My theory is that everyone seriously into music has time for The Fall. They're just too superlative - in places - not to give them massive amounts of respect.
I have no problem with being a selective Fall fan, and probably err too much to "the Brix Years" for serious Mark E Smith hardcases. I love the early to middle period and The Classical, for me, is the absolute pinnacle of their acheivements. A parity of stupidity and - er, classicality - it marries the phrasing genius of Smith with one of the very best group line-ups in their 27 year career.
So what if MES is a toothless old git now? So what if they haven't released an album of worth in many a year? So what if their back catalogue is being shamelessly exploited by various low-rent record labels? They are one of the biggest unacknowledged influences on British music today and it's time they got the props they are worthy of.
from Hex Enduction Hour (Kamera KAM 005), available on CD (Cog Sinister)
A song about personal body space. I know that this doesn't exactly sound electrifying, but the song itself does. In fact the whole album this is from is filled with fantastic lyrically unorthodox songs, most of which are extremely good.
During this very skilfully constructed song, we hear some of the most lyrical, expressive sounds ever to be played on synths. We hear that slightly strange vocal performance style that makes a virtue out of sounding uncool - but it's always very musical.
Tony Mansfield is an absolute musical genius and innovator. After the three new Musik albums, he went on to produce A-ha's first album and a few records for other artists, but never seems to have had the recognition Trevor Horn recieved. I wonder what he's doing now...
lovely feelgood song from the borderline brilliant japanese new wave band plastics. a break from their often minimalistic intrumentation. oddball lyrics, nice guitar, harmonica and extremely enthusiastic singing.
i love the way the male vocalist seems to be holding his nose while singing in the beginning of the song.
waiting for the taxi
standing in the snow white
newspapers falling on the ground
it's cold and cold and cold
new york is frozen steak
teddy bear and kitty cat
fireplace and candles
all you need is weapon
this is peace
this is funny fairy tale
green green green peace
high high high heel
inside is outside
world is nonsense
dream of the tide wave
my peace is your peace
peace by the people
peace for the peace
this is peace
this is funny fairy tale
all i see is green green
grave yard of lily white
sleeping beauty laying there
with dots and symbols
marmalade evening
fur coats and venus
venus and mighty dragon said
all you need is weapon
A little like Kraftwerk but with extra emotional input and more musical interest. The music reflects the atmosphere of the lyric very effectively. Geek pop? Maybe, but it's damn good!
This reminds me of The Velvet Underground. Not musically in the slightest but just on one point - while absolutely great, paved the way for some awful copycats.
This is ultra-soft funk, luxuriating in comfort like the fluffy fur Striplin is wearing on the sleeve. Absolutely adorable, and so finely nuanced that it never cloys and just improves with repeated listening. It's hard to pick one song from this LP not just because they're all so damn brilliant but because each and every one of the songs sounds better nestled between their bedfellows.
Unfortunately this kind of style was robbed of all its subtlety and beauty in the 80's leading to the formula of soulless soul that began to proliferate. Enjoy this album for what it is; a creative apex between the decades.