i'm not sure if this is a cover, (most of the songs off her album 'medusa" are) but it is the most amazingly beautiful song... it's smooth, sultry, and you can definately get your business going on to it...

Anytime I see old records that were initially rejected by the record company, I know something cool must be going on. This song is no exception. Highlighted by a slow, sultry, minor key bridge (that was later sped up in the commercial version), this is probably my favorite recording of the 20th century.

This is a very cool, sultry and funky Spanish version of Bread's "Make It With You". Of course the vocals are definately not par to the original, but I like it. This guy has like a million other translated 60's and 70 rockabilly tunes; La Chica De Los Ojos Caf� (Brown Eyed Girl), Uno, Dos Y Tres �Detent�! (1, 2, 3, Red Light), Rosa Marchita (Cracklin' Rose), Juntos Felices (Happy Together), Ven A Darme Amor (Come And Get Your Love), Estos Ojos (These Eyes). Check 'em out!

Oh, my... I know that she gets played to death, and has her lion's share of recommendations on these pages, but I have to mention this one.

For an artist considered sexy in any context this really takes it high. The track just makes you wanna light the candles, pour the cava, burn the buddah, and get freaky-sticky all over the couch! I mean come on! A total love down... Reminds me of the best stuff from the Moments/Sylvia Robinson camp... Smooth smooth soul. And with one of the most sultry voices in recorded history, it's just insane.

The best disco song ever... the vocals are so sultry and seductive as only a former porn star's can be... the beat is irresistable.

This track kicks off the first album by the Jane Relf - Jim McCarty - John Hawken group which arose from the ashes of Renaissance when the latter was taken over by the Camp / Dunford / Thatcher cabal after a couple of LPs (that's not a knock at Renaissance by the way!). "Isadora" is interesting because although it's almost seven minutes long and doesn't have a great deal of lyrical content, it does have a wonderfully frosty mood to it (all those minor chords will do that) and I love some of the piano riffs that fall in behind the lines of singing. And its frostiness makes a remarkable contrast to the sultry "Face Of Yesterday" (q.v.) from the same album!

This is a slow, sultry, intimate piano-led song that makes a remarkable contrast to the frosty "Isadora" (q.v.) off the same LP, despite both songs having basically the same acoustic guitar / bass / drums / piano / vocals lineup. The difference between this kind of soft-rock and, say, the Carpenters, is that the latter were schmaltzy beyond endurance while Illusion provided the genuine article ...

"Face Of Yesterday" was recorded earlier by Renaissance on their "Illusion" LP, which gave its name to this group, which was actually mostly the same Renaissance lineup (with Jane Relf and Jim McCarty) before the Camp / Dunford / Thatcher group took over Renaissance. I know, I know, you can't follow the players without a scorecard in this case ...

This is my most favorite song in the world. I love it because it is a classic, latin, late 1970's, sultry, soft, dinner party or alone-with-someone-special type of track. The instrumentation is not totally typical of latin music (fast rhythm, very ornate), it is soft and easy. The vocals are absolutely velvety and very sensual. Although it is a "sad" song, it is one of those songs that makes you want think about that special certain someone.

This is an "excelente" version of Billy Joel's version of "Just The Way You Are". This album was recorded in 1977, beginning his era with BMG/ Ariola records. The executives, happy to have a performer like JOSE JOSE, provided him with the best musicians, numbers and producers of the time. Included in this album are 2 numbers by Mexico's greatest: Juan Gabriel ("Ya lo pasado, pasado" & "Ahora No !"). Among others credited are Napoleon ("Lo que no fue, no sera"), Adan Torres("Almohada"). Of the 10 numbers included, 7 were top ten hits in Mexico, Colombia and the U.S. Leaving disco to other performers that needed to launch their productions to the international market, Jose Jose's album is just pure old-fashioned latin love songs, songs still heared today.

This is another one of those latin songs that was translated to English for the benefit of those that never heard of Roberto Carlos or his original version of this very popular song (Detalhes). It is a beautiful yet tragic love song. I prefer the original, although this version's orchestration and vocals are very similar to the original.

This sultry ballad from 1984 is the perfect showcase for Tina's great voice. A nice chill out song and good soundtrack for a romantic evening.

Beneath the avant-garde lyrics and futuristic synth textures, there was always a pulsing dance music quality that drove the classic Duran Duran sound. As they progressed into the late '80s, they allowed that dance element to move up front and dominate their style. A good example of this tactic is "Skin Trade," a hit whose silky and funky style led to it being mistaken for a Prince song. The lyrics have a surprisingly direct, soul-searching feel to them as they lay out scenarios of people shortchanging their dreams to make money. These moments are followed with the dramatic proclamation that makes up the chorus: "Will someone please explain/The reasons for this strange behavior?/In exploitation's name/We must be working for the skin trade." The music lends contrast to the angry tone of the lyrics by creating a sultry, mellow melody that juxtaposes verses with a soft, hypnotic ebb and flow with an ever-ascending chorus that revs up the song's inherent drama. Duran Duran's recording is fuelled by funky but gently layered guitar textures and subtle drum work that push its groove along, plus some atmospheric synth textures on the chorus. Interestingly, Simon LeBon uses his normal tenor voice for the choruses but sings much of the verses in a lush, soulful falsetto that led many pop fans to initially mistake "Skin Trade" for a Prince ballad. The result was a perfect blend of slow-dance textures and adult social critique. It didn't do as well as "Notorious," just barely making the Top 40 in the U.S., but it got plenty of radio airplay and is fondly remembered by the group's fans as one of Duran Duran's most mature achievements of the late '80s.
(AMG)

I love this Spanish version of the Stevie Wonder classic because it the new instrumentation. It is still very Stevie Wonder with a new, latin flair. The vocals are absolutely amazing, this guy can really sing.

The driving force of this trip hop/nu jazz oriented song is the Chet Baker sample, "this isn't sometimes, this is always, this isn't maybe this is always," that exquisitedly weaves its way through the various waves and troughs of the rhythm underscoring the track. For those who have never heard Chet Baker sing, think of Chris Montez, who like Chet epitomizes the he/she question - is it a she or he singing? The sultry and relaxed vocals have endeared me to this song. This track was released in late Feb 2001 on 12" but is believed to be on Waldeck's forthcoming lp, The Night Garden, scheduled for release in late May 2001 on Emagine Music in the US.

I love this song, it reminds me why I love Brazilian music. Its very sexy, sultry and classically bossa nova. There about 50 versions, but this one I enjoy a lot. Any other recommendations?

Neko puts her golden throat to this sultry old soul number and creates magic.

It is one of the few covers on her new album 'Blacklisted' but is the one where she really demonstrates her voice's depth, range and emotion.

Simply brilliant.

A blend of Mexican, a sprinkling of country and a dose of Southern soul "Goodnight Moon" is a track off the album "I Ought to Give You a Shot in the Head for Making Me Live in This Dump" : classy!

When a song hits me - I will play it like it's going out of fashion, or in this case, coming into fashion!

Until four days ago I knew nothing about this band - I happened to be surfing around looking for inspiration and accidently came upon this song, the singer whom I now know as Ambrosia Paisley has a sultry, quirky voice and given to this song makes it feel like It should be played acoustic in some smoky bar with swing doors, and a bar man called Hank offering neat JD's.

Although that's probably not too far from reality it is being played world wide thanks to Mr Tarrantino who has used this track in his movie soundtrack - Kill Bill 2 - which kind of makes sense to me granted that my original search on Google four days ago started with Nancy Sinatra, which I also found out "Bang Bang my baby shot me down" (another recommendation should I add!) was lent to the Kill Bill 1 soundtrack.

Regressing, I do not know if any other tunes on this album are worthy but Goodnight Moon now firmly has a place in the soundtrack to my life.

I just found out about this chick (self-proclaimed, okay?!). I feel like Superman having been kissed by Kryptonite . . . "In-tri-guing . . .(gasp) . . .
Must ... find ... out ... MORE ..!" Why am I so
far behind? Sorry, can't really describe it. Funky, sultry, French, (France) Gallic & Gainsbourdian as noted by one reviewer of another April March song ... Derivative is one thing, but this is inspired.