This is a jazzy, haunting track from an LP I bought in Brazil last year. I've tried hard to find information about Jean Kelson, but the only mention I've found (other than those I've made myself) is in one of Ed Motta's excellent archived radio shows at his official site (http://www2.uol.com.br/edmotta/sala.htm). Ed plays a different track from this album, Munganga.
Catolé sounds musically like a variation of Baden Powell's classic 'Berimbau', and opens with an incredibly catchy refrain featuring piano, percussion and trumpet. Gentle male voices then come in and flesh out the melody. The entire album is great. I wonder what the chances are of it coming out on CD...
from Berimbau e Bigorrilho (Copacabana CLPS 21012)
This bizarre Morricone pop tune sounds as if it came from a parallel universe. With an instrumental mix of guitar, harpsichord, bass and drums, it achieves the same kind of spooky, melancholic atmosphere as 'Deep Down', another Morricone film song from the same year. But in contrast to Christy's passionate vocal in 'Deep Down', Peter Bloom's delivery is light-hearted and much more low-key. Both tracks feature classic Morricone wordless vocal effects and some truly ridiculous lyrics. I haven't seen Partner, but I'd be interested to see how this song fits in to the story:
"I want to be your dazzling white knight
I'll splash you sizzling cool with bright light
I'll kiss your cleanliness
...Your soft, silkiness
Oh what happiness:
It's biological...
SPLASH
DASH
FLASH"
Ridiculous words, but the arrangement makes the track genuinely powerful. Shame Ennio didn't bring this one out for the crowd at the Royal Albert Hall last year.
from Partner OST (Cam) available on CD - Morricone a Go-Go
18 Jan 04 ·bobbyspacetroup: I love this song! I haven't seen Partner either but have heard it's pretty awful. 06 Oct 04 ·eftimihn: It's absolutely superb, that harpsicord sound is especially lovely and the lyrics are really weird throughout with Peter singing something with "my super-duper-baby/ we're goin' whoops-a-daisy" in the bridge part of the song... 23 Oct 04 ·megaphonerecords: i can't beleive it!!!!!!!! i first heard this song while i was living in australia. it shot right into my being & resonated hard. since i've been back in the states i've been trying to find this song with no luck. it's been 5 years now & this is the first time i've seen a sign that this song really exists & wasn't just a magical dream i had. maybe i'll be fortunate enough to actually hear this song again before i die! 02 Jul 06 ·dominb: I saw "Partner" at a revival at a cinema in Madrid and although Morricone does the whole s/track this song is the only pop number so it really stands out,the scene which accompanies it features the main character played by Pierre Clementi romping with his girlfriend in soap suds pouring out of a washing machine,he then jams her head in the washer's door and kills her!...Partner is a pretty pretentious film but it's odd enough to be enjoyable.When I saw it,this song was the high point for me,even though it only lasts a few mins....Where did you get this from? 02 Jul 06 ·dominb: ah..."morricone a go go"...I'll look out for it,must be a million morricone compilations,finding new morricone music is a hobby of mine! 03 Jan 13 ·delicado: To see the film clip with the music (dominb\'s description above is pretty accurate), visit http://youtu.be/ftueIAmdwBw
When I heard this album by the Brazilian organist Ed Lincoln, I really wasn't expecting a tune like this. It's a beautiful, tender vocal, sounding like something from a Francis Lai soundtrack, with lovely male-female alternating vocals and an exquisite Morricone style trumpet blending well with the guitar/organ/percussion instrumentation. An absolutely stunning track - playful but slightly sad at the same time, with some spooky laughter/sighing from the female singer towards the end.
24 Feb 04 ·n-jeff: Thats the thing with Lincoln, its not just the cheese, he played alongside the best Jazz musicians in Brazil. He could cut a pretty funk when the occasion demanded, and his "Seu piano eletrico" album ranges from african tinged stompers to mid sixties style vocal cuts.
IMHO opinion underrated as a producer as well, he seems to have been active on the cutting edge of Brazilain music from the late fifties right through to the late seventies.
I intended to use this track as the payoff for a compilation I did for a cd trading ring, but I don't think I had the space.
He was in hospital just before Christmas (2003), not sure how he's doing now. 28 Feb 04 ·delicado: I have to say, I'm pretty blown away by his work. I know you've been harping on about him for years, so I wish I had listened earlier! 05 May 04 ·sodapop650: Ed Lincolns best work is the recordings he did with Orlann Divo becasue he is a little more low-key and the arrangements are just plain better. I love O Ganso cause its so damn crazy and his recordings under the name Claudio Marcelo are pretty good too. A rcord seller in Brazil actually got me his autograph as a present because I bought so many of Ed Lincolns LPs. But I gotta tell you, someone like Sergio Carvalho or Eumir Deodato are much more powerful on the Hammond and Ely Arcoverde, Juarez Sant'ana Ze Maria I think are all more mature organists. I put Ed Lincoln with Walter Wanderley a little heavy on the cheese.
This track wasn't what I expected. My previous favorite version of this song (although I have many) was probably the one by Mel Torme on his 1962 album 'Right Now'. And since that version was arranged by Ogerman, I had expected this version to be simply an instrumental version like Torme's recording - a cool, finger-clicking, jerky pop number. In fact, there's something much cooler and more sophisticated about this version.
The tune is picked out first by an organ, and then by the brass and woodwinds before returning to the organ, which then jams around the main tune. A really beautiful string section comes in early on, creating some unusual chords that really add to the song and work very well alongside the 'cool' effect of the organ and rhythm. I wish Claus had recorded more songs with this mixture of percussion, jazzy instrumentation and lovely thick string parts. A few tracks on one of his other 60s LPs, 'Latin Rock,' come close, but I'm not sure any of them are as nice as this one.
What a winning track! Opening with Morricone-style 'boing' sounds, this is a sexy, funky pop song with interchanging female/male vocals and pounding drums.
The sub-genre of pop songs in this style, featuring flirting and laughing alongside groovy 60s backings, is under-appreciated. I can think of a few more examples: Piero Umiliani's 'Flirt a Rio', Marcos Valle's 'Ele e ela', and my previous recommendation, Ed Lincoln's 'Bon-jour'. Mina's 'Parole Parole' almost fits as well, although the interplay there is a bit more dramataic than flirtatious.
Confusingly, there's another track called "Love, L'Amour, Amore" by Gerhard Heinz, which appears on the "Melodies in Love" compilation of his work. But I gather from hearing a clip that this is a different track altogether.
from Birds Do It: Music From German Sex Education Movies of the 60's (Diggler Records DIG004), available on CD
