The song I have been eager to get since I saw a movie "Barbarella" about 6 years ago. Finally I got the soundtrack CD. I do love the theme tune, Barbarella, too, but this somehow makes me feel "America", the place I have been longing for.
What mekes me feel so? Bob Crewe's sexy and gorgeous vocal? Cool horn and brass arrangements? widely spreading atomosphere? Everything is attracting reminding me of the scene where Pygar is flying after getting his new wings!

For me, this perhaps the absolute apex of the much-admired Italian 'Easy Tempo' series of compilations (it's on Volume 8). The formula is similar to other tracks I've recommended - a sexy wordless vocal, a light bossa beat, some strings. But that really doesn't tell the story! The chord sequence is extremely catchy and uplifting. This is a truly incredible three minutes.

The White Stripes' longest song at seven minutes, this song is amazing.
Jack White tells you how it is, and his voice takes on a sexy, drawn-out drawl. "I may not be your third man, girl/But it's a fact that I'm your seventh son". Genius.

The title track from Goldfrapp�s second LP is everything pop music should be � sexy, glamorous, smart and weird - but rarely is these days. If their debut album was all about, in the duo�s own words, �Ennio Morricone and disco�, then the follow-up is all about disco and�Ennio Morricone � only wrapped in a shimmering gown early 1980�s inspired electronic textures. Electro-clash with heart and soul, a Madonna song with 170 I.Q., a tune for Milva to sing on Moonbase Alpha � I could go on and on�

Kylie, one of Australia's most well known exports, has done it this time with this musical delight. As those who go out to parties in NYC can probably concur with, Electro is the next big thing. Can't go out anywhere without hearing some electro inspired track. Kylie must have been to a few of these parties too. La La La La - simple, sexy and with a refrain of Set Me Free, its pure candy. Enjoy the suga!

Groovy, sexy, catchy--give it try.

You might be familiar with Francoise's incredible 1971 album La Question, a track from which was recommended by another user almost four years ago (Oui, je dis adieu). I managed to get a friend to copy the album for me at the time, and I recall being very taken by 'Viens', the first song. I put this track on a compilation but somehow never really savoured the album as a whole.

Recently I found I could get the album on CD, so picked it up (along with another interesting Francoise album, 'If you listen').

The difference for me now I have the CD is vast, and I'm now able to appreciate the album in all its glory. The clincher for me is the blend of percussive Brazilian guitar, beautiful strings, and the Melody Nelson-style sparseness of the arrangements.

I chose this track to recommend because of the bizarre extra dimension brought by the fact that Francoise is just scatting - there are no words - and the intermittent moments of complete silence, which are surprising and really hold the attention. Parts of the chord sequence remind me of Henry Mancini (in particular, a track called 'Softly' from the Mr Lucky soundtrack), while the overall effect of the sexy echoey vocal naturally brings to mind Ennio Morricone's work with Edda Dell'Orso.

I know next to nothing about Willie Tee, but I became obsessed with this track. The song contains the kind of politically incorrect lyrics that were accepted back in the day without the batting of an eye lid. Willie Tee tells his woman how she should be spending her time ("Concentrate on loving me; activate this fire in me") and suggests a reward ("You've got to place your trust in me; I'll satisfy your fantasy"). These were the days when men were men, and women were letting them believe that they were in control. This track is definitely one for late nights with that special woman who apparently needs to be told what she should be spending her time thinking about.

"Easy fantastic, lonely together.." - I have listened to this song at least 100 times since receiving it on Audiogalaxy. Simple yet beautiful. I never knew Mos Def had such a pleasant and sexy voice! I am in heaven when he sings "I just go walking in the rain ... when I feel you passing by..." The back drop is provided by the talented contemporary 8 string jazz guitarist Charlie Hunter (once a member of Disposable Heroes of Hiphoprosy).

Lhasa is a Mexican-American woman now resident in Montreal, Canada.

She sings in French and Spanish and incorporates elements of Latin, French and Yiddish music into her sound.

She has a stellar back-up band that includes some of the best musicians in Montreal's rich music scene.

'De Cara a la Pared' is a very sexy and romantic number that I'm sure you'll enjoy.

NB: the CD cover art is among the ugliest I've ever seen.

See it here:

http://mapage.noos.fr/weblhasa/v2/discographie/fr_discographie.html

Featuring a strange assortment of melodic percussion instruments, brass and punctuated with animal calls which are only equaled by those of Roger Waters on Pink Floyd's Umma Gumma, this is BY FAR the strangest (and coolest) version of this song ever recorded. The Residents must have developed their whole series of Mark of the Mole albums after hearing this recording. "Diga Diga Doo" was originally a show tune for a Broadway review called The Blackbirds of 1928.

This is a great funky version of the jj cale classic. Groovy and sexy as can be.

My favorite track from the latest Goldfrapp LP.
The song takes AM-Radio sunshine pop and exposes the concept to English psychedelic folk at its most radioactive.
The resulting mutation is both sexy and ominous.
The groove is languid, but insistent.
The samples and the synths sound dusty/dirty.
The strings/guitars/harps brood luxuriously.
And then there is Allison's lovely/creepy voice/melody: all woozy sex appeal and little girl menace.
It sounds like that image from the film "Blue Velvet" - lovely summer lawn under which throbs thousands of huge bugs.
Wonderfully slurred....

Might just well be the most dreamy, seductive, sexy song imaginable. Too bad it's only a bit over two
minutes long. From one of the million Italian thriller soundtracks that are, thank God, now available.

I can just imagine people sitting in a seedy New York movie theatre on 42nd Street back in 1961 watching a b-movie called "Satan in High Heels". The film is in its last reel and suddenly the main female character comes out on the nightclub stage wearing a leather outfit complete with 6-inch dominitrix boots and a riding crop! The music swells and she starts to sing:
---
i'm the kind of woman, not hard to understand,
i'm the one who cracks the whip and holds the upper hand
I'll beat you, mistreat you, til you quiver and quail,
the female of the species is more deadly than the male.
---
This little film isn't likely to have ever had a soundtrack album which in a way is sad because in addition to this camply little gem there are a couple of other cute vocals by Meg Myles and the other actresses in the film and some great jazz instrumentals sprinkled throughout as well. The fine folks at Something Weird Video have kindly put this little film out on DVD. You can also catch the scene containing this song on their compilation of movie trailers (where I first discovered this film) released to inform people of their DVD catalog.

a cover of The Fire Engines's song (the Engines then reciprocated with a cover of "Jacqueline"). knocks the socks off the original version, but i'm biased after all -- it's just incredibly sexy and groovy, and there's Alex K and Nick McC -- can't go wrong there.

bossa nova version! superb cover of the clash classic. highly recommended.

This track is so beatiful, and i find it popping up in a lot of degradingly funny places; its one of those tracks you hear in situations that are extremely sexy, though if you watched Nacho Libre, you might have noticed a more ironic use of the track.

A great track from a truly great LP that I fear might have slipped through the cracks in the floorboards in the decade or so since it's release. TWP's "Queer" remains the band masterpiece, an ungodly amalgam of Can, Talking Heads, Roxy Music, King Tubby and De La Soul. This song perfectly highlights the record's/band's strengths - Mark Cox's cut and paste/dub programming, Andrew Gray's blistering guitar, Mick Allen's brilliant "Tom Waits sings the Mark E. Smith Songbook" voice/words, aided by then Throwing Muses Leslie Langston's sexy bass/backgrounds vocals. The song is both seductive and sinister - the spoonful of sugar being the its' "The Fall Plays The Burt Bacharach Songbook" shambling groove that helps down the medicine that is Mick Allen's venomous lyrics in re: America's inaction/indifference in the face of the AIDS crisis. Rarely has subject matter so heavy, been dealt with in such light/deft manner. I recommend the whole "Queer" LP - particularly the British edition , which differs in tracklisting and uses of samples. (It is likewise available on the band's fine - if somewhat short - best of "Everything is Beautiful 1983-1995"

Cardiacs have been described as: fairground music; punk rock; prog rock; beautiful; frightening; deadly serious; total euphoria; ugly; sexy; avant-garde; pop genius; totally genuine; disturbing; uplifting... All I can say is this song has one of the maddest guitar solos I have ever heard!

Another of my favorite Morricone tracks. It's a long one at over 8 minutes. As is often the case (with Morricone especially), it's so hard for me to describe the mood of this song -- warm, sexy, yet heartbreakingly sad.

Prior to hearing her "Something" LP, I always referred to Dame Shirley as "The Godzilla of Song". By this I meant I always felt she treated a tune the way Rodan treated Tokyo, like something to be smashed underfoot. While I lived/died by her Bond themes, and such like, I never thought she was capable of nuance, restraint, and/or sexiness. Then I heard this god-like album, brilliantly produced and arranged by Johnny Harris. This cover of The Doors' song perfectly sums up the record's strengths. It's jazzy, sexy, incredibly funky, yet still totally Dame Shirley in all her over-the-top-glory. Probably the best Doors cover ever (though Nico's toxic reading of "The End", and Siouxsie and The Banshees' strangely Motown-esque version of "You're Lost Little Girl" come awfully close.)

What a winning track! Opening with Morricone-style 'boing' sounds, this is a sexy, funky pop song with interchanging female/male vocals and pounding drums.

The sub-genre of pop songs in this style, featuring flirting and laughing alongside groovy 60s backings, is under-appreciated. I can think of a few more examples: Piero Umiliani's 'Flirt a Rio', Marcos Valle's 'Ele e ela', and my previous recommendation, Ed Lincoln's 'Bon-jour'. Mina's 'Parole Parole' almost fits as well, although the interplay there is a bit more dramataic than flirtatious.

Confusingly, there's another track called "Love, L'Amour, Amore" by Gerhard Heinz, which appears on the "Melodies in Love" compilation of his work. But I gather from hearing a clip that this is a different track altogether.

If you've never made love to hip hop, this is a good track to try out. It's over 8 minutes long and should serve as a tight backdrop for spittin' your weak game on those bitties. And if you get the album, the very next track, called "April Showers", picks up nicely where "Man's Girl" leaves off. Enjoy, Casanova.

Stunning melancholy and wonderously modern opener to Gainsboroug's concept album about jailbait love, road accidents & brightly coloured rolls-royces - a masterpiece...

WOW! 3 fat composers ( Marcos Valle, Joao Donato & Deodato) join forces for one groovy track. Awesome keyboard work from Bertrami of Azymuth. Mesmerizing,sexy and funky.

D & B rhythm with sexy female vocal overlays

It is a dark-yet-sexy song that really pulls you in.
I think my favorite line is "They�re talking about a fantasy
They�re making up another fantasy
They�re talking about a fantasy
They�re making up a story
So that they can control you and me"

Incredible. Loretta Lynn's incredible and powerful voice carries over the fuzzy distortion and wailing guitars in a song that is sexy, mysterious and gorgeous. Jack White once again proves his brilliance as a guitarist, while his vocals sound perfect when put up against Loretta's. An amazing duet.

sexy, great guitar and dance-able beat. very chill

I love this song, it reminds me why I love Brazilian music. Its very sexy, sultry and classically bossa nova. There about 50 versions, but this one I enjoy a lot. Any other recommendations?

Hi my name is Bradley Barnes, and I front a small folk-rock band in Florida called Stone Avenue. I have a song I'd like you to listen to.

It's called: Reading is Sexy.

It is streaming on our MYSPACE page.

www.myspace.com/stoneavenue


Take a listen, see what you think! Thanks a bunch!

"Revenge" is a catchy, electro punk song on Mindless Self Indulgence's new CD "If." Besides Jimmy Urine's (the lead singer) hallmark falsetto reeling in the chorus, this song has a certain feel that takes me back to the days of "Frankenstein Girls Will Seem Strangely Sexy." Listen to the bridge the second time around ( a little after the two minute marker) and you will notice the detail of some perfect timed techno. The tune behind "This...is...my...re..venge..." is just hypnotic and I wish I could just isolate that part into a song of its own. The introduction is a little annoying but with the help of the "seek" button I have perfected fast forwarding it to the actual song and enjoying two minutes of pure bliss any industrial, jungle, or techno fan will simularily enjoy.

A sexy, fun song. Perfect for drinking with friends, or jamming out all on your own.

A great track from the excellent "solo" LP by the Portishead vocalist (actually it’s a collaboration with Paul Webb - one time member of sublime 1980's pop group Talk Talk - calling himself Rustin Man for some reason.) The arrangement suggests a low-key take on one of Bacharach/David's statelier ballads, (like say "Aprils Fools" or "Trains and Boats and Planes"), which develops a wonderfully sad groove on the chorus. There are lovely strings, a great, woozy horn solo, and some inspired use of subtle, dissonant electronic textures and spooky female background vocals (both very Ennio Morricone.) Meanwhile, Gibbons does her most stylized take on Billie Holiday at her most stylized - which really shouldn't work, but somehow ends up being just right. Strong song from a very strong album.

great young girl "lala" vocals, catchy downtempo bassline. some fairly standard sax playing. originally from a series of german "educational" porn films from the sixties, and it�s pretty easy to tell. no moaning though. pretty similar to the more relaxed efforts of peter thomas, this is one good piece of horny sixties kitch.
how come porn music was so much better back then?

This 1974, 12-minute electric-jazz masterpiece starts with an attractively sexy, slinky soprano melody and sneakily mutates into blistering solo sections played at a blinding tempo. Recorded before the word "fusion" became a tag for a tired genre this track comes from the seminal album, Headhunters. If you have ears for Hancock's cool Fender-Rhodes shadings and the Headhunter's blazing rhythmic kinetics this could be the very strongest music of this period. Harvey Mason drums brilliantly, forging new rhythms that are peculiarly unique to this recording. I don't know where he comes up with this shit; brilliantly inventive, his energy is unflagging set amidst ascending levels of white hot, mercurial tempo. Paul Jackson plays electric bass with concentrate funk phrasing, his coolly repeated ostinato line is a satisfying compliment to the hyperactivity of the chattering drums and clavinet. The track builds and as it sheds its skins each level is slightly more intense. This is a great record, ignore all the amateur web critics and get this track now!
Note: Many people seem to prefer the sequel album THRUST with the decent Mike Clark on drums. I wish it was as good or better than HEADHUNTERS but it is not.

Looking at these three girls on the cover of their album (and the two shadowy, deadly-dull string-pulling guys on the inside) you'd never think that something so chock-full of bubblegum Brooklyn attitood could produce the smart, sexy sound that is this marvellous track.

It's class in a glass. Sidestepping the cuteness factor and packaged cool (both of which, to their credit, they also do very well) of other tracks on the album, So Stylistic bombs along with a real old-skool hip-hop feel. This is balanced nicely by more than a smattering of electropop and gratuitous use of the vocoder, making it seem relentlessly contemporary. This is a band so up-to-date that they don't bother sampling any of that old jazz or funk nonsense, but go straight for the Yeah Yeah Yeahs (on Things, another album highlight).

A rare example of a band manufactured down to the last pendant and all the better for it.

Super-dark-sexy...This song is an honest portrayal of the paradoxes involved with desire; happy/sad, pleasure/pain, love/hate...etc. I find it terribly gloomy yet wonderfully uplifting at the same time. Just beautiful.

somewhat of a classic. great little easy listening track..her voice sounds very sexy, and the lyrics are so unbelievably kitchy/catchy i just keep returning to it.

I have to write about this song just to defend it. Because,among Szabo fans, this is considered crap...

But for a guy not known for his pop,this is a slammer! Most of this can be attributed to the singers on the session, who incidentally, are from The Love Generation. The Bahler brothers wrote this under the guise of "The California Dreamers", who also did a record the same year for Impulse with Tom Scott... And, whereas the Scott record has become a plunderphonic classic, Szabo's record goes unnoticed for it's lack of "breaks".....

This song is a great groovy stomper much in the tradition of all sunshine pop from the time period. Only with the added bonus of being performed by some of the best west coast session players of the time including Tom Scott himself, alongside Jimmy Gordon, Mike Melvoin, and Carol Kaye. And as with all Szabo's stuff,dark and sexy,with that eastern twist that he added to everything he did.... Bill Plummer added some buzzy sitar to this track too, which makes it a must for indo-pop fans!!

Did I mention the cover art?

I'll admit to holding Dusty Springfield's as the *definite* version, but for sheer hot buttery, ever-lovin' smoothness, you have to own the Isaac Hayes version as well. This is a SERIOUSLY sexy record.

I'm into blonde women, always have been. Perhaps I share a kindship with the late great Jeff Buckley. I can just imagine where he's coming from, standing on stage, electric guitar amped to rock, all that power in his hands, peering out through the crowd into a yard of blonde girls. How wonderfully empowering! Just think of it? A young man in his prime slashing power chords in front of a legion of women, and leaving this song to remind us of what it's like to live this mythical life. I sing along, dreaming of what it would have been like as a rock star, what kind of pleasure could I derive from the world?

Jeff has certainly proven and disproven his own stylings from the seminal album, Grace, to the somewhat obscure and fragile My Sweetheart the Drunk. What could have been still reverberates through my mind when listening to this song in particular. Its compelling simplicity and catchy chorus, "very sexy, very sexy, okay, okay" beckons my blonde girlfriend to break out into song. The slow thrust of crunching guitars, standard rock 4/4 time, heavy drums sitting on every beat - it's almost glam, almost British invasion, almost cock-rock, but Buckley style. And yes, very sexy, very sexy. Trust me guys, girls will love this song!

Mellow and sexy. Beautiful vocal harmonies. Insane keyboard solo's by the brilliant Rod Argent.

Oh, my... I know that she gets played to death, and has her lion's share of recommendations on these pages, but I have to mention this one.

For an artist considered sexy in any context this really takes it high. The track just makes you wanna light the candles, pour the cava, burn the buddah, and get freaky-sticky all over the couch! I mean come on! A total love down... Reminds me of the best stuff from the Moments/Sylvia Robinson camp... Smooth smooth soul. And with one of the most sultry voices in recorded history, it's just insane.

It's jazz, but very bluesy.... her vocals are so smooth and the music is sensual and personal. I love it...

Space should only be this fun! Jazz-Funk surrounded by space age synths with a disco beat. Lipman is one of Germany's cheesiest composers, but when he gets it right people stand up and applaud. This album is some of the best sci-fi music ever.

Yet another amazing Spanish version of an amazing song. Luis Miguel is a very suave latin crooner and this song especially demonstrates that. I love the late 80's instrumentation, it reminds me of late night in New Year City.

R&B/Pop with a good groove. Reminds me of music from Justin Timberlake's first solo CD. Smmmmoooothhh!
Listen at www.myspace.com/tomi

Full CD comes out October 2- you heard it here first!

Lounge lizards rarely get more reptilian than this. Another brilliant example of Ferry�s cover mad, song-stylist solo work outside of Roxy Music in the early to mid 1970�s � totally rethinking some well-known standard, yet grasping something intrinsic about the song�s core. Here he gives the tune just the hint of a Philly-soul groove, and keeps the production/arrangement as open/eerie as an empty parking garage. Very sexy, and more a little creepy � its like being hit on by the ghost of Bela Lugosi in the toilet of a disco in 1975.

One time member of the Sambalan�o Trio, Cesar Camargo Mariano, teams up with French teenage seductress, France Gall for this fast-paced jazz-samba. Her voice oozes innocence but also sex, like a French Astrud Gilberto. A true coquette.
The band was recorded in Brazil, the vocals recorded and overdubbed later in France. This track evokes the "international" feel of the 60's where covert deals were done in international airport lounges and in the back of limousines.