So beautiful and quietly emotional as a lot of shoegazing is. One of their longest songs... it starts out with the wailing guitar melody that's repeated throughout and accented by Miki Berenyi's calm and melancholy vocals, but the instrumental parts are really the most prominent parts of the song. The best part is at around 3:53 when the guitars go crazy. the whole thing seems very representative of sadness and getting to that point where you just can't hold it in anymore and you start weeping hardcore. it's a good song... the only one that can make me cry over and over again.

Hardcore, with Brodie's raspy voice, but she's singing, not yelling in this song. I especially like the phrase "you were Marilyn Monroe."

The Finnish ultra speed hardcore. There are two vocals. Both are screaming all the time. One Of them is macho, "tough guy" style. It can be nice introduction to Hero Dishonest.

Driving, melodic, hardcore emo Christian sound, with screaming vocals on top and behind melodic vocals. There are a few vocal breaks, pauses, and major crescendos. It is just an amazing emotional song, and it also has amazing lyrics.

If you're into hardcore rap from the clubs you are gonna love it. Very commercial. Nice mixes and dirty lyrics.

The chorus is petty catchy: Y'all gon' make me lose my mind up in HERE, up in here...

I think this is one of Korn's first songs to get airplay, although most people I know don't remember it. It came out during the Grunge era of the 90's.

This is not a serious, meaningful song, but it is fun! How could you not like to hear your favorite childhood nursery rhymes translated into a hardcore rock song? It's a great idea!

After singing somewhat diabolical versions of "Ring-Around-A-Rosy", "London Bridge Is Falling Down," "Mary Had A Little Lamb," etc...Jonathan Davis leads us into the main chorus:

"Nursery rhymes are said, verses in my head
Into my childhood they're spoonfed
Hidden violence revealed, darkness that seems real
Look at the pages that cause all this evil"

The most interesting thing about this song is that each rhyme has a unique style, kind of like songs within a song; and it all fits together neatly.

This song is about.... ehh, the lyrics are quite self explaintory::

"Life's not been good for you
It's just not fair
You did nothing to deserve it
You did nothing at all
Sit back and watch
It turns from bad to worse
No matter how loud you cry
It always hurts.....
Everybody gets
The breaks that belonged to you
Everybody takes
Your just desserts....




At first I wasn't very satisfied with this song. It's hardcore, lyrics are shouted and I didn't understand anything, I only listened to melody and other things. Than I read lyrics and listened to it again.
THIS SONG IS VERY GOOD. ONE OF THE BEST MINOR THREAT SONGS (They are all great except "Guilty Of Being White", I hate lyrics. It remind me of nazi skins)
Minor Threat are one of the greatest hardcore bands of all time. Straight Edge is movement, which started becouse of one Minor Threat's song with the same name. The lyric side of MN is great, instrumental part to. They are great. They'll always be. IF YOU DON'T LIKE MINOR THREAT YOU DON'T LIKE HARDCORE! Sorry, but that's true.

You can find their whole discography on one CD which consists of 26 songs.

I was never a Pulp fan, and I'm still not exactly a huge one. I never quite got why songs like 'Do you remember the first time' and 'Common People' were so great. I don't mind those songs now, but they never hit me in the way that 'This is Hardcore' did.

It's hard to explain why the dramatic, slightly ridiculous tone of the song appeals to me so much. The song is built around a sample from 'Bolero on the moon rocks' by Peter Thomas, the German film composer, and I think it's used very well - the sample adds texture and atmosphere, but doesn't dictate the song. I enjoy the way things develop at a slow pace, with new musical sections still being introduced late in the song. I'm very fond of all of these, but the slow, dreamy section that comes in at around 4:15 is particularly appealing, with its lush and strangely 80s sounding backgrounds.

Utter, utter genius!

"Understanding in a Car Crash" is the song that brought me to love Thursday, a hardcore emo rock band from the New Jersey area. Emo (for "emo"-tional) is a genre that encompasses deep and tenderly obscure lyrics with raw, impassioned screams and hard rock riffs. Thursday is probably the best emo band out there. This is a great song about wasted time and wanted love, so listen to it! You might discover an emo-punker inside of you that you never knew existed!

This band is one of the tightest, most aggressive and imaginative 'hardcore' acts in modern music today.

This track would be a perfect introduction to NMN for the uninitiated listener.
If you like this one, you have about a dozen albums' worth of catching up to do.

Just marvel at the uninhibited pounding and tightly-woven rhythmic tapestries unleashed by bassist/ vocalist Rob Wright on 'Victim's Choice'.

NoMeansNo's style here can possibly be described as
'Devo Meets The Dead Kennedys'
...if one was so inclined to describe things.

This band just constantly and consistently manages to pour it on extra-tight, extra-heavy, and maniacally complex within the usually confining genre of 'Hardcore'.
(call it what you want, I am just attempting to simplify things here)

So don't be shy! This band will please a wide variety of listeners, from Jazz-Heads to Metal-Heads and many of the in-between-heads alike.

Band Website:
NoMeansNo

Hardcore song, fun and fast. Starts of fast.....continues to be fast.....ends fast. Great jump around song.

Digital Hardcore just sounds hopelessly dated now. Whether its the post-September 11th climate of antipathy to all things terrorist / anarchist, or those dusty 10,000bpm sounds, or Alec Empire's gradual metamorphosis into a footsoldier of nu-metal I guess we'll never know.

However, Patric C (the male half of EC8OR) escapes this near-universal damnation with his first album, probably because it was specifically retro in the first instance. The musical accompaniment to an imaginary computer game, The Horrible Plans Of Flex Busterman beeps and bursts at you like all the best simple timewasting game soundtracks did. This song, played toward the end of the album and meant to signify success at the digital challenge, is the finest of all; an inspired melody that is devilish in its simplicity and an absolutely perfect sound to come from a Commodore 64 or Amiga 500 (two of the "instruments" Patric C employed on this album).

It also retains a definite piss-taking attitude, which also stands it in good stead for longevity; the general earnestness of most Digital Hardcore is so difficult to stomach these days, and lightness of touch sets Patric C apart.