The first two or so minutes of this track are very beautifully languorous as well as being very clearly related to the early work of Genesis in terms of instrumentation and musical materials. Unfortunately the song becomes bogged down under the weight of repetition of an altogether less attractive secondary figure that is introduced, filling most of the rest of the many minutes it goes on for.

Such a very sad song, with simply wonderful melody and harmony. This arrangement, originally issued on an album of the same name, makes the very most of its poignancy and drama. Bacharach himself sings beautifully,while carrying all the intelligence and emotion of his song. I don't think I've conveyed what it is that's so superb about this record, so will return to this review at a later date.

Superb slow blues. Nice arrangement blending a rather distant-sounding orchestra with the very precise, restrained (yet very expressive) vocal and guitar. Fleetwood Mac with Peter Green were really quite something.

Pink Floyd are heard at their best with this piece of film music, keeping it simple and atmospheric. I find so much of their output over-ambitious, but here I think they got it right - a short melodic vocal section followed by a very simple organ chord sequence repeated to a very slow fade. This manages to sound gently, atmospherically organic and hypnotic where so often Floyd sound ludicrously overblown.

This is on my playlist for summer barbeque season. It's an unrelenting saxophone hurricane, with a beautiful warm sound, and great melodic soloing the whole way through. I love the tense break in the beginning that evolves into a total explosion, later punctuated with ecstatic moaning. A great groove.