This has to be one of my top bagillion faviorate songs, and I know a Bagillion is a lot but I love a lot of songs. The song is a little kiddy because it's about a crush, but we've all experienced crushes and the song has a beautiful harmony at the end.
"Because I like you, I know that you don't know it, I like you so much I talk to everyone but you, and I wonder what you'd think of this little number, yeah I wonder what you'd say if you knew."

Loud drums and simple recurring guitar riffs are the setting for a melancholy, but rocking look back on a special time. Billy Corgan manages to sound like Mick Jagger. There's a kind of regretful feeling Smashing Pumpkins evoke that I felt in the movie "The Last Picture Show".

Madonna can be many things. This song conveys an epic story of love, truth and regrets. I don't quite know what it's about, but I find myself being swept up in a profound tale she is telling. Maybe that's secondary. The song is just as much about what a great voice she has. A lot of her other music doesn't convey this. She has various musical guises but she has a glorious voice not always obvious in her other songs. Also, the arrangement is neat in how the song comes nearly to a stop in the middle, and then starts up again, reaching an emotional pitch a second time. It has great synthesizer too.

I just found out about this chick (self-proclaimed, okay?!). I feel like Superman having been kissed by Kryptonite . . . "In-tri-guing . . .(gasp) . . .
Must ... find ... out ... MORE ..!" Why am I so
far behind? Sorry, can't really describe it. Funky, sultry, French, (France) Gallic & Gainsbourdian as noted by one reviewer of another April March song ... Derivative is one thing, but this is inspired.

You might be familiar with Francoise's incredible 1971 album La Question, a track from which was recommended by another user almost four years ago (Oui, je dis adieu). I managed to get a friend to copy the album for me at the time, and I recall being very taken by 'Viens', the first song. I put this track on a compilation but somehow never really savoured the album as a whole.

Recently I found I could get the album on CD, so picked it up (along with another interesting Francoise album, 'If you listen').

The difference for me now I have the CD is vast, and I'm now able to appreciate the album in all its glory. The clincher for me is the blend of percussive Brazilian guitar, beautiful strings, and the Melody Nelson-style sparseness of the arrangements.

I chose this track to recommend because of the bizarre extra dimension brought by the fact that Francoise is just scatting - there are no words - and the intermittent moments of complete silence, which are surprising and really hold the attention. Parts of the chord sequence remind me of Henry Mancini (in particular, a track called 'Softly' from the Mr Lucky soundtrack), while the overall effect of the sexy echoey vocal naturally brings to mind Ennio Morricone's work with Edda Dell'Orso.