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List songs by Song title | Performer | Year

You searched for ‘fragile’, which matched 14 songs.
click - person recommending, year, performer, songtitle - to see more recommendations.
Anthems for a Seventeen Year-Old Girl  performed by Broken Social Scene
Recommended by naked mardou [profile]

Haunting and magical with fragile, baby-doll vocals. The song describes common sentiments, repeating the phrase "park that car/drop that phone/sleep on the floor/dream about me" with such earnestness that, if you were the object of such affection, it would be nearly impossible not to come back.

This track is recommended for: fans of the Magnetic Fields, Radiohead


available on CD - You Forgot it in People (Arts & Crafts)


Any Girl Can Make Me Smile  performed by ANT  2002
Recommended by kkkerplunkkk [profile]

A beautiful, soft, sad, fragile piece about a couple breaking up and bursting into tears as they do. Incredible for its intimate feel and sparse instrumentation (voice, organ, harmonica, egg shaker) chilling lyrics 'you close your eyes but there's no paradise, you count the cost of all we've lost and all we've wasted'. It hits the nail bang on the head! Love it to bits.

from A Long Way To Blow A Kiss, available on CD (Fortune and Glory)


Chelsea Girl  performed by Simple Minds  1979
Recommended by dsalmones [profile]

Simple Mind's second single, "Chelsea Girl", was an apt follow-up to its predecessor "Life in a Day", an epic chant, a shimmering melody, and a sing-along chorus that paid spell-bound homage to Velvet Underground chanteuse Nico, in her role within Warhol�s movie of the same name.

Producer John Leckie gives "Chelsea Girl" a lovely delicate quality, especially across the long, tinkling keyboard intro, an aura that barely dissipates even when drummer Brian McGee and bassist Derek Forbes's kick in with their thumping rhythm. The band were proving to be masters at these juxtaposed styles, creating rock solid bases and overlaying them with much more fragile and elegant melodies and atmospheres. Here, those latter are close to effervescent and, as the band shift down into the long bass-driven, overlapping tag teamed vocal outro (a playful lift from Roxy Music�s �Mother Of Pearl�, but no matter), absolutely crystalline.

On album and onstage, �Chelsea Girl� remained fans' favorite, on 45 though, it inexplicably crashed and burned, and didn't even reach the UK chart.
(AMG)

from Life In A Day, available on CD (Zoom)


Desiree  performed by The Left Banke  1968
Recommended by tempted [profile]

If romantic, dramatic, emotionally fragile and beautifully orchestrated baroque pop with woodwinds moves you then you're blessed... by me.


available on CD - Complete Recordings (Mercury)




  gaymod: is this a cover of the old doo wop standard ? which Zappa was involved in
  tempted: No, it's a Left Banke original.
  Swinging London: Haven't heard that for years! Nice to be reminded of it. My fave by them is 'Pretty Ballerina'. As far as I know, they never had a hit here in England.
I Will Get On  performed by Annie  2002
Recommended by SleazyListening [profile]

You may remember Annie from her/their housey dancefloor number of a year or two back "The Greatest Hit".

Well, they've come back with this, a sublime downbeat track with a lush-yet-delicate female vocal. Instrumentally, it reminds me of a slower, swinging P-funk number, quite minimal beats but funky as all hell (in a chill kinda way).

Absolutely beautiful -hard to find but worth looking.

Originally a limited-release 7" on Norwegian label Telle, and quickly licensed by UK house label Loaded -it appears on a sampler they released late 2002.


available on CD - (vinyl) (Loaded)


Insight  performed by Joy Division  1979
Recommended by Genza [profile]

Prior to Ian Curtis' death and the infamous but less interesting second album Closer, Joy Division released a whole bunch of fantastic songs. Atmosphere, She's Lost Control and Transmission (recently superbly covered by US minimalists Low) are all rightly loved - but the fragile wonder of Insight is almost always forgotten.

The song starts with sound of a lift going down - and the overall feel is lonely, desolate and claustrophobic. Insight stirs the soul and breaks your heart my friend. Mighty powerful stuff.

from Unknown Pleasures (Factory)




  delicado: It's an incredibly intense and affecting track, one of my favorites, alongside 'disorder' and 'decades'. And 'no love lost', obviously.
Laura  performed by Julie London  1955
Recommended by delicado [profile]

'Laura' has long been my favorite standard. The tune is elegant and haunting, and completely devoid of some of the schmaltzy feel that plagues many popular standards.

Written as an instrumental for the 1944 film of the same name, this was composed as a piano-based number, and so Julie's version is perhaps not the most orthodox recording. However, it's incredibly powerful and atmospheric, and I *think* it's my favorite version.

The entire track lasts just 1 minute and 40 seconds. The first verse is sung as a solo voice without any accompaniment other than the spooky reverberation effect. When the music does come in, it's provided by a small jazz trio led by Barney Kessel. Kessel's delicate jazz chords and picking complement Julie's voice beautifully.

from Julie is her name, available on CD (Liberty)



Pink Frost  performed by The Chills
Recommended by LawrenceM [profile]

Classic New Zealand psychedelia .... jangly guitar, haunting, evocative lyrics, fragile vocals and an otherworldly feeling which perfecly evokes Dunedin. The best New Zealand pop song ever written.

from Kaleidoscope World, available on CD (Flying Nun)




  delicado: I saw The Chills at my first ever gig in March 1990. They were really good actually, but somehow I never followed up and bought any of their records. I will have to check this one out. Playing at the same show were McCarthy, whose records I did buy, and who became Stereolab.
Playground Love  performed by Air  2000
Recommended by delicado [profile]

To me, this one of the most perfect songs released in recent years. It's hard to pin down what makes this track so affecting - the instrumentation is mostly synth; there is also an understated, slightly Bowie-style vocal. Overall I think it is the music itself - the fragile chord sequence and instrumentation evoke a strange sense of lost summer memories.

from Virgin Suicides, available on CD (AstralWerks)




  secularus: This track is sublime. Atmosphere to the nth degree. Sophia Coppola is very lucky to have a gem like this as the pervasive track to her film, The Virgin Suicides. Mesmerizing.
  tinks: that ain't the only reason sofia coppola is very lucky, but that's another story. i agree, i love the entire score to the film.
Quando o carnaval chegar  performed by Quarteto em Cy  1972
Recommended by delicado [profile]

The opening track on the 1972 album 'Quarteto em Cy,' this is an interpretation of a Chico Buarque song, written for the film of the same name by Cac� Diegues. I find this recording very affecting. It helps that the spectrum of sound is that kind of superb blend of strings, piano, bossa nova guitars, and female vocals that I find so perfect. But I think it's also just the fragile, melancholic atmosphere of the song that gets me. After the introduction, featuring a flowing string arrangement that reminds me of the work Claus Ogerman did with Jobim, the song gets going, and the mood becomes a little lighter. This album has just been reissued on CD in Brazil, and is highly recommended.

from Quarteto em Cy, available on CD (Odeon)




  konsu: Yes! I've been hooked on their version of "Tudo Que Voce Podia Ser" lately, from the same 72' LP. That year was great for brazillian recordings in general. Also check out Marcos Valle's "Vento Sul".
Soldier  performed by Spirit  1970
Recommended by rassy23 [profile]

From The 12 Dreams Of Dr Sardonicus, this final track on side 2 has got to be one of the most beautiful songs with its full organ sound underpinning fragile high register vocals that develop into harmonies that send shivers all over. Recorded at a studio picked for it's resident organ, the quality of the recording is crystal!

from The 12 Dreams of Dr Sardonicus (Epic 30267)


Spirit Ditch  performed by Sparklehorse  1995
Recommended by executiveslacks [profile]

I really could've picked any song from this album, but this was the song that stood out the most when I first heard it.
A gentle, almost fragile, home recording. Hushed vocals, simple guitar lines, and minimal drums, its intimacy is compounded tenfold towards the end when he samples what could very well have been a message left on his answering machine.

from Vivadixiesubmarinetransmissionplot, available on CD (Capitol)


Through the Yard of Blonde Girls  performed by Jeff Buckley
Recommended by two-headed boy [profile]

I'm into blonde women, always have been. Perhaps I share a kindship with the late great Jeff Buckley. I can just imagine where he's coming from, standing on stage, electric guitar amped to rock, all that power in his hands, peering out through the crowd into a yard of blonde girls. How wonderfully empowering! Just think of it? A young man in his prime slashing power chords in front of a legion of women, and leaving this song to remind us of what it's like to live this mythical life. I sing along, dreaming of what it would have been like as a rock star, what kind of pleasure could I derive from the world?

Jeff has certainly proven and disproven his own stylings from the seminal album, Grace, to the somewhat obscure and fragile My Sweetheart the Drunk. What could have been still reverberates through my mind when listening to this song in particular. Its compelling simplicity and catchy chorus, "very sexy, very sexy, okay, okay" beckons my blonde girlfriend to break out into song. The slow thrust of crunching guitars, standard rock 4/4 time, heavy drums sitting on every beat - it's almost glam, almost British invasion, almost cock-rock, but Buckley style. And yes, very sexy, very sexy. Trust me guys, girls will love this song!

from My Sweetheart the Drunk, available on CD




  amyliner: Hi, Just to say that Jeff Buckley didn't write Yard of Blonde Girls (not that you'd ever know from the way he performs it. *sigh*) It was written by A.Clark - L.Kramer - I.Lorre. But yes, girls do love this song. Espencially we blonde ones!!!!
  elision: 'yard of blonde girls' seems to be a somewhat pejorative term (the middle-upper class socialites, the 'gold sharks') so while Jeff Buckley may have stood rock god-like and looked upon legions of blonde girls (somehow I doubt that was his main audience) with a sexually approving eye, if the song spoke anything about his truth, he would probably have been looking out for the different one, the pure one who rises above social politicking in her innocence, the Lola.
  ultra-violent romantic: eloquently said elison; i have to agree with you, especially in reference to the "gold sharks glittering." in david browne's dual biography on tim and jeff buckley titled "dream brother," he points out that when jeff recorded this song he made it very apparent that he didn't want any Sony reps to get a hold of it...
Tropical London  performed by Rancid
Recommended by inbloom44 [profile]

Rough but with fragile edges.You can just feel the emotion and longing.




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