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You searched for ‘True’, which matched 57 songs.
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25 minutes to go  performed by Johnny Cash
Recommended by tuktman [profile]

Firstly, John Cash is a god! This is the first song of his that really grabbed me. He has a real sorrow in his voice that rings true when he sings about people being hung for murder and such.

featured on the albumn Folsom Prison Blues which is one of the best things you can buy, regardless of weather you're a country fan or not




A view from her room  performed by Week end  1982
Recommended by whoops [profile]

After the split of the Young Marble Giants, Alison Statton dreamed herself as Helen Merill and ended up to be the most convincing Astrud Gilberto impersonator of the eighties. A view from her room begins as a bossa and ends in a blast of percussions.
One of the true masterpiece of the first half of this decade ans it's a shame that it is not currently available.

from La variété by Week end (Rough trade)



  delicado: By coincidence, I bought this record on Monday in a charity shop in England. I like it very much. Alison Statton and Spike toured England about 6 years ago and were excellent.
After An Afternoon  performed by Jason Mraz
Recommended by Silly Goose [profile]

Jason's guitar wraps around you caresses you, making you feel like it's carrying you down a river on a warm summer day, sun shining on your face. His lyrics are true poetry, and he can communicate so many emtions. Only Jason could sing a song where all he does is read the intrument panels on his car and still sound great. Although this guy is still unsigned, his website (jasonmraz.com) has an short CD you can order and mp3's you can download. If this guys does not make it big one day then I'll....I'lll....I don't know what, but I'll do something.





Ai Ai Ai  performed by Emma Sugimoto  1970
Recommended by eftimihn [profile]

The "Softrock Drivin'" series is a terrifically compiled collection of japanese soft rock and bossa nova gems from the late 60s/early 70s. And it clearly shows that the japanese interest in all kinds of easy listening music wasn't solely influenced by contemporaries like Burt Bacharach but by native artists as well. This track by Emma Sugimoto is a delightfully light and fluffy piece of japanese pop and sounds like a blueprint for some kind of "Shibuya-Kei" track artists like Pizzicato Five could have produced. With shimmering strings, harpiscord embellishments, slightly funky electric guitar and a wonderful trumpet on top. With the clear, transparent production and fine arrangement it's a true standout track of the series.

from Softrock Drivin': Between Waves, available on CD



Ain’t No Mountain High Enough  performed by Diana Ross  1970
Recommended by FlyingDutchman1971 [profile]

Proving once and for all that she could carry herself as a solo artist and sing a dramatic love song, Ms. Ross slowed down the tempo and sank her emotions into this wonderful tale of unending love and devotion. The original full-length version clocks in at 6:16 but was brutally chopped down to around 3:30 for radio airplay and some of the song's most intimate words are removed. Sadly, the shorter version was featured on her box set a few years back. (what were they thinking???!!!) Get your hands on the 6 minute version and enjoy a true classic american song by a great american artist!

from Diana Ross, available on CD



  Mister C: I agree with you, the full length version of this is wonderful, as is her full length version of Reach Out I'll Be There recorded in 1971.
Almost Arms  performed by The Minders  1996
Recommended by two-headed boy [profile]

'Back to the Almost Arms again.' One minute, 29 seconds of pure heaven. Clapping hands, sugary-sweet bass, warm acoustic guitar, and perfectly stylized harmony demonstrate the greatness of this band. The Minders' ability to streamline their brit-pop sound into short cuts such as this says volumes of their talent. They have grasped the art of the rock strip-tease as we sit and drool and demand more of their form. A thousand and a half listens later 'I am hungry but still smiling' rings truer than ever, this is but the appetizer for their more developed works; taste this and you too will be The Minders' biggest fan!

from Cul-de-Sacs & Dead Ends (spinART / Elephant 6 spart 76 / E6-021)



Always On Your Side  performed by Sheryl Crow
Recommended by behindblueeyes102 [profile]

The music is so beautiful, as well as the lyrics. This song is true and very meaningful to me.




Are you happy ?  performed by Microdisney  1985
Recommended by whoops [profile]

During the summer of 1985 Microdisney had already lost all illusions about their potential commercially speaking. This second album was not what people would called a long awaited one. Recorded in a chaotic way (the drum part was the last thing to be put on the tape), this is a true masterpiece from track 1 to track 10 and "Are you happy ?" is its epicenter.
Cathal Coughlan (who at the time renamed himself Blah Blah and claimed to play keyboards and plastic pubis)is now a solo artist and still one of the most beautiful voice in england. Sean O'Hagan have finally achieved success through the High Llamas and Stereolab.

from The clock comes down the stairs, available on CD



  felonius: I have to agree. This is one of the most poignant, plaintive tracks I have ever heard, O'Hagan's soaring Telecaster solo launching it into orbit far above the mire of other 80's indie rock. (I think it might have been influenced by Stephen Stills' solo on 'Bound to Lose' from the Manassas album - another guitar solo to make you weep).
Baby It’s True  performed by Mari Wilson  1983
Recommended by OneCharmingBastard [profile]

Tony Mansfield (New Musik) produced mock-soul from the best beehive in the biz next to Kate & Cindy; from the spoken intro, to the soaring brass and strings, it is the blend of Bacharach and Motown that should've translated into a much bigger hit than it did.

from Showpeople (London)



  n-jeff: It was quite a hit in the UK if I recall correctly. This post has just filled my head with Images. Neasdon, the mentioned Beehives, spangly mini dresses, Tony mansfields mid 70's pop show on TV. Did Tony Mansfield really look like Pete Waterman, as my memory insists?
  Mike: Tony Mansfield was/is a musical genius, as noted elsewhere in my recommenations. Not quite sure how he could have had a pop show on tv in the mid 70s, though...The big hit he had with Mari Wilson was "Just what I've always wanted". He looked a bit geeky...did Pete Waterman copy his look? I don't know...
  rsfinla: Actually Tony Mansfield did not produce Baby It's True. I believe it was Tot Taylor that gave this song the big sound it deserved.
  n-jeff: I've just remembered it was Mike Mansfield that had the TV show. It ws fun all the same. And it was Mike Mansfield that looked like PW, at least in my mind.
  geezer: Awise and truly awesome choice of obscure pop
Balance of Nature  performed by Burt Bacharach  1973
Recommended by konsu [profile]

What a great song! Burt's a heavy hitter on these pages, as you can tell I'm sure. There is something magical when he sings, maybe it's because he seems to humble the incredible songs he writes, or that he works with the best singers to walk the earth. Here is Burt at his best, in a spare setting with a strolling rhythm and paced piano chords, almost like he's singing to you across a smoky piano bar. The song conveys a simple truth, and almost makes it seem like a gospel, that nature continues unabated despite human trials and tribulations... How true.

A hard LP to get your hands on it seems. But worth the wait!

from Living Together (A&M SP 3527)


Bouncing Babies  performed by The Teardrop Explodes  1980
Recommended by dsalmones [profile]

Teardrop Explodes’ second single, "Bouncing Babies", was released in July 1979, following the departure of organist Paul Simpson and the arrival of his replacement Gerald Quinn. With those changes, the group's sound, too, would alter dramatically, as Quinn took the band into the crypt-like depths of proto-Goth; in true Phantom of the Opera style, his organ haunts the grooves, while Gary Dwyer pounds his drums like a man who’s just discovered he's been buried alive, and Michael Finkler reenacts the Texas Chainsaw Massacre with his buzzsaw guitar.

Ecstatic reviews greeted the single, but its lifespan was short – before long, ”Bouncing Babies” was so hard to find that the Freshies came close to scoring a hit simply by bemoaning that difficulty – their &"I Can't Get (Bouncing Babies by the Teardrop xplodes)" itself ranks alongside its namesake among the most memorable of the age.
(AMG)

from Kilimanjaro, available on CD


Cabinet  performed by Trespassers William
Recommended by 37piecesflair [profile]

T. William has some great lyrics. It is especially true in this track, Cabinet, with the following:

"And I don't think that I'm weak, when my lips open to speak, but I'd trade my soul for a kiss."

from Anchor


Cruel Sister  performed by Pentangle  1970
Recommended by rum [profile]

A bewitching song about a young woman who, to win the hand of a handsome knight, does her rival sister in. The dead girl then comes back to haunt the “black-haired bride” as a harp fashioned from her breast bone and three locks of her hair. ‘Cruel’ may seem too kindly a description of a girl who when her sister pleads, “Oh Sister, Sister, let me live, and all that’s mine I’ll surely give” says, “It’s your own true love I have and more, but thou shalt never come ashore” before abandoning her body to the rough North Sea. Cruel? Should the sister therefore be scalded for her little… transgression? She’s an evil and monstrous sister, surely? But then this is centuries past, a time when sibling murder and human harps were commonplace. I am not likely to understand in this more civilised 21st century. Which may be why the kids don’t really dig British folk music anymore, or the mighty Pentangle. And it’s a crying shame because this is a stunning track, hauntingly sung by Jacqui McShee. I hesitate to use the term ‘masterpiece’ in case that great oracle of musicaltaste.com, fmars, overhears and tells me that I’m wrong.

from Cruel Sister



  konsu: Alright.In your own special way you've convinced me rum. I've been told for years to pick up some Pentangle by certain freinds (the ones who hear me playing Steeleye Span). Surely I must be missing out on something... I will consult the great one.
  rum: Heh-heh, thank you. I’m certain you’ll appreciate these, you’ve got eclectic taste, you’re not gonna be out for my blood (unlike all those that have begged and borrowed, stolen from their dying grandmothers, to buy Manowar CDs). And they’re no way as folk folk as the Span, they spin out an equally eclectic mix of folk, jazz, blues, rock and Elizabethan dances. It’s time people stopped harping on how great it was that the Velvets, the Stooges, punk etc made you wanna go out and form a band. So simple they sounded. Pentangle are so incredibly talented, so learned, so jazz, but still so unassuming and cool, they make you want pack up the band, trash the guitar, and burn down your house. Or is that Jet? I don’t know now. Well anyway the ‘Sweet Child’ album is the one.
Daddy  performed by Beyoncé Knowles  2003
Recommended by trixlation [profile]

it's a very beautiful song!! The piano in the background is sooo soulful!
I think, beyoncé sings in this song about her true experiences and feelings.

from Dangerously in Love, available on CD


Exodus  performed by Tielman Brothers  1965
Recommended by eleki-san [profile]

Vocal version of the classic 'Exodus' Theme. Reverberated deep 60s stereophonic sound, Andy Tielman's voice, the powerful background choir and the reverberated guitars make this version a true masterpiece.
(there's an incredible story on the listener reviews at Amazon about this band)




Hard Time Killing Floor Blues  performed by Skip James
Recommended by dwmjuk [profile]

Despite the vocal style of James (not appreciated by myself) this track is a true masterpiece - listful, solemn and mysterious. Numerous good covers inc. Kelly Joe Phelps, & Chris Thomas King (O Brother Where art thou). The original's guitarwork is superior to other versions - sparse and perfectly timed. However Phelps has, in my oppinion, a more appripraite voice for the track.






  dyfl: The Twilight Singers (actually just Greg Dulli, from the Afghan Whigs, and Mark Lanegan from The Screaming Trees) just released a very good cover of this on their album SHE LOVES YOU, which I highly recommend...
Hermaphrodite  performed by Stephen Lynch  2000
Recommended by FlyingDutchman1971 [profile]

Mr. Lynch sings of the ups and downs of dating the girl with something 'extra'... "She's my little girl, she's my little guy, when I try to please her I get poked in the eye"... The song is actually sung with affection and is never reduced to making fun or degrading toward the subject. A great song sung by a truely witty guy. The whole CD will keep you laughing!

from A Little Bit Special, available on CD


I Bleed  performed by The Pixies  1989
Recommended by naked mardou [profile]

This song is recommended for anyone who likes Weezer's Undone (The Sweater Song), and doesn't know its true roots. This track happens to be the exact same song, with different lyrics, recorded many a year before Weezer came along. With a slow and steady tempo and half-sung, half-spoken lyrics, this chill classic is a must for any playlist.


available on CD - Doolittle (4AD)


I Love You Porgy (Live)  performed by Nina Simone  1964
Recommended by FlyingDutchman1971 [profile]

Nina Simone originally recorded this song in 1959, but it is during the live recording of it during a 1964 performance that she brings forth all of the emotion and true desperation of this song. You can sense her pain and resignation to the fact that she is soon to be separated from her true love.

from Nina Simone In Concert (Polygram 846513)
available on CD - The Gershwin Songbook (Verve 314 513 928)


I Stand Accused  performed by Isaac Hayes  1970
Recommended by tinks [profile]

A breathtaking cover of the Jerry Butler classic, drawn out to 11 1/2 minutes of heartwrenching glory. A true masterpiece from Hayes' most brilliant period. Beautiful string arrangements by Dale Warren, and ghostly backing vocals make this something that you won't soon forget.

from The Isaac Hayes Movement, available on CD



I Thought You Were My Boyfriend  performed by Magnetic Fields
Recommended by sarahkathleen [profile]

I first heard this song and thought it was the album's standout track, but then the guy I was quasi-seeing (I thought he was my boyfriend, get it?) started seeing someone else. That was when I realized the true genius of the lyrics. The music is amazing as well, and it is one of my favorite songs by one of my favorite bands.

from I


It’s Cool Not To Care  performed by Mark and the No-Marks  1988
Recommended by rum [profile]

The late eighties wasn’t the ideal time for Mark & The No-Marks’ deranged hybrid of English folk, free jazz and ghost puppetry, but there never has been an ideal time. Exclamation Mark, dressed up in his ridiculous David Crosby-esque green cape, refused to pander to contemporary fashions and trends, and even seem to resent any acclaim or approval, as if it was a sign that he was doing something wrong. This may explain why he hated this live favourite, scornfully introducing it at shows as “our sell-out”.

I chose the track not only because it’s the only thing that was ever officially released (along with its b-side, an utterly spastic reworking of the Monkees’ Theme called ‘March of the No-Marks’ replete with Tube station announcements- “this is the Bakerloo line service to Elephant & Castle”- and girls yelling, “Mark NO! No MARK!!!” at the singer) but it is also by far the best thing they ever did. And it was still far, far from sell-out material (it barely sold any). It is the only No-Mark record you need to hear. All of their less grating eccentricities are here, the schizophrenic dialogues, the lyrical obsessions with pylons and German bunkers, the shoddy jazz drumming, the demonic chanting, the cackling, the mewing (!), but this time it’s all held together by an ace nagging riff, and a supremely warped and swashbuckling chorus where an increasingly unhinged mark sneers, “it’s cooool not to care, sooo cooool not to care…” before he eventually loses all sense entirely and barks breathlessly, “NOT NOT, it’s not sooo care! COOL!!!”

Mark of course was incensed that their label released it as a single and vowed never to “bow to the pound” again. And as a result retired to his studio cave, muttering that their forthcoming album, “a didactic concept album about animal reincarnation” would be their most progressive work yet. And disastrous. If the rumours are true ‘My Family Are Other Animals’ was abandoned after a record company executive visited the studio, described the tapes as “utter utter shit”, and then tried to throttle Mark with a microphone cable.





  n-jeff: This would be your band perhaps?
I think I recognise the attempt to write about ones own music.

  rum: good guess, but not my band no. i'm much too young. just used know a couple of No-Marks. local heroes/weirdos about town. they were very resentful of the whole experience, so i thought i'd give them their small dues.
  Gnasher: Was this the same Mark from 'Mark and the Monsters' infamy? I saw them once, in a mirror. Their sound made me want to pull my brain out through my ears and beat myself about the head with it. Shame, really, they looked really mad.
  rum: No, Gnasher, what you see in a mirror is a very troubled and confused soul, who needs alot of care and attention. Unfortunately musicaltaste.com is not the place.
  gnasher: Be nice!
It’s A Lovely Game Louise  performed by The Cyrkle  1969
Recommended by konsu [profile]

I'm always suprised by this group. The freshness of this song is hardly questionable, mainly because the soundtrack is a hidden gem recently unearthed. And for Cyrkle fans like me, it's a dream come true. The song is a spare bossa-tinged affair, done as sort of a stripped down folky interlude. But the track stands on it's own amongst their better known tracks like "The Visit", of which it bears a resemblance. It sounds like Tom Dawes took the reigns on this project, arranging and producing the whole thing to make one of the more memorable and interesting soundtracks I have.

Fans of Elliot Smith should check this one.

from The Minx (Flying Dutchman Amsterdam AMS 12007)
available on CD - The MInx


La Discotheque  performed by Mike Rozakis  1973
Recommended by human-cannonball [profile]

This is an absolutely impossible rarity, as it has never been released out of the original master-tape (until 1 year ago)! Part of the soundtrack of a 1973 Greek psychedelic underground film with the international title 'She Knew No Other Way' (local title: Children of the Flowers). However, this is not a mad freak-beat groovy tune (which is the case for most of the rest of the tunes in the soundtrack score); instead, it's a warm, classy, mid-tempo, funky jam with wah-wah guitar & sax solos and a very discreet piano backing. As a Greek, I was astounded by the discovery of this 70s funky gem from a totally unknown composer (Mike Rozakis). A true obscurity masterpiece, seek the proper vinyl release from Greek label 'Potfleur'.

from She Knew No Other Way OST (Potfleur)



  n-jeff: Thanks for the heads up on this LP! Its a great one, I love the way its at once stumbling and psychedlic, but at the same time maintains the great groove. Good fuzz guitar and great strings, plus that lovely wayward organ. Is there any more Mike Rozakis music lurking around?
Make Your Own Kind Of Music  performed by Cass Elliot (a.k.a. Mama Cass)  1969
Recommended by FlyingDutchman1971 [profile]

A true anthem to self-love. Cass' beautiful voice proudly affirms that you have to be yourself and not worry about what anyone else thinks. She deserved more appreciation than she got during her short life and this song strikes me as quite autobiographical.

from Make Your Own Kind Of Music (Dunhill 50071)
available on CD - Dream A Little Dream: the Cass Elliot Collection (MCAD 11523)



  delicado: yeah, I love this track. She sings in a very sincere and rousing way.
  JangleBabe: If my childhood memories serve, this was the theme song of Cass's short-lived variety show back in the '70s.
Metal Warriors  performed by Manowar  1992
Recommended by rum [profile]

'Metal Warriors' is Manowar's call to arms, a joyous rallying cry to all the "Brothers of True Metal" of the world. Stand tall and proud, they implore, for the magic of the metal has brought you here. The power within each and every one unites them, and to exclusion of everybody else ("if you're not into metal, you are not my friend!"). Anyone that tries to suppress their might will be met with fearless defiance, "we don't turn down for anyone, we do just what we please!". And they live and die metal, and will not tolerate fakes and frauds and softies, "heavy metal, or no metal at all, wimps and posers, leave the hall!" rings out the epic chorus, "heavy metal, or no metal at all, wimps and posers… go on get out!"

So, anyway, put your reservations aside and head out into the streets to find this one, just this one*, awesome, thumping Manowar track. Spinal Tap were playing for laughs, this however, is frighteningly real.

*although 'Achilles, Agony, and Ecstasy in Eight Parts: Prelude/I. Hector Storms' their 30 minute interpretation of Homer's Iliad is certainly worth a listen.

from Triumph Of Steel (Warner 7567824232)


More, More, More  performed by Andrea True Connection  1976
Recommended by parlop [profile]

The best disco song ever... the vocals are so sultry and seductive as only a former porn star's can be... the beat is irresistable.




My Brother Woody  performed by Bart Davenport  2003
Recommended by eftimihn [profile]

Good to see a cover of one of my favourite Free Design songs appear in 2003, especially when it's executed this good. It's very true to the original, so true it sounds almost as if the voice of Sandy Dedrick got sampled from the original version.

from Game Preserve, available on CD




  heinmukk: on heavy rotation right now. but i didn't found another decent song on the album. maybe i got to give it hear again...
My Name Is Anthony Gonsalves  performed by Kishore Kumar & Amitabh Bachchan  1977
Recommended by jeanette [profile]

How best to describe such a tableau as this? Another Indian gem imprinted into my brain from my recent holiday.

Parts of this song are so much like the Grease 2 soundtrack in spirit it's untrue. Mix that with the kind of Hindi film beats that have become close to my heart over the last couple of months and you're talking about the kind of song which will keep me awake thinking of its greatness.

The female backing vocals are the cherry on the crumble. You can just picture the wide eyed lovely saying "An-thony GONSALVES!!"

from Amar Akbar Anthony, available on CD




  Issie: Just listened to the song- i think its great!
  olli: heheh, have you seen the scene where this song is used in the film? it`s amazing! best slow motion running ever.
  tinks: ridiculously brilliant.
New Partner  performed by Palace Music
Recommended by umbrellasfollowrain [profile]

Memory's a funny thing. Especially romantic memory.
The first time I heard this song was two days after the first time I fell in love. Everywhere I went, I sang its earnest chorus "And you are always on my mind" in my head, thinking about the one I was in love with. In the shower staring at a bottle of hair conditioner, I sang, "You are always on my mind". On the subway, trying to ignore a potential fistfight about to break out, I sang, "You are always on my mind". In the supermarket produce section, holding the perfect shape of a lemon in my hand, I sang, "You are always on my mind". I was giddy and happy and the song understood. "Hey!" the song said, "Hey!" Will Oldman sang, "I got a new partner now!"
But jacket weather set in and things grew colder and we broke up and I was miserable and I stored the CD away on a top shelf with other memorabilia of that love who's happy power was really freakin' painful for me to think about now.
Things weren't always so bleak and I got me a new love and some years later, when I listened to the song again, I noticed something about the lyrics I hadn't before. See, in reality, the song isn't joyous at all. Will Oldman is singing about a past love, a love who is always on his mind when all the time he is seeing another girl, a different girl from the one always on his mind. He can't be with that girl. He has a new partner now. What I thought was a song about new joy was a song about nostalgic loss.
I didn't see how it was possible that I had suppressed that true meaning for as long as I had, considering how often I sang the song and how much it meant to me at the time. I knew the lyrics like the back of my hand and when I listen to music I dredge up all I can get from the lyrics like I'm a devout scribe interpreting the bible.
One of the beauties of pop songs is that they take on the flavour of your life at the time you listened to them and carry that flavour on to whenever you listen to the song again, while meanwhile you're morphing and changing and discarding what songs you don't want to remember that you loved and making mixed Cd's for long cartrips of the songs you do you do want to remember. This song is weird in that IT seemed to be the one that was morphing the next time I heard it and not me, like it was a person that had changed over time that I was encountering again.
Besides which, what a fucking lovely song it is.

from Viva Last Blues



  olli: now THAT's what i call a recommendation. I´m gonna have to find and soak this up now...
  olli: beautiful song. i've been a sporadic fan of will oldham related stuff for some years now, but hadn´t heard this until now. thanks! hmm. on a side note, this is the 666th american release that has been recommended here. i might be a bit childish, but i was hoping that number would go to some really, really bad contemporary pop music. Hey, you can't always get what you want:)
  fjell_strom: This song was the soundtrack to my incorrigible devotion to a lovely young girl when I myself was a bit younger. I used to listen to this tune repeatedly in my tiny little newly discovered room in the immensely overwhelming new land in which I found myself during the adventure which was to last the next four years, wandering Europe by my heartstrings. This was the song. I used to drink gin martinis to it. And eat the olive. And shudder because winter had come to my little home, and she was always, at least as often as the song played, on my mind.
no one knows i’m gone  performed by tom waits  2001
Recommended by olli [profile]

simple, short but beautiful song. features (in true waits fashion) some absolutely gorgeous melancholic lyrics, not to mention the superb arrangement. I can´t believe how many people there are out there who doesn's see what a fantastic album Alice is. easily one of my favourite tom waits records, along with rain dogs.


available on CD - alice (anti)



Out Of Our Tree  performed by The Wailers  1965
Recommended by rum [profile]

Up fer listening to some snotty American teens brag about how utterly monged they all are?!... Lord, just writing that there sentence makes me want to clutch my head and groan… “well exactly, so how does no strike you?” Fair, it strikes me as fair. But hear me out. You see, these drug-addled Wailers set their braggings against a backdrop of the crankiest, mankiest rock’n’roll the wrong side of the Sonics. “Is that the tape disintegrating?”, “Do I hear the wallpaper of heaven being torn down?” No, you don’t, that’s the music. “And is that the ‘Satisfaction’ riff honk-honking like an ocean liner in a storm?” Aye yes captain, like the truest garage rockers they filch their riffs from the big leaguers (listen to that other meisterwerk ‘Psychotic Reaction’). It’s a genre that favours execution over original ideas, and man the Wailers execute that ‘Satisfaction’ riff alright. Yes, sir, by the end there’s black smoke billowing out like burning plastic. “…And I can hear a…a wicked organ swirling around in the cacophony. It sounds really big, like it was recorded in a church, you know like that Belle & Sebastian track… ‘Lazy Line Painter Jane’?” …well, yeah… I suppose…

“Still these lyrics though…? I cannae bear kids, ANYONE, recounting their drunken, drugged, whatever, adventures out on the town. ESPECIALLY when every other word is ‘crazy’. I thought psychedelic drugs were meant to expand your mind?” Well, yeah, I agree, but like when you listen to any other drug-addled teen, your brain just switches them off after a time, “out runnin’ around/seein’ every crazy sight… ma na na na ma na ma ma!” At least until the chorus, when the kids notice you drifting, and jolt your slumbering brain by bellowing in your ear, “HEY! We gotta be… OUT OF OUR TREE!!! OUT OF OUR TREE!”… Yes, yes, it certainly sounds like it.





  n-jeff: I really, really must get this. Just on this recommendation.
  Gnasher: Yeah, this really is great. I'd think of something more imaginative to say but I just pulled my brain out through my ears and beat myself about the head with it.
Restons Groupés  performed by Alexandre Desplat  1998
Recommended by nighteye [profile]

Does it get any more happier and sunnier than this? This is a true sunshine pop / jet-set lounge piece with a fast paced beat, lush strings, woodwinds and a catchy melody. The style reminds me of Bacherat's 'Pacific Coast Highway' and Alan Hawkshaw's 'Girl in a Sportscar'. Just imagine your self beeing on the French riviera, crusing around in your sportscar with a beautiful girl at your side and you are the king of the world as you drive into the sunset.

I can be very wrong here, but it seams that this is the title song for the movie with the same name, made in 1998. I could have sworn that this was a piece from the 1960s, the sound, the arrangement, the instruments, sound incredibly accurate and realistic. I found this song on the excellent 'Jet Set Society' compilation from our own eftimihn on this site, a brilliant pick.


available on CD - Mondo Lounge Vol.1 - Jet Set Society




  eftimihn: Excellent description, for me the track evokes similar scenes when listening to it. And you're not wrong, the track really is from 1998, but sounds absolutely late 60s/early 70s. Well, the whole compilation ain't that bad either i guess :-) If anyone is interested: http://www.artofthemix.org/FindAMix/getcontents.asp?strMixID=84985
  nighteye: This song alone almost makes me want to see the movie! I wonder if the whole soundtrack is like this? Btw. I almost got a eargasm at 2:15 minutes into the track. :)
Roses  performed by RPWL  2005
Recommended by homebythesea [profile]

This prog rock song is just truely amazing. I am yet to find someone who finds the soft melodic nature of it displeasing. I'd recomend it to anyone, enjoy...

from World Through My Eyes, available on CD


Russian Dolls  performed by Michel Griffin  2006
Recommended by michelgriffin [profile]

"Russian Dolls" is a finely crafted song about the abuses of power. It uses guitar and muted organ to establish an ambience of quiet menace. I love the lyrics, which are clever and true. You can see the video on <a href='http://www.neilyoung.com/lwwtoday/lwwvideospage.html'>Neil Young's 'Living With War' site</a>

from Russian Dolls (MGP 634479394805)
available on CD - Russian Dolls (MGP 2608)


safety net  performed by shop assistants  1985
Recommended by shaka_klaus [profile]

the little sisters of jesus and mary chain? fuzzed guitars, drumming is far far back. a true great pop song.

from the single safety net (53rd and 3rd records agarr 001)




  n-jeff: I've instantly come over all nostalgic. A true great song. I've just discovered Australia Spiderbait who operate in the same zone, but in a more modern style.
Sand And Rain  performed by Nancy Holloway
Recommended by heinmukk [profile]

my favourite tune on the newest issue of dusty fingers. the dusty fingers series is a compilation of rare and obscure tunes mostly from the 60s and 70s. the styles cover funk, jazz, krautrock and tunes like this one. it's a bombastic pop song with strings and a huge brasssection, which i come to admire more and more in the last time.
the intro is sooo cool. bitter spoken words by nancy about love and pain.
well, take a listen yourself.
last words: check out the dusty fingers series, there are a lot of true gems on them...like this one!


available on CD - dusty fingers vol 10



She  performed by Gram Parsons   1973
Recommended by geezer [profile]

The single word title would always at least conjure an expectation of beauty in this instance that expectation is surpassed ,its country in the conventional sense ,it tells of loss ,lonliness and the pain of daily life ,its also tender and tells of hope and joy through singin and escaping a dreary existance ,yes all this really happens in about three beautiful minutes .I would recomend this in the truest sense ,to enlighten,to improve ,to educate and to soothe.

from GP/Grievous Angel, available on CD


Sob Story  performed by Minor Threat  198x
Recommended by Durruti [profile]

This song is about.... ehh, the lyrics are quite self explaintory::

"Life's not been good for you
It's just not fair
You did nothing to deserve it
You did nothing at all
Sit back and watch
It turns from bad to worse
No matter how loud you cry
It always hurts.....
Everybody gets
The breaks that belonged to you
Everybody takes
Your just desserts....




At first I wasn't very satisfied with this song. It's hardcore, lyrics are shouted and I didn't understand anything, I only listened to melody and other things. Than I read lyrics and listened to it again.
THIS SONG IS VERY GOOD. ONE OF THE BEST MINOR THREAT SONGS (They are all great except "Guilty Of Being White", I hate lyrics. It remind me of nazi skins)
Minor Threat are one of the greatest hardcore bands of all time. Straight Edge is movement, which started becouse of one Minor Threat's song with the same name. The lyric side of MN is great, instrumental part to. They are great. They'll always be. IF YOU DON'T LIKE MINOR THREAT YOU DON'T LIKE HARDCORE! Sorry, but that's true.

You can find their whole discography on one CD which consists of 26 songs.

from Complete Discography, available on CD


Some Sing, Some Dance  performed by Michel Pagliaro  1971
Recommended by prufrock68 [profile]

One of a handful of Quebec artist Michel Pagliaro's (unsuccessful) stabs at the American charts, "Some Sing, Some Dance" is a breezy, acoustic-led pop trifle, lighter than air, with rudimentary lyrics apparently provided by William Finkelberg. A sample:

Ooh you
How would I know just to hold you
How could I show that I want to
'Cause I do wanna hold you
Yes I do

And the following verses expand ever so slightly on that very simplistic base, except by the 3rd terse verse, Michel has sped along from desiring the girl to doubting she could be true, to realizing she, in fact, WAS untrue. Nothing profound here lyrically (and one wonders how comfortable Pagliaro was in 1971 with the English language to keep things this simple), but no matter: The whole package is wrapped in an upbeat, spare but energetic arrangement featuring Pagliaro's acoustic guitar chording, and nice little touches sprinkled throughout, like castanets, shaken tambourine, echoey hand claps, an elegant string arrangement (by Ben McPeak)providing a wonderful counterpoint, and a flamenco-like guitar figure finishing out the brief chorus:

Some sing, some dance
Some like-a romance
I love lovin'

So, even though Michel's been chastened by his lover, he's still coming back for more and longing to still hold this woman...and he loves lovin'...obviously, the magic's in the music here, instead of the lyrics, and it's a little gem of a song. Listen and see if you aren't charmed as well.

from Pagliaro (OOP) (Much)
available on CD - Hit Parade (D.E.P.)


Some Velvet Morning  performed by Nancy Sinatra & Lee Hazelwood  1968
Recommended by parlop [profile]

Amazing and Peacefully Disturbing... a true beauty of a song.





  olli: This song was what first got me hooked on lee hazlewood, many years ago....the weirdest composition ever to be a mainstream pop hit,surely. check out slowdive's ultra spacey version, btw.
  parlop: oh, i've heard it... i still like the original best.
  Bazz: Primal Scream's version > Slowdive version.
Space Race  performed by Apemen  1995
Recommended by eleki-san [profile]

not just another Space/Surf Instrumental, but a true space hymn with a sweeping 'theremin' sound above all.

from Surfvival of the Onbeschofste, available on CD


Star of Bethlehem/True Love  performed by Angels and Airwaves
Recommended by YourEpic [profile]

You really can't call this a song -- because it's a goddamn explosion.
An eight minute story that really has no end, just new beginnings.

You're welcome.

from I-Empire (Geffen Records)


Stop Me June (Little Ego)  performed by KENT  2000
Recommended by Carrie [profile]

I've been called a little coward more than once,
It hurts when it's true.


I like this song - a lot.

from Hagnesta Hill (English edition), available on CD


Sweet Talking Candyman  performed by Lynn Carey (visually performed by ’The Carrie Nations’)  1970
Recommended by FlyingDutchman1971 [profile]

From the film that saved Twentieth Century Fox from one of it's many brushes with bankruptcy... This song is very much a product of it's time and has only become more campy as the years pass by. It tells the story of a 17 year-old runaway who hitches a ride with a drug dealer and shacks up with him in New Orleans only to be hardened by his neglect and abuse. Talk of a DVD release of this film thru Criterion is running rampant on the internet, I do hope it is true!

from Beyond the Valley of the Dolls - Original Soundtrack, available on CD



  n-jeff: Is it camp? Am I just too out of touch with my taste? To me its a great song off one of my favourite Soundtracks. I may have chosen "in the long run" over it, but not necessarily. Maybe Lynn Careys vocal performance is a little powerful for modern tastes. Dunno still don't get camp.
Great choice anyway!

  jeanette: Both the song and the film are amazing, in my opinion. I think the only reason it gets tarred with that 'camp' brush is the movie is one of those all-but-the-kitchen-sink storylines and the songs get lumped in too. I hope that DVD rumour is true. BTW, struck very lucky at a record fair today and got the 7" of Come With The Gentle People for a mere 50p, surely worth miles more than that??!
  FlyingDutchman1971: "Beyond the Valley of the Dolls" 2-Disc DVD will be released on June 13, 2006.
The Chelsea Memorandum  performed by Lalo Schifrin  1967
Recommended by tinks [profile]

I'm a sucker for Hammond organs. And no place is that more true than in spy tv & film scores. Here is a cut which really swings from one of the genre's masters, Lalo Schifrin.

from More Mission: Impossible (Paramount)
available on CD - Mission: Anthology (One Way)




  Swinging London: Groovy! Groovy! Groovy! What else can I say...what else could anyone say?
The Holy Filament  performed by Mr. Bungle  1999
Recommended by Tangento [profile]

This is a truly unique song, from a beyond unique band. Mr. Bungle has a rabid, almost cult-like following, and songs like this are the reason why.
This band has always drawn on many different, widely varying influences, including ska, grindcore, jazz, and funky beats, to name just a few.
This track displays a whole new direction for the band, with dreamy, ethereal bass and piano interplay, retro-vocal harmonies, and an almost rapturous climactic sequence, followed by a melancholy fade-out.
This is a work composed by Bassist Trevor Dunn, (a true talent) and I feel it is more than worthy of a place on this list.
The album is a classic, I highly recommend it for people with just about any kind of musical taste.
I am providing a review/ option to purchase:
HERE

from California, available on CD


The Moon  performed by The Microphones  2001
Recommended by ispoketofoxes [profile]

The Glow Pt. 2 was on so many "best of 2001" lists that it pretty much had to be true. The biggest Microphones fans even state The Glow Pt. 2 as being their favorite. That has to show something.
From the opening track you are immediately hooked. The first two tracks build up for my personal favorite, "The Moon." The moon has such a beautiful beginning that that alone makes it my favorite. The lyrics tell a little romance but still remain to keep the weird feeling when listening to The Microphones. Fuzz, drums, piano, and horns make up the pretty sounds that carry the song along. Of all the great songs this album contains, "The Moon" contains Phil Elvrum at his best.

from The Glow Pt. 2, available on CD


Thrash Unreal  performed by Against Me!  2007
Recommended by Jeremiahcity [profile]

This four piece rock band from Florida delivers their new album featuring the song "Thrash Unreal." The song delivers the same kind of real person feeling used by John Lennon. A great album displaying absolute feeling and true life. Not for your normal prog fan, def alternative music.

from New Wave


True  performed by Spandau Ballet  1983
Recommended by thewilyfilipino [profile]

The great NYFD firefighter and actor Steve Buscemi immortalizes this song in the otherwise forgettable Adam Sandler vehicle "The Wedding Singer:" he winces, he exhales extra H's, he emotes. Spandau Ballet's lead singer, Tony Hadley, would never have done that; dressed in all his Bryan Ferry finery and sporting his New Romantic do, he stood with the mike pinched in the fingers of his hand... and emoted. "Oh I want the truth to be SAIIIIID [then his voice breaks]. [Pregnant pause.] [And then the Uh-huh-huh-huh-hi comes in again.]

Yes, "True." Performed by a band with one of the most stupid band names imaginable, "True" invaded Philippine airwaves, spawned a silly Spandau Ballet - Duran Duran showdown on DWLS 97.1, and jumpstarted the dead-end careers of a million amateur singers. (A good friend of mine, who actually could sing, once performed this during some high school party, and had it choreographed so that the lights would go out during the "pregnant pause." The women screamed.)

But darn it, the song still gets to me -- not every time, God no, but only when I'm in a semi-nostalgic mood regarding the worst years of my life (high school). That cheesy sax instrumental break that still haunts my dreams! The harmonizing Kemp brothers! "Always in time / But never in line for dreams!" The sound of my soul indeed.

from The Collection, available on CD


True  performed by Spandau Ballet  1983
Recommended by acidburn [profile]

from True


Unprepared  performed by Superdrag  2000
Recommended by popgoestheculture [profile]

A wonderful song you will be unprepared to handle. A peice of pure glam rock meets Beatle like madness, from one of the last (if not the very last) true rock n' roll bands still alive and kicking. *note: 1:39, how beautiful yes?*


Would recommend from this entire album! Other highlighted selections "Gimmie Animosity", "Baby's Waiting", "Bright Pavillions".

from In the Valley of Dying Stars, available on CD


Uptown Top Ranking  performed by Ali & Frazier  1993
Recommended by exceptinsects [profile]

The Althea and Donna version of this song is the original, but Ali & Frazier's is the best. I heard it on an album called 100% Reggae that I taped off a CD in Japan and then subsequently left in a tape player that I returned to KMart because it didn't work.
But if you diligently search on Kazaa or something similar, you can probably find it.

See me in me heels and ting
Dem check sey we hip and ting
True them no know and ting
We have them going and ting
Nah pop no style, a strictly roots
Nah pop no style, a strictly roots





  olli: the original is WAY superior to this "absolute music" trite.
who needs forever  performed by astrud gilberto  1966
Recommended by coffman [profile]

This exceptionally haunting and lyrical song by Quincy Jones has received its definitive interpretion by Astrud Gilberto with arrangement and accompaniment by the Brazilian organist Walter Wanderley. The melancholy urgency of the piece resonates well with the dark/sad tonality that pervades so much of Bossa Nova music, though its character is also reminiscent of certain otherwise very different pieces from the bebop era, which had a formative influence on Quincy Jones' music. There is definitely the remote influence of Charlie Parker and especially Dizzy Gillespie. It's truly a completely unique piece. The drifting melody which seems to skirt over the chord changes has a beautiful inevitability. Only a very gifted and skilled musician could have contrived such a beautiful work. So Quincy Jones deserves especial credit for crafting this song from the film "The Deadly Affair."

Astrud's delivery, so typically limpid and restrained, only serves to heighten the intensity of this darkly passionate song. The subtle but somehow fierce organ playing of Walter Wanderley acheives a sizzling romanticism that perfectly complements the reading of Astrud's apparently detached fatalism.

In my opinion, this track is a true musical masterpiece. Its remarkable economy of means is a testament to the skill of the composer as well as the artistry of the performers. In fact, it's a nearly perfect combination of expressive means and poetic intent. The beautiful resolution, with Astrud's perfect striking of the high B-flat over the half-diminished F-minor seventh, is a moment of sublime dramatic intensity, though profoundly understated, as is typical of her finest artistic moments. One is reminded of Miles Davis. Her poetic skill is rooted in subtlety.

I have listened to this extraordinary track hundreds of times, and always experienced chills rising up on the back of my neck. How amazing that this incredible musical gem was omitted from the original album A Certain Smile, A Certain Sadness. Perhaps it was too intense, too heavy; whatever the case, it's a truly remarkable piece of music.

I'm truly grateful to have discovered this great albeit minor musical masterpiece. There's really nothing else quite like it! The sizzling but subtle sensitivity of the rhythm section (Claudio Slon on drums, possibly Joao Gilberto on guitar and Jose Marino on bass) adds an intensity to the piece which helps project the almost existential tone of the song.

I'm really swept away by this obscure and neglected work, which attains -- for me at least -- to a peak of poetic intensity really rare in music. As is usual with Astrud at her best, it accomplishes its artistic ends with what seems like the most minimal of means. But subtlety is always the avenue to the most profound of artistic experiences. I think this is a remarkable example -- one of the greatest -- of the wedding of popular music and high art. It is a truly perfect performance. In my opinion, its greatness increases rather than diminshes with repeated listenings. There is only one word for that -- it's magic!

from A Certain Smile, A Certain Sadness, available on CD



  rio: you must pick-up the quincy jones soundtrack (released with the score to "the pawnbroker") with astrud singing "who needs forever". The lush quincy jones score is hauntingly beautiful, and astrud never sounded better. This version is the real deal for me..
  rferus: Amazing guitar on this piece.
Woman of the ghetto  performed by Marlena Shaw  1969
Recommended by ninjos [profile]

Greatest instrument of this song is Marlena's voice and the story it tells about being a mother and getting along in ghetto. I haven't heard any as improvising singer than she is and I know there is not many as versatile as she is and that is the reason You need to get this song. During eight minutes that this song lasts you may find yourself singin' "I'm woman of the gheeetto...", even if you are not and you there may also raise urges to feed a baby. This is a warning.

This song goes to same category as Marvin Gaye´s and Curtis Mayfield´s political material, but what makes this different is that this song does it by the point of view of a woman. And lord that woman is strong one.

from Spice of Life (Cadet)
available on CD - Blue Break Beats Volume Four (Blue Note)


You Fascinate Me So  performed by Blossom Dearie  195?
Recommended by FlyingDutchman1971 [profile]

A great track by a true american treasure. Blossom Dearie's one-of-a-kind voice is perfectly suited for this song. You can hear the vixen just below the sweet innocent exterior as she demurely praises the object of her affection with a raised eyebrow and knowing look. She knows that she is going to get her way, but decides to throw in a little flattery to ensure that her intended shows no resistence to her plan.
This song is only available on the criminally unavailable album 'My gentleman Friend'. You may occasionally find a copy for sale on Ebay (like I did) or shell out about $35 for a japanese import CD.

from My Gentleman Friend (Verve MGV 2125)


Zozoi  performed by France Gall and Cesar Camargo Mariano  1970
Recommended by Festy [profile]

One time member of the Sambalanço Trio, Cesar Camargo Mariano, teams up with French teenage seductress, France Gall for this fast-paced jazz-samba. Her voice oozes innocence but also sex, like a French Astrud Gilberto. A true coquette.
The band was recorded in Brazil, the vocals recorded and overdubbed later in France. This track evokes the "international" feel of the 60's where covert deals were done in international airport lounges and in the back of limousines.


available on CD - Mondo Bossa (Premier)



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