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You searched for ‘Pain’, which matched 67 songs.
click - person recommending, year, performer, songtitle - to see more recommendations.
96 Tears  performed by Big Maybelle  1967
Recommended by tinks [profile]

Searing r&b cover of the ? & the Mysterians classic. Maybelle almost sounds like she singing this about somebody else, and like she's amused by the pain she's caused. I know it's been comped a number of times, but I'm not sure of where.

from the single 96 Tears (Rojac 112)




  shaka_klaus: nice one.
All Apologies (Unplugged)  performed by Nirvana
Recommended by xfanatic50 [profile]

Kurt Cobain's voice is incredible, and somewhat painful to listen to. When I'm depressed, this is the first thing that I play.




Baby You’ve No Eyes  performed by The Kazoo Funk Orchestra  2006
Recommended by peterbruff [profile]

Available for free download from www.kazoofunk.co.uk/music.html along with the rest of the album 'Midnight Finger Painter'...

from Midnight Finger Painter (Planet Groucho Records PGR-KF-01)


Beasley Street  performed by John Cooper Clarke  1980
Recommended by geezer [profile]

A spoken word splurge of bile and vitriol over a deceptive soft funk backing,Calrke,s menacing sardonic tone berates the effects of Thatcherism on the very bottom of the pile ,the picture painted is grim and at times horrific but always compelling ,it would be misleading to give a taste of it here it needs to be heard mainly for entertainment but secondly as a concise social document of the UK at this bleak time .

from Snap Crackle and Bop, available on CD


Best of You  performed by Foo Fighters  2005
Recommended by CaitlinSpelledWrong [profile]

This has to be one of my top favorite Foo Fighters songs. I think that the band put a lot of emotion and energy into the song all together. It's a very powerful song that anyone can enjoy.

"Has someone taken your faith?
Its real, the pain you feel
The life, the love
You'd die to heal
The hope that start
The broken hearts
Your trust, you must
Confess"


available on CD - In Your Honor (RCA)


Carry Me  performed by John Lodge  1976
Recommended by john_l [profile]

John Lodge's "Natural Avenue" was overall the best of the Moody Blues' solo ventures of the mid-1970s, being almost up there with the "Blue Jays" effort on which he collaborated with the band's guitarist Justin Hayward (whose own solo LP "Songwriter" was the biggest disappointment of the lot). This track has a wonderfully exotic feel to it, what with lyrics like "Show me your island of a thousand names" as well as orchestration including strings, oboe and bassoon, and some kind of bubbling thingy which may be a synthesizer. On a darker note, some of the other lyrics seem to indicate the alleviation of an addiction to certain substances, e.g. "Paint all the clouds the colour of 'No'" and "Gone is the white horse that carried us home", but hell, every band was addicted to stuff back then and I'm happy that 99% of them seem to have survived intact. Anyway, it's a lovely exotic song that if you haven't heard it, it's about time you did!

from Natural Avenue, available on CD (Threshold)


Crazy Dreams  performed by Paul Brady  1983
Recommended by Stian______ [profile]

Singer\songwriter Paul Brady deals with Folk music . This song is in my opinion up to the level of Bob Dylan \Neil Young . Its melancholic but still up-beat .I like the lyrics a lot : " Tonight were gonna paint this town, were gonna drink champagne till we both fall down ,we'll find some other crazy dream -tomorrow" . Its hard to explain ,but the song moves me very much, the song is pretentious in some ways , but Bradys simple(but not dull) singing makes it not sum up as such.

from Hard Station, available on CD (Polydor)


Crystal Illusions (Memorias de Marta Sare)  performed by Sergio Mendes and Brasil ’66  1969
Recommended by m.ace [profile]

If there is such a genre as psychedelic impressionist easy pop, this song should be its flagship. Dreamy, lulling, yet subtly disturbing, this seven-minute plus tune is like entering a watercolor painting.

from Crystal Illusions (A&M)



  konsu: Written by Edu Lobo. Apparently for a play he wrote a few songs for. A year later he did it on his own A&M album "Sergio Mendes Presents Lobo", which is an incredible album produced by Sergio. Also check out his LP "Missa Breve" from 1973.
der hund von baskerville  performed by cindy & bert  1970
Recommended by shaka_klaus [profile]

i heard this song for the first time in spain at the purple weekend. the dj (mike stax) is as rather famous guy in the mod/garage/60's-scene. so i didn't have the guts to mail him about it for a year or so. but eventually i did and he gave me the details and told me that it was his girlfriend ho spun it. the song is a weird version of black sabbath's paranoid. i love this stuff. can be found on some german comps various artists as well as c&b comps. i saw the original cornet single on ebay a couple of months ago for a mere $180.





  eftimihn: This is a hugely bizarre cover version: Cindy & Bert were a somewhat annoying couple in the 60s & 70s doing very light pop tunes (called "Schlager" in Germany). It was recently released on a great compilation series by Bear Family Records called "Pop In Germany", with lots more of german oddities like Dusty Springfields "Son Of A Preacherman" in a hilarious version with ridiculous lyrics sung with bavarian accent...
Do You Realize?  performed by Flaming Lips
Recommended by yeliabuh [profile]

vocals, guitar, drums, synthesizers. Flaming Lips songs remind me of impressionist paintings with little bursts of color everywhere. This song isn't as colorful as some of their others, but it's definitely likeable. The lyrics can be interpreted as deep, but they're delivered really casually in a flowing manner. This isn't a sparse piece. There's little interesting details happening all the time, like intermittent cymbal crashes to little guitar moments to weird synthesizer noises. It creates a texture that's interesting to listen to, but at the same time simple enough to listen to without exploding your brain or something. A really enjoyable piece overall.

from Yoshimi battles the pink robots, available on CD


Early Sherwood  performed by Philamore Lincoln  1968
Recommended by geezer [profile]

From a recent cd re-issue of a for once real lost classic from the enigmatic but well connected Mr Lincoln. This sort of mines the same seam as Syd Barrett but this is psyche pop firmly rooted in English folk/folkloreand the joining of a collage of three different song parts,what some would refer to as an opus or epic.Haunting nursery rhyme intro makes way for weird fairground interlude and lysergic distraction before concluding with the painfully beautiful intro section,before finishing way too early for its own good.They dont make them like this anymore and couldnt if they tried this is from a different time and place.

from The north Wind blew South
available on CD - The North wind Blew South


Fire  performed by Etta James  1967
Recommended by jeanette [profile]

The unmistakeable Etta. My favourite of her 60's rock-soul belters (and one of the lesser-played ones; I was surprised when it didn't even make it onto the Etta Chess box set), recorded when she had a drug habit that would make Keith Moon blush. I ended a DJ set with this song and the reaction was phenomenal.

from the single Fire (Cadet 5620)
available on CD - Tell Mama: The Complete Muscle Shoals Sessions (Chess)



Fools in Love  performed by Inara George
Recommended by mellocello [profile]

A beautifully lilting modern waltz. Bittersweet fingerpicked guitar in the background and a wonderful haunting voice, I'm assuming Inara George herself. I'd love to learn more about the artist. A beautiful song of the bitter side of love, "fools in love they think they're heroes, because they get to feel no pain, i say fools are lovers' heroes, i should know, i should know because this fool's in love again." I just love songs like this. I first heard it watching Grey's Anatomy. So I looked on Amazon at the playlist for the soundtrack and found it. Definitely a great song in my book.
She has a website: www.inarageorge.com and unfortunately she just finished a tour.

from Grey's Anatomy Soundtrack


Forgetting You  performed by James Carr  1966
Recommended by tinks [profile]

The epitome of deep Memphis soul. The hurt evident in Carr's voice is absolutely unimaginable. Carr's story is a strange one. He is best known for recording the original version of the Penn-Moman composition "At the Dark End of the Street", a song which comes as close as possible to being considered a soul "standard", and of course, his version is the one by which all others are measured. His vocal range and intensity is comparable only to Otis Redding and Percy Sledge, and in my opinion, completely surpasses both of them. He suffered from a mental illness that on one hand allowed him to channel pain like few others have ever been able to. On the other, it led to serious instability and crippling stage fright which buried his career before it ever really started. He was also functionally illiterate, but you'd never know it based on the raw emotion he put forth in his recordings. On this song, he pleads with a lover to stay with him so that he won't have to try and forget her. Absolutely heartwrenching stuff. "I've done you wrong/now you are gone/but what can I do?/Don't make me live/the rest of my life/forgetting you."

from You Got My Mind Messed Up (Vivid Sound)
available on CD - The Essential James Carr (Razor & Tie)



Genesis 3:23  performed by The Mountain Goats  2009
Recommended by ghosttomost [profile]

The Mountain Goats are an indie alt country band that are a bit of an acquired taste but they are so talented. this song is totally catchy and the lyrics are superb. the lyrics truly paint a vivd picture for the listener and you feel like you are trapped within the sing.

from the life of the world to come


Gotta' Get Back to You  performed by Tommy James & the Shondells  1970
Recommended by tinks [profile]

Now, I'm not normally a Tommy James fan, but I found this record cheap one day. I was intrigued by the cover featuring a very country-rock-ish painting of a stagecoach. Well, the album turned out to be mediocre at best, but this song...this song fucking rocks. There's really no other way to put it. It sounds almost like Humble Pie, for Christ's sake!

But before you rush out to buy the LP...the rest of it is a bit dodgy, to say to the least. But if you REALLY like stuff that sounds like Humble Pie (and who the hell doesn't!?), it's worth the price of admission for this song.

from Travelin' (Roulette SR 42044)


Hard Time Killing Floor Blues  performed by Skip James
Recommended by dwmjuk [profile]

Despite the vocal style of James (not appreciated by myself) this track is a true masterpiece - listful, solemn and mysterious. Numerous good covers inc. Kelly Joe Phelps, & Chris Thomas King (O Brother Where art thou). The original's guitarwork is superior to other versions - sparse and perfectly timed. However Phelps has, in my oppinion, a more appripraite voice for the track.






  dyfl: The Twilight Singers (actually just Greg Dulli, from the Afghan Whigs, and Mark Lanegan from The Screaming Trees) just released a very good cover of this on their album SHE LOVES YOU, which I highly recommend...
Hey  performed by Julio Iglesisas  1982
Recommended by geezer [profile]

Ive only ever heard this sung in spanish and lyrically this beautiful piece of orchestrated balladry means nothing,However its hard not to be touched by the emotion of his frail almost thin voice .A friend of my wife heard this once and exclaimed "i dont know what the F--k he singing about but its so beautiful!!.As concise and accurate description if ever i heard one .

from Hey!, available on CD


Hotcha Girls  performed by Ugly Cassanova  2003
Recommended by Open Book [profile]

Ugly Cassanova made its mark in my soul with this track. Combining Isaac Brock's brilliant song writing with the painfully sweet voice of John Orth from Holopaw, this song sweeps in and out of beautiful melodies in such a way that leaves me absolutely awestruck. It's too bad they couldn't make the rest of their debut this good... the album itself has it's moments, but besides a few standout tracks, fails to completely fulfill my hopes for it's potential with such a star-studded line up. Nothing, however, will ever take away from the solid truth that this song is absolutely stunning, and as far as my opinions go, it's an instant classic.

from Sharpen Your Teeth, available on CD (Sub Pop)


hoy me has dicho hola por primera vez  performed by la casa azul  2000
Recommended by king8egg [profile]

somewhere between the free design and hideki kaji you get la casa azul. sweet 60s pop with some nice "ba ba ba ba..." thrown in. bouncy, quirky and basically all around fun. one of the few new bands i am really excited by.

from el sonido efervescente de, available on CD



Hurt  performed by Nine Inch Nails
Recommended by alanajo [profile]

even johnny cash felt it.




Hurt So Bad  performed by Nancy Holloway
Recommended by mr_klenster [profile]

This is a perfect cover in every way, arranged by Daniel Janin. The heavy, driving bass, long whine of the horns, and thick drumming make a monster instrumental. Nothing like the Bacharach version. Nancy Holloway does an outstanding rendition of the lyrics, delicate in some places, husky in others, bleeding and pleading the whole way through. The slow, pained delivery of the lyrics almost seem to be off pace with the tempo of the beat, but the horn melodies punctuate and hold this song together. There are qualities about this song that I find impossible to describe. All that's left to say is that this song is so cool and mesmerizing that it's hard not to close your eyes, and let yourself slip into the textures of this song. I never get tired of it.

from Hello Dolly!



I Don’t Wanna Grow Up  performed by Tom Waits
Recommended by eve [profile]

This song is a little lighter and more fanciful than a lot of Tom Waits songs, which makes it good because it's delightful, as opposed to his usual "good because it's painful/ dramatic/ really bizarre."




I Love You Porgy (Live)  performed by Nina Simone  1964
Recommended by FlyingDutchman1971 [profile]

Nina Simone originally recorded this song in 1959, but it is during the live recording of it during a 1964 performance that she brings forth all of the emotion and true desperation of this song. You can sense her pain and resignation to the fact that she is soon to be separated from her true love.

from Nina Simone In Concert (Polygram 846513)
available on CD - The Gershwin Songbook (Verve 314 513 928)


I Think It’s Going To Rain Today  performed by Dusty Springfield  1968
Recommended by FlyingDutchman1971 [profile]

The lady may have left the stage, but her spirit lives on in her recordings, and this is among her finest!! Sadly unreleased in the US for 28 years, this gloriously somber song was included in the 1995 anthology box set. Dusty sings with a sadness in her voice as she vocally paints a picture of a dreary day. While the overcast sky fails to crush her spirit, it does provide an opportunity for introspection and reflection. She is accompanied only by piano and orchestral strings which give this song a beautifully sad sound that make it perfect for playing on a rainy day.

from the Dusty Springfield Anthology, available on CD




  delicado: I must say, this is a quite brilliant recording; thanks for mentioning it! I heard the original Randy Newman version the other day, but to me, neither the arrangement or vocal performance were a patch on Dusty. Not that I'm biased or anything!
I Want To Be Bad  performed by Blossom Dearie  196?
Recommended by FlyingDutchman1971 [profile]

Ben Bagley gathered some of his friends together back in the 1960's and put together compilation records of his favorite composers. Blossom Dearie was featured on several of these albums. One of the best tracks she recorded for Mr. Bagley was a great jazz song from the 1920's called 'I Want To Be Bad'. A wonderful song from the era of the flapper, she gleefully breezes thru lyrics such as, "If it's naughty to let a male read you like a book, and in BRAILLE, let a lady confess I want to be bad!" The song is ripe with double entendres and Blossom carries it off with a wink and a nudge. This is Blossom at her best!!

from DeSylva, Brown, & Henderson Revisited, available on CD


i want you, but i don't need you  performed by Momus  1997
Recommended by king8egg [profile]

i'm more familiar with momus because of the songs he has written for kahimi karie, but upon hearing this song i knew i had to own the album it came from. the music is sort of whimsical reminding me of fairgrounds for some reason. but the lyrics are what hooked me. with lines like "i lick you, i like you to like me to lick you. but i don't need you. if your pleasure turned into pain i'd still lick for my personal gain. la la la." i knew i had to hear more.

from ping pong, available on CD



intifada  performed by Ska-P  2005
Recommended by puentechato [profile]

a very good song of ska-punk that talks about the situation between Israel and Palestine.

from !Que corra la Voz!


King Heroin  performed by James Brown  1972
Recommended by mr_klenster [profile]

This song is stone-cold, ultra-serious, odd, and mesmerizing. It's James Brown recounting a strange, anecdotal poem about a dream, in which he experiences the personification of heroin delivering a sermon. He rhymes accompanied by a subdued and melancholy backing band, playing lingering horn drags, and slow, lazy bass and drums. This is not your typical James Brown material, but it has an powerfully surreal and painful effect.

from There It Is


Less is More  performed by Mauri Sanchis  2003
Recommended by bomboncito [profile]

It's a great funky, melodic tune with great Spanish hammond organist, Mauri Sanchis.
It is his first cd and his web is great also, www.maurisanchis.com

from Less is More (Maos Records SA00886)


Let your halo  performed by Woke Up Falling
Recommended by voz37 [profile]

What a rockin great band. From Portland as all great inspired things are, they sing about love and pain and driving. Definitely check them out.




Lluvia de Primavera/Spring Rain  performed by Bebu Silvetti  1975
Recommended by tempted [profile]

The definition of a groovy, instrumental easy listening disco tune. Makes me wanna jump on the first plane to somewhere warm and swinging. Great piano and acoustic guitar accompaniment from this Spanish lizard with a hairy face. And that girl backing choir.. there are two single versions of this that are slightly different and a full length version which is the best.






  tempted: To correct: the "full-length version" is in fact a disco mix by Salsoul stalwart Tom Moulton. So good, man... Crazy percussive middle part galore! Available as a Salsoul 12". Tell me if you bump into one!
Love Is a Necessary Evil  performed by Blossom Dearie  1964
Recommended by FlyingDutchman1971 [profile]

I cannot say enough good things about Blossom Dearie! She is truly one of those performers that everyone should have in their collection. This song is perfect for her singing style and she runs with it. You can almost envision her throwing her arms up in resignation to the fact that love is a pain but none of us can live without it.
This track is pulled from Blossom's only album for Capital Records. She is backed by an orchestra rather than the usual small jazz combo which better suits her intimate style, but she shines nonetheless.

from May I Come In, available on CD



  OrganLeroy: I love this Blossom Dearie album. While small combos normally backed her up, Jack Marshall really made the orchestra work, very sensitive, and subdued to not cramp her style...... I have been looking for charts/sheet music for this tune for my combo to use, NO LUCK so far..... If anyone has a lead on it, I'd REALLY appreciate. THANKS
Middle Of The Road  performed by The Pretenders  1984
Recommended by dsalmones [profile]

Who could forget the rousing "woo-hooa-a-hooas" that helped define the Pretenders' 1984 smash hit "Middle of the Road"? In a decade that saw synthesizer-oriented pop music arriving on U.S. soil from England, singer/guitarist Chrissie Hynde and bandmates tear it up on this classic example of pure, unadulterated rock music. The Pretenders' offering successfully maintains a formulaic rock pattern, with drums that beat on at a driving frenetic 4/4 pace and guitar riffs that induce foot stomping by the most conservative crowd. By the time the harmonica solo kicks in toward the track's end, "Middle of the Road" has worked itself up into such a musical romp that it challenges anyone to remain sitting down. There is no technical or instrumental trickery to be found here, no "secret sauce"; the song is very much in your face. Its rollicking music and lyrics that paint a picture of a journey make anyone want to hop into the car and take off for the open road. "Middle of the road, is trying to find me/ I'm standing in the middle of life with my plans behind me." You'd be hard-pressed to find anyone who didn't identify with that sentiment. The Pretenders zeroed in on one of humankind's most basic, secret desire � to get up and go � and backed it with an equally driven musical arrangement. And that's what makes this recording a timeless classic.
(AMG)

from Learning To Crawl, available on CD


mis balas llevan tu nombre  performed by carlo coup�  2002
Recommended by modette [profile]

Carlo coup� es un nov�simo compositor espa�ol que cuenta en su haber con 3 discos repletos de un estilo exquisito y sibarita, recreando ambientes selectos llenos de largos cigarrillos, trajes de corte impoluto y vestidos op art, acompa�ado por supuesto por el toque m�gico de su hammond.
la canci�n que presento pertenece a su �ltimo disco, en el que pinta toques m�s funk y numerosos gui�os de ye ye espa�ol. pero lo m�s divertido es que el disco parece ser la soundtrack de una pel�cula italo-espa�ola de 1965 "mis balas llevan tu nombre" de la cual no se encuentra ninguna copia. cada cancion va precedida de un track con dialogo de tal pel�cula. todo ello es tan real que seguro caeras en la trampa de su mentira... o no? get it!!!!!!!!!!!

from mis balas llevan tu nombre, available on CD


New Partner  performed by Palace Music
Recommended by umbrellasfollowrain [profile]

Memory's a funny thing. Especially romantic memory.
The first time I heard this song was two days after the first time I fell in love. Everywhere I went, I sang its earnest chorus "And you are always on my mind" in my head, thinking about the one I was in love with. In the shower staring at a bottle of hair conditioner, I sang, "You are always on my mind". On the subway, trying to ignore a potential fistfight about to break out, I sang, "You are always on my mind". In the supermarket produce section, holding the perfect shape of a lemon in my hand, I sang, "You are always on my mind". I was giddy and happy and the song understood. "Hey!" the song said, "Hey!" Will Oldman sang, "I got a new partner now!"
But jacket weather set in and things grew colder and we broke up and I was miserable and I stored the CD away on a top shelf with other memorabilia of that love who's happy power was really freakin' painful for me to think about now.
Things weren't always so bleak and I got me a new love and some years later, when I listened to the song again, I noticed something about the lyrics I hadn't before. See, in reality, the song isn't joyous at all. Will Oldman is singing about a past love, a love who is always on his mind when all the time he is seeing another girl, a different girl from the one always on his mind. He can't be with that girl. He has a new partner now. What I thought was a song about new joy was a song about nostalgic loss.
I didn't see how it was possible that I had suppressed that true meaning for as long as I had, considering how often I sang the song and how much it meant to me at the time. I knew the lyrics like the back of my hand and when I listen to music I dredge up all I can get from the lyrics like I'm a devout scribe interpreting the bible.
One of the beauties of pop songs is that they take on the flavour of your life at the time you listened to them and carry that flavour on to whenever you listen to the song again, while meanwhile you're morphing and changing and discarding what songs you don't want to remember that you loved and making mixed Cd's for long cartrips of the songs you do you do want to remember. This song is weird in that IT seemed to be the one that was morphing the next time I heard it and not me, like it was a person that had changed over time that I was encountering again.
Besides which, what a fucking lovely song it is.

from Viva Last Blues



  olli: now THAT's what i call a recommendation. I�m gonna have to find and soak this up now...
  olli: beautiful song. i've been a sporadic fan of will oldham related stuff for some years now, but hadn�t heard this until now. thanks! hmm. on a side note, this is the 666th american release that has been recommended here. i might be a bit childish, but i was hoping that number would go to some really, really bad contemporary pop music. Hey, you can't always get what you want:)
  fjell_strom: This song was the soundtrack to my incorrigible devotion to a lovely young girl when I myself was a bit younger. I used to listen to this tune repeatedly in my tiny little newly discovered room in the immensely overwhelming new land in which I found myself during the adventure which was to last the next four years, wandering Europe by my heartstrings. This was the song. I used to drink gin martinis to it. And eat the olive. And shudder because winter had come to my little home, and she was always, at least as often as the song played, on my mind.
Night Game  performed by Paul Simon  1975
Recommended by G400 Custom [profile]

One of the most mysterious, beautiful, and above all *quiet* songs you'll ever hear. It comes at the end of the first half of the album 'Still Crazy After All These Years' and is nominally about baseball, but don't let that put you off. Worth a listen if you like subtle 70s singer-songwriters like Joni Mitchell or James Taylor, or if (like me) you're a fan of Red House Painters, upon whom Paul Simon's earlier work was a great influence.

from Still Crazy After All These Years, available on CD



Orpheus  performed by David Sylvian  1987
Recommended by Cyninglich [profile]

This song - like the whole Secrets of the Beehive album - leaves me breathless... awash with gentle melody, so atmospheric and dripping with beauty.
Acoustic guitars roll on a painted lanscape; subltle fingers tug at long-forgotten memories...

"Sunlight falls, my wings open wide..."

Indeed, the kind of song that could make you fly!

from Secrets of the Beehive (Virgin TVC 2471)


Out Of Our Tree  performed by The Wailers  1965
Recommended by rum [profile]

Up fer listening to some snotty American teens brag about how utterly monged they all are?!... Lord, just writing that there sentence makes me want to clutch my head and groan� �well exactly, so how does no strike you?� Fair, it strikes me as fair. But hear me out. You see, these drug-addled Wailers set their braggings against a backdrop of the crankiest, mankiest rock�n�roll the wrong side of the Sonics. �Is that the tape disintegrating?�, �Do I hear the wallpaper of heaven being torn down?� No, you don�t, that�s the music. �And is that the �Satisfaction� riff honk-honking like an ocean liner in a storm?� Aye yes captain, like the truest garage rockers they filch their riffs from the big leaguers (listen to that other meisterwerk �Psychotic Reaction�). It�s a genre that favours execution over original ideas, and man the Wailers execute that �Satisfaction� riff alright. Yes, sir, by the end there�s black smoke billowing out like burning plastic. ��And I can hear a�a wicked organ swirling around in the cacophony. It sounds really big, like it was recorded in a church, you know like that Belle & Sebastian track� �Lazy Line Painter Jane�?� �well, yeah� I suppose�

�Still these lyrics though�? I cannae bear kids, ANYONE, recounting their drunken, drugged, whatever, adventures out on the town. ESPECIALLY when every other word is �crazy�. I thought psychedelic drugs were meant to expand your mind?� Well, yeah, I agree, but like when you listen to any other drug-addled teen, your brain just switches them off after a time, �out runnin� around/seein� every crazy sight� ma na na na ma na ma ma!� At least until the chorus, when the kids notice you drifting, and jolt your slumbering brain by bellowing in your ear, �HEY! We gotta be� OUT OF OUR TREE!!! OUT OF OUR TREE!�� Yes, yes, it certainly sounds like it.





  n-jeff: I really, really must get this. Just on this recommendation.
  Gnasher: Yeah, this really is great. I'd think of something more imaginative to say but I just pulled my brain out through my ears and beat myself about the head with it.
Paint A Vulgar Picture  performed by the Smiths  1987
Recommended by FlyingDutchman1971 [profile]

Morrissey, ever the angry young vegan, sings a beautiful tribute to a music idol who has recently died and then proceeds to lash out at the big record companies that repackage and reissue the work of the artist all in the name of the almighty dollar. Sadly the very same thing would happen to the Smiths' catalogue just a few years later. Define 'irony'. Of course I sit here at this computer just 14 feet away from a record shelf that is stuffed with the reissues and repackages of the above named catalogue but I just couldn't resist those cute little 10-inch limited edition vinyl LPs that Warner UK put out in the early 1990s including the very album this song appears on...

from Strangeways Here We Come, available on CD



  jmurray: Am I the only one who thinks this song is about Ian Curtis and Factory Records? Think about it. Morrissey would have certainly gone to JD shows in the late 70's. Reportedly, he was at the 4 June 1976 Pistols show at Lesser Free Trade Hall. Clearly, Moz and the Smiths rejected Factory Records when their time came about to find a label. Maybe, Moz was not only disgusted with Factory's obsession with repackageing JD material into new releases, but perhaps Moz had a romantic eye for Curtis. Perhaps, they touched "at the soundcheck." And though somewhat morbid, he sang about never tainting his love for Curtis because Curtis was "on their hands a dead star."
  n-jeff: I wouldn't have thought it was the case, it must have been 20 years before factory compiled Joy Divisions stuff. When he died they bought out the scheduled releases: "love will tear us apart", "Closer" and then I think it was a few years before "Still" appeared. They got on pretty quickly with developing new Order IIRC, it couldn't have been that long before "ceremony" appeared.
I'm not Tony Wilsons biggest fan, but I think Factory did a pretty good job of handling Curtis' suicide. And they weren't really that popular anyway, at that time.
Now, the frenzy that marked John Lennons death. That was something else.

  jmurray: Paint a Vulgar Picture was 1987, long after Factory, and the remainder of JD had moved on to New Order. By that time, NO had released numerous 12" singles and LP's all the way through FAC 150, Brotherhood. For the record, FAC 37 was a video release called Here Are The Young Men of JD in Aug '82, FAC 40 is the JD compilation Still released in Oct '81, and NO's first release Ceremony is FAC 33 in Jan '81. There are also many JD appearances on various Factory Records compilations, both LP and video. All of this, of course, going on long before Moz, Marr, Rourke, and Joyce ever were together as the Smiths. One final thought, and please excuse the macabre, listen very closely to the last line of lyric in Vulgar, there is a distinct, but obvious choking sound just after the last word. If Moz hadn't made a career of singing about the "romantic" side of death, suicide, et. al. I would dismiss it as just a gutteral noise, but...
  n-jeff: I bow to your superior research.
And wince to your final thought!

  lasinge: I just tonight thought for the first time about who the song might be about (bizarre, since it's one of my favorite songs) and the first person I came up with was Ian Curtis. This story is old (I know) but it goes on...
  FlyingDutchman1971: The new Smiths bootleg "Unreleased Demos and B-sides" has a great rendition of this song with slightly different lyrics. Grab a copy of you have the chance.
  delicado: It has literally never occurred to me that this could be who it's about. I guess it's possible but it just seems wrong to me somehow. And I don't remember any tacky badges on Factory releases (unless I missed them). Interesting bootleg for sure...
pata palo  performed by pata negra
Recommended by frosch [profile]

it�s spanish gypsy-rock, great guitars and funny lirics

from blues de la frontera


Pata Pata  performed by Augusto Alguerro  1968
Recommended by n-jeff [profile]

This is the sound of summer in the sixties as I remember it from my childhood. Sunny, light, breezy. Its from one of Augusto Alguerro's 2 Polydor releases, and while not as funky or bizarre as some of the other tracks, in terms of shear fun pop its a total star. Starting with a nice little trombone riff, its quite fast with wordless vocals, flute and light brass. It has the very good production that you always seem to get with 60's polydor LP's. I wonder if the Ragovoy that wrote it is Jerry Ragovoy who I know better as a soul writer, penning Lorraine Ellisons mighty 'Stay with me baby' amongst others.

from Sounds Spectacular (Polydor)




  delicado: Horst Jankowski's version of this is excellent also! I would love to check out the Alguero, but it seems to be very hard to find his LPs. I have 'Laugh Laugh'; that's it...
  RCA76: This artist is totally worth looking for. He's arranged, composed and played pretty much Spain's most important music of the 50's and 60's. Spanish (and now international) vocalists like Rocio Durcal, Sara Montiel, Karina and Marisol recorded countless impressive hits of Alguer� and Antonio Guijarro (his long-time writing partner). They are the Rodgers and Hammerstein of Spanish cinema.
  mike33436: If anyone is interested, this CD set includes some nice tunes. Michele ps: Am looking for some Andre Brasseur,Ted Heath, Edmundo Ros and a few more.
People and places  performed by Constantin Veis
Recommended by moondog [profile]

Of all the releases on spains siesta label i especially hold "Memory La" by Greece`s Constantin Veis closest to me. Constantin veis who along with his brother sang and wrote songs in 80´s group The Fantastic Something. A kind of Simon & Garfunkel for the the indie/twee generation. On Memory La he continues in the simon & garfunkel style but throws in a more singer songwriter vibe along with bits of jimmy and burt. Crystal clear acoustic guitars and a wistful melody dominates "people and places" that removes this listener looking out on the mediterrean sea with a glass of ouzo in your right hand.

from Memory-La (Siesta)


Play Alone  performed by Asylum Party
Recommended by Dalriada [profile]

This unique song, unique to the whole body of work by the obscure Asylum Party, unique in every sense... If anybody ever wanted to create the sound of pure nostalgia in itself, this is the closest anyone ever got. I wonder what other people feel when listening to this song. I get utterly and hopelessly nostalgic, even though I don't know what for. It's not that I'm particularly old and know many times and eras, it's not that I have to dig particularly deep into my memory to get to that one dark part that's so irrevocably gone it makes one's heart ache and break. I don't know what it reminds me of, if of anything at all. It seems to be simply the soundtrack of some good times, times much better than the one you're stuck in right now, the soundtrack of reverie and the painful awareness that nothing will be the same again. I sometimes think it reminds me of beautiful summers I've known, the heat and sun that burnt my eyes, but then it seems just as fitting for a summer night at an open fire or an autumn window blurred with falling rain. The initial beats sound as if they could lead to anything, they even sound deceptively cheerful until the first melancholic screech of a guitar... "Feeling that hole that is just my soul..." Yeah, that must be it!




Porque Te Vas  performed by Jeanette  1974
Recommended by mika2k1 [profile]

Jeanette has a voice that is forever sixteen. Porque Te Vas, is an upbeat Spanish pop tune layered in big beat and horns. Beautifully meshed with Jeanette's delicate voice, the result is stunning sweetness.

The song appears the 1976 Carlos Saura film, titled Cria Cuervos (Raise Ravens), aka Cria!







Post Modern Sleaze  performed by Sneaker Pimps  1996
Recommended by Gwendolyn [profile]

"She looks ahead/ she paints her toenails red/ She's wet and wild/ a typical 90s child" I listen to this song when I walk to class early in the morning. It makes me feel like such a girl, but a bad-ass girl. This song and "Wasted Early Sunday Morning" make my life complete.

from Becoming X


Pouring Water on a Drowning Man  performed by James Carr  1966
Recommended by tinks [profile]

The epitome of deep Southern soul. The pain evident in Carr's voice is absolutely unimaginable.

from the single Pouring Water on a Drowning Man (Goldwax)
available on CD - The Essential James Carr (Razor & Tie)




  drchilledair: 2001 obits of James Carr appeared in Japanese publications before they did in the U.S. Alas, Carr travelled to Japan in 1979 for a mini-tour and was apparently unable to make it through a single performance due to mental problems. My guess is that he might have been suffering from lifelong undiagonosed autisism. A favorite Carr track of mine is "Gonna Marry My Mother-in-Law," a 1993 Soultrax single wherein he innocently tosses off the rather outrageous proposition that her mother and not his present wife, "has got the kind of love my heart's been longing for." The protagonist then proceeds to offhandedly list in minute detail the wondrous attributes of THIS "two women wrapped up in one." The tension between the reality of such an socially unacceptable action and the insouciant way with which Carr delivers his oratory never fails to crack me up. Extra-categorically, Carr dwells in the pantheon of music greats. Almost like a idiot savant, the enigmatic Carr was totally unexpressive in everyday life situations, but affected a 180 degree change in feeling tone when he opened his mouth to sing.
Primitive Painters  performed by Felt  1985
Recommended by adenning [profile]


available on CD - Absolute Classic Masterpieces (Cherry Red)


Real Pain  performed by Kraak & Smaak  2007
Recommended by iPodChick [profile]

The multi-talented Dutch artists Kraak & Smaak shine in their unprecedented, soul-shaking compilation, �The Remix Sessions� due out May 29th. Named by IDJ as "one of the most incendiary live outfits," Kraak & Smaak take that crackling energy and infuse classic jams with their signature style. Music lovers everywhere will rejoice as hard-to-find tracks, many of which were only released on vinyl, join each other in this boogie-licious showcase.

From banging dance floor "Mimezine � Can't get Enough (Kraak & Smaak Remix)," to funky, midtempo "Jamiroquai � Electric Mistress (Kraak & Smaak Remix)" to eerie, internationally-infused "Skeewiff � Man of Constant Sorrow (Kraak & Smaak Remix)," Kraak & Smaak reveals their astounding vision for the possibilities of electronica. This beat-driven assembly is an invaluable resource for re-tracing the various pathways of this modern musical expression.

from The Remix Sessions (Quango Records)



  aquila49: If this recommendation sounds like an ad, it's because it is one! I found the exact same wording on another site�indie911.com. iPodChick works for the recording industry. Is that acceptable to Musical Taste members? It isn't to me. By the way, I like Kraak and Smaak�but I am not coming here anymore if shills like "iPodChick" are going to be posting "recommendations."
  delicado: Hi aquila49 - thanks for your comment. yeah, I figured this was probably an 'inside' recommendation although I didn't do the follow-up googling! I don't mind say people recommending their own band so long as it's one song and they're pretty straight up about it, but obviously this isn't the same thing. I guess I should set out some guidelines somewhere. If anyone else has any feelings about this feel free to chime in!
  n-jeff: I agree with aquila49 - off with their heads! I hardly buy music papers because too much is regurgitated verbatim from press releases. I must admit when I read the initial recommendation my mind glazed over halfway through the first phrase, so I couldn't actually read it. Send them back to MYSPACE!
  aquila49: I guess "ipodchick" doesn't have anything to say about this�or anything else. Good riddance.
  liveinpeace: I think the music speaks for itself, however it may have come to our awareness. I do not criticize ipodchick or anyone else for not posting more here. You have made people feel so "welcomed" to join in the discussion. Just keep on living in peace, love, and music.
Rompeserones   performed by Moraíto Chico
Recommended by Goldtransam [profile]




Sand And Rain  performed by Nancy Holloway
Recommended by heinmukk [profile]

my favourite tune on the newest issue of dusty fingers. the dusty fingers series is a compilation of rare and obscure tunes mostly from the 60s and 70s. the styles cover funk, jazz, krautrock and tunes like this one. it's a bombastic pop song with strings and a huge brasssection, which i come to admire more and more in the last time.
the intro is sooo cool. bitter spoken words by nancy about love and pain.
well, take a listen yourself.
last words: check out the dusty fingers series, there are a lot of true gems on them...like this one!


available on CD - dusty fingers vol 10



Say it right  performed by Nelly Furtado  2007
Recommended by Issie [profile]

Another well thought out song by Nelly Furtado. She is an amazing artist who does many different genres of music.

from Loose


Sevengill (Notorynchus cepedianus)  performed by Giant Squid  2009
Recommended by SamHall [profile]

The song really portrays the heartbreak of the character, and the murky, unforgiving sea which he has committed to. You can almost see and hear the ocean, and feel the main character as he reflects upon what he's become and what he's lost. The instrumentation is spot on. Like any good post-metal group, every instrument has its say, and everything's beautifully balanced.

There's movement in the song where the main character and his former lover exchange words, presumably over a distance, where the torment and pain of the situation is palpable. The song, and the album's concept in general, really hits my soft spot for stories of pain and failure, and the proverbial fall from grace. It also invokes great imagery.

from The Ichthyologist, available on CD


She  performed by Gram Parsons   1973
Recommended by geezer [profile]

The single word title would always at least conjure an expectation of beauty in this instance that expectation is surpassed ,its country in the conventional sense ,it tells of loss ,lonliness and the pain of daily life ,its also tender and tells of hope and joy through singin and escaping a dreary existance ,yes all this really happens in about three beautiful minutes .I would recomend this in the truest sense ,to enlighten,to improve ,to educate and to soothe.

from GP/Grievous Angel, available on CD


She Paints  performed by MadreOceano  2004
Recommended by esteban [profile]

Personnal Lyrics. Acoustic Guitars and chelo.
intimate sound.

from Eleven Songs Written and Recorded on the bathtub (selfrealeased)
available on CD - Eleven Songs written and Recorded on the Bathtub (selfrealased /only mail order)


simpathy  performed by los bravos  196?
Recommended by mj&pm [profile]

spanish soul-pop group.

Deliciosa.




Sola (Then)  performed by Rocio Durcal  1977
Recommended by RCA76 [profile]

This is my most favorite song in the world. I love it because it is a classic, latin, late 1970's, sultry, soft, dinner party or alone-with-someone-special type of track. The instrumentation is not totally typical of latin music (fast rhythm, very ornate), it is soft and easy. The vocals are absolutely velvety and very sensual. Although it is a "sad" song, it is one of those songs that makes you want think about that special certain someone.

from Una Vez Mas (Ariola LA-045)
available on CD - Rocio Durcal � Su Historia y �xitos Musicales Vol. 1 (BMG/Ariola (2004))


Sometimes I Feel Like a Motherless Child  performed by Little Jimmy Scott  1969
Recommended by tinks [profile]

Stunning version of this old standard. Jimmy Scott's voice is, without a doubt, one of the most beautiful things in the world. I've never heard anybody else who could channel so much pain into a song. Regardless of your feelings toward David Lynch, you have to respect him for rescuing Scott's career from obscurity.

from The Source, available on CD



  delicado: yeah, I picked up the European reissue of this album recently, and have to agree with you on its power. I first came across Scott on the 'fire, walk with me' soundtrack, and for many years, 'Jimmy Scott' was just that strange voice. I only figured out the gender quite recently.
Street Spirit (Fade Out)  performed by Radiohead  1994
Recommended by two-headed boy [profile]

If the sun would rise in a minor key, this is what it would sound like. The shadows dissolve around you in warm harmony, even death sunbathes here, in a song ripe with hope and humanity. It is a misnomer to 'Fade Out' when we are held not by darkness, but by light. The paralysis of a dreary existence is manifested in the 'Street Spirit' where 'cracked eggs, dead birds scream as they fight for life' and 'machines will not communicate these thoughts and strain I am under.' If we were to stifle the creative spirit all we would need to do is look down a suburb and notice the lack of aesthetics and individuality of the homes. 'Rows of houses all bearing down on me...all these things will one day take control and fade out again.' This is the prelude to the bigger picture found in Radiohead's songs. Sure they dwell on the robotics of Orwell's '1984', and at times they are tedious and painfully accurate, nevertheless they leave us with an indelible desire to survive. 'Immerse your soul in Love' wags it's tail at the end of the song to insure a new beginning, much like the death of night. When sung, it is a very exciting moment as Thom's voice soars above the convolutions of the incessant guitar picking and synth-strings. Not the most popular Radiohead song, but their brightest moment to be experienced.

from The Bends (Capitol CDP 7243 8 29626 2 5)


Talk Show Host  performed by Radiohead  1996
Recommended by penelope_66 [profile]

Super-dark-sexy...This song is an honest portrayal of the paradoxes involved with desire; happy/sad, pleasure/pain, love/hate...etc. I find it terribly gloomy yet wonderfully uplifting at the same time. Just beautiful.


available on CD - Street Spirit (Fade Out) EP


Tell Tale Heart  performed by Gavin Friday & The Man Seezer  1989
Recommended by dsalmones [profile]

The former Virgin Prunes member, Gavin Friday, recorded his first solo album in 1989, "Each Man Kills The Thing He Loves". After leaving the Prunes in 1986, he abandoned the music business to paint for a year and a half, returning to the fray after teaming up with pianist Maurice Roycroft (whom Friday renamed the Man Seezer). This debut album, "Each Man Kills the Thing He Loves", found him making unexpected moves into a sort of modern-day cabaret style, albeit with all the Bowie-isms of his vocal delivery intact. And this song, "Tell Tale Heart", is near to country sounds and also could come right from Nick Cave "Your Funeral My Trial".

from Each Man Kills The Thing He Loves, available on CD


The Drapery Falls  performed by Opeth  2000
Recommended by Metalvangelist76 [profile]

Lyrics:

Please remedy my confusion
And thrust me back to the day
The silence of your seclusion
Brings night into all you say

Pull me down again
And guide me into pain

I'm counting nocturnal hours
Drowned visions in haunted sleep
Faint flickering of your power
Leaks out to show what you keep

Pull me down again
And guide me into...

There is failure inside
This test I can't persist
Kept back by the enigma
No criteria demanded here

Deadly patterns made my wreath
Prosperous in your ways
Pale ghost in the corner
Pouring a caress on your shoulder

Puzzled by shrewd innocence
Runs a thick tide beneath
Ushered into inner graves
Nails bleeding from the struggle

It is the end for the weak at heart always the same
A lullaby for the ones who've lost all reeling inside
My gleaming eye in your necklace reflects stare of primal regrets
You turn your back and you walk away never again

Spiraling to the ground below
Like Autumn leaves left in the wake to fade away
Waking up to your sound again
And lapse into the ways of misery.

This song is the embodiment of Opeth's sound, and one of the most powerful to me from an emotional perspective in the entire catalog.

from Blackwater Park, available on CD


The Folks Who Live on the Hill  performed by Little Jimmy Scott  1972
Recommended by tinks [profile]

Jimmy Scott turns in a monumental take on this Jerome Kern & Oscar Hammerstein standard. Scott's languid feminine phrasing and incredible diction really cause him to stand head and shoulders above nearly all other jazz vocalists. In this performance, he takes material that could come out rather saccharine and injects a healthy dose of pain into it. The result is a throughly memorable, soulful ballad. Due to Scott's lack of a record contract, this recording remained unreleased until 1993.


available on CD - Lost & Found (Rhino)



Unmade Bed  performed by Sonic Youth  2004
Recommended by megara [profile]

Shoot me up! My lungs fill with air and let the loudest sigh leave me as guitars roar and layer themselves one on top of the other. Hear the words flow along Kim's bass. Somekind of painful, somekind of brilliance. My heart pounds.
Again the Sonic Age to pierce the little headphones. Blast!

from Sonic Nurse, available on CD


Untitled # 1  performed by Spain  1995
Recommended by Stian______ [profile]

Probably the slowest music I have I guess, from an album called The Blue Moods of Spain . Its dream-pop for evenings full of hope, or comforting music for days when all falls apart.The vocalist is not the worlds best , but because hes so natural it just adds to the mood I find. Its hard to pinpoint exactly what I like the most about it ,its just one of those songs u fall in love with and never grow away from.

from The Blue Moods of Spain, available on CD



vamos a salir del siglo  performed by hidrogenesse  2002
Recommended by MMMp [profile]

guitar reminds me (perhaps a sample from) of the smith's "last night at the fair" (I don't think that's actually the title, but track 1 on meat is murder). kind of lo-fi sounding. a lot of fun, but with a serious note- "we're gonna take off of us the 500kilo weight of our soul"

from GIMN�STICA PASSIVA, available on CD


Walk on by  performed by The beach boys  1968
Recommended by notanrar [profile]

Although it´s just a 50 seconds bonus track at the end of Capitol reissue of "Friends/20/20", I think it contains one of the most memorable vocal harmonies ever sung by the Beach Boys. The irruption of voices that come at the end is just sublime. I think there are longer versions in an "Unsurpassed masters" record but I have never listened to it. Anyone has ?

from Friends/20/20, available on CD



  ambassador: I would love to hear a longer version of this. I agree, their harmonies on this classic bacharach/david tune are mind-blowing.

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