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2 tracks on CTI have been recommended.
Zazueira  performed by Astrud Gilberto & Stanley Turrentine  1971
Recommended by tinks [profile]

A very funky track from Astrud's final US album. Very bass-heavy and percussive, just an excellent song. Stanley Turrentine's tenor sax doesn't meld with Gilberto's voice nearly as well as Stan Getz' warmer tones did, but that's a minor flaw that doesn't detract from the overall song too much.

from Gilberto with Turrentine (CTI), available on CD (Columbia)


Pavane for a Dead Princess  performed by Eumir Deodato  1973
Recommended by delicado [profile]

This stunning instrumental is a reasonably straight version of a classical piece by Maurice Ravel, originally written in 1899. Eumir plays piano over a dense string background, adding a tiny bit of jazz phrasing. The texture of the layered strings and piano is remarkably intense and beautiful, and the piece is quite exquisite. I expect this recording would offend classical purists, but I must admit that having heard this version first, I still like it the best. Perhaps this is down to the sheer richness of the string recording, which may be endowed by studio wizardry rarely used in classical recordings. Either way, it's really quite incredible, and I urge you to check it out.

from Deodato 2 (CTI), available on CD (CBS)




  03 Jan 02 ·Mike: While I find Deodato to be a stimulating and interesting artist (and am far from being a "classical purist" of any sort), I can't really muster any great enthusiasm for this recording. Too close to being a kind of synthesis of Ravel's original for solo piano (1899) and version for full orchestra (1910), I find Deodato's funky adaptations of Stauss's "Also Sprach Zarathustra" and, particularly Debussy's "Prelude to the afternoon of a faun" somewhat more worthwhile. Maybe I should listen again to the Ravel adaptation, but in the past I have found its blandness a little irritating...
  28 Feb 02 ·G400 Custom: What I like about this track is the fact that it's a very black, funky take on a piece with questionable Aryan overtones. It can be heard to great affect in Hal Ashby's 'Being There', which I think was Peter Sellers' last film.
  28 Feb 02 ·G400 Custom: Re the above comment: I was talking about 'Also Sprach Zarathrustra', not the Ravel piece. Sorry for any confusion.
  03 Sep 02 ·G400 Custom: As far as the Ravel adaptation goes, I find it pleasant if a little bit chocolate-boxey, reminiscent of the 60s soundtracks of Francis Lai. I can't argue with Delicado's comments about the string sound though, which is astonishing.
  17 Sep 03 ·sodapop650: Bore - Ring! If you are going to listen to Deodato. Listen to the early Equipe LPs. When his sound was so hip, hipper than hip, the bastard brazilian son of Henry Mancini hip. Get a copy of "Tremendao" grab a beer and try to find a nice warm spot of sunshine.
  18 Sep 03 ·delicado: Well, you have to remember that I'm someone who is obsessed with string sounds. I listen fanatically to late 50s and 60s mood music records, and am a fan of both Percy Faith and Jackie Gleason's records. Yes, I love Brazilian music, and enjoy all of Deodato's 60s Equipe LPs, but I also have a very real and intense love of what my pal G400 defines as 'chocolate-boxy' easy listening music. Deodato's 1972 LP 'Percepcao' (recently reissued on CD in Brazil) also falls into this category, and I adore it!
  18 Apr 04 ·[email protected]: One of the purist fusion jazz artists of his time. Listen to the music, don't try to interpret it or rationalize it. Your missing the point. Eumir is unmistakeably one of the pioneers in this gendre.

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