A rather quizzical Latin jazz workout of the Count V's garage classic, rendered here with fuzz guitar and flute! It sounds to me like this uses the same rhythm track as the original version, and since they were both released on the same label, that's quite likely. Another version exists by Brenton Wood (of "Oogum Boogum" and "Gimme Little Sign" fame), also on the same label and also with the same backing track! Talk about getting as much mileage out of the royalties as you can!

Many people have recorded versions of "Listen Here" over the years, which had been a huge hit for Eddie Harris in 1965. This one features lyrics, though, and great ones at that, which Ms. Keys (whoever she was) apparently penned herself. "Listen here/I don't know what to tell you/there's gonna be some changes/in the comin' year now". A great cut, and if you see it, snatch it up. It's been steadily rising in price the past few months since Gilles Peterson has been known to spin it on his radio show.

I think that it is rather telling that the first words you hear on Air's new album are "we are the synchronizers". I have owned this CD for less than 24 hours and am currently on my seventh listen...to some people, that's natural, but not to me. I have to admit, this is quite the anomaly for me in general. It's much, uh, "proggier" than their first record, a fact well-evidenced by the cover art. In fact, it's quite a bit proggier than anything else in my record collection, but I can't seem to get enough of it. I'm having a very difficult time picking a particular song to recommend, so I'm arbitrarily choosing this one. I was a bit worried that I would be disappointed by this, considering how much I love "Premier Symptomes", "Moon Safari" and the "Virgin Suicides" score, but that was not the case. Get this album, I cannot recommend it highly enough.

A very swinging, groovy Latin jazz take on Shorty Long's Motown classic finds Lewis at the height of his form. As expected, Richard Evans turns in an astounding arrangement, utilizing handclaps, studio chatter and a magnificent horn chart.

A song that lives up to it's name. On the surface, a very easy-going trumpet, harpsichord and xylophone flutter about over a very tense rythm that hints as something sinister. An excellent use of contrasting elements to set a particular filmic mood.