Wonderfull song about a husband and wife who hate each other.
The Mountain Goats are ussualy very lo-fi but this release gave them a newfound hi-fi multi-instrumented sound.
This song is a whimsical hate fest
"i hope the rising black smoke carries me away
and i never come back to this town again
in my life i hope i lie
and tell everyone you were a good wife
and i hope you die
i hope we both die"

From the album Morrison Hotel, Peace Frog is a bouncy toe tapping tune encapsulating funky wah wah with jazzy tones and a hint of country.

What I love about this tune is it's ability to make me get up and dance, head bounce toes tap.

Facinating lyrics, quite contradictory in contrast with the merry, whimsicalness of the music.

"There�s blood in the streets� it�s up to my ankles"

However when your dancing around It has little precedence, the organs and drums take you away and the lyrics are gone.....

Whimsical and moody, but not that gothic.

Smooth and whimsical, looks of vocal sounds

A peculiar recording from the early 40s in Cuba. This song sounds like a Carl Stalling, Raymond Scott, or Leroy Shield piece from a cartoon. Abrupt tempo changes, a cool bass clarinet. Unlike any other song I can think of, except "Sangre Africana" also by Valdes.

A cute and amusing song from the 1948 musical, 'Inside USA', this song is perfect for Ms. Dearie's adorable voice. She swings thru a state-by-state list, hilighting what each state is famous for, at first on a factual basis, then going off in a whimsical frenzy with such phrases as, "Pencils, come from Pencil-vania, vests from Vest Virginia, and tents from Tent-essee, they know mink where they grow mink, in Wyomink, a camp chair in New Hampchair, that's for me!" I'm amazed that the Farelly Brothers haven't gotten this one to use in one of their films yet!

scratch in the sky is the name of the cryan' shames
album that came out in 1967 from these chicago soft/sunshine pop masters whom also added an amazing dash of psyche to all there recordings...
"a carol for lorelei" starts the album off with bells and association(ish) harmonies!! brilliant
ignore what allmusic.com said about this album they are fools the song writing is up to par with the beach boys and others.
if you dig the Association and The Millennium and other fine sunshine pop groups with that mellow groove get it now. the japanese import is worth the extra for the original back cover art work that the sundazed version didn't recreate faithfully. i love 'em

This song has become known as one of the quintessential "Now Sound" numbers, and I go a LONG way back with it as far as memories go! As a kid in the sixties I used to love the Benson and Hedges cigarette commercials-although I was very much anti-smoking even then! But the cool theme music and humorous content of these commercials was a hit with us kids. Well, flash forward to the mid-1980's...I was doing my usual record collector thing in a local thrift store and came across an album called "The Dis-Advantages of You" by the Brass Ring, a group that I had several 45s by already. It looked interesting, so I picked it up...and was blown away by the first track, which was that wonderful Benson and Hedges theme that I remembered from childhood. I
couldn't believe my luck in stumbling across it, and
it immediately became one of my all time favorite tracks. The cool, wordless female vocals, whimsical melody, and smooth saxophone playing never fail to transport me back to the 1960's of my youth! I did some research on the song at the time and was surprised to find that it had been a chart hit in the spring of 1967. I was listening to the radio a lot back then and didn't recall hearing it. But rediscovering this recording really was a highlight of my musical development.

I feel like very few people fully appreciate the music of Donovan, which is a shame because he may be the greatest musician of the psychedelic era in the 60's. Atlantis is his best song. A sort of whimsical and beautiful song which tells the story of the lost continent. Probably the best psychedelic song there is. It lacks the self-indulgent meandering that plagued the Grateful Dead, and lacks the obvious drug references of most psychedelic music. It's not overly rock and roll, but not overly folk either. A brilliant song with a very strong, beautiful melody.

A really quiet song, guitar tuned low, has a more traditionally folksy sound than other Drake tunes, which are pretty unique-sounding for the most part. But with his song it works well, and it's my favorite on this record.

Who could forget the rousing "woo-hooa-a-hooas" that helped define the Pretenders' 1984 smash hit "Middle of the Road"? In a decade that saw synthesizer-oriented pop music arriving on U.S. soil from England, singer/guitarist Chrissie Hynde and bandmates tear it up on this classic example of pure, unadulterated rock music. The Pretenders' offering successfully maintains a formulaic rock pattern, with drums that beat on at a driving frenetic 4/4 pace and guitar riffs that induce foot stomping by the most conservative crowd. By the time the harmonica solo kicks in toward the track's end, "Middle of the Road" has worked itself up into such a musical romp that it challenges anyone to remain sitting down. There is no technical or instrumental trickery to be found here, no "secret sauce"; the song is very much in your face. Its rollicking music and lyrics that paint a picture of a journey make anyone want to hop into the car and take off for the open road. "Middle of the road, is trying to find me/ I'm standing in the middle of life with my plans behind me." You'd be hard-pressed to find anyone who didn't identify with that sentiment. The Pretenders zeroed in on one of humankind's most basic, secret desire � to get up and go � and backed it with an equally driven musical arrangement. And that's what makes this recording a timeless classic.
(AMG)

i'm more familiar with momus because of the songs he has written for kahimi karie, but upon hearing this song i knew i had to own the album it came from. the music is sort of whimsical reminding me of fairgrounds for some reason. but the lyrics are what hooked me. with lines like "i lick you, i like you to like me to lick you. but i don't need you. if your pleasure turned into pain i'd still lick for my personal gain. la la la." i knew i had to hear more.

The song is wistful, whimisical, magical, beautiful, introspective, and youthful.

This is an absolutely magical song! Juana Molina is a singer/songwriter from Argentina. I first heard her on KCRW (Santa Monica radio station) when I was living in Los Angeles. Her music is totally captivating; it's melodic, ethereal, quirky, whimsical, a little melancholy sometimes, very very sweet. She often uses acoustic instruments (guitar, piano), but what makes her music unique is her use of electronic elements. It often sounds like she is recording in the middle of the rainforest. Tres Cosas, from the album of the same name, is a very up-beat, sparkly little song. Her live performances are archived on the KCRW website: http://www.kcrw.com/ (do a search for Juana Molina in the "Find it!" feature), and you can purchase her music at:
Gourmet Musical http://www.gourmetmusical.com