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delicado [profile] has recommended 214 tracks.
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Oh Happy Day  performed by Quincy Jones  1969
Composed by Hawkins

A great soul jazz track with one of the most beautifully spare and groovy introductions I've ever heard. Featuring Bernard 'pretty' Purdie on drums, Ray Brown on bass, and Quincy Jones on Fender Rhodes, it really is irresistible. The track explodes with a huge vocal choir about half way through; it ends up sounding almost like a gospel song, before slipping back into the cool funky instrumental sound from the introduction

from Walking in Space (A&M SP 3023), available on CD



Do it again  performed by Ronnie Aldrich  1969
Composed by Brian Wilson

This is pure fun, a track with that 'easy cheesy' sound which many people love to hate. But wait, this is brilliant! Although rather clunky and an extremely 'square' take on 'hip', this is quite magnificent, honestly. Backed by a relentless beat, Ronnie plays the tune on 2 pianos, while for the bridge section the superb harmonies in the Beach Boys original are played out beautifully by the London Festival Orchestra. Although it's something of a guilty pleasure, I have to recommend this track very highly. Listening to it now on headphones, I notice that it even has that stereo effect having each piano come out of a different channel, an effect used to great effect on his version of 'soulful strut'.

from This Way (London/Phase 4 SP 44116)




  25 Jun 01 ·tinks: and here i was convinced that i was the only person in the world that liked this album! the cover of "mas que nada" on here is great!
Take 8  performed by Pete Moore  1970
Composed by Moore

A simple blues/funk instrumental with a fuzzy bassline and an incredibly infectuous groove. It's short and sweet, and the drum sound super fresh and funky. This is typical of Pete Moore, who made some incredibly cool records in the easy-funk vein, which are rarely seen outside his native UK.

from The Exciting Sounds of Tomorrow (Fontana)


The Spook Walks  performed by Spooks  196?

A murky and twangy instrumental, drenched with reverb and strange sound effects, courtesy of Joe Meek. Ridiculous, but superbly atmospheric.

from the single The Spook Walks
available on CD - Intergalactic Instro's - The Joe Meek Collection (Diamond)


Perdita  performed by Angelo Badalamenti  1990
Composed by Badalamenti

A perfectly distilled instrumental which seems to capture everything poignant and affecting about Badalamenti's soundtrack work. 'Perdita' opens with a faint piano, being played seemingly with one finger, which gets louder and is joined gradually by a rich string section. Rather like some of Ennio Morricone's best themes, this is very simple, but so beautiful that it doesn't end up sounding obvious or clich�d. On the other hand, perhaps I'm just being nostalgic about being 16 again.

from Wild at Heart (Soundtrack) (Polydor 845098), available on CD



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