Oh so much fun! Raunchy and rocking.


"take me to them dirty ladies every time..."

What a rockin great band. From Portland as all great inspired things are, they sing about love and pain and driving. Definitely check them out.

yes, this is one of the songs in the commercials for itunes. yes, it is probably going to be overplayed and annoy you to death. but until then, it's a damned rocking good song. i have had to listen to it a few times a day, and i still can't get it out of my head, not that i want to. makes me want to dance, puts me in a good mood. is it a really great song? maybe not. but for now, it completely rocks.

Melancholy,nice smooth rocking groove.

A classic she-done-me-wrong song that melds tough call and response R&B with rockin' doo wop -- don't miss this one. I heard it in the 50s but never had the 45 -- looked for it for years before I found the Ace CD of 21 Young Jessie songs from the Modern label in L.A.

"Mary Lou
she took my watch and chain
Mary Lou
she took my diamond ring
She took the keys to my Cadillac car
jumped in my Kitty and then drove afar"

with Maxwell Davis & Orchestra

Great music for the drive-in!

Another song I heard John Peel play a long time ago, possibly THE BEST ROCKABILLY SONG EVER. And now I finally have it on single.
It starts with a clicky little riff for one bar, then the piano trill, then the ascending twang "bum-bum-bum-bum" And the full Rockabilly thing kicks in. Ringing twanging guitars, it stops and starts, stutters and hiccups, a great vocal of teen angst.
"Ain't nothing shaking but the leaves on the trees"

Ok, I feel kind of lame for recommending two tracks called 'out of this world' in one sitting, but as soon as I remembered this one, I felt compelled to recommend it. Before I became completely obsessed with the kind of smooth bossa-influenced stuff I've been recommending, my big thing in music was that it had to be twangy. This is quite twangy, but in a very tasteful way. An incredibly haunting song whoever it is performed by, 'out of this world' here gets its other-worldliness from Buddy's incredible multitracked guitars - the main tune is played on the slide guitar, while several other parts relentlessly pick out accompaniments. It's hard to categorize this track really - it's not remotely funky or particularly rocking, yet it's very catchy and undeniably compelling.

A rockin' one and a half minute long instrumental unlike any other Delerue work I've come across. If you know of any other Delerue work like this, please let me know. The arrangement includes really heavy bass, wailing brass, surf guitar, organ, and drums. Maybe it's a little generic, but I like it.

This song is a classic of the psychedelic era, by a group that later became known as the Peanut Butter Conspiracy. I first discovered it years ago on a 1967 compilation album called "West Coast Love-In" which featured about four of the Ashes' songs. It was "Dark on You Now" that really wigged me out-it is an awesome, slow-paced, moody number that features the spine-tingling vocals of Sandi Robison and the prominent 12-string guitar of John Merrill. The song is incredibly atmospheric and reminds me of a combination of the Byrds and Jefferson Airplane when both of those groups were in their prime. It is also at four minutes plus quite long for the era. I listed this as being recorded in 1967 but it may have been waxed in 1966...at any rate it is surely one of the great songs of the early psychedelic era.

I have the first Peanut Butter Conspiracy album which contains a re-recorded version of this song, harder rocking and not nearly as good. The original Ashes version was recorded as a 45 for the Vault label (which also issued "West Coast Love-In").

i love this psyche sounding classic. the backing track vocals compliment one another perfectly. i love the strings in this song. a little poppy but rocking.

This song comes from the stellar soundtrack to 1968 film "The Lion in Winter," my first outing w/J. Barry. Wow. The whole album edged out all rock music at parties. This song has a lovely rocking boat-on-water undercurrent to it (Queen Eleanor is being rowed upriver in a barge), with soaring turns-taking female /male voices singing in Latin. It has a little, quiet horn bridge to it, but then the waves of sound come back and die out. Gorgeous. Defintely a winter-feel album (the story takes place at Christmas, too).

�sound and instrumentation:Slightly garage-sounding psych rock with Portuguese lyric- creative use of 1960s sound processing methods to give a somewhat spacy aspect. This is one of the more commercially rocking tracks from a very creative and groundbreaking psychedelic rock group.

Jefferson (Geoff Turnton) was a member of the Rockin' Berries in the mid 60s. A couple of years later, top producer Tony MacAuley took him under his wings and he released a solo album. What can I say... these songs are 'tailor-made' for me, as if they written especially for my personal musical taste. He also released a couple of singles for PYE and some were meant for a second album, which was never released. I picked the single "You know how it is with a woman" but 'City girl" is equally good. I wouldn't know which one to choose... A recommendation ? 100% yeeeeeeeeees ! Did I mention it's all melodic and hugely orchestrated ? I guess not, but by now I think you'll know I like songs like that ;)

I'm going to post 3 linked songs. Eventually. This one, Somebody to Love by the same band and then the recent cover of Somebody To Love by the Boogie Pimps.

Anyway I must have heard this before, but sometime within the past few years it popped up on a free magazine compilation. I probably associated the band with their 80s (?) incarnation - the band that did 'We built this City On Rock and Roll'. Each to their own, but I have to say I really didn't like that song at all - to me it was bland, radio and MTV friendly big haired, anthemic music for people who don't like music. Really sorry if it was your favourite, but as I say, each to their own. White Rabbit is to me is the total opposite.

The best way I can think of to describe the sound would be as being like a cooler, more rocking 60s version of 'Metal Postcard' style Siouxsie and the Banshees. The words are a druggie take on Alice in Wonderland, and it finishes with the singer (Grace Slick?) basically shouting 'Feed my head' over and over. Although I wouldn't condone the sentiment (Just say No, kids!), it's all very impressive. It couldn't be less bland, radio and MTV friendly.

If you like the Banshees, Bauhaus, indie in general or on the otherhand the darker Beatles stuff or the Velvet Underground you might enjoy this.

The 2nd in a series of 3 linked postings, the others being White Rabbit, and
the Boogie Pimps version of this song.

Many of the comments on 'White Rabbit' apply to this song, except the words are not quite as 'out there'. The voice is just as extreme though. Very much like Siouxsie Sioux, but with a rocking 60s backing. Really raw, basic drumming.

Wow. This is just...wow. I've just gotta say that I have an absolutely unnatural attraction to this group. Imagine if you will, a chorus of super-square middle-aged white folks, swinging it's way through the rockin' hits of the day, only performing them all with absolutely perfect diction & grammar. The mastermind behind this way one Mr. Ray Bloch, who, according to the back cover to every one of the LPs that I own, was the musical director for the Ed Sullivan Show. All I know is that anything the man touched was gold! Check out his versions of "Penny Lane" and "Light My Fire" on the "Hits of '67" LP, or his absolutely quizzical take on the ENTIRE soundtrack from "Hair".

so politely rocking, monster riff.

Terrific, hard rockin' version of the Velvet Underground song.

For someone like me, the strangest thing about getting really into Roxy Music is the overt rockiness of a lot of their material. Even on this track, which is one more of their slower, more mournful numbers, there are a lot of very heavy rocky moments. They work pretty well though, and I'm certainly not complaining.

The atmospheric opening is breathtaking, and Bryan Ferry's vocal as he sings 'I've opened up my heart' is incredibly beautiful. The words and music seem to meld together in a very pretty way, but then before long the track mutates into a stomping, carnival like passage that clearly influenced Nick Cave to a considerable extent. Throughout the song there's this interchange between delicate, melodic verses and the rowdy, discordant section. Like another favorite Roxy track, 'Just like you', this song finishes with a clever chord change.

I'm sure many people would find 'Bitter-Sweet' much too dramatic and serious - perhaps some days I would too - but it does have an incredible elegance and style that makes me keep on listening.

I own pretty much every Jorge Ben album, and I can say that this song is easily in my all-time top 5 Ben tracks. Only that it isn't on any of them!! An updated (and much-improved) version of a song he wrote for Gilberto Gil in 1968 called "Queremos Guerra," this is two minutes and 53 seconds of pure, propulsive joy. Charging, upbeat rhythm, an infectious hook, Jorge at his rocking best.

pared-down gritty rock'n'roll, this song hammers away from start to finish in classic mot�rhead style. the lyrics are what really distinguish this track for me, however... lemmy rasps "i've got rock'n'roll / to save me from the cold / and if that's all there is / it ain't so bad", making this song a paean to his love of rock and roll above all else. no woman, no bed will tie him down... only rock'n'roll will comfort him in his old age. and at 58, he's still rockin' hard. even though he's a dirty old man and i'm slightly afraid of him... well, it still fills me with hope.

The 'Best Of' album, 'Death to the Pixies' is full of classics, but if I had to choose one it would be Track 14 'Where is my Mind?'. Its haunting and uplifting at the same time, its got that epic feel to it which makes it seem like more than just a song, plus it kicks arse simply as a rock song! Not sure if I understand entirely what its about, but heh, music is also just about an emotional experience.

This song is a great sing-a-long song while still really rocking!! Kim Deal's contrasting vocals really pop! I love this song!

This one track alone contains all the swagger and danger that made The Mondays musics public enemy number one ,a bunch of bad boy Mancs led by two brothers years before that other bunch of bad boy Mancs led by two brothers ,rockin and funky and joyous .

This song helped turn me on to Alt-Rock. There was a homemade-looking video that MTV aired a few times. It was kinda grainy and unfocused, which suited this song well as it sounds like it's coming from far away. Still rocking, though. There are moments of shimmery clean guitar that compliment the grunge perfectly. The intro is also shimmery & cool. It takes it's time washing over you before the drums come in. A classic. This whole album is a classic. Only one misfire on it, Bandwagonesque was Spin Magazines record of the year for 1991, eclipsing Nevermind and a host of others in that magical year.

Compelling, rockin' tune in which Trudell takes on the U.S. government over invading Iraq.

An incredible emaotional hard rocking song that is totally relatable.

I love Ren and Stimpy. This is an killer version of the song from my favorite episode. (Stimpy's Invention) My sister and I danced along when that episode aired.
Can you smell the nostalgia?

Though, the whole album (Saturday Morning Cartoons' Greatest Hits) rocks.

Loud drums and simple recurring guitar riffs are the setting for a melancholy, but rocking look back on a special time. Billy Corgan manages to sound like Mick Jagger. There's a kind of regretful feeling Smashing Pumpkins evoke that I felt in the movie "The Last Picture Show".

This song is like buttered corn bread. So smooth, mildy, sweet,and homey, you'll want a porch, a rocking chair, a piece of wheat to chew on and a sunset in the south to listen to it.

A masterpiece of jazz meets garage rock meets middle eastern music by a musician who constructs his own instruments out of junk. The whole album is fantastic.

Deftones are a band that needs no introduction. They have been rockin the world for 7 years now, straight out of Cali. They have played with just about every band out there and have even been in a movie, The Crow 2. They are also known for covering the song Wicked by Ice Cube with another California band called Korn. Head Up rocks you from the moment it satrts till the time it finishes, if you want heavy this is it. Its not too crazy but at no point does it ever give off the immpression that it won't kick your ass. The song also has Max Cavalera (former lead singer of Sepultura and new lead singer and founder of Soulfly)singing backup vocals. If you play a sport and need a little bbost to get you in the mood to kick some ass, put this to your ears and let loose.

Its 4 tracks into the CD, and after one of the fluffy pop numbers, so it quite takes you by surprise when a guitar kicks in of such rawness that it feels like small blisters are erupting over your eardrums.
In come the bass and drums, and the girly vocals (Janet presumably) with a nice sarcastic tone. The sarcasm seems to be a feature of the band.
Threres also a triffic 1980 style disco remix on the extra CD, for extra amusement. To be honest I love the whole LP, it has nice fat drums, lovely rolling bass, and they aren't afraid to use the technology, it was hard to pick one song out, but this one had the edge for Janets voice and that ruff guitar. God I love Fuzz.

Oddly the person who played the CD to me first dismissed them as just another Oz-Rock band. Nah, way off the mark.

The brief respite from all of the wild experimentation on the rest of the album, this track is Wilco gettting back to their country roots, while still exploring country's boundaries. Fun and joyful, filled with some rocking electric guitar not found on the rest of the album, this song is an much needed uptempo break on an album full of beautiful introspective ballads and acoustic sing-alongs.

Just heard this fantastic song from their new album Special One. Robin Zander is still rocking!

Enormous, gorgeous, hard-rocking (what a silly phrase) song about hedonism/surrender/desperation/"goin' for a ride." Like "Born To Run," "Baba O'Riley," and "Let's Go Crazy" thrown in a blender and soundtracking a black-and-white indie film.

One of the most modern, epic, rocking track ever in history.

The Hives best song of their career thus far. A brilliant ballad in the middle of their most hard rocking album yet. Howlin' Pele Almqvists voice drawls menacingly over guitar and strings that play as though the earth is collapsing. An incredible and beautiful song from an otherwise hard rocking band.

An uncharacteristically rock 'n' roll oriented song for the PSB, this is undoubtedly one of their biggest-sounding anthems -- shame they squandered it on a b-side! Johnny Marr of The Smiths fame plays guitar. Available on the "Flamboyant" two-track single (the one with Neil Tennant's blurred face on it).

Big Town Boy is the title track of this new in 2004 version, a rocking update that pays respect to the original. Website: www.dannym.com

Southern Rock ala Lynyrd Skynyrd, Allman Bros. This new band reminds me of late 70s Southern Rock.

This is a song about a tragic break-up. Keane seem to be masters at the tear-jerker that rocks. It starts with piano, bass, & drums, and guitar comes in for the climax. But my favorite thing about it is the singing. Keane's singer at times has an improbaby high voice, yet you know it's a guy. They're like Queen in the vocals, but they sort of out-Queen Queen with the highness. That's part of their appeal for me. Anyway the song goes from annoyance to anger to grief in a rocking climax.

guitar oriented song The lyric is about following your dream. Some great slide work

Hypnotic, rocking Neo Pop.

This is a song on their new album Shower the People You Love with Gold. I think you can at least listen to it for free on www.westerncivrock.com.

Anyway, it it is really rocking with a lot of crescendos and decrescendos.

It is an electronic piece from an underground duo from Norway.
The reason i like it is because it has a different and fresh sound.

Its actually quite awesome and if you like their music is actually up for free download!