rhythm which is then picked up by the rhythm section. Ellis comes in with his personally created quarter-tone trumpet. For some, the sound is dissonant and unpleasant. Stick with it - you get used to it. From then on in, it's an energy roller-coaster, as hip as it is cool. After numerous solos, the track subsides and seems to end as the lone sitar returns. But then it picks up the riff again and *BAM* - back into the track with even more energy than before. I'm spent!

from Electric Bath, available on CD

Twilight Zone  performed by The Spiders  1966
Recommended by delicado [profile]

For many years I've continued my life under the misapprehension that one version of the Twilight Theme (in my case, the original Marty Manning version) would do me just fine. But this tremendous Japanese group sounds version is unmissable. Lots of random sound effects with a heavy influence from The Ventures in Space. It kicks off at 1:08 where the drums stop and the sound effects just take over. Lots of random twanging and watery bits. Really cool sounding. Then at 1:40 the drums come in hard and funky. There are a few more little breakdowns and it ends in total chaos leaving you feeling the aliens definitely are coming!

Basically it's a very well executed recording.

available on CD - GS Box Set

un poison voilent, c�est ca l�amour  performed by serge gainsbourg
Recommended by olli [profile]

this is possibly the oldest hip hop track i�ve heard... nice 60�s instrumentation, though the track feels surprisingly modern. cool repetive structure, really nice delivery of the lines, great rythm. amazing song to put on at parties. i love it.

available on CD - comic strip

Una Tromba a Dallas  performed by Ennio Morricone  196x
Recommended by olli [profile]

"Frontier Psychiatrist" by the Avalanches was built around the �bercool vocal hook from this. catchy and simple tune, the feel lies somewhere in between go-go, epic drama and mariachi music. Dig the way the drums and piano work together. (Is that a harpsichord later on?) Never seen the film this is from, but i'd be dissappointed if this song wasn't used in a great scene.

available on CD - Svegliati E Uccidi & Sacco E Vanzetti

  delicado: Thanks for recommending this! I actually really like the avalanches song, and of course however much Morricone I think I know/have, there's always more!
  dominb: The "Svegliati e Uccidi" s/track is available at,though the best version of Lisa Gastoni singing "Una Stanza Vuota" is not on it only a 7" single version which omits the guitar section which makes the song IMO,the better version of this song features on the "Canto Morricone 60's" record.
Underwater Chase  performed by Al Caiola  1966
Recommended by delicado [profile]

I had forgotten quite how brilliant this track is until it strangely popped into my head yesterday. It was originally available on Al's superb 'Sounds for Spies and Private Eyes' album, as well as volume 2 of the 'Music to Read James Bond By' series on United Artists records. It's very obviously James Bond rip-off music, but it's so perfectly executed, with cool percussive brass and Al's reverb-laden guitar nicely complemented by a swinging organ, that you can't help but love it.

from Sounds for Spies and Private Eyes (United Artists UAS 6435)
available on CD - Ultra Lounge - Cocktail Capers (Capitol)

Wake and Kill  performed by Ennio Morricone  1966
Recommended by texjernigan [profile]

From the Soundtrack to the movie, "Svegliati e Uccidi," which I think means wake and kill, this has a typical spy thriller sound. That's something taht I couldn't really tell you, having not grown up in the era, but when I was showing my dad a lot of the music that I've searched out, he certainly laughed a quite a few of the tracks. Still, I find the melody haunting and cool, especially that highly distorted yet delicate guitar work.

Walk on the wild side  performed by Lou Reed
Recommended by inbloom44 [profile]

In my opinoin this song eptitomizes cool.

Waltzing Matilda  performed by Tom Waits
Recommended by eve [profile]

Tom Waits is so cool. All of his songs do a really good job of making you feel like you remember a time and place you've never seen... his world is one of boxcars, whiskey, and five o'clock shadow. This song is much less bizarre than some of his others; it's more mournful. But it's just... nice to hear. He is a sad old man.

  Jackamaku: Great tune, although the name of this song is actually "Tom Traubert's Blues (Four Sheets to the Wind in Copenhagen)"
Was That The Human Thing To Do? (Rejected "Take A")  performed by Boswell Sisters  1932
Recommended by tapler [profile]

Anytime I see old records that were initially rejected by the record company, I know something cool must be going on. This song is no exception. Highlighted by a slow, sultry, minor key bridge (that was later sped up in the commercial version), this is probably my favorite recording of the 20th century.

available on CD - Okay America (Jass)

Watch Take Care  performed by HE SAID  1988
Recommended by beautifulmutant [profile]

Lewis from WIRE formed this side band with John Fryer back in the late 80's. Watch Take care is probably the coolest song ever shat forth from the doomed Enigma label. It's a complete winner though. Scary, bumping bass rift... dark vocals. It's like pop goth almost. Very memorable. One of my favorites of 1989.

from Take Care (Enigma)

Watermelon Man  performed by Anita Harris  1968
Recommended by delicado [profile]

Superlative version of this track with some wild percussion and brass. I assume this was on one of her LPs, but I have it on a strange 45 sampler of her and other artists called 'spinalong'. Utter winner - keeps changing key. Her voice is cool and characterful enough as it is, so the effect is pretty wild!

Web Cam Kutie  performed by The Love Dolls  2007
Recommended by jzbass [profile]

guitar rock / pop mid to up tempo cool lyric observation in non judgmental fashion regarding girls who end up in the online modeling biz

from The Love Dolls (Doll House)
available on CD -

werewolf  performed by the frantics  1959
Recommended by olli [profile]

legendary primal surf track with werewolf noises. Talk about a guitar sound with authoroty! I really like the tribal drums and the kitchy spoken(or should that be spooky?)word intro. one of the coolest halloween compilation tracks around. The Cramps love it.

What You Want  performed by My Bloody Valentine  1991
Recommended by brightdayler [profile]

I must confess, I don't really get My Bloody Valentine. Their music is a little too hot and sexual for me, a veritable ice queen. Like this's so crowded, with Shields' voice trying to push its way through. But then, at exactly 4.20, the dust settles--the storm clears! All of the steamy static cools down and cleans up, like a hand smearing away condensation on a car window, and it's so beautiful. It sounds like a revelation. Yeah, it sounds like somebody who has been stuck in limbo for about a million years but finally earns their right to go to heaven. It's just great.

from Loveless (Sire/London/Rhino)

What'd You Come Here For?  performed by Trina & Tamara  1999
Recommended by MMMp [profile]

This is an R&B song that I first heard on BET. It begins with the hand claps from the song "Car Wash" and then goes into a typically groovy R&B dance song. I like it so much because it is very easy to dance to and the lyrics are about a girl going to a club and wanting to get her groove on while the guy she came with just stands there "like he's much too cool." This is typically how I feel when I go out. Hand claps continue throughout the song.

available on CD - Trina & Tamara (Columbia)

  MMMp: Just thought I'd add; the comment, "this is how I typically feel when I go out," is a borrowed line. I've read the same comment about the Pizzicato Five song "Love Love Song" (A Television's Workshop e.p., TRIAD 1994, Japan) and I think I wanted to put it to use for myself, but it seems an awkard fit now. I don't typically question why anyone came out if they're not dancing, I'm just eager to dance, and that is the same feeling behind the song, a nice conflict of expectations that maybe we've all felt before. It's nice!
White Rabbit  performed by Jefferson Airplane  196?
Recommended by mattypenny [profile]

I'm going to post 3 linked songs. Eventually. This one, Somebody to Love by the same band and then the recent cover of Somebody To Love by the Boogie Pimps.

Anyway I must have heard this before, but sometime within the past few years it popped up on a free magazine compilation. I probably associated the band with their 80s (?) incarnation - the band that did 'We built this City On Rock and Roll'. Each to their own, but I have to say I really didn't like that song at all - to me it was bland, radio and MTV friendly big haired, anthemic music for people who don't like music. Really sorry if it was your favourite, but as I say, each to their own. White Rabbit is to me is the total opposite.

The best way I can think of to describe the sound would be as being like a cooler, more rocking 60s version of 'Metal Postcard' style Siouxsie and the Banshees. The words are a druggie take on Alice in Wonderland, and it finishes with the singer (Grace Slick?) basically shouting 'Feed my head' over and over. Although I wouldn't condone the sentiment (Just say No, kids!), it's all very impressive. It couldn't be less bland, radio and MTV friendly.

If you like the Banshees, Bauhaus, indie in general or on the otherhand the darker Beatles stuff or the Velvet Underground you might enjoy this.

Who needs forever  performed by Astrud Gilberto  1967
Recommended by delicado [profile]

Quincy Jones is renowned more for his great arrangements than for his melodies, but I think this tune, from the soundtrack to 'the deadly affair' is really great. It's a slow bossa with a haunting lyric. Astrud sings in her trademark cool, detached style. I never grow tired of hearing this one. Astrud seems to have made a few impromptu appearances on film soundtracks, and I'm always on the lookout for more; one other great one was the Ennio Morricone score 'casse' (burglars), on which she sings two tracks.

from The Deadly Affair (Soundtrack)
available on CD - The Pawnbroker/The Deadly Affair

Winter Warm  performed by Bob Crewe Generation  1969
Recommended by delicado [profile]

A great, spacey, upbeat track by music business impresario Bob Crewe. This is basically just very nicely dressed up brassy easy listening instrumental music. The arrangement has a cool 'Barbarella' sheen to it, with spacey sounds alongside the bouncy strings. A nice track from a great album.

ps. the inside gatefold sleeve of this album uses the same photo as the cover of The Smiths's 'Rank.'

from Music to Watch Birds by (Dynovoice)

Without Her  performed by Preston Guild  196?
Recommended by Arthur [profile]

Preston [in fact there is no performer name on this 45 e.p. but this seems to be the label name so its as good as any ] and the band take a minimal take on this Nilsson song and give it a slightly Latin feel. And its Preston's delivery coupled with the organ that make this track essential. Unfortunately the other titles on the e.p. fall short of even interesting

from unknown (Preston Guild)

  konsu: One of his most covered songs at least in the pop canon.It seems like there's sooo many more versions to be found yet!I'd like to hear this one.Also check out the latinized brilliance of Blood, Sweat & Tears version from their"Child Is Father to the Man" LP. Maybe thats where these guys picked-up the style for their take...?
Wordy Rappinghood  performed by Chicks On Speed  2003
Recommended by barrythejackal [profile]

Great great cover of the Tom Tom Club song, and the highlight from Chicks On Speeds recent 99c album. Weighing in at almost 7 minutes, this is a great slab of electronica. Yes, ironic, yes, self referential, but here they totally excell their art school roots. Plinky plonky melody makes me think of the song 'Popcorn', and the nonsense chorus is like the poppier end of 60's girls with a dose of the Actionettes. Way too cool!

from 99 Cents

Yeah  performed by Usher  2004
Recommended by Issie [profile]

A cool song it has a good rythm

Yellow  performed by Coldplay  2000
Recommended by izumi [profile]

I don't think this song needs an introduction because love or hate Coldplay, most people should know this song by now. It's their most famous anthem, and is a truly beautiful song. The melody and harmonies sound amazing, and Chris Martin's vocals are really outstanding. The lyrics are really cool, and the guitar/bass sound great as well. And as I type, I'm 3 hours away from seeing them live at Crystal Palace! ^_^ Five out of five.

from Parachutes (Parlophone 5277832)

You'll Never Get to Heaven (If You Break My Heart)  performed by Cal Tjader  1969
Recommended by delicado [profile]

This was actually never one of my favorite Bacharach songs, but I find this version delightful. It opens with a simple bassline and a groovy breakbeat, which are soon joined by delicate strings and woodwinds, and finally Cal's cool vibes. There are a lot of cool sounds in the mix; I think I can hear both a 12 string guitar and a hammond organ. Anyway, the track swings very nicely, and the groovy beat carries on relentlessly in the background. The all-Bacharach album this comes from is apparently disliked by purists, but I think it's really rather wonderful.

from Sounds Out Burt Bacharach, available on CD

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