From the godfather of filthfy rap comes this FUNKY,slamming tune. It tells the story of trucker with a CB radio(timewarp) who is, in his mind anyway, the baddest bastard around. On his journey he picks up a transvestite hooker, masterbates, has a fight with the Grand Dragon of the klu klux klan, claims to be related to Mohammed Ali, and drinks a bottle of wine. The killer rhyme is "We got to the room, pulled off her clothes, and the funk from her p***y started f**king with my nose." If you don't mind that sort of talk, you'll love this cut.
14 Mar 03 ·delicado: I don't have this record, but must confess that I find Blowfly strangely compelling. The mix of toilet humour, offensiveness, and authentic funk sounds is very potent indeed.
Wilson Simonal's mix of Brazilian soft pop and soul cause him to be a pivotal figure in the growth of the "Black Rio" funk scene. This track, classed as one of Brazil's "soul standards" bounces along with a laid back groove, brass and cheekiness.
from Alegria, Alegria!! (Odeon) available on CD - Espresso (Deram)
13 May 03 ·delicado: Brilliant track! Funnily enough, I just put this on a compilation last weekend. While I like this version best, there are also interesting versions in French (Brigette Bardot) and Italian (Mina). 29 Aug 06 ·clmarcel: um grande cantor! infelizmente foi injusti�ado e morreu sem ter o reconhecimento merecido! uma pena!
A great, great pop song. Just over three minutes of swirling noise and chunky power chords. Now readily available again on 'Capsule', a limited edition best of double CD. Nice one.
21 May 03 ·delicado: I had completely forgotten about this. Nice one indeed! O'Leary, eh... 22 May 03 ·Genza: It's easy to forget about it - but you should listen to how great it still sounds. I was amazed. It's slips down so sweet - like a smooth, velveteen bunny honey. And David O'Leary is a confirmed Kitchens fans apparently. Not sure if he likes Kachloul or Aplay though...
Great track. Entirely scat-sung, steady midtempo funky groove, with that distinctive Odeon Studios sound, and the bridge breaks into a waltz-time section, with Claudia's high-pitched vocal effects strongly reminiscent of something off the Vampyros Lesbos soundtrack album. Claudia's a big collector's favorite among Brazilian femme singers, since her stuff's consistently strong, she's got this great strong expressive voice, cool material choices including a number of exclusive Marcos Valle songs, and NONE of her early 70s Odeon sides have been issued on CD.
This stunning instrumental is a reasonably straight version of a classical piece by Maurice Ravel, originally written in 1899. Eumir plays piano over a dense string background, adding a tiny bit of jazz phrasing. The texture of the layered strings and piano is remarkably intense and beautiful, and the piece is quite exquisite. I expect this recording would offend classical purists, but I must admit that having heard this version first, I still like it the best. Perhaps this is down to the sheer richness of the string recording, which may be endowed by studio wizardry rarely used in classical recordings. Either way, it's really quite incredible, and I urge you to check it out.
03 Jan 02 ·Mike: While I find Deodato to be a stimulating and interesting artist (and am far from being a "classical purist" of any sort), I can't really muster any great enthusiasm for this recording. Too close to being a kind of synthesis of Ravel's original for solo piano (1899) and version for full orchestra (1910), I find Deodato's funky adaptations of Stauss's "Also Sprach Zarathustra" and, particularly Debussy's "Prelude to the afternoon of a faun" somewhat more worthwhile. Maybe I should listen again to the Ravel adaptation, but in the past I have found its blandness a little irritating... 28 Feb 02 ·G400 Custom: What I like about this track is the fact that it's a very black, funky take on a piece with questionable Aryan overtones. It can be heard to great affect in Hal Ashby's 'Being There', which I think was Peter Sellers' last film. 28 Feb 02 ·G400 Custom: Re the above comment: I was talking about 'Also Sprach Zarathrustra', not the Ravel piece. Sorry for any confusion. 03 Sep 02 ·G400 Custom: As far as the Ravel adaptation goes, I find it pleasant if a little bit chocolate-boxey, reminiscent of the 60s soundtracks of Francis Lai. I can't argue with Delicado's comments about the string sound though, which is astonishing. 17 Sep 03 ·sodapop650: Bore - Ring! If you are going to listen to Deodato. Listen to the early Equipe LPs. When his sound was so hip, hipper than hip, the bastard brazilian son of Henry Mancini hip. Get a copy of "Tremendao" grab a beer and try to find a nice warm spot of sunshine. 18 Sep 03 ·delicado: Well, you have to remember that I'm someone who is obsessed with string sounds. I listen fanatically to late 50s and 60s mood music records, and am a fan of both Percy Faith and Jackie Gleason's records. Yes, I love Brazilian music, and enjoy all of Deodato's 60s Equipe LPs, but I also have a very real and intense love of what my pal G400 defines as 'chocolate-boxy' easy listening music. Deodato's 1972 LP 'Percepcao' (recently reissued on CD in Brazil) also falls into this category, and I adore it! 18 Apr 04 ·[email protected]: One of the purist fusion jazz artists of his time. Listen to the music, don't try to interpret it or rationalize it. Your missing the point. Eumir is unmistakeably one of the pioneers in this gendre.
