Bobby Darin - truly one of the smoothest singers the US has ever produced, and there's nothing that showcases this pop-cabaret style like his tenure at Capitol. A singer of great versatility, he swings effortlesly on this album, having great technique and even greater rhythmic feel.

Call Me Irresponsible, something of a standard really, is my favourite. Darin's vocals make you fall in love with his irresponsible, unreliable, unpredictable charm. Accompanied by finger clickin' good Richard Wess big-band sounds. Wow. Whatta man.

Hot damn this is a dance song, and the music video is slick as well. It's two canadians, Pee Thugg and Dave 1, and they describe themselves as the only successful arab/jew collaboration since the beginning of time.

To me, Everything But The Girl are one of the most memorable bands of the 80s and 90s. What always strikes me is how their sound evolved from jangly, jazzy-pop in the beginning to polished, rather slick sophisti-pop in the late 80s/early 90s to sample-heavy, drum & bass/trip-hop influenced, house-embracing electronica at the end of their recording history in the mid/late 90s. Despite the change in sound they always managed to capture a consistency in the feel of the music, always revolving around the same themes over the years, dripping with melancholia, unrequited love, self-pity, romantic disillusionment etc. "Two Star" is a delicate, yet emotionally bleak ballad. Acoustic in sound, with piano, double bass and a wonderful string arrangement by Harry Robinson plus some cor anglais embellishments by Kate St. John.

Imagine James Brown and Bob Marley's genius and charisma plus a broader musical knowledge, much more danceable beats, complete ease at improvisation, and a wicked sense of humor. This didn't happen in the US or in the UK - it happenned in Africa and it was done by Nigerians in a Nigerian studio & for a African audience. Little, wimpy Euro-American civilization: now that you got it on CD, listen and learn.

The Pyschedelic Movement at it's finest.Grace Slicks voice is priceless.

I'm going to post 3 linked songs. Eventually. This one, Somebody to Love by the same band and then the recent cover of Somebody To Love by the Boogie Pimps.

Anyway I must have heard this before, but sometime within the past few years it popped up on a free magazine compilation. I probably associated the band with their 80s (?) incarnation - the band that did 'We built this City On Rock and Roll'. Each to their own, but I have to say I really didn't like that song at all - to me it was bland, radio and MTV friendly big haired, anthemic music for people who don't like music. Really sorry if it was your favourite, but as I say, each to their own. White Rabbit is to me is the total opposite.

The best way I can think of to describe the sound would be as being like a cooler, more rocking 60s version of 'Metal Postcard' style Siouxsie and the Banshees. The words are a druggie take on Alice in Wonderland, and it finishes with the singer (Grace Slick?) basically shouting 'Feed my head' over and over. Although I wouldn't condone the sentiment (Just say No, kids!), it's all very impressive. It couldn't be less bland, radio and MTV friendly.

If you like the Banshees, Bauhaus, indie in general or on the otherhand the darker Beatles stuff or the Velvet Underground you might enjoy this.

Somewhere between tacky and slick. The instrumentation on this track is extremely dense, and played at a frenetic pace. There are moments packed so thick with sound, and played at such speed, that it's hard to distinguish all the elements going on. The loungy and somewhat artificial projection of soul in her voice sort of gets to me after a while, but on the whole I think this track storms.

one of a clutch of four almost perfect pop songs released by Scots indie outfit on the Postcard Records label in the early 80s. They went on to be slicker, and mostly remembered for their 1985 hit "Rip It Up". But this is them at their best.

Although I'm very interested in the batch of cool Italian soundtracks from the 60s and 70s which have recently been reissued, I often feel pretty overwhelmed by the volume of stuff out there. So I was pleased to find a used copy of Piero Umiliani's 'Angeli Bianchi...Angeli Neri'. It really is an intoxicatingly brilliant record, and this track is one of the highlights. The musical setting moves around a lot over four minutes - the opening sounds almost like fairy tale music; this then fades out, and some spooky and very cool sounding wordless vocals come in, accompanied by a slick, hip easy listening-style sequence with strings, bass and drums. As this builds, the wordless vocals continue, backed by increasingly beautiful and unexpected chord changes. I'm not doing a great job of describing this record, but happily in this case you can hear the whole song (streamed, real audio) at the excellent 'atrecordings.com' site. Anyway, it's a wonderful track, up there with my absolute favorite soundtrack pieces.

The Hellers were a group of L.A. ad agency people making a pop record, and it shows in this slick opener to their only album. I love the mellow pacing, the otherworldly early synths, and the so-corny-they're-good group vocals. Overall, it comes off like a weird, wonderful hybrid of '60s AM radio promos and mildly psychedelic pop.