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You searched for ‘dreams’, which matched 38 songs.
click - person recommending, year, performer, songtitle - to see more recommendations.
The Cure For Broken Hearts  performed by ANT  2000
Recommended by kkkerplunkkk [profile]

If you like your pop, soft and acoustic with witty lyrics, then check this out! 'I'd give up all my selfish little dreams to be in hers' coos ANT over a strummed acoustic, brushed snare drum and tinkling Wurlitzer piano.

from Cures For Broken Hearts, available on CD (Fortune and Glory)


Someone To Watch Over Me  performed by Blossom Dearie  1959
Recommended by FlyingDutchman1971 [profile]

Just about everyone has a favorite version of this song and Blossom Dearie's recording is mine. Sitting quietly at the piano with bass and percussion joining in Blossom maps out the man of her dreams and what she plans to do when she finds him. Another gem from the sadly out-of-print album 'My Gentleman Friend'.

from My Gentleman Friend (Verve MGV 2125)
available on CD - The Gershwin Songbook / Blossom Dearie - Verve Jazz Masters 51 ((Verve 314 513 928) / (Verve/Polygram 529906))



  FlyingDutchman1971: a reliable source tells me that this original album will be released to CD sometime in late 2003. I highly recommend it!
  Nycteris: Una cancion conmovedora, en el registro que solo Blossom puede ofrecer, como curiosidad la version de Blossom de esta cancion y "Manhattan" estan catalogadas como insuperables. La puedes encontrar en el disco de Verve "Jazz Masters" vol. 51 (que es una joya).
When Dreams Turn to Dust  performed by Cathy Dennis  1997
Recommended by Genza [profile]

Cathy Dennis' music is predominantly rubbish. As UK residents know, she is now the writer behind much of the teeny crap that fills the top 40 singles chart every week. But When Dreams Turn to Dust shines like a beacon amongst a fog of blandness. I bought the single for 50 pence from a charity shop in 2000. I thought I'd paid too much. I was wrong.

I was out of work at the time and looking for a job. Dennis' masterpiece is the sound of those crazy job-search days - there was a good two week period when I listened to this song continually. Hard times economically - even tougher times on the turntable...

The song has a king of warped Beatles/Byrds quality. And an amazing minor chord chorus. To top it all, she shifts the whole chorus up an octave in the final eight or so bars and kills the listener with a repetitive and insistent refrain.

Convinced by its majesty, I then bought one of her dance albums from a car boot sale for �1. Never has money been so well intentionally spent and inevitably wasted.




Fever Dreams  performed by Circa Survive  2010
Recommended by Kalaier [profile]

latin influenced, amazing vocals, opening guitar line is fantastic, lyrics are beautifully written, This song is just really powerful!

from Blue Sky Noise, available on CD


Skin Trade  performed by Duran Duran  1986
Recommended by dsalmones [profile]

Beneath the avant-garde lyrics and futuristic synth textures, there was always a pulsing dance music quality that drove the classic Duran Duran sound. As they progressed into the late '80s, they allowed that dance element to move up front and dominate their style. A good example of this tactic is "Skin Trade," a hit whose silky and funky style led to it being mistaken for a Prince song. The lyrics have a surprisingly direct, soul-searching feel to them as they lay out scenarios of people shortchanging their dreams to make money. These moments are followed with the dramatic proclamation that makes up the chorus: "Will someone please explain/The reasons for this strange behavior?/In exploitation's name/We must be working for the skin trade." The music lends contrast to the angry tone of the lyrics by creating a sultry, mellow melody that juxtaposes verses with a soft, hypnotic ebb and flow with an ever-ascending chorus that revs up the song's inherent drama. Duran Duran's recording is fuelled by funky but gently layered guitar textures and subtle drum work that push its groove along, plus some atmospheric synth textures on the chorus. Interestingly, Simon LeBon uses his normal tenor voice for the choruses but sings much of the verses in a lush, soulful falsetto that led many pop fans to initially mistake "Skin Trade" for a Prince ballad. The result was a perfect blend of slow-dance textures and adult social critique. It didn't do as well as "Notorious," just barely making the Top 40 in the U.S., but it got plenty of radio airplay and is fondly remembered by the group's fans as one of Duran Duran's most mature achievements of the late '80s.
(AMG)

from Notorious, available on CD


Dreams  performed by Fleetwood Mac
Recommended by carl [profile]




Mad World  performed by Gary Jules  2001
Recommended by cryofthecelt [profile]

"Mad World" was written and originally performed by the popular 80's band Tears for Fears. A more mellow, piano-based cover of the song was featured in the cult movie "Donnie Darko" (Jake Gylenhaal, Patrick Swayze) as performed by folk artist Gary Jules. His version of "Mad World" reached the coveted Christmas #1 spot in the UK in 2003, despite that it was 3 years old and performed by an unknown artist.
This song is quite possibly my favorite song of all time, at least in my Top Ten, because I feel that it describes life very accurately. The chorus of the song is:
"I find it kind of funny
I find it kind of sad
The dreams in which I'm dying
Are the best I've ever had."
To me, this song is saying "Hang in there...I know life sucks on this earth, but you will go to a far better place after your death."
Depressing? No. This song helps me to carry on.

from Donnie Darko (Enjoy)
available on CD - Trading Snakeoil for Wolftickets (EMI International)



  malpt: This is a rare occasion where I love the cover more than the original. A very awesome song.
Boulevard of Broken Dreams  performed by Green Day  2004
Recommended by acidburn [profile]

from American Idiot


Boulevard of Broken Dreams  performed by Green Day
Recommended by lalgsw [profile]




Funeral of Hearts  performed by HIM  2003
Recommended by Carrie [profile]

She was the sun, shining upon,
The tomb of your hopes and dreams so frail


Gothic, dark, etc.

from Love Metal, available on CD


American English  performed by Idlewild  2002
Recommended by Carrie [profile]

Now I understand,
Why words mean so much to you,
They'll never be about you..


Roddy (singer/writer) says that �American English� is about �how ever single love song ever written is written about the person who wrote it, nobody else�.

from The Remote Part, available on CD


Many Dreams Ago  performed by Jan Howard
Recommended by TippyCanoe [profile]

heartbreaking early 60's country with a slight sophistication.

from Jan Howard (Wrangler WR1005)


Half Forgotten Daydreams  performed by John Cameron
Recommended by texjernigan [profile]

This track is so beatiful, and i find it popping up in a lot of degradingly funny places; its one of those tracks you hear in situations that are extremely sexy, though if you watched Nacho Libre, you might have noticed a more ironic use of the track.






  eftimihn: Terrific track, loved it for many years and was stunned to hear it in Nacho Libre.
Eyes of Dreams  performed by Lewis Parker  1998
Recommended by tinks [profile]

Lewis Parker may not be well-known, either in the US or in his native England, but he has done more to elevate the quality of British hip-hop than anybody else. His philosophical lyrics combine with an impeccable sense of rhythm to give him a place as one of the freshest voices on either side of the Atlantic.

from Masquerades & Silhouettes. The Ancients Series One., available on CD


Busby Berkeley Dreams  performed by Magnetic Fields  2000
Recommended by phil [profile]

Purest AOR - the lyrics are about rejecting a divorce petition. Pretty moving though - no jokes in this one ("darling you may do your worst/ because you'll have to kill me first"). This whole album is extremely good if you are interested.

from 69 Love songs, available on CD




  LawrenceM: Of course, you could have picked virtually any song from "69 Love Songs". A heartbreaking work of staggering genius. (My personal fave .... "I don't want to get over you" - the story of my life, age 18.)
  umbrellasfollowrain: Oh dude, this song. This song. This song takes my heart and ties it to a string and walks around with it like a baloon. Many songs on the album do though. I'm a fan of "My Only Friend" and "Eptiaph For My Heart" and oh, the sweet horrible recognition found in "You're My Only Home".
Where Is the Soul of America  performed by Mike Stout  2013
Recommended by radiofreetunes [profile]

Where is the soul of America? - In these times of warring political factions putting the government in unproductive grid lock Mike Stout asks what happened to the driving American spirit that united Americans to do great things. In this bluesy slide guitar driven tune a big chorus of singers asks:
�Where is the soul of America? Where is the spirit that made you great? Where is the soul of America? We need it now more than ever today. Where�s the will, that brought the Bill of Rights to stay, The ways and means to bring about our common dreams�now?�

Hear it at http://www.reverbnation.com/mikestout/song/18784586-where-is-the-soul-of-america

from Time To Build A New World, available on CD


Space Lord  performed by Monster Magnet  1998
Recommended by King Charles [profile]

After nearly three and a half years of speculation, I finally bought this album in the fall of 2003. Wow. As soon as I popped it in, I knew that it was Monster Magnet, but I knew I had a new band to add to my favorite list. These guys rock, period, they're in the lower upper class of hard rock (with upper upper being reserved for such acts as Metallica, Iron Maiden, and Dream Theater), hell I don't even want to categorize them, as this would place a restriction on their potential (in much the same way the Jewish cannot write the word "God," and Muslims cannot draw Him, according to friends I have of those faiths). The song starts off like a fireside story, we've got a low bass beat, a great little intro compliments of Ed Mundell. Wyndorf's space, money, power, sex and religion influenced lyrics become prevalent as soon as the song begins, and we are launched into a maracca, tambourine, and 70's/80's hard line influenced metal trip. Ned Raggett's characterization of an 'acid folk' edge to the beginning of the song gives it good justice, and Space Lord slowly cranks up the volume, settling down once, and then cranking it up again, ready to conquer worlds with the hard rock edge that has kept Monster Magnet in the limelight, but away from the new age/pathetic sounds. Upon listening to this song, we think "classic rock," not because of it's refusal to metamorphose (or rather, transmogrify) into today's rock, but because of it's influence from the aforementioned 60's - 80's hard core, unfiltered, instrumentally diverse sound (including alternate percussive effects from tambourines and maraccas, as well as keyboard infiltration that would make The Doors jealous), which is uniquely self-complimenting, orchestrated, and coherent. Space Lord deals with becoming (unconsciously) corrupt with power, wealth, and ultimately desire (Now give me the strenth to split the world into, yeah/I've ate all the rest, and now I've gotta eat you), which may delineate the stereotypical American 'powertrip,' hence the album's appropriate name. If you are looking for unrelenting excellent rock, which isn't too harsh to listen to, but most certainly isn't along the lines of Phish or Weezer (in any respect at all), I recommend this song, album and any others one could get one's hands on. 5 out of 5 stars for its genre.

from Power Trip


What Have You Done?  performed by Motion Soundtrack  2003
Recommended by SOYA [profile]

This song is amazing! The guitar is haunting, Marc Wild is the Sh#t! I especially love the lyrics. "futhermore falling and never quite landing, your seeing with eyes closed, your dreams". What have you done is a master piece. Chad Horton ( the lead signer)AMAZING! Beautifully talented band, DON'T MISS OUT, CHECK THEM OUT!

from THE BRIDGE, available on CD


Dreams Never End  performed by New Order  1981
Recommended by Genza [profile]

New Order fans always love Technique. So do I. Some prefer Brotherhand, Lowlife - or the substandard Republic. But for me, there's only one Movement.

Slated by critics for sounding like a doomy post Joy Division clone - the album actually benefits from sharp rhythm guitar and sustained synth chords.

Key moment is the awesome Dreams Never End. The song thrashes around like a caged beast. And it's only brought down by bass player Peter Hook's dreary singing - but hey, I can live with that.

from Movement (Factory Fact 50)



  delicado: This track is utterly spine-tingling. I like the Technique album, but it really doesn't have the intensity of the best early tracks. It's worth noting that this track sounds instrumentally exactly like mid-80s Cure.
  zazz: erm.....dreams never end is a masterpiece for the very reason that hookies vocals are in stark contrast ....probably my favourite new order/joy division track...probably an accidental classic.
...The Collapse of Detective Dullight  performed by Of Montreal  2001
Recommended by two-headed boy [profile]

'The Events Leading up to the Collapse of Detective Dullight' is not a song but a narrative story, and it’s funny as hell. The off-kilter character voices of the already brilliant stream-of-consciousness plot are cartoonish enough for their own Saturday morning series. When the detectives start their investigation nothing makes sense. There’s Jell-O, serenading butterflies, file cabinets, murder, catacombs, and all the seasonings for a hilarious dream. I am usually brought to tears when Detective Slots reads from his revered exercise in free verse titled ‘The Cause of Gauze’. I will supply you with a sample:
"Oh, the cause of gauze. The Manuels have fondled many memories from my lap though each memory has its own lap and swimmers swim laps. Even swimmers have laps however and while in that condition many require a delicate gauze."
If you hear this without purchasing the actual album, 'Coquelicot Asleep in the Poppies: A Variety of Whimisical Verse,' then you are being cheated. The dreams of this band are as colorful as the illustrations they provide us in their album sleeves. The 'Where's Waldo' pictorial representations enrich the listening experience by engaging us in a journey deep into the frying-pan brains of these madmen. In fact, this is a perfect introduction into a very strange world of psychedelicado. Think the Beach Boy's 'Smile.' The reaction of my friends after hearing this have been harmoniously the same, 'they have to be on drugs.' The truth is Of Montreal are not on drugs, they are drugs.

from Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse (Kindercore KC064)


Crazy Dreams  performed by Paul Brady  1983
Recommended by Stian______ [profile]

Singer\songwriter Paul Brady deals with Folk music . This song is in my opinion up to the level of Bob Dylan \Neil Young . Its melancholic but still up-beat .I like the lyrics a lot : " Tonight were gonna paint this town, were gonna drink champagne till we both fall down ,we'll find some other crazy dream -tomorrow" . Its hard to explain ,but the song moves me very much, the song is pretentious in some ways , but Bradys simple(but not dull) singing makes it not sum up as such.

from Hard Station, available on CD


Dance, Bunny Honey, Dance  performed by Penny McLean  1977
Recommended by jeanette [profile]

From that much maligned genre, eurodisco, comes an amazing story of a young girl moving to the city. She has dreams of dancing and making it under the bright lights, but is confronted only by people who see sexuality in her dancing, not freedom. She is exploited; her ideals ruined.

People think I make too much of the genius of Penny. I can often be heard espousing, at length, her brilliance and analysing her songs (I tend to do the latter in my head - there's only so much friends can take). Penny was pretty famous in Germany and only vaguely so everywhere else, primarily for the disco classic Lady Bump. She is now a sci-fi/fantasy novelist but unfortunately her books have not been translated into English else I'd doubtless find social comment in those as well...

from Penny (Columbia (Canadian) PCC-90446)



Darn That Dream  performed by Petula Clark  1959
Recommended by FlyingDutchman1971 [profile]

Many people think that Petula Clark first came to the US when the song 'Downtown' topped the charts in 1965. However, she actually came to Los Angeles in 1959 and recorded an album of Jazz songs. Among the many treasures produced during these sessions is 'Darn That Dream'. She sings this great song with all the innocense and charm of a hopeless romantic whose desired love is just out of reach. Her resignation to unrequited affection for her unavailable romeo is interrupted briefly by a soaring interlude from the orchestra. The sweeping melody almost suggests that she is dreaming of being held in "his" arms as they dance across the floor of a dimly lit ballroom. In the end she must come back down to earth and awake to the reality that she will never have the man of her dreams, however she refuses to give up the hope that one day she will get her happy ending. I know I'm rooting for her!!

from This Is Petula Clark! (Sunset/Liberty SUM 5101)
available on CD - Jumble Sale-Rarities & Obscurities / In Hollywood In Other Words (Sequel-198 / Castle Music NEMCD389 (UK))


Wish You Were Here  performed by Pink Floyd  1975
Recommended by polyphemus [profile]

A soft-spoken paean to the dear-departed Syd Barrett (drowned in a psychedelic abyss), an acoustic lullaby weaving a dreamscape cocoon, a hymn to self-destruction. Too heart-breakingly beautiful for the living: Play this at my funeral.

from Wish You Were Here (EMI/Capitol)



  SuzyCreamcheese: Pretty nice song, a little irratating after a while
  el.oh man.: i agree, this should be played at my funeral please. and no, it doesnt get irratating after a while.
Sweet Dreams My LA Ex  performed by Rachel Stevens  2005
Recommended by djronniebruno [profile]

great song from one of the girls of S7 , a group from the UK, gone solo.




Corcovado (Quiet Nights of Quiet Stars)  performed by Sarah Vaughn  1964
Recommended by Fig Alert [profile]

The most beautiful, sensual song I have ever heard in my life. It feels like a warm, tucked-in, comfortable sigh from a lover nestling in on your shoulder, holding you ever tighter while whispering words of love in your ear. Try to top that.

The Divine One pours herself into this number completely. Her serene confidence breathes a kind of hyper-life into the lyrics. But the way she caresses the melody and strokes it so adeptly with her brilliant vocals sends me right over the top every time.

If I ever fall in love again, the woman of my affections will, in my wildest, most fantastic dreams, melt with me on this.

Please excuse the sap...

from Viva Vaughn (Mercury SR 60941)
available on CD - The Girl From Ipanema: The Antonio Carlos Jobim Songbook (Verve)




  FlyingDutchman1971: Blossom Dearie also performs a nice version of this great song on her 1964 LP 'May I Come In'
I decided - Pt. 1  performed by Solange knowles  2007
Recommended by trixlation [profile]

its a soulmusic track with a little bit of pop.
The melodie makes you happy, and that is why i like it so much!!
The hole new album "Sol-Angel And The Hadley St. Dreams" is very good and speciall.

from Sol-Angel And The Hadley St. Dreams, available on CD


True  performed by Spandau Ballet  1983
Recommended by thewilyfilipino [profile]

The great NYFD firefighter and actor Steve Buscemi immortalizes this song in the otherwise forgettable Adam Sandler vehicle "The Wedding Singer:" he winces, he exhales extra H's, he emotes. Spandau Ballet's lead singer, Tony Hadley, would never have done that; dressed in all his Bryan Ferry finery and sporting his New Romantic do, he stood with the mike pinched in the fingers of his hand... and emoted. "Oh I want the truth to be SAIIIIID [then his voice breaks]. [Pregnant pause.] [And then the Uh-huh-huh-huh-hi comes in again.]

Yes, "True." Performed by a band with one of the most stupid band names imaginable, "True" invaded Philippine airwaves, spawned a silly Spandau Ballet - Duran Duran showdown on DWLS 97.1, and jumpstarted the dead-end careers of a million amateur singers. (A good friend of mine, who actually could sing, once performed this during some high school party, and had it choreographed so that the lights would go out during the "pregnant pause." The women screamed.)

But darn it, the song still gets to me -- not every time, God no, but only when I'm in a semi-nostalgic mood regarding the worst years of my life (high school). That cheesy sax instrumental break that still haunts my dreams! The harmonizing Kemp brothers! "Always in time / But never in line for dreams!" The sound of my soul indeed.

from The Collection, available on CD


Soldier  performed by Spirit  1970
Recommended by rassy23 [profile]

From The 12 Dreams Of Dr Sardonicus, this final track on side 2 has got to be one of the most beautiful songs with its full organ sound underpinning fragile high register vocals that develop into harmonies that send shivers all over. Recorded at a studio picked for it's resident organ, the quality of the recording is crystal!

from The 12 Dreams of Dr Sardonicus (Epic 30267)


We Run  performed by Strange Advance  1985
Recommended by Colinator [profile]

I like this songs imagery and how it leaves so much unsaid, so the listener can relate it to themselves.
Apparently, the writer, (either Daryl Kromm or Drew Arnot, of Strange Advance) wrote this song from a dream he had. He described it as 'One of those wake up sweating dreams.'
The song is from their album 2wo, and is available on both 'Over 60 Minutes With Strange Advance' and 'Worlds Away and Back'.
However, niether of their first two albums, 'Worlds Away'(1982) and '2wo'(1985) are available on CD.

Song lyrics:

We Run

You're on your own and meet a friend
Who doesn't kill but wounds for life
The sun blinds you through the trees
While watching clues fall from the skies
And she smiles

Chorus

At the point of the knife
You never see anyone
How the strong will survive
At the end of their gun
We run...........

Frozen smiles for men returned
They never even left this place
She kissed me softly on the cheek
And a shadow cut across her face

Take heart the fountain of my life
Stone the victim to his knees
I've got scars for my mistakes
And now post atomic dreams
I dream...........

Chorus

At the point of the knife
You never see anyone
How the strong will survive
At the end of their gun
We run...........

I walked for miles and miles to the sea
we burned, the fire from the sun
I know you never tried to deceive
who can touch us when we run


available on CD - Over 60 Minutes With Strange Advance / Worlds Away and Back


In my dreams  performed by The Earls of Suave  1994
Recommended by delicado [profile]

An indescribably brilliant 50s-style rock'n'roll ballad, with vocals by the inimitable Marquis de suave. The musical setting is breathtakingly authentic, and the emotions are raw and powerful, as the vocals screech 'in my dreams...../I dreamed you didn't want me...' It's extremely hammed up and over the top, but quite wonderful all the same. Most of this band went on to form the excellent Flaming Stars.

from the single In my dreams (Vinyl Japan)




  phil: I was just searching for the earls of suave on the internet, and google returned this entry - and I just had to agree with mr Delicado here. A truly stupendous piece of work that everyone involved should be very proud of - sounds like it was recorded on 10 pints and is all the better for it. I've done a bit of research into this, and as far as I can tell, the Marquis de Suave now works in advertising.
  headcoat: this song appears in the punk film "Shooting at the Moon" watchable here: http://cuntyscoundrel.com/films.html
Tell Me When  performed by The Human League  1995
Recommended by dsalmones [profile]

Although a thick line has long been drawn connecting disco to the '90s techno scene, few have bothered to connect the dots between the more modern genre and synth pop. The Human League didn't need to fret about such things, though; they intuitively understood those relationships, having explored virtually all the influences over their career � industrial, funk, R&B, synth pop, new wave, and disco itself. And when the wheel turned again, the band was back on top with a sound that hadn't really changed, but just refined. With a few minor alterations, 1995's "Tell Me When" could have come from 1983, slotting nicely between "Fascination" and "Mirror Man." Of course, the drum programming would need to be changed (there were no jungle rhythms back then!), but the funky bassline can stay, along with the bubbly synths. In fact, the real difference is found in the vignette-esque lyrics and the more complex vocals. And these slight changes make all the difference, turning synth dreams into techno club success. A taster for the group's forthcoming Octopus album, "Tell Me When" hit on both sides of the Atlantic, landing just outside the Top 6 and Top 30 in the U.K. and U.S., respectively.
(AMG)

from Octopus, available on CD


Yesterday Is Here  performed by Tom Waits  1987
Recommended by Fig Alert [profile]

When I think of my favorite stuff by Tom Waits, I always look back to the time when the writing and arranging of his songs were more playful, avant pop exercises, colored by a range of intense and deep emotional swatches, yet always with humor. My favorite stretch in his catalog of work is from Swordfishtrombones to Franks Wild Years (Marc Ribot?). Songs were always off-kilter, tenuous, unpredictable...far-away organs played against a punchy latin rhumba beat...oh, here comes the circus, jolted by a bended-note/feedback guitar part. Wha?

I heard a lot more characters in his voice, too. The sideshow barker, the Ironweed hobo, the cocky but sensitive playboy, or the frustrated, suburbia-warped freespirit looking to make a break.

This track off Franks Wild Years feels like an old, worn out, spaghetti western-inspired guitar shuffle. Its whispered from the lips of a grizzled shopkeeper in a soon-to-be ghosttown, telling his concerned companion the need to reach for where your dreams dwell: "out where your enemies lie." There's little consolation against what most likely will be an exercise in futility, but necessary nonetheless, to carve out some sort of happiness. Get used to it.

Somehow it seems to fit these times very well...

from Franks Wild Years (Island 7 90572-2)



(Quicksilver Daydreams of) Maria  performed by Townes Van Zandt  1970
Recommended by andrew76 [profile]

This is (for me) one of the greatest songs of love ever written. The song describes the appearance of a goddess among women and is pure (if at times naive) poetry. The arrangement is simple lead and rhythm guitars and bass with an organ giving a more filled out feeling from the second verse and violin in the fourth. The tone is melancholy but happy, as if the singer is basking in the light of this most beautiful woman. It must have been written for someone, someone lucky to be thought so beautiful. But there is sadness in that the singer may be singing of his unrequited love. Some of the alliteration is fantastic too.

from Townes Van Zandt, available on CD



  booblikon: there is a great story in the documentary film "Be Here To Love Me", as told by Guy Clark: this song apparently came to Van Zandt in a particularly peak morning of inspiration, when Clark describes finding Townes uncharacteristically fit and alert. after making his bed to military specification, he played Clark a new song (this one), which he intended to perform at an appearance that same evening. i may have rendered parts of this story incorrectly, so i definitely recommend the movie if you are a fan; even if not, as it is sad but quite revelatory.
Heaven 90210  performed by Urge Overkill  1993
Recommended by MoeShinola [profile]

The alt/rock cover band I front in my dreams plays this song at the end of every gig. Why? It's the perfect last-gig song; It's slow, it's soulful, and it pretends to the sophistication every college-age hipster does. The whole album Saturation has that feel to it, this song is just the perfect denouement.

from Saturation (Geffen)


Prams  performed by Vital Disorders  1981
Recommended by unathanthium [profile]

We had a good time in the eighties,we really did.Unemployment,strikes,kids inculcated with the Thatcher mantra of making money which has depoliticized the youth of today.Fortunately the hypocrisy of Blair has encouraged a few students to tear themselves away from their business studies and take to the streets.Revolution revives art;it happened in the late 50's and 60's when teenagers rebelled against the staidness of post war England,
and again in the bleak mid 70's when youth rebelled against the poor prospects on offer.Fashion,music and literature are never healthier than when faced with intransigence.
In 1981 the post punk landscape was a glorious directionless quagmire.Record labels littered the nation,some only managing a few releases.Lowther International was home to the Vital Disorders who were angry but not too angry to write a great tune.
The Prams EP contains three slices of political pop,domestic and general.Prams is a scream of feminist outrage,of how women have their dreams ruptured,trapped by the drudgery of daily life,the omnipotent cry of the tyrannical baby squashing their ambitions.

"Lets talk about prams and washing machines,
Lets talk about the end of childhood dreams".

That is the chorus,sung with increasing vitriol as the song progresses,until you can almost feel the phlegm hit your face,as Tina Pilchards spits out those words one final time.Sizzling.




Only in Dreams  performed by Weezer  1994
Recommended by kaptnunderpnts [profile]

the song is just one big build up for a climax. it's the most instrumental of any of their songs. it gets the blood flowing.

from Blue Album


your hidden dreams  performed by white noise  1969
Recommended by olli [profile]

great electronic effects-laden psychedelia from their 1969 album "an electric storm". a spooky and beautiful track with lots of echo and spacy non-melodic digressions. oddly, it stays quite coherent despite all the insane stuff going on in the background. Female singer, beautyful breathy voice, kind of a "nico light-" thing going on.
the track "firebird" from the same album is also highly recommended.

by the way, i�m pretty sure each member of broadcast have their own copy of this album. The song "marooned" on wire's 1978 album "chairs missing" shares some melodic qualities with this track. would probably sound great if mixed together..

(if you're interested in aquiring the whole album, it�s pretty hard to come by, at least in vinyl form. i think it's been reissued on cd by some obscure label, but as i only have a cd-r copy, i'm not sure. side a is very good, but from what i heard they ran out of studio time, forcing them to make side b a bit more...shall we say, "experimental" in order to make it lp lenghth...)

from an electric storm




  standish: My dad's prog-rock friend brought this album over when my dad got his first proper stereo in 1972 and played us the scary side... These days, I love "Firebird" and "Here Come The Fleas". Quirky UK electronica by (BBC Radiophonic Workshop) Delia Derbyshire and David Vorhaus.

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