It seems kind of creepy at first, because the guy is talking about jessica simpson, but it is sweet and funny and it kind of captures how individuals relate to celebrities.

A smart, funny rant -- half talking, half singing. Political as any of her music, but less angry and more mocking. Very cool. Even if you don't like Ani, this one deserves a listen.



"...all the radios agree with all the tvs, and the magazines agree with all the radios and I keep hearing that same damn song everywhere I go! Maybe I should put a bucket over my head and a marshmallow in each ear, and stumble around for another dumb, numb week for another humdrum hit song to appear."

Honestly, I really like this one. I've done a lot of thinking as to the Max Martin style (ex-poodle rocker Max is Britney's songwriter and is basically responsible for the pop zeitgeist - he also does 5ive, NSYNC, Backstreet, even Bon Jovi these days), and believe you me, there is a pretty cynical formula here - verse, bridge, chorus, completely different verse, identical bridge and chorus, breakdown, then chorus to finish. Often this is pretty bad - NSYNC's its gonna be me is the nadir - but in this one it works really well - the verses are slinky, the chorus a classic pop one and basically the whole idea of oops! is pretty funny. I can't pretend I listen to it that often but I enjoy it when I do.

Funny double entendres from mysterious doomed gay star of the 1930's. It can be heard online at queermusicheritage or thedoctordementoshow.com. Quick wit and chatty singing style that is like Dwight Fiske or Spivy, but far more musical and accessible. Nightclub classic, a jewel of an era and style no longer heard.

Great great cover of the Tom Tom Club song, and the highlight from Chicks On Speeds recent 99c album. Weighing in at almost 7 minutes, this is a great slab of electronica. Yes, ironic, yes, self referential, but here they totally excell their art school roots. Plinky plonky melody makes me think of the song 'Popcorn', and the nonsense chorus is like the poppier end of 60's girls with a dose of the Actionettes. Way too cool!

funny song, funny lyrics

I'm surprised to find I haven't recommended this song before. An enchanting piece of futuristic pop written by Ennio Morricone, this great tune was part of the score for the wonderfully stylish Mario Bava movie 'Danger: Diabolik'. Christy, who also sung on some Piero Piccioni scores, was (is?) a heartfelt 'belter', and here she sings the italian lyrics, which are peppered with English phrases, especially passionately. There is a cool echoey effect on her voice, giving the whole affair an other-worldly, underwater feel. Musically, it's a very catchy psych-pop track, with a twangy, rocky guitar. It's quite short, but extremely powerful.

"I should have known it from the very start
This girl would leave me with a broken heart
Now listen people, what I'm telling you
keep away from Runaround Sue


I miss her lips and the smile on her face
touch of her hands and this girls warm embrace
so if you don't wanna cry like I do
keep away from Runaround Sue"


Half sad, half funky. A very groovy Doo Wop - track with a funny melody that makes it hard to believe that the guy is really blue...

The idea of a funky jazz harp rendition of this classic Jim Webb song is probably cheesy to some people, but trust me, this one works brilliantly. The opening shimmers delightfully with fender rhodes piano, strings, and a huge breakbeat. Dorothy's harp then takes over, and we move into a nice pop/funk/jazz take on the song. The relentless beat is pretty funny when you compare this version to others (e.g. the Glen Campbell hit version, also Nick Cave's classic stripped down version from 'Kicking against the pricks'), but it is really very charming, happy stuff. A similar funk/pop hybrid occurs on her version of 'Windmills of your mind' - highly recommended.

Fans of Flight of the Conchords, who bill themselves as "New Zealand's 4th most popular guitar-based digi-bongo acapella-rap-funk-comedy folk duo", will know this track already as it is one of their most popular. Although lyrically clever and funny, I think their music writing is saved a lot by the production, to the point where the songs are very listenable and enjoyable (I wouldn't be recommending other wise, I guess). From their first widely available album (self-titled), this track is a highlight, as is 'Ladies of the World' (especially the shortvocal reprise - hard to believe it's them at times), and 'Business Time'. The second album has some great tracks also. The TV show's worth catching also.

"Mad World" was written and originally performed by the popular 80's band Tears for Fears. A more mellow, piano-based cover of the song was featured in the cult movie "Donnie Darko" (Jake Gylenhaal, Patrick Swayze) as performed by folk artist Gary Jules. His version of "Mad World" reached the coveted Christmas #1 spot in the UK in 2003, despite that it was 3 years old and performed by an unknown artist.
This song is quite possibly my favorite song of all time, at least in my Top Ten, because I feel that it describes life very accurately. The chorus of the song is:
"I find it kind of funny
I find it kind of sad
The dreams in which I'm dying
Are the best I've ever had."
To me, this song is saying "Hang in there...I know life sucks on this earth, but you will go to a far better place after your death."
Depressing? No. This song helps me to carry on.

A fantastic song from Plastic Beach album by Gorillaz. It's funny electro-hip hop performed with grandmaster De La Soul, irresistible.

This song and CD actually just plain suck, but it's one of those that sucks so bad, I actually like it. It's quite funny...

It starts with a funny intro taken from a movie (I think). It's ultra speed hc. Very good, clever lyrics (antiwar). THE BEST CONTEMPORARY FINNISH OLD SCHOOL HC.

A simple and groovy, mid-tempo easy pop tune with a nice wah-wah guitar riff and Jane B.'s trademark teen fox vocal. Everything apart from the words "Lolita go home" is sung in French. Jane B. didn't really know French and it sounds quite funny. Gainsbourg and Birkin must've had a hell of a relationship! Another classic in my dj set which again shows Gainsbourg's tremendous ability to write sunny bubblegum pop as well as arrange it deliciously.

The band does a wonderfully eccentric, glam, new wavish take on the song Barbra Streisand sang in "Funny Girl".

It has very funny/interesting lyrics. It flows very well and is fun to sing along to :)

One of the finest songs to come from o'rourke's bacharachisation. Lovely changes, brilliant lyrics and an epic ending which is as depressing as it is funny.

This track is so beatiful, and i find it popping up in a lot of degradingly funny places; its one of those tracks you hear in situations that are extremely sexy, though if you watched Nacho Libre, you might have noticed a more ironic use of the track.

A superb tale of wronged love and wounded pride performed with a mighty swagger, drenched in latin rhythms and horns, but with that bittersweet humour and English setting that have been hallmark's of Kirsty's whole career.

There are so many songs from Kirsty that I love in so many musical styles, but the "Tropical Brainstorm" album is really the best thing she ever did. She has absorbed the influences from her travels in Latin America, but the album is no pastiche, it is pure MacColl. Whilst occasionally missing its mark, it has so many fine, joyful and wryly funny moments, and, to me, all the signs of an artist entering a new, fiercely creative and joyful stage of her career.

Sadly we will never know where Kirsty's musical journey would have taken her.

The perfect theme to Roman Polanski's underrated comic horror film, The Fearless Vampire Killers. With stacked vocal harmonies, suggesting the background singers at some sort of Bulgarian black mass, floating on bat wings over a very jazzy rhythm section, this song is, at once, very creepy and very funny. I have long believed that Siouxsie and The Banshees came into existence entirely due this influence of this track. (Play it back to back with "Switch" or "Israel" or "Cascade" sometime, and you'll see what I mean.) Stereolab likewise. Broadcast or Goldfrapp could do a brilliant cover of it.

Funny lyrics. Great music for jammin' or just jumping around and dancing.

Lewis Taylor is a major musical talent, and his first album stands as a landmark among modern soul / R&B productions. Imagine Prince on a roll, with the Beach Boys on backing vocals and Jeff Beck adding psychedelic guitar. He does it all. Sweet falsetto vocals, funny lyrics and a worldwide groove. You'll want more.

anyone who loves emotional songwriting with inspired lyrics will be blown away by this song, one of the best i've ever heard.

Funny, fast, w/ weird stream of conciousness lyrics. Mary Prankster (a funky mix of punk, rock, and rockabilly) is in-your-face, vulgar, clever, and original. Also great live--check out MaryPrankster.com for tour dates.

"I'm really stoned, and I think mom put acid in my orange juice again"

It's funny. It's quite catchy. It's, um, loud and happy.

It's funny

It's just fun and a feel good goofy song.

benn into this band for a while, I'm not gonna lie mostly because the name is so damn funny. but I really love this song!

A highly enjoyable song on many levels. Firstly, the words are ridiculous. 'Don't you know I understand you're a man, and you've got to have your kinky love' is pretty funny, but that's nothing compared to 'baby take me inside, and let the honey slide'. Musically, it's really rather charming as well, opening with just Nancy's voice and a cool watery guitar sound, building beautifully with some great strings. Even though I find myself laughing at the lyrics, she sounds very vulnerable and serious; her voice seems to break at certain points. All in all, this is really every bit as enjoyable as her superb 60s material.

This, friends, is the swingingest and most bizarre version of this chestnut you will ever hear. Having recently left the Cantores De Ebano (Ebony Singers), sort of a 60s Brazilian version of Sounds Of Blackness, Noriel Vilela, possessor of an impossibly deep, rumbling basso profundo capable of blowing your speakers, embarked on a brief yet fondly-remembered solo career. This witty reworking of the Tennessee Ernie Ford original replaces the country-western-pop of the original with a rollicking samba-rock rhythm and Portuguese lyrics extolling how much fun samba is, sung by a voice from deep in the crypt that swings like crazy. It stops everybody who hears it dead in their tracks and is the guaranteed highlight of any party. What Messrs. Ford and Travis would have made of it is anybody's guess, but this version refuses to die, having recently become a hit in Brazil all over again, 30 years after its first release. I've heard many, many versions of "Sixteen Tons," but believe me, this one truly runs away with the prize!!

'The Events Leading up to the Collapse of Detective Dullight' is not a song but a narrative story, and it’s funny as hell. The off-kilter character voices of the already brilliant stream-of-consciousness plot are cartoonish enough for their own Saturday morning series. When the detectives start their investigation nothing makes sense. There’s Jell-O, serenading butterflies, file cabinets, murder, catacombs, and all the seasonings for a hilarious dream. I am usually brought to tears when Detective Slots reads from his revered exercise in free verse titled ‘The Cause of Gauze’. I will supply you with a sample:
"Oh, the cause of gauze. The Manuels have fondled many memories from my lap though each memory has its own lap and swimmers swim laps. Even swimmers have laps however and while in that condition many require a delicate gauze."
If you hear this without purchasing the actual album, 'Coquelicot Asleep in the Poppies: A Variety of Whimisical Verse,' then you are being cheated. The dreams of this band are as colorful as the illustrations they provide us in their album sleeves. The 'Where's Waldo' pictorial representations enrich the listening experience by engaging us in a journey deep into the frying-pan brains of these madmen. In fact, this is a perfect introduction into a very strange world of psychedelicado. Think the Beach Boy's 'Smile.' The reaction of my friends after hearing this have been harmoniously the same, 'they have to be on drugs.' The truth is Of Montreal are not on drugs, they are drugs.

Memory's a funny thing. Especially romantic memory.
The first time I heard this song was two days after the first time I fell in love. Everywhere I went, I sang its earnest chorus "And you are always on my mind" in my head, thinking about the one I was in love with. In the shower staring at a bottle of hair conditioner, I sang, "You are always on my mind". On the subway, trying to ignore a potential fistfight about to break out, I sang, "You are always on my mind". In the supermarket produce section, holding the perfect shape of a lemon in my hand, I sang, "You are always on my mind". I was giddy and happy and the song understood. "Hey!" the song said, "Hey!" Will Oldman sang, "I got a new partner now!"
But jacket weather set in and things grew colder and we broke up and I was miserable and I stored the CD away on a top shelf with other memorabilia of that love who's happy power was really freakin' painful for me to think about now.
Things weren't always so bleak and I got me a new love and some years later, when I listened to the song again, I noticed something about the lyrics I hadn't before. See, in reality, the song isn't joyous at all. Will Oldman is singing about a past love, a love who is always on his mind when all the time he is seeing another girl, a different girl from the one always on his mind. He can't be with that girl. He has a new partner now. What I thought was a song about new joy was a song about nostalgic loss.
I didn't see how it was possible that I had suppressed that true meaning for as long as I had, considering how often I sang the song and how much it meant to me at the time. I knew the lyrics like the back of my hand and when I listen to music I dredge up all I can get from the lyrics like I'm a devout scribe interpreting the bible.
One of the beauties of pop songs is that they take on the flavour of your life at the time you listened to them and carry that flavour on to whenever you listen to the song again, while meanwhile you're morphing and changing and discarding what songs you don't want to remember that you loved and making mixed Cd's for long cartrips of the songs you do you do want to remember. This song is weird in that IT seemed to be the one that was morphing the next time I heard it and not me, like it was a person that had changed over time that I was encountering again.
Besides which, what a fucking lovely song it is.

it�s spanish gypsy-rock, great guitars and funny lirics

I get the impression that even a lot of Pavement fans don't know this one very well, presumably because it's on a pretty duff album (wowee zowee). However, it's one of my absolute favourite pavement songs. Musically it is very quiet - it's essentially just an acoustic guitar, though the funny noises the band make are quite entertaining. However, I really love the structure: there's nothing that can be called a verse or a chorus there - he just rambles on until he is finished. It has the full extent of Pavement's lyrics - completely ridiculous, funny, and sometimes very moving. Plus, as ever, malkmus' weirdy voice is a joy to listen to. So, if you like the pavement style - slow, quirky, funny, and often amazingly beautiful musically, and you don't know this one, you should really look into it. There's a brilliant solo version of it you can get off Napster (legally - Pavement distribute this stuff) - search for "we dance acoustic" - means you don't have to cough up for the album too.

Beautiful piano-led song that can make you smile. I discovered this PSB's b-side after listening to Tom Chaplin's home-made cover.

Another score, this time by another Italian. When I looked him up, I found this site, http://www.geocities.com/pieroumiliani/ which gives a pretty funny little blurb on the guy.

i`m on a pixies high now. thank your favourite fictional deity that they`ve still got it:) it`s always a relief when reunions actually work..
this track from their debut ep is freaky and wonderful, like most pixies tracks. the lyrics are among their best (and most coherent!)
you-are-the-son of incestuous union!

lovely feelgood song from the borderline brilliant japanese new wave band plastics. a break from their often minimalistic intrumentation. oddball lyrics, nice guitar, harmonica and extremely enthusiastic singing.
i love the way the male vocalist seems to be holding his nose while singing in the beginning of the song.


waiting for the taxi
standing in the snow white
newspapers falling on the ground
it's cold and cold and cold

new york is frozen steak
teddy bear and kitty cat
fireplace and candles
all you need is weapon

this is peace
this is funny fairy tale

green green green peace
high high high heel
inside is outside
world is nonsense

dream of the tide wave
my peace is your peace
peace by the people
peace for the peace

this is peace
this is funny fairy tale

all i see is green green
grave yard of lily white
sleeping beauty laying there
with dots and symbols

marmalade evening
fur coats and venus
venus and mighty dragon said
all you need is weapon

this is peace
this is funny fairy tale

A very cheerful song, with some great piano. The lyrics are funny, if you're into that kind of thing. (I am.)

This one makes me laugh. A friend of mine put it on a mix for me, and the first couple of times through I was sure I had to be hearing it wrong. I looked it up on a lyric search, though, and sure enough they're all going to call rats fish once Friday rolls around. I find rats funny to begin with, but the fish thing pretty much cinches it.

I guess you could also view this as historical commentary, but I choose just to see it in a ligher way.

Poppy Rocky Indie. This song is kind of funny but also kind of sad. Power-pop instrumentation with lots of harmonies. Great lyrics and melody, very cool arrangement.

This song has a certain quality that really makes it stay with me. It's from 1970 - Til the band comes in. Clever use of the dialing tone to blend with the strings/orchestration. It's a slightly different blend from Scott's more revered work - slightly funky percussion and overtly croony vocals. Strings and a bit of trumpet. Wonderfully atmospheric stuff. Funny words

The best political song ever written, "We're Still Free" concerns the famous tragedy of a Korean passenger jet shot down by fighter planes when it strayed into Soviet airspace. Yet in recounting this act of barbarism on the part of the Soviets, it also implicates the righteousness of the American side of the Cold War ("We're still free here in America"). The song sets up a chilling contrast in the singing of the two performers, with Frith crying out almost desperately against believing what the media tell us, while Tom Cora gently croons the part of the Soviet air controllers as they decide to destroy the plane. Skeleton Crew was a two-man band with both performers playing drums with their feet along with electronics and strings. Here they set a contrast between the grand, arcing lines of the cello and a homey picking of the violin that's almost shockingly sweet and funny. Critical of anti-democratic trends in the West, Skeleton Crew was criticized by fans in Eastern Europe for taking freedom for granted.

Have you ever wanted to find that quintessential Hawaiian twangy song from the 30s that you dream you heard when you were 2 years old? This is the one! Frantic hawaiian vocals (which were supposedly made up on the spot) paired with twangy steel guitar make this song unforgettable.

A quick, fun/funny, simple little song that keeps your ears awake. Supergirl... a sweet and twisted lyrical journey about finding that perfect person.

A nice cover song as Towa Tei (SRATM) will do. I haven't heard the original but would like to. This one is in the two-step style which I am also unfamiliar with except through Towa Tei's interpretations. An excellent song. "Girly" as TT songs with vocals can be. Dancy as TT songs usually are. Commentary from some Jamaican/British type (!) and breaks down into a remix of itself toward the end - but in a very respectable fashion! -- I recently found out that this CD features copy protection, funny enough that kind of changed the way I felt about it. I want to make it clear that for that reason I can't recommend that anyone buy this album. ;)

This song embodies life. It starts out awkward and confused and then slips into a beautiful chorus. The lyrics are funny, yet they encapsulate the beauty of life adding a bit of philosophy.

So. much. Fun.

Taylor Hollingsworth can be serious but most of the time he is just a big kid who makes fun and funny music.

Vastly under-rated. I hear Ringo was involved with the writing so I guess its his humor that I like

The Carpenters have become like Abba were for me about 15 years ago - I can lose hours at a time just listening to their best songs with the volume up high. I actually never really dared to venture beyond my favorites from Abba's hits, but with the Carpenters I have a few LPs and recently picked up a 5-CD reader's digest set, allowing me to hear some less famous tracks by them.

This track is a bit of a revelation for me. Highly produced, early 70s. Piano-led, with strings, guitar, bass etc, and Richard providing some backing vocals. Karen's singing is beautiful as ever, although her voice sounds a bit funny - she over-pronounces words like 'goes'. The verse is plaintive and moody, while the brief chorus is funky in that glorious way tracks from the early 70s can be funky. This section is reprised with pretty sick flute playing!

In all, a really beautiful track that for me showcases all the best things the Carpenters have to offer. The band are still stigmatized by many, for reasons I'm not exactly clear on. I understand that this kind of highly produced, clean sounding music might not be for everyone, but if you've just been put off listening to them because they're not very cool, maybe give this track a try!

Yes, FRANKIE VALLI and the four seasons. You may be incredulous after listening to the album, as it's the concept excursion that derailed their singles chart streak. It has a nice lurching pop quality. I would put this album on a par with "Odessey and Oracle" and "S.F. Sorrow", but wouldn't that be silly? I think it was on a Rhino CD that's probably long deleted, but if you can find the vinyl with the newsprint insert intact, it makes for some funny reading...

Available for free download from www.kazoofunk.co.uk/music.html along with the rest of the album 'Midnight Finger Painter'...

It's a funny song, it's enjoyable and quite original.

Come closer and listen carefully, this is the best kept secret of the so called music industry.
The Monochrome Set have changed my life and the ones of thousands (Well..maybe hundreds..ok, maybe 5 or 10). They came out of nowhere in the late seventies with a serie of singles on Rough Trade and were signed by Virgin in 1980 for 2 albums then by Cherry Red for a third one (Eligible bachelors) and by Warner for the last one (The lost week end). It is not an easy task to describe their music, it is always unpredictable, brilliant, clever and funny.

To finish, this is a quote from the cover of their second album :
"Once this record is in the house two's company and four is a party, roll back the carpet, switch out the light and dance in the glow of the firelight as the Monochrome Set provide your very own music far from the maddening crowd of the dancehalls"

Oh by the way, Apocalypso is an exquisite little song with a marimba and percussion break.

This is a really catchy and funny pop song. Dr. Frank is a masterful songwriter and this is among his finest efforts.

It's sort of your typical folk,barbershop quartet,with a couple of jazz and rock touches. The lyrics are funny and sad and just about anyone can relate to them. The Roches voices are gorgeous and the melody will stick with you for decades(believe me !).

Great Lost Punk Single #1

...well actually part of an E.P. called, I think, Wake Up Sleeping. I totally take on board what some other guy says about not just typing in the lyrics to songs, but these are too funny. It's a noisy, good humoured racket, 'though not very pc.

I wouldn't kiss Liam O'Maonlai,Guns & Roses or Muddy Waters.
I wouldn't kiss Brian WilsonOr his lovely yankee daughters.
And Shane McGowan is not my type Because his teeth are green and mangled
But Jesus Christ Almighty, I'd love to kiss the Bangles.

Its always funny when artists title things in that self referential way, "Instant Hit," as though predicting the public's response. The Slits know its a good track, and they know that we'll like it, and they name it that to make us feel as though our tastes are predictable. That's my theory anyway, trying to make you feel stupid for liking an enjoyable track! And it is, it's great, and I don't really like any of the other tracks on the album.

Great song with really strange lyrics on par with Love's "The Red Telephone": "Her belly button was her mouth/and she tasted what she'd speak/but the funny thing is what happened to her nose/it grew until it reached all of her toes/now when people say her feet smell they mean her nose." Another version was recorded by Lou Reed on his "Transformer" LP a few years later.

What can be said about this? Long before Tony was on MTV Unplugged, he tried this misguided attempt to 'get hip with the kids'. Funny thing is, I love it. He doesn't sing this so much as emote it. It's reminiscent of some of Shatner's finer moments. I should also note that the album is worth seeking out for the uber-psychedelic cover art alone.

Wanna hear a demented story about a eloping teenage couple that gets eaten by a monster? Sure, I did too. And The Violent Femmes create a funny, charming story that will either leave you with a chuckle or a cringe.

A funny breakup song, done in a very juvenile style, but everything you ever want to scream to your ex right after they dumped you. Sung to a woman, but applicable in all such nasty situations - the feeling is still there. Even when I'm angry, this song has me laughing. Backed by a funky rhythm that just barely turns it into a melody.