Great cover of a 60's pop classic originally done by the Grass Roots. Juliana Hatfield's voice barely registers at first, but once you adjust a bit to it..she completely pulls you in. "There's more baby..ok!"

I went to a funeral today, which is never going to be the most pleasant way of spending time. However, it was a humanist service and, as such, an appropriate and touching way to remember the individual concerned. Music was played, including Why? by The Communards: a great thing. Not neccessarily a brilliant song, but a very unusual choice.

Of course, events like this spark everyone off thinking and talking about their own fitting ends. I nominate this; a bit of Nina would be great at a funeral. I love the black farce of this track, and what a great piece of final gallows humour to play a song about hell as the curtains close around your coffin in the crematorium.

Was already a fan of the LP "Gideon Gaye" with its lovely mix of Beach Boys meets Steely Dan production. Sean O'Hagen is a Genius. He's really outdone himself with this record! SUBLIME!

70's oh so 70's daubs of wierd gaudiness, layered over plain drabness.

Quirky....very quirky also hilarious, disturbing and unforgettable.

Sample Lyric " Oh what a woman what a tongue, what an abrasive manner"

I first heard this when i around 15 or 16, borrowed from a local Mushroom dealer called Mad dog, I kid you not. At the time I'd "Inadvertently" consumed some of his wares, and was beginning to get hazy and paisley, hence he made me and a couple of friends lay down on his room floor, head to toe, turned off the lights and put Majory Razorblade on.........we giggled in the darkness like school kids,which we were, as we listened to the tale of the woman with the long and fusty dress..I've never forgotten it....

I highly recommend the Album Majory Razorblade, by Kevin Coyne - a lost genius. The title track sets the tone for an album full of seedy characters, each lost in their own wanton little worlds, with lashings of philosphical blurbs "Being on your own is hard, being with someone is harder"

well worth exploring.........

Now THAT'S a title. Honestly, I so wish I was a teen in the sixties. You got to gloom along to the highest-quality pop-soul instead of the early 90's alt.rock that was de riguer in my tender years.

The Exciters are one of the most enduring of the 60's "girl" groups (there's one boy in there). No matter how polished the production was, they remained overwhelmingly vital thanks to the harsh vocal power of Brenda Reid, their main singer. They found mucho favour on the Northern Soul circuit, but I think their stuff is substantially more individual than a lot of the platters on offer in that scene.

"Run Mascara" is about a boy who knows how to hurt and make the tears flow, but gives just enough sweetness to keep Brenda in love. Your classic emotionally-abusive relationship. You would think with a voice like hers Brenda would just wallop him. Or shout at him. That'd shut him up.

Musically it races fast, with the other group members yelling to keep up with the breakneck speed. An outstanding few minutes.