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You searched for ‘Energetic’, which matched 40 songs.
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Beer Song  performed by Mustard Plug  1997
Recommended by SchlazzGraft [profile]

If you haven't heard of this band, they're a ska band that's been around for a little while. This song is incredibly energetic and well written. It makes me happy every time i listen to it!

from Evildoers Beware (Hopeless Records)


Blues for Hari  performed by Emil Richards
Recommended by human-cannonball [profile]

A very tasty and rather 'European-sounding' cover of the 1967's psyche-jazz Tom Scott's original from the well-known session percussionist-vibraphonist Emil Richards. Although it comes in a compilation of Emil's best late 60s latin-jazz recordings (interestingly, not a single horn instrument is used in the whole set!), this is an energetic percussive jazz-rock piece, with great vibraphone and bells(!) solos.


available on CD - Luntana (Afro-Cuban Jazz) (Soundsational (Italy))



  konsu: Kudos for rep'n mister Richards! I love this track! This is from the awsome "New Time Element" LP he did for UNI.The whole record is conceptual versions of contemporary pop tunes done in wild time signatures. Check out his take on "Take 5", he does it in 4/4 time! He also does "Georgy Girl" in 5/4 & "Happy Together" in 15/8 time!Also check out Emil Richard's Journey To Bliss LP... MAD STUFF!!!
Bouncing Babies  performed by The Teardrop Explodes  1980
Recommended by dsalmones [profile]

Teardrop Explodes’ second single, "Bouncing Babies", was released in July 1979, following the departure of organist Paul Simpson and the arrival of his replacement Gerald Quinn. With those changes, the group's sound, too, would alter dramatically, as Quinn took the band into the crypt-like depths of proto-Goth; in true Phantom of the Opera style, his organ haunts the grooves, while Gary Dwyer pounds his drums like a man who’s just discovered he's been buried alive, and Michael Finkler reenacts the Texas Chainsaw Massacre with his buzzsaw guitar.

Ecstatic reviews greeted the single, but its lifespan was short – before long, ”Bouncing Babies” was so hard to find that the Freshies came close to scoring a hit simply by bemoaning that difficulty – their &"I Can't Get (Bouncing Babies by the Teardrop xplodes)" itself ranks alongside its namesake among the most memorable of the age.
(AMG)

from Kilimanjaro (Fontana 836897), available on CD (Fontana)


Calabria 2007  performed by Enur  2007
Recommended by xroughstuffx [profile]

I love the beat and the vocals.

from Fetenkult Strandparty


Captain Jack  performed by Ken & Beverly  1968
Recommended by konsu [profile]

One of the far too few originals on this great underrated LP.The duo has a familiar west coast pop-jazz sound,much like their labelmates Bud Shank & Joe Pass.Except where as those two have way too much generally lackluster output,this duo has tons of talent packed into one exciting session! Ken plays an icy alto & soprano not unlike Paul Desmond and Beverly sings with all the grace and soul of ladies like Lena Horne and Dinah Shore. In this track, one of the most energetic on the LP,the group swings in a brisk 5/4,with Ken blowing a soulful line and alternating into creshendos with Beverly paralelling in a sassy vocalese. Wonderfully breezy,and just the kind of peppy bossa-like lounge tune you'll listen to over & over & over...They also do great versions of"A Man & A Woman"(with Ken adding some tasteful vocals himself)and "Eleanor Rigby"! A tough record to find, and no compiled tracks are anywhere to be found.... sad.

from Watch What Happens (World Pacific WP-1862)



debaser  performed by pixies
Recommended by danielismagic [profile]

good pixies song
it's simple and energetic




Djindji Rindji Bubamara  performed by Emir Kusturica  2000
Recommended by nrnono [profile]

Gypsy Punk? The whole "Unza Unza Time" CD is full of tracks played with full tilt and bravado comparable to the most energetic punk rock. Gypsy/Eastern European melodies and harmonies sound very honestly and convincingly. English/German/Serbo-Croatian? lyrics are full of irony. Overall very energetic and convincing Eastern European ethnic music with the right dose of rock decadence and insanity.

from Unza Unza Time (Barclay)



  oby:
Don’t Talk to Me About Love  performed by Altered Images  1983
Recommended by dsalmones [profile]

By late 1983, when Altered Images' third and final album, Bite, was released, Altered Images were already dead in the water. The group had never made any particular headway in the US, where their blend of Siouxsie and the Banshees and the Monkees (not to mention Claire Grogan's bizarre, baby-talk hiccup of a singing voice) was just a little too weird for mainstream tastes, and in their native UK, their colorful look and bubblegummy 1982 singles "I Could Be Happy" and "See Those Eyes" had forever typecast them as a kiddie-pop band. Grogan was already branching off in her second career as an actress (she played the title role in Bill Forsyth's 1982 cult classic Gregory's Girl), and Bite seemed like a mere contractual obligation. For the most part, it sounds like it, too, but the brilliant single "Don't Talk To Me About Love," which led off side two, was a welcome surprise, and possibly the best song they ever did. Mike Chapman's production recalls his work with Blondie, while the disco-tinged electronic beat, chicken-scratch electric guitar part and rubbery, melodic bass part all sound closer to New Order's "Blue Monday" than Bananarama's "Cruel Summer." Grogan herself is in an entirely different mood than usual, with her newly-lowered singing voice (and slightly improved enunciation) displaying a rueful, almost petulant edge that suits the cranky lyrics. Only at the very end does she shoot into her usual helium-pitched unintelligibility, with an air of "See, I can still do this, I just choose not to anymore." Coupled with the most indelible chorus of the band's entire career, it all adds up to a minor masterpiece. Sadly, however, nobody wanted to know.
(AMG)

from Bite (Portrait 25413)
available on CD - Bite...Plus (Edsel)


Fadeaway  performed by Laika and the Cosmonauts  1990
Recommended by delicado [profile]

No one talks about this band much. Not in my experience, anyway. It's all instrumental, so I guess they're not for people who are lost without vocals and lyrics. But have a listen - to me they really seem utterly superb. I would love to see them live.

I only have a couple of albums, but they're great. This one was released in 1996 (shit - that was 9 years ago!), but recorded in 1990. Really beautiful twangy surf-pop that fits in perfectly with the whole David Lynch mood that I find so appealing. The album is an intoxicating mix of energetic surf tracks and slower, more atmospheric ones like this. Their recent 'Local Warming' album is great too. Can anyone recommend me any more of their tracks?

from Zero Gravity, available on CD



  olli: Yeah, they're certainly one of the better neo-surf acts out there. See Laika! Se Laika run! Go laika, go!
Five For Elis  performed by Elis Regina & Toots Thielemans  1969
Recommended by bobbyspacetroup [profile]

Well mostly just Toots on this track. A breezy, two-minute instro carried by Toots' whistling and a very rich, energetic arrangement. Very good stuff. There are a few other instrumentals on this (mostly) excellent disc, and this Thielemans original is easily my favorite.

from Aquarela Do Brasil, available on CD



Frances and Her Friends  performed by Frances Faye  1958
Recommended by almosteva [profile]

Frances and partner Teri wrote this song about their friends. It includes Fran's bother and sister in law (Marty and Vivie), and her poodles, Suzy and Cuddles. It was one of the first gay themed songs to be included with standards on a mainstream album. It is silly, energetic and rhthymic. Fran's voice is a gas. Learm more about Frances online at the Fabulous Frances Faye Archive. Mark Murphy redid the song and credited it to himself on his Lucky to be Me 2002 CD.

from Caught in the Act, available on CD



  delicado: Fantastic to see a Frances Faye recommendation here. I'm a huge, huge fan of her work, although oddly enough I only picked up 'Caught in the act' quite recently. Have you heard the album she did with Russ Garcia on Verve - 'In Frenzy'? Amazing stuff - wild bongo-ridden, brassy, dramatic takes on mostly Latin standards. An incredible performer - I wish I'd been around to catch one of her performances!
  almosteva: Frenzy is one of Faye's best studio albums. Garcia really brings out Faye's unique sound by contrasting it with such strong Latin flavor. I don't know anything else that sounds like it. I am glad you found "Caught in the Act" that is my favorite Faye. Her later concerts were even more wild.
Ginza Samba  performed by Stan Getz and Cal Tjader Sextet  1958
Recommended by kaptnunderpnts [profile]

this is one of my favorite jazz songs, it has a great progression and a great structure. it's uptempo. the entire album is one i've listened to many, many times all the way through. i don't know a whole lot about jazz but the song sounds extremely rich, while all the instruments work together wonderfully.

from Stan Getz and Cal Tjader Sextet - San Francisco


Going crazy  performed by Rave Nation
Recommended by kaamos [profile]

rave, energetic, positive




Good Dancer  performed by The Sleepy Jackson  2003
Recommended by geezer [profile]

Fantastic Austrlian pop drawing on the post Beatleseque for references ,perhaps an imaginary collaboration between John Lennon and George Harrison,the Dark Horse meets No9 Dream .Bright and energetic from start to finish with a sun bleached aura to make your day shine .incidentally this group split and re emerged as Empire of the Sun well worthy of perusal .

from Lover, available on CD


i don't want another man  performed by the feminine complex  1969
Recommended by e [profile]

this a nice song, slightly out of character to the rest of the album ,"Livin' Love"(which is more traditionally sixties pop) this has a big energetic beat and a rousing chorus. perhaps not the most sophisticated composition in the world, but it makes me happy anyway...


available on CD - livin' love (teenbeat)



In These Woods  performed by Les Savy Fav  2000
Recommended by anewyorkminuet [profile]

Energetic, hyper post-punk...
Les Savy Fav manages to create an ethereal feel within their Fugazi/Sunny Day Real Estate/[insert emo pioneer here] influenced cocoon of rock. It's a great tune to get you bouncy and riled up, shking your head and shouting whatever it is you think the lyrics are...

from Emor: Rome upside down, available on CD


Just Lust  performed by Buzzcocks  1978
Recommended by dsalmones [profile]

"Just Lust" was the B-side to the Buzzcocks' highest-charting single, the Pete Shelley punk-pop classic "Ever Fallen in Love?," eventually reaching number 12 on the U.K. singles chart in September of 1978. The mysterious co-author " Dial" is, in fact, a pseudonym for the band's early manager, Richard Boon, who also shared songwriting credits on "What Ever Happened?," the B-side to the Buzzcocks' infamously banned first single "Orgasm Addict." However, the effect of his involvement in not apparent here, as the music is classic Buzzcocks — masters of the punk-fueled power pop nugget. The rhythm is springy, the track's nervous tension as wired as the melody is infectious. Punchy verses with quick-hit vocals are alternated with short dreamy sections of woozy flanged guitar and chopped up-tempo shifts, the band expertly maneuvering in tight spaces. Shelley follows the twists and turns with clipped phrases followed by drawn-out melodies in sync with the compact arrangement: "Your dream to possess/It hurts/It's so unjust/Just lust, just lust/If nothing mattered less/Then I wouldn't make a fuss/Just lust, just lust/I was slow to catch on and that just makes it worse/If passion is a fashion then emotion is just a curse." Though the track was also included on the Buzzcocks' second album, Love Bites, the group had yet to make an impact in the United States. Thankfully, this little gem was not left to languish in obscurity as it was included in the influential collected singles package Singles Going Steady, compiled as the band's introduction to American audiences and released in the states in 1979.
(AMG)

from Love Bites, available on CD


Keep Up  performed by Hyper Crush  2009
Recommended by xroughstuffx [profile]

Fanatstic vocals; such a great pairing.

from Keep Up


Keep Yourself Alive  performed by Queen  1973
Recommended by Ozmala [profile]

The first song on their first CD, and a great one it is. It's hard to listen to it without feeling happy and … energized. And not in a superficial way, either. It's just so happy, and so powerful, and SO HAPPY. Honestly *happy*, too, not just cheerful. It's wonderful.

from Queen (Hollywood Records)


Let’s Go to the Dark Side of the Moon  performed by Original Love
Recommended by johannp [profile]

One of the best songs from the cd 'Sunny Side of Original Love' and one of my favorite songs by Original Love. The instrumentation is typical of this cd: Organ, a driving bass line, drums, a funky guitar riff, brass and a very interesting flute. (Why don't western bands use flutes more? Japanese bands surely seem to realize how they can enhance the mood of a song.)

I love the chords and harmonies in this song. Together with the instrumentation and the suggestive title they make this song very strongly emotional. I can almost feel myself leaving the dull everyday life, escaping to the dark side of the moon as I listen to this song. Oh, and Takao Tajima's vocals are as good as ever.

If you like this song, you may also like 'Sunshine Romance' from the same CD, although this one is the better of the two in my opinion.


available on CD - Sunnny Side of Original Love


magic and ecstacy  performed by Ennio Morricone  197x
Recommended by olli [profile]

In a Morricone mood today...just a quickie.
From the soundtrack of The Exorcist 2, this insane little ditty sounds like a fifty-fifty mix of the Batman theme and library music "black metal", with added harpsichord and italian-style wordless screaming. There's also a middle eastern thing going on in there, and the whole ting is just madly energetic.
This song makes me happy in ways it probably wasn't supposed to.


available on CD - the exorcist 2:the heretic.



Meet Me At The Love-In  performed by Love Generation  1967
Recommended by masayo [profile]

Everytime I listen to their songs, I feel something pressing on my chest. Ahh, I can't express my feeling very well... The boys and girls mixed choirs on fantastic melodies always make me happy. I love " Meet Me At The Love In" so much, especially whisper on their choirs, horn on the bridge, etc. They were actually a follower of The Mamas & The Papas but their tunes are more cheerful and energetic!

from The Love Generation (Imperial 12351)



Oh, Alberta  performed by Elliott Brood  2003
Recommended by gopeeinafridge [profile]

I live in Alberta, and seeing as not a lot of people would want to come here, I'm a bit sentimental toward songs that mention the place I'm from. This song really reminds me of home, and is the kind of top quality rootsier alt-country-ish music that hides around these parts. It's catchy and features a banjo.

from Tin Type (Weewerk)


One More Day  performed by Eldrine  2011
Recommended by ESC_Dream [profile]

An energetic rock song. Georgia's entry for Eurovision Song Contest 2011, 9th place in the final




Plantation  performed by The Young Hookers
Recommended by ZeldaPeach [profile]

energetic and super catchy

from Happy Birthday


politiska dikten återvänder  performed by kim hiorthøy  2000
Recommended by olli [profile]

lo fi percussion-based bedroom electronica from norwegian graphic design wünderchild. very bouncy and energetic. primary colours!


available on CD - hei (smalltown supersound)



R Bop  performed by Eleven Eyes  2005
Recommended by kylemangan [profile]

Super Cool Jazz jam from a group based in Eugene, OR.
Interesting instrumentation too: Trumpet, Sax, DJ, Drum, Guitar, Bass, Keys, FXs. Good stuff.

from Scope, available on CD


Radio Hello  performed by Enej  2010
Recommended by ESC_Dream [profile]

Very energetic folk song in Ukrainian language with accordion, trumpet and great vocal. Addictive!

from Folkorabel, available on CD


Round & Round  performed by New Order  1989
Recommended by eftimihn [profile]

"Technique" is widely regarded as New Orders best album and i surely second that opinion: No fillers, all killers and the balance between "live" sounding songs and balearic, synthesized songs is just perfect. "Round & Round" falls in the latter category: Energetic, multi-layered, sequenced synth stuff going on, with some guitar by Sumner and, for me most importantly probably, Peter Hook's distinctive, emotional bass sound. I guess it's Hook's hooks i dig the most in the New Order soundscape, always delivering a consistency in their sound over many musical changes during the years. It's unmatched for me how that man evokes such emotions and melody out of a bass guitar.

from Technique, available on CD




  kohl: yes. awesome song.
Sleepyhead  performed by Passion Pit  2010
Recommended by sydtoler [profile]

More of a trance song that goes from slow to upbeat. Great transitions. Listening to this song puts me into a better mood and makes me feel more energetic.




Some Sing, Some Dance  performed by Michel Pagliaro  1971
Recommended by prufrock68 [profile]

One of a handful of Quebec artist Michel Pagliaro's (unsuccessful) stabs at the American charts, "Some Sing, Some Dance" is a breezy, acoustic-led pop trifle, lighter than air, with rudimentary lyrics apparently provided by William Finkelberg. A sample:

Ooh you
How would I know just to hold you
How could I show that I want to
'Cause I do wanna hold you
Yes I do

And the following verses expand ever so slightly on that very simplistic base, except by the 3rd terse verse, Michel has sped along from desiring the girl to doubting she could be true, to realizing she, in fact, WAS untrue. Nothing profound here lyrically (and one wonders how comfortable Pagliaro was in 1971 with the English language to keep things this simple), but no matter: The whole package is wrapped in an upbeat, spare but energetic arrangement featuring Pagliaro's acoustic guitar chording, and nice little touches sprinkled throughout, like castanets, shaken tambourine, echoey hand claps, an elegant string arrangement (by Ben McPeak)providing a wonderful counterpoint, and a flamenco-like guitar figure finishing out the brief chorus:

Some sing, some dance
Some like-a romance
I love lovin'

So, even though Michel's been chastened by his lover, he's still coming back for more and longing to still hold this woman...and he loves lovin'...obviously, the magic's in the music here, instead of the lyrics, and it's a little gem of a song. Listen and see if you aren't charmed as well.

from Pagliaro (OOP) (Much)
available on CD - Hit Parade (D.E.P.)


Tell Me When  performed by The Human League  1995
Recommended by dsalmones [profile]

Although a thick line has long been drawn connecting disco to the '90s techno scene, few have bothered to connect the dots between the more modern genre and synth pop. The Human League didn't need to fret about such things, though; they intuitively understood those relationships, having explored virtually all the influences over their career — industrial, funk, R&B, synth pop, new wave, and disco itself. And when the wheel turned again, the band was back on top with a sound that hadn't really changed, but just refined. With a few minor alterations, 1995's "Tell Me When" could have come from 1983, slotting nicely between "Fascination" and "Mirror Man." Of course, the drum programming would need to be changed (there were no jungle rhythms back then!), but the funky bassline can stay, along with the bubbly synths. In fact, the real difference is found in the vignette-esque lyrics and the more complex vocals. And these slight changes make all the difference, turning synth dreams into techno club success. A taster for the group's forthcoming Octopus album, "Tell Me When" hit on both sides of the Atlantic, landing just outside the Top 6 and Top 30 in the U.K. and U.S., respectively.
(AMG)

from Octopus, available on CD


The Lord Is Back  performed by Eugene McDaniels  1971
Recommended by human-cannonball [profile]

The first track on the seminal 'Headless Heroes of the Apocalypse' LP McDaniels cut in 1971 is the most furious and energetic of the album. Spiritual afro-soul-rock with a politically aware attitude. A very 'dirty' psychedelic electric bass guitar with a top-class drummer (Alphonse Mouzon) comprise a hard-hitting rhythm section to remember. I prefer this very bluesy track over the more obvious selections from this top-notch release, e.g. the haunting Jagger the Dagger, and Freedom Death Dance.

from Headless Heroes of the Apocalypse (Atlantic)




  konsu: Nice choice!I always liked this song too but could'nt get anyone to pay much attention to his work.One of the more social/politically charged soul jazz records.Cherished by hip-hoppers for years,and sampled quite a bit.Needs to stand again on it's own merits!
The Witch  performed by The Sonics  1965
Recommended by dsalmones [profile]

"The Witch" was the Sonics' debut single, released on Etiquette, the Tacoma, WA-based label owned and operated by local hero Buck Ormsby, member of garage rock pioneers the Wailers, who are known for unearthing the obscure R&B song "Louie, Louie." Reworking the tunes of Little Richard and Bo Diddley, the Sonics worked the local teen-hop circuit as a rock & roll cover band until eventually coming up with some original material with "The Witch" and what would become the flip side to the single, "Psycho." After revamping the lineup, taking on various members of the Searchers, Gerry Roslie commandeered the vocal duties with a bracing blues shouter style that would become the group's trademark. "The Witch," roughly recorded in mono, is a brooding rocker based around a revved-up blues progression with quivering guitar and a basic sax line holding down a simple riff, drums kicking away in the background. Roslie belts his cautionary tale, sagely advising all to steer clear of "evil chicks," with vocal-chord-shredding wails: "So you know the little girl/Who's new in town/Well you better watch out now/Or she'll put you down/'Cause she's an evil chick/Say, she's the witch, oww!" The band barrels on, lacking any semblance of finesse, stomping into a tempo shift and doubling the speed as Roslie howls, "Well she walks around/Late at night/Most other people sleepin' tight/If you hear her knockin' on your door/You better say get away/Wha whoo!" Guitarist Andy Parypa lets loose a note-stumbling guitar solo in a style similar to Dave Davies of the the Kinks. "The Witch" would become a regional hit, receiving extensive airplay on the powerful Seattle AM station KJR, but the Sonics would never break nationally, most of the country not yet ready for the extremely aggressive attach of the group's rough-and-tumble music.
(AMG)

from Here Are the Sonics (Norton 000903)
available on CD - Nuggets: Original Artyfacts from the First Psychedelic Era 1965-1968 (Rhino)



  blackthorne80: I like this!
Time Over - Timeout  performed by Psycho - Path  1997
Recommended by Durruti [profile]

One of the best slovenian bands, it's the best in slovenian rock. They sound like a punk version of Sonic Youth, it's unique sound. Their lyrics are in English. They have a female vocalist.
This is the first song from their debut album wich was released 1998 or 1997 (sorry, I forgot).
It's very energetic. It was recorded live at an old Slovenian castle. The other song that stand outs from this album is Air Rager. This album is great.
If you like it you should also check their other albums: Autoerotic, Desinvoltura. If you like inovative fresh rock sound, you must check out this band.

from Terminal, available on CD


Turkish Bath  performed by The Don Ellis Orchestra  1968
Recommended by Festy [profile]

When my musical tastes changed nearly 20 years ago, it was a drastic shift. This track, and the album it's from, was definitely significant in this change. It was a completely new sound for me and even now, all this time later, I still love it. Don Ellis was a trumpet player and band leader. He was renowned for composing and arranging tunes in really unusual time signatures (this track, in 7/8, is an example). In fact, it's said that the only song he played in 4/4 was Take Five (a little joke for the musos out there ;)...). It was 1968 that this was recorded, so at the peak of experimentation Western/Eastern music fusion. This track starts off with sitar providing the rhythm which is then picked up by the rhythm section. Ellis comes in with his personally created quarter-tone trumpet. For some, the sound is dissonant and unpleasant. Stick with it - you get used to it. From then on in, it's an energy roller-coaster, as hip as it is cool. After numerous solos, the track subsides and seems to end as the lone sitar returns. But then it picks up the riff again and *BAM* - back into the track with even more energy than before. I'm spent!

from Electric Bath, available on CD



Unpredictable (Vocal Mix)  performed by Krystal
Recommended by kaamos [profile]

Fast,bangin, electronic, very energetic, nice male vocals




Wanted Dead Or Alive  performed by Ennio Morricone  1972
Recommended by bobbyspacetroup [profile]

The film this if from -- Sonny & Jed -- is a spaghetti western circa 1972. The soundtrack has some really nice moments like the beautiful track "Sonny" and this one which is an energetic sort of dance number. On spaghetti soundtracks, including Morricone's, it seems there is often an annoying dance number thrown in that sort of breaks the mood for me. Not so in this case. I particularly like the way uses the chorus and banjo here. For a while last spring, this track was more important than my morning cup of coffee.

from La Banda J&S, available on CD



Whirl  performed by High Rise
Recommended by Damian Vegas [profile]

Totally overdriven, psych-noise power trio rawk. (There, that should satisfy your need for critical cliche.) Seriously, though, this is one of my favorite tracks by High Rise. The band just seems totally in sync here while still going nuts. Especially potent (as always) is Munehiro Narita's guitar soloing. The band puts so much in the song that it really feels longer than it is, and it's still not nearly long enough. Recommended for people who love great guitar solos and just plain fierce rock and roll.


available on CD - Disallow (Squealer Music)


witness  performed by roots manuva  2001
Recommended by olli [profile]

brilliant. i remember how fresh the bouncy off kilter electronic bassline felt when this came out a couple of years ago. bet you a tenners worth of your favorite currency that this will make you nod your grinning head in no time.




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