Hoo-wee!! Absolutely smoking soul-jazz from altoist Donaldson with some help from Lonnie Smith on Hammond & George Benson (pre-"On Broadway") on guitar. Leo Morris on drums and Melvin Lastie on cornet round out the quintet.

An AMAZING rearrangement of "Eleanor Rigby". Earland kills on organ, and he's backed up by the incredible Melvin Sparks on guitar and Houston Person on tenor sax. An absolute classic of Hammond jazz.

My favorite track on what may very well be the Association's best album. Great late-60s pop that brings to mind the Monkees' "For Pete's Sake".

Talk about double entendre! Quite possibly the best song ever to use fried chicken as a euphemism for sex with an underage girl. An excellent example of mid-40s rhythm & blues...the entire compilation is highly recommended.

The idea of a funky jazz harp rendition of this classic Jim Webb song is probably cheesy to some people, but trust me, this one works brilliantly. The opening shimmers delightfully with fender rhodes piano, strings, and a huge breakbeat. Dorothy's harp then takes over, and we move into a nice pop/funk/jazz take on the song. The relentless beat is pretty funny when you compare this version to others (e.g. the Glen Campbell hit version, also Nick Cave's classic stripped down version from 'Kicking against the pricks'), but it is really very charming, happy stuff. A similar funk/pop hybrid occurs on her version of 'Windmills of your mind' - highly recommended.