nice slice of 50's piano-based novelty rock n' roll. at first this sounded pretty average to me, but when the second verse kicked in, and he started singing like a girl as he'd mentioned earlier in the lyrics, i knew it was a keeper. if you hang in there for the third verse, you'll hear where the man got his nickname, too:). i'm heavily into fifties and early sixties "semi-novelty" records, so this was pretty much like hitting the jackpot.
it's the only song of his i've heard that's done anything for me, though.
08 Sep 04 ·n-jeff: Heh, I put this song on this years holiday tape I did for my 6 year old daughter. Quality, cheered me up whenever it rained. I went to see him perform in the 80's in a little pub in Putney. Can't remember a thing about it though apart from it being an old style Rhythm and Blues session. The only other song of his I know (and it was a big hit IIRC) is a ballad in the style my grandmother would have loved. And I can't remember the name of it, but its not a patch on this one.
"I sing like a girl, and I sing like a frog" 16 Aug 06 ·bmsmithsmith: Good choice. First heard this on the Sounds of Monsterism Island compliation. It's a great feel good rock 'n' roll number guaranteed to put a smile on your face.
Just one of many gems on the wonderful "Simplesmente" LP. A fairly stripped-down arrangement and recording, but which still allows for the song's bright verse and chorus melodies to shine forth. The track is built from acoustic guitar, bass, drums and a hint of (what else?) percussion, which pulse gently along on the verses in a rhythm that reminds me of dancehall reggae somehow, while still being obviously a branch of the bossa nova tree. Fernanda's sweet croon and instinctive sense of swing navigate this terrain effortlessly. Who is Fernanda? Where has she gone? On the strength of this LP, she definitely had quite a bit to offer. But it was tough, back then, being Elis Regina's competition.......
13 Oct 04 ·n-jeff: Thats funny, I was talking only recently abou the similarity of the Baion rhythm to the pulse of the ragga beat. Along with "Its not unusual" having a Baion rhythm, its a neat way of tying up Tom Jones, Shabba and Marcos Valle.
Does anybody really know what's going on here? Probably one of the oddest records you will ever hear, unless you are completely jaded by Japanese noise & IDM. A legend to those who know him, but if you have only heard his collaborations you need to hear this, because it explains nothing. I chose this song merely because it's playing right now... This album is a giant standing on the shoulders of giants, the (pen?) ultimate of LA studio excess. What more can you say?
02 Nov 04 ·n-jeff: What more can you say?
What would be the ultimate, then?
;�) 02 Nov 04 ·konsu: There's always something more, I guess I confused the context? (see parentheses)
lee marvin sings! i really like the simplistic string arrangements here, especially in the intro and chorus. lee marvin's unbelievably gruff voice fits the song well. wish he'd done some more musical work, he'd be fun for an even kitchier easy listening album.
"do i know where hell is? hell is in hello.
heaven is goodbye forever, it's time for me to go.
i was born under a wan'drin' star...."
"when i get to heaven, tie me to a tree
or i'll begin to roam and soon you'll know where i will be"
classic kitch.
from paint your wagon ost
08 Nov 04 ·n-jeff: heh, and for the hit single the flip was Clint Eastwoods ultra weedy version of "I talk
to the trees". Great for starting conversations while DJing in clubs.
"Whats this sh***!?"
"Clint Eastwood"
"Really?, No! what?"
heh.
What a great blend of electronica and easy listening this track is. Think of it as a trippy, chillin' "A Summer Place" in outer space with gentle male/female vocals, some french whisperings and sparse, delicate electronica intertwined with the memorable, lush string melody sample of "A Summer Place".
from Simply Faboo, available on CD
22 Nov 04 ·n-jeff: Great track, it made me buy the LP, which was a little disappointing, but the first four or five tracks are great, and for me this song is the opeak of them, and the whole LP.
