'do they know, do they care, that it's only/that I'm lonely and low as can be.../And the smile on my face...isn't really a smile at all...'
This is a brilliant, devastating recording. Julie's gentle, heartfelt vocal, the lush background... I'm speechless!
from Love on the Rocks (Liberty) available on CD - The Liberty Years (EMI)
28 Feb 02 ·G400 Custom: Julie London's version of 'Fly Me To The Moon' is the best I've ever heard. 12 Nov 02 ·followyourbliss: I love Julie London - I agree with G400. Her Fly Me To The Moon is on Ultralounge's Bossanovaville and it's even better than Sinatra's 09 Jan 04 ·rio: great choice; the whole album is one of my favorites by julie.. how about "guess who i saw today"? 21 Aug 04 ·masten: I am looking for a CD of Julie London titled "Love on the Rocks". Does anyone know if this exists? 17 Dec 05 ·vanguard77: It will be released on Feb 6 by EMI-UK, coupled with "Julie." :)
This song is one I remember enjoying greatly as soon as I heard it shortly after its release as a single. To me it encapsulated perfectly the angst and frustration I often felt at that time. It did this as much through its sophisticated musical content and texture as through the lyrics. Listening to it now, it's as good an example as any of how different synth sounds go in and out of fashion. Hollis gives a typically intense vocal performance, and there are subtle hints in some of the instrumental lines of the more jazzy direction the band would later take. Highly recommended - don't miss this one. Oh, sorry - wrong site. Thought I saw the word Ebay somewhere.
An addictive and perfect track, which fuses several of my obsessions (vocal groups, Ennio Morricone-style chord sequences, Brazilian pop) with incredible power. The song is a Brazilian standard, written by Baden Powell, but this version is very different to any other I've heard. This recording opens feverishly with brass and strings, maintaining a doomy and very serious mood throughout. All the same, it manages to be extremely groovy, with rock drums and a twangy guitar accompanying the strings and harmonizing vocals. The arrangement is quite brilliant and never sounds crowded, with a stark feel produced by the different parts dropping in and out. The part of the track which to me is pure genius is the instrumental break in the middle, which sounds like it's excerpted from one of the coolest of Morricone's late 60s B-movie soundtracks - honey smooth strings, blended with some excellent drums and a cool trumpet part. The vocals are also rather gripping - always very serious sounding, and often wordlessly chanting the melody.
from Golden Boys (Odeon MOFB 3590) available on CD - Blue Brazil Vol 3 (EMI)
23 Feb 04 ·Galt: You should check out the 1971 Odeon album 'So Vou Criar Galinha': 'Chuva de verao' starts with the sound of rainfall (always a winner) and 'Com a lembranša apenas' has one of those amazing Brazilian melodies you just can't get out of your head.
This sounds like it should be a generic bossa nova cash-in film song, but instead, it's strangely haunting and gripping to my ears. While it's a sweetly orchestrated piece (a bossa nova guitar and beat, a flute melody, and a Stan Getz-esque tenor sax, backed by a subdued orchestra) I feel as if there's something menacing just beneath the surface. However, it's so subtle, this could be in my head. It's taken from the 'The Glass Bottom Boat'; maybe I have to see the movie and decide.
available on CD - Bachelor In Paradise - Cocktail Classics from MGM Films (EMI)