I was shocked to see that no one had recommended anything by these Mancunian legends. The Fall could never be called proponents of over-production and this brittle recording is no exception. This song features basically one chord and a mostly one-note bassline, but still manages to be as propulsive as hell. The wry, wound up lyrics from vocalist Mark E. Smith are augmented by great backing shouts of "totally wired!" This is a complete classic from one of the most original and influential bands of the post-punk era.

This was originally released as a single in 1980 and is available on several different compilations.

A week ago I was in India, the holiday of a lifetime. As well as all the tourist stuff, like temples and museums, I always make sure that I get a slice of pop culture when I'm in a foreign country. So the night tended to conclude in the hotel with a bit of Indian TV.

Watched a fair bit of MTV India which, if anything, is even heavier on ads and blatent self-promotion that its British and American equivalents. I was cheered to see that most of the music they played was in Hindi and there was a limit on the American and European bands that got airplay (seemingly, strangely, limited to The Rasmus and Britney Spears).

But MTV is only watchable for a limited amount of time. Jet lag and excitement dictates that one spends more time awake than asleep and so I got to see a few late 70's Bollywood classics, among them 'Shaan' (translation: 'Pride'). This Asha Bhosle gem is from this movie. The film itself struk me as a fairly banal James Bond rip off although, not speaking Hindi, I grant that I'll have missed the more subtle aspects of plot construction.

This song stopped me in my tracks. I knew that Bollywood was an area that I enjoyed but was in a grand state of ignorance of, and I was looking forward to rectifying this. Pyar Karne Wale takes the prize for best Donna Summer rip off EVER. Stealing its barely-adjusted backing from 'I Feel Love', Bhosle wails and moans over the top, transforming Moroder's disco classic into something that simultanously establishes common ground between Indian and European disco while evoking its more subtle differences.

Myself and boyfriend came back with what seems like every Bollywood soundtrack produced between 1972 and 1980 including, of course, Shaan. I look forward to educating myself in this genre and finding more similar gems.

Haunting melody inspired by the Beethoven's Moonlight Sonata.
Lyrics are truly depressing for a so called "girls band" and this song so unique has been qualified as one of the saddest ever made in the sixties. The Shangri-Las is a fascinating and under-rated band that deserves to be re-discovered. Quick list of recommended songs : Remember (Walkin' in the Sand) -yes they did this too!-, I Can Never Go Home Anymore, Give Us Your Blessing, Leader of the Pack, etc...

When mentioning Swing Out Sister casual listeners often dismiss them as forgettable, mere 80s martini pop kitsch. Or worse, one hit wonders due to the fact that their 1987 offering Breakout is still, by far, their biggest single hit. But this is completely wrong. In fact, they're enjoying an ongoing career for almost 20 years, recording 8 studio albums. Nowadays they�re fitting a niche no other group fits in so comfortably: escapist, late 60s oriented sophisticated glamorous easy listening pop music with all the right influences that spring to mind of that era: Burt Bacharach, Jimmy Webb, John Barry, late 60s european soundtracks in general, Ennio Morricone specifically and sunshine pop. Since these guys aren't necessarily household names in mainstream pop culture today, Swing Out Sister were practically invisible from the mid 90s on in Europe and the USA, releasing their records primarily in Japan, where easy listening music still gets the biggest exposure. The Sisters� 2001 album �Somewhere deep in the night� is their most cinematic, most elegant and visually evocative album to date, where the Bacharach/Barry/Morricone spirit is prevailing the most: 60s arrangements with Bacharach-oriented songwriting, Barry-esque lush strings, Morricone-style harpsicord, saxophone, harps, jazzy guitars, muted trumpets, fluegelhorn, wordless vocals, blending vocal songs with atmospheric instrumentals, creating an imaginary soundtrack. The whole album is a truly underrated gem.

From the film that saved Twentieth Century Fox from one of it's many brushes with bankruptcy... This song is very much a product of it's time and has only become more campy as the years pass by. It tells the story of a 17 year-old runaway who hitches a ride with a drug dealer and shacks up with him in New Orleans only to be hardened by his neglect and abuse. Talk of a DVD release of this film thru Criterion is running rampant on the internet, I do hope it is true!