Like "Lost", written by Spencer Cobrin. Haunting melody, just discovered it. This guy Cobrin has some secret and awesome talent, come on up man and lets see what else you can do.

hot, swinging jazz at its best. Diana Krall with an incredible talented ensemble, John Clayton - Acoustic bass, Jeff Hamilton - Drums and Anthony Wilson on guitar. On this recording Krall shows her full potential, amazing technical skills on the piano combined with an exceptional vocal interpretation.
She also made a studio recording of this song which is good, but nothing compared to this version. However, if you are interested in buying this song I strongly recommend buying the DVD, then you get 2hrs+ of top quality entertainment.

I Love chrissie Hynde. She is what a female rock star should be strong,talented and earnest.

Bob Marley's most talented son. Reggae with an edge.

"...been there, done that my main squeeze
is natural, simply natural..."

This is one of my favourite tracks on El Kilo, Orishas superb third offering. I love the horns!

This song shows how talented every member of Dream Theater is. It's a pretty heavy song musically, and it is put together so well. Anyone who appreciates talented musicians will like this song.

Acoustic recording from bobby ray, a highly talented muscian. accomplished on both piano and guitar. this song uses his guitar and singing skills. However he is equally adept at rapping and producing

The song has more of a folk, indie sound. I like it a lot because of the instruments used in the song, as well as the talent that the members of the band possess.

really good brazillian singer, even though nobody really enjoys her in brazil, still an amazing talent. Her band is pretty cool too. Sounds like a mix between Os mutantes with a some samba in it.

For those of you out there who are still perplexed by the cult of Judy, may I suggest hardily this amazing DVD? Culled from her now legendary CBS TV series in the early 1960�s, this collection features a selection of solo performances, and �Come Rain or Come Shine� sums up things here perfectly. It is a frenzied, riveting, almost frightening reading of the song. Nick Cave or Polly Harvey wish they were this intense � or perhaps (wisely) they don�t. Judy at this point is a woman ravaged by both her life - alcohol, pills, suicide attempts, catastrophic illness and innumerable career failures and comebacks - and to a certain extent her own astonishing, almost vampryric talent. To see this frail little creature � she was in her early 40�s, but looks about 60 � totter onto this empty stage and become possessed by a song - her voice soaring, her talent surging through her like high voltage electricity - is almost too much to watch. But one has to watch her � even if only to see whether see she spontaneously combusts during the performance. (And those old time Judy-queens still amongst us � God bless them � swear this footage only hints at what it was like to see her live.) Must be seen/heard to be believed.

this frech jazz/soul artist is a recent discovery of mine. and it's too bad it took me so long to find him! just as talented as the well-known jaques dutronc. most of his early stuff is great, and gets a bit more "souly" as time goes on. if you like 60's french music, check this out.

From the mysterious Miss Lewis - she had other releases - a Northern Soul stormer . This record has been bootlegged and also issued on cd.
Its a typical Sixties kitchen sink Los Angeles full on dance production featuring the vocal slightly unusual vocal talents of Louise. Does anyone know anything about her?

Listening again to a compilation I made almost four years ago, I heard this magical track, which really had a big effect on me. It's probably not for everyone. Meandering and rather wistful, it's not at all funky like some of their later work, but I find it utterly compelling.

As you might have heard, Novi Singers were an incredibly talented quartet of vocal singers recording in Poland in the late 60s and 70s. They did several amazing records. This is taken from what I think was their first, Bossa Nova. But rather than renderings of songs like 'One note samba' and 'Desafinado', the album consists of a delightful and varied collection of originals in a related mood. The result is like bossa nova from a parallel, slightly more melancholic universe.

The accompaniment is a slow, gentle bossa played by a small jazz group, with some rich strings dropping in and out, and the vocals (all wordless/scat) take centre stage. The chord sequence is staggeringly beautiful, and at times the vocalists take slightly extravagant scat solos.

It sounds strange to say it, but this is really one of those tracks that seems to tell an enormous, emotional story, in spite of the fact that it doesn't contain one word! It would make a fantastic soundtrack to a silent movie.

This song is unlike any other I've recommended, but it's hard to hear this and not sense the pure genius which infused Lee's best work. The song is a dramatic narrative about an American woman who runs off to marry an Indian and join their tribe. Instead of singing, Lee simply speaks the words, while every now and again a manic chorus chimes in with 'Thuuu Nights' while a string section scratches away. If I had as cool a voice as Lee (er, and some talent at recording), I guess I could take the songwriting approach that he has here - the music is quite simple, but the narrative as spoken by Lee is gripping, and the entire production is impeccably executed. Check out 'Jos�' for another successful song with this formula.

One of the far too few originals on this great underrated LP.The duo has a familiar west coast pop-jazz sound,much like their labelmates Bud Shank & Joe Pass.Except where as those two have way too much generally lackluster output,this duo has tons of talent packed into one exciting session! Ken plays an icy alto & soprano not unlike Paul Desmond and Beverly sings with all the grace and soul of ladies like Lena Horne and Dinah Shore. In this track, one of the most energetic on the LP,the group swings in a brisk 5/4,with Ken blowing a soulful line and alternating into creshendos with Beverly paralelling in a sassy vocalese. Wonderfully breezy,and just the kind of peppy bossa-like lounge tune you'll listen to over & over & over...They also do great versions of"A Man & A Woman"(with Ken adding some tasteful vocals himself)and "Eleanor Rigby"! A tough record to find, and no compiled tracks are anywhere to be found.... sad.

Despite '2002 - A Hit Song's insistent chorus of "it's gonna be a hit, hit, hit!", by the end you're not convinced, "it's not gonna be a hit is it Free Designers?" "No� I'm afraid not Rum. To be honest it hasn't a hope in hell. Oh yeah we're bitter, of course we are, but, you know, when you're in the idiom of soft rock you can't get away with angst, you've got to maintain this 'pleasing' fa�ade, so that's why we sound so jolly, so 'up' on this song. But yeah, it's hard..." Yes, they may, as they sing, have "sealed it with a kiss" but the cracks show. And it's that that makes this song particularly memorable. It's fascinating to see the rips in their Peter Pan wonderland, a place where they usually spend their time flying kites, blowing bubbles, befriending dolphins. And so this palpable excitement you hear in their heady harmonies is not fuelled by a surefire optimism of success but by an almost delirious desperation, "hit, hit, hit, sure to be a hit, hit, hit, gonna make a hit, hit, hit" they sing, panting, shaking nervously, craving that big fix. The track is a flip-side to the Byrds' 'So You Wanna Be A Rock'N'Roll Star'. Both are bitter recipes for pop success but whereas the Byrds are pissed off that any talentless buffoon can follow their recipe to success get a hit, the Free Design are pissed that "We did all this last time, and it did not work!". I guess you have to suffer for your art, and maybe the Free Design were having too happy a time. Or maybe their hair didn't swing right or their pants weren't tight.

Here's Mancini at his moodiest, really digging deep for an eastern-meets-baroque vibe. With banks of silky brass, dreamy flute, harpsichord and marimba! Such a master of color and image, right down to the gong strike at the end, fabulous! Part of an often overlooked LP that details sides he recorded during some of his famous soundtrack sessions, utilizing the talents of his many players at the time. A must for the Man-fan!

I know the buzz is burned on his return but I still need to give this song props. The first time I heard this album was indesribable. It sort of places you in a zone where so many sounds you love coexist in poingant harmony. This one, the title track, is a mix of torchy iceman elegance, and rootsy baroque impressionisim. And the mix of talents is undeniable. Charles Stepney and his incredible group of session men, and one, singular, unique songwriting talent. Done at a time when they could do no wrong...

It goes in and out of print, so snap it up if you can.

Ever felt there was a hole in your life that only a religious ventriloquist's dummy could fill? Then look no further. One of pop's bona-fide eccentrics, Marcy Tigner, voices Little Marcy in a thoroughly winsome way. The song, nay the whole album, encourages all young children to renounce the devil. However, if the devil were to see the scarily-bad drawing of Little Marcy on the cover, he would correctly deduce that no child is likely to listen to the ravings of a freaky end-of-the-pier doll voiced by an even stranger adult woman.

"Marcy wants you all to know how happy she is singing songs about Jesus" relate the sleevenotes. And, gee Marcy, we sure are glad to hear them!

Please don't think I recommended this song simply to mock it. I genuinely think it's a priceless piece of recorded gold and am more than pleased this site, and the world, is big enough to accommodate special talents like that of Marcy Tigner.

Out of Waco, Texas.

Incredibly breezy, silky smooth and gentle sounding tune this one. With a laid back samba rhythm, male/female wordless vocals some soft strings in the backround and some electric and acoustic guitars thrown in, this track is a great example for Martin B�ttchers superior talents as arranger and orchestrator. The whole compilation "Sound Kaleidoscope" is very well done, featuring 25 tracks from the mid 60s to the mid 70s. Highly recommended.

9 min., 40 sec.- Improvised!!! Herbie came up with basic riff, followed by brilliant improvisation by Bennie Maupin on Saxes and Bill Summers Percussion, Bassist Paul Jackson and Drummer Mike Clark. They only recorded one take! This song is at first very difficult to pick apart, but once you focus on any one instrument you will have a new perscective on the talent of these virtuoso players. Pure genious.

An over-the top introduction to Kansas. This was the song that hooked most Kansas fans.

It showcases the band members individual talents:
Dave Hope's excellent bass
Robbie Steinhart's violin and vocals
Rich William's guitar work, often harmonizing nicely with Robbie's violin
Steve Walsh on keyboards and vocals
Kerry Livgren's Lead guitar, and hopeful, powerful lyrics.

PiL's first single (from 1979, just after the Sex Pistols broke up) has this big drum sound, new for it's time as far as I know. It still kills today. Same for the bass. And ecstatic lead guitar makes this one of those punk rock anthems. One amazing trio of instrumentalists back up a sneering Lydon, who sure hadn't used up all his ideas & talent in the Sex Pistols.

While i can't say i'm an admirer of Jackson, his first two Epic records "Off The Wall" and "Thriller" are a reminder he wasn't always that pathetical popular figure he is today but a talented performer and songwriter with an array of gifted people to back him up as arrangers, songwriters and musicians. The most imported credit goes to the legendary Quincy Jones, who really gave these records an incredibly rich sounding, impeccable prduction. All instruments, funky guitars and bass, swirling disco-esque strings, horns and brass, vocal harmonies and syths, are in the right place here. The production is detailed, lush and transparent sounding, easily beating most of todays pop productions, even more so on the remastered versions of these records.

A typically folky,eclectic mix of styles that sounds as great today as it did 25 years ago! I'm on a personal crusade to expose more people to the Roches wonderful music. They're three of the most talented people that most people have never heard of.

A breezy acoustic Bacharach influenced song played faithfully by a talented group of scousers in the early eighties ,sounding like it was recorded in 1967 ,aided by trumpets and strings as the song progresses before ending far too soon on an exquisite jazz chord.
This band should have been huge but faded from view before returning as SHACK (more later)

Ben Watt and Tracey Thorn in the early eighties were recording the same Bossa oriented songs that made "Sade" famous, but with more talent. Eden was their first album, both had recorded songs before for Cherry Red (a UK label) but to be on a major label Gave them the opportunity to really arranged their songs. Each and everyone opens the album with magnificence.
As soon as the second album the magic was lost, EBTG was just another name on the Warner catalogue.

Pat Fish of Northhampton, England, is not a rock star for reasons which might include his naturally reticent and embarassed nature, excessive amounts of Oxford education, and the vagueries of the marketplace, but would not include his songwriting talent, which is massive, if perhaps a wee bit limited in scope (no weird chords, all songs about heartbreak, drunkenness, or cannibalistic fantasies about the Prime Minister). "Big Saturday" is a rousing near-rock number in Pat's heartbreak mode. His singing is liquid, soulful (but not shouty), tender, and helpless in the face of love...a love that MUST remain unrequited for the good of other friendships and sundry considerations of duty and fidelity. At least, I think that is what is going on in this simple, yet devastating tune. For more info, see http://www.jazzbutcher.com/htdb/albums/sex.html

Martin Briley is the same guy who did that catchy 80's song "The Salt in My Tears," which is the only one of his songs that got much airplay. It's a shame because Briley is such a talented artist.

"Put Your Hands On The Screen" begins with a solo bass drum beat that immediately gets your attention, followed by Briley's moody guitar riffs (the style reminds me of The Eagles "Those Shoes"). As a whole, the song is melodic with a slow, strong beat. It's also timeless. You can't tell whether it was a song from the 80's or a song from 2004.

It's all about TV evangelists and I love the lyrics:

...The choir is singing
And everybody's feeling good
The phones are ringing
From Bethlehem to Hollywood
So move in closer
Let your faces feel the glow
There's a holy presence
Right here in the studio...

The album is now considered rare, but you can google and find a copy.

The amount of 80s talent was really incredible on Electronic's debut single: Bernard Sumner (New Order) doing vocals and synths, Johnny Marr (Ex-The Smiths) on guitar (pulling off a wonderful solo in the middle of the song), Neil Tennant (Pet Shop Boys) providing background vocals and Anne Dudley (Art Of Noise, arranger on ABC's legendary "Lexicon Of Love") orchestrated a wonderfully lush string arrangement. The outcome is a fluffy, elegant, slightly melancholic and almost timeless piece of british pop music (except for that dated, rather bland sounding electric piano).

Ha! Good luck finding this one. Hot little hopes is a storm in a teacup about going out on a night with high expectations by a band who never got the sucess they deserved. The music is sublime; a string and brass waltz that builds to a delirious gallop, but it's the lyrics and their delivery that make it special, and confirm BHJ as a lost treasure. Johnny Brown is a songwriter whose lyrics are great writing in their own right; much of his work reads like documentary, the man has a spectacular talent for transcribing the ordinary while maintaining strict disciplines of structure and story to catch your heart in your throat. Here as elsewhere the story almost doesn't deserve to be told- it's ordinary people with ordinary hopes and fears, but the music and the telling turn it into a modern fairytale.

To me, Depeche Mode was primarily a great singles band, with the exception of "Some great reward" (1984) and "Violator" (1990), which were consistently great albums. "Enjoy The Silence" shows Depeche Mode at the top of their game: Gore's songwriting talent, Gahan's vocal performance and Wilder's impeccable arrangement. The newly remixed "Enjoy The Silence 04" clearly shows why the original just can't be improved in any way.

Ex-Chameleons leader Mark Burgess released this CD in '94, which was supposed to be demos, but his "demos" are superior to most acts' finished products. This particular song is very gloomy, in two parts, and the second half has ghostly backing vocals (very likely synthesized) which recall those in Terry Stafford's '64 hit "Suspicion". There is a cello snaking around throughout, not to mention a banjo (!), and the acoustic guitar backing sounds muted. The lyrics seem to be critical of religion ("Yes I'm a fool, A fool not a rat, I have no fear of the cat"), which makes it the kind of song one would wish to have played at one's funeral. Mark Burgess has more talent in his little finger than most phoney chart acts have in their entire persons!

And by the way, the Chameleons' "Strange Times" LP is awesome!

The Pharcyde poured a lot more into their second album "LabCabinCalifornia", a much more grown-up album, than their first. They are very talented lyricists: "Everytime I step to the microphone I put my soul on two-inch reels that I don't even own"... "You know I'll keep on rappin to tha break of dawn eventhough it is my soul that I do not even own."

I intensely adore this song. It's delicately executed, yet the lyrics are so bold that it's somewhat jarring.

Also, I think Jill Sobule is tragically underrated. She's astonishingly talented, intelligent and humorous. I say, listen to her work, you won't regret it.

Raw Stylus effortlessly combined british acid jazz elements with sophisticated, elegant Steely Dan-esque american jazz/soul/funk. In fact, like on this track, the music sounds very much like a Steely Dan backing track with warm Fender Rhodes keyboards, precise horn section, funky rhythm section and jazzy guitars. Which really isn't much of a wonder when looking at the credits of the album. Let's see: The album is impeccably produced by the Dan's producer Gary Katz, features an incredible amount of fine session musicians including Steely Dan regulars (like Bernard Purdie, Randy Brecker or Hugh McCracken), has even Donald Fagen providing synths on "37 Hours (In The U.S.A.) and they even embedded some chords of "Josie" in the song. Unfortunately, despite the talent, Raw Stylus remained a one album band to this very day, kinda sad actually...

'Back to the Almost Arms again.' One minute, 29 seconds of pure heaven. Clapping hands, sugary-sweet bass, warm acoustic guitar, and perfectly stylized harmony demonstrate the greatness of this band. The Minders' ability to streamline their brit-pop sound into short cuts such as this says volumes of their talent. They have grasped the art of the rock strip-tease as we sit and drool and demand more of their form. A thousand and a half listens later 'I am hungry but still smiling' rings truer than ever, this is but the appetizer for their more developed works; taste this and you too will be The Minders' biggest fan!

Emm Gryner is a Canadian woman now resident in Los Angeles.

Her songs tend to be melancholy and confessional and can become a bit much after a while. Nevertheless, I think she is a great talent who will continue to mature.

'Atlas' is more upbeat than most of her work...if you get a chance to see her perform do so, she's very dynamic.

Here is her website: http://www.deaddaisy.com/ - you can order CDs directly from her.

this song, made by the zappa-esque belgian band, the evil superstars, is more zappa-esque then zappa would ever get.

it feels like a huge record store collapsing and, in the process, blending all kinds of style elements in a composition of pure pop-mayhem. the song sums up a dozen of genres at supersonic rate (such as death metal, rock, crooning and even jazz) but never falls apart.
the music is perfect, played by talented musicians who try to sound like it's their first time handling a guitar or drum kit.
but, the one thing that makes this whole thing sound like it does are the vocals and absurd (or cheezy?) lyrics by the lead singer mauro pawlowski, for example:
"HE IS SOMEKIND OF A BAD GUY BUT WHEN HE READS THE PAPERS NOWADAYS HE HAS TO HOLD BACK THE KEROSINE IN HIS EYES SOMEWHERE IN A FORTRESS HE HIDES HIS MISTRESS I'M TALKING 'BOUT A PLANKTON EATING ROBOTCOW IN A CARDBOARD DRESS"----need i say more?
if you want to hear free jazz going pop, then check out this one!
nice introduction link: http://www.deadbeattown.com/bands/superstars.htm

Lewis Taylor is a major musical talent, and his first album stands as a landmark among modern soul / R&B productions. Imagine Prince on a roll, with the Beach Boys on backing vocals and Jeff Beck adding psychedelic guitar. He does it all. Sweet falsetto vocals, funny lyrics and a worldwide groove. You'll want more.

This is like a favourite film. A spoken word track, with backing by a scratchy American Red Cross WWII record, it's an epic tale of time travel and family hatred.

Miranda is multi-talented, being a recording artist, film maker, performance artist and writer. Unfortunately she seems to have given up making records: a real loss.

Breathe Out is one of those songs that no matter how many times you listen to it it still rocks. If you a metal head then you will appreciate the quality of music Nothingface throws at you. They are very heavy but melodic. The lead singer has a unique talent in which he can reach high notes as well as growl so deep he will make you shit yourself. Every time I hear this song all I can do is bang my head and scream along to the insanity that flows within my head.

This is a truly unique song, from a beyond unique band. Mr. Bungle has a rabid, almost cult-like following, and songs like this are the reason why.
This band has always drawn on many different, widely varying influences, including ska, grindcore, jazz, and funky beats, to name just a few.
This track displays a whole new direction for the band, with dreamy, ethereal bass and piano interplay, retro-vocal harmonies, and an almost rapturous climactic sequence, followed by a melancholy fade-out.
This is a work composed by Bassist Trevor Dunn, (a true talent) and I feel it is more than worthy of a place on this list.
The album is a classic, I highly recommend it for people with just about any kind of musical taste.
I am providing a review/ option to purchase:
HERE

Fame and fortune seems to elude Michael Head but perhaps we should be grateful for it since it leaves him making superb music still in a career that spans over 20 years. On "reinstated" from 99s splendid "Hms Fable" you get the best sides of his songwriting talents. Both the bacharach/lai pop of Pale Fountains pacific Street era coupled with his later merseybeat/love styling´s of shack.

A beautiful, progressive pop song from the best album I've ever heard. This is something completely different. A lush arrangement with flutes and ravishing J. Marr -like guitars. The melody and chords in the chorus give me goosebumps. The talent and musicianship are simply stunning. This is almost as good a pick as any song from this, Liekki's first album. They come from Finland.

Cubismo Grafico -- aka Gakuji Matsuda -- has quickly become my favorite J-Pop act, and this here is one of my favorite tracks. My impression of J-Pop has been that it is either too overtly dancy or sickeningly cute for my tastes. (To be fair, my bias is based on a relatively small cross-section of music.) Anyway, this track is neither. This is an extremely well-constructed selection that strikes me as both very modern and very "easy" in a way that sounds good to my ears. On this track, Gakuki Matsuda is credited with guitar, steel pan, rhodes piano, mc-303, turntable, and voice. So, yeah, he seems like a talented guy. The music is structured around a child's narration of an amusement park attraction (found on the fascinating "Sounds For Little Ones" compilation of a few years back). The sample lends a fun, playful atmosphere. Delicado thinks he has spotted two of the musical samples used here (or at least the compositions used), and I'm pretty sure he is right. They're both very well known, and, much to the credit of this song, I'm amazed I didn't spot them myself. I'll give you a hint: one of them is one of Burt Bacharach's biggest hits.

OK, so the buzz around this song and band is a bit old and stale...I still can't get enough of them.

Neko Case puts her punk chops to work on this composition by Dan Bejar (also of Destroyer).

Great music, production, vocals and lyrics (check out Kurt Dahle behind the drum kit...the man has huge talent!) combine to create one of the great alt rock anthems of the last decade.

Rumour has it that the Pornographers will be back in the studio this fall!

The rest of the CD is run-of-the-mill industrial, but this hidden track is some of the best electronica I've heard in a while. Whoever is the mixer for this band has talent.

"Easy fantastic, lonely together.." - I have listened to this song at least 100 times since receiving it on Audiogalaxy. Simple yet beautiful. I never knew Mos Def had such a pleasant and sexy voice! I am in heaven when he sings "I just go walking in the rain ... when I feel you passing by..." The back drop is provided by the talented contemporary 8 string jazz guitarist Charlie Hunter (once a member of Disposable Heroes of Hiphoprosy).

An elegantly surreal trip through a dream world. Although this song has only eight lines (repeated twice), it manages to say an amazing amount within that short frame. Thom Yorke's wavering vocals and the slow and simple piano instrumentation strip the song down to its fundamental elements, allowing Radiohead's talent to shine through. From "I jumped in the river, what did I see" to "There was nothing to fear and nothing to doubt," this is an amazing song. Every time I listen to it, it gives me a deeper sense of peace.

Funky Rock. Nice Title! Sweet Lyrics. And i love the Beach Boys break. Move over George Martin!
Is this the best concept album since "Dark Side Of The Moon / Wish You Were Here". Or Maybe even "�Sgt. Pepper's Lonely Hearts Club Band/�Magical Mystery Tour"? Very Trippy Rock! Nice electronics. How do you sound like Neal Young, Bread, America, Pink Floyd, Moody Blues, David Bowie, Beach Boys and the Beatles all at once? You can hear the full album through the thier site: www.flaminglips.com
Super Generous & Super Talented. One of the most beautifully produced albums ever!
POP HEAVEN! "Light Side of the Moon" for the new millennia.

This song is amazing! The guitar is haunting, Marc Wild is the Sh#t! I especially love the lyrics. "futhermore falling and never quite landing, your seeing with eyes closed, your dreams". What have you done is a master piece. Chad Horton ( the lead signer)AMAZING! Beautifully talented band, DON'T MISS OUT, CHECK THEM OUT!

This guy has amazing talent. The lyrics to his songs are fantastic. Levi is going places. www.levismith.net

This song was first released on their limited edition debut single "Breaking America" which is where I first heard it. Incidentally, I think it's the best song on this 3-track single as opposed to the title track. The lyrics and concept are uber-funky, and the guitar riffs are really really cool. This is a song that points to a band with lots of spunkiness and talent. ^_^

The centre piece of Paul McCartney's 2005 album Chaos and Creation. This song is the equivalent to Dylan's Tangled Up in Blue on Blood on the Tracks. An extraordinarily personal song for McCartney and without an obvious chorus. The album is a masterpiece - all instruments played by the man - sympathetically produced by Nigel Goodrich but in the end it is the songs - fantastic. I can tell you that Lennon would approve - best ever solo album by a Beatle ... maybe but up there with Plastic Ono Band and all Things Must Pass and Ram.

You can't keep talent down is the message.

One of the most influential and awesome dance tracks of '04..and still bears playing today. Rumored to have been written during a flight from Amsterdam to the US, the title certainly supports the idea.
Rolling bassline, tight and hard kick and an amazing array of drumwork compliment a very simple and yet gracefully full-on melody (Tiesto's signature in my opinion). As with most of Tiesto's production work, an excellent track and well put together, displaying an awesome talent for a wonderful genre...Trance.

This is the best My Chemical Romance song. It starts with a piano intro, unheard of for this band, and then brings in strong musical talents and intresting lyrics.

The multi-talented Dutch artists Kraak & Smaak shine in their unprecedented, soul-shaking compilation, �The Remix Sessions� due out May 29th. Named by IDJ as "one of the most incendiary live outfits," Kraak & Smaak take that crackling energy and infuse classic jams with their signature style. Music lovers everywhere will rejoice as hard-to-find tracks, many of which were only released on vinyl, join each other in this boogie-licious showcase.

From banging dance floor "Mimezine � Can't get Enough (Kraak & Smaak Remix)," to funky, midtempo "Jamiroquai � Electric Mistress (Kraak & Smaak Remix)" to eerie, internationally-infused "Skeewiff � Man of Constant Sorrow (Kraak & Smaak Remix)," Kraak & Smaak reveals their astounding vision for the possibilities of electronica. This beat-driven assembly is an invaluable resource for re-tracing the various pathways of this modern musical expression.

The multi-talented Dutch artists Kraak & Smaak shine in their unprecedented, soul-shaking compilation, �The Remix Sessions� due out May 29th. Named by IDJ as "one of the most incendiary live outfits," Kraak & Smaak take that crackling energy and infuse classic jams with their signature style. Music lovers everywhere will rejoice as hard-to-find tracks, many of which were only released on vinyl, join each other in this boogie-licious showcase.

From banging dance floor "Mimezine � Can't get Enough (Kraak & Smaak Remix)," to funky, midtempo "Jamiroquai � Electric Mistress (Kraak & Smaak Remix)" to eerie, internationally-infused "Skeewiff � Man of Constant Sorrow (Kraak & Smaak Remix)," Kraak & Smaak reveals their astounding vision for the possibilities of electronica. This beat-driven assembly is an invaluable resource for re-tracing the various pathways of this modern musical expression.

this band broke up (I believe) but their singer/songstress Aimee Proal is busy writing tracks for those LESS TALENTED than her! (*it makes me sad because she has a beautiful voice) Anyway, she also did a song called "Save You" which was ruined by Kelly Clarkson the O.G. song is here (http://www.youtube.com/watch?v=nL75QGxPN-I&feature=related)

An epic cockney travelogue that contains all the essential elements of classic Madness,from their new album just 30 years after their debut,this ten minute epic takes you through the London of their past and present and changes tempo at least every two minutes without ever losing your attention .
This is being acknowledged as a bona fide classic by a group who have been together pretty much since 1978 ,that is a victory for persistance and talent .

The Mountain Goats are an indie alt country band that are a bit of an acquired taste but they are so talented. this song is totally catchy and the lyrics are superb. the lyrics truly paint a vivd picture for the listener and you feel like you are trapped within the sing.