A superb recording of a really perfect song. Ennio Morricone's theme to the obscure movie 'metti, una cera a cena' (one night at dinner) is here performed in a classic crisp, clear version by Roy Budd. I'm not sure if I love this recording so much because it was the first version I heard, but I think it may even be better than the Morricone recording. Anyway, if you don't know this song, you will probably recognise it when you hear it. It features an infuriatingly catchy repetitive female wordless-vocal over a gentle bossa beat, with rich strings and piano. Every now and then everything goes quiet and all you hear are the vocals and a faint tremelo guitar. It is really amazingly beautiful. There is also a great italian version of this song by Milva, which sounds amazingly like the group Stereolab.
from Soldier Blue (Pye NSPL 18348) available on CD - Sound Spectrum (Sequel)
01 Feb 06 ·leonthedog: The Budd version is also available on "Rebirth of the Budd," for those (like myself) wanting an introduction to his work. The Sandpipers' version on "Canto Morricone Vol." is equally nice.
A classic 80s pop song, with New Order trademarks such as a super heavy bassline, strong drums and some frenetic guitar work. The lyrics aren't too bad for Bernard Sumner either - it's a touching (if not entirely coherent) story about lost love. A great song which fills me with nostagia.
from Brotherhood, available on CD
22 May 05 ·frmars: No melody, poor voice, binary drums, rough and gritty instrumentation, It is a very bad song.
In order to fully examine the minds of torment and depression, one would need to be familiar with Nick Drake's 'Black Eyed Dog.' With his transcendant ability to translate his demons into song, Nick Drake accounts a supernatural phantasm chasing him through the darkness of his own neurosis. 'Black eyed dog he claws at my door' - sung in his upper register, with the use of heavey falcetto, sounds like he is straining to survive a nightmare. His performance, despite the sparse production of acoustic guitar and vocal, is expansive. Use of harmonics and finger roll on this song proves the mastery of his instrument, as an amateur guitarist I am baffled by the sound he can create. The singular pulse of the guitar string rings-out with a delicate harmonic while the layering of other voices continue subtly underneath. And the result is the tragic embrace of his own psychological deterioration; a horror unlike the Macabre style of the French, it stands as its own haunting style, that of 'Drakesque.'
As we know his depression did finally catch up to him, and as a revisionist I would say that Nick knew it would all along, sooner or later. One would only need to hear this song and some of the pieces are put into place.
from Time of No Reply, available on CD
05 Sep 02 ·Liv: they say he had to have several overdubs of his voice on this track until he got it right, because of his depression his voice was trembling.. so far from the classical orchestrations of his early recordings, the sparse instrumentation and the intense emotion of "Black dog" affects you even more as Nick's haunting voice sounds like he's singing through an abyss of infinite darkness and despair.. 28 Feb 03 ·songs-I-love: Actually, the lyrics to this song go "A black-eyed
dog, he CALLED at my door...", but with Nick's way
of singing (or rather: expressing himself), it's
just all too easy to get confused.
The line "I'm growing old and I wanna go home" gets
through my heart like a bullet every time I hear
it. Only few songs can evoke such strong emotions in me. 13 Jul 05 ·kkkerplunkkk: Yes beautiful and chilling, but it's a small comfort to know that this wasn't actually the last song he ever recorded, that sad honour going to the recently discovered Tow The Line.