When I heard this album by the Brazilian organist Ed Lincoln, I really wasn't expecting a tune like this. It's a beautiful, tender vocal, sounding like something from a Francis Lai soundtrack, with lovely male-female alternating vocals and an exquisite Morricone style trumpet blending well with the guitar/organ/percussion instrumentation. An absolutely stunning track - playful but slightly sad at the same time, with some spooky laughter/sighing from the female singer towards the end.
24 Feb 04 ·n-jeff: Thats the thing with Lincoln, its not just the cheese, he played alongside the best Jazz musicians in Brazil. He could cut a pretty funk when the occasion demanded, and his "Seu piano eletrico" album ranges from african tinged stompers to mid sixties style vocal cuts.
IMHO opinion underrated as a producer as well, he seems to have been active on the cutting edge of Brazilain music from the late fifties right through to the late seventies.
I intended to use this track as the payoff for a compilation I did for a cd trading ring, but I don't think I had the space.
He was in hospital just before Christmas (2003), not sure how he's doing now. 28 Feb 04 ·delicado: I have to say, I'm pretty blown away by his work. I know you've been harping on about him for years, so I wish I had listened earlier! 05 May 04 ·sodapop650: Ed Lincolns best work is the recordings he did with Orlann Divo becasue he is a little more low-key and the arrangements are just plain better. I love O Ganso cause its so damn crazy and his recordings under the name Claudio Marcelo are pretty good too. A rcord seller in Brazil actually got me his autograph as a present because I bought so many of Ed Lincolns LPs. But I gotta tell you, someone like Sergio Carvalho or Eumir Deodato are much more powerful on the Hammond and Ely Arcoverde, Juarez Sant'ana Ze Maria I think are all more mature organists. I put Ed Lincoln with Walter Wanderley a little heavy on the cheese.
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