Yes i think this is the most powerful version of the song, even better than Marley's. People go on about Hurt and with good cause, however i believe this is just as wonderful. Again he brings a different interpretation to the lyrics, given the past of both these men. I think you need to be older to capture this song, since we dont have Bob around i suggest you hear this.

"I'm gonna put on an iron shirt/
An' chase Satan out of Earth.
I'm gonna put on an iron shirt/
And chase the Devil out of Earth.
I'm gonna send him to outer space/
To find another race.
I'm gonna send him to outer space/
To find another race.

Satan is the evilest man/
But him can choke sit on a man.
So when I check him my life's in hand/
And if him flip I gone with him hand.

I'm gonna put on an iron shirt/
An' chase Satan out of Earth.
I'm gonna put on an iron shirt/
And chase the Devil out of Earth.
I'm gonna send him to outer space/
To find another race.
I'm gonna send him to outer space/
To find another race.

Him have to drop him fork and run/
Him can't stand up to Jah Jah's son.
Him have to left here with him gun/
Take off with him bomb."

gotta love a bit of max romeo. great trippy reggae song. wonderful production by lee "scratch" perry, too.

This song is a classic of the psychedelic era, by a group that later became known as the Peanut Butter Conspiracy. I first discovered it years ago on a 1967 compilation album called "West Coast Love-In" which featured about four of the Ashes' songs. It was "Dark on You Now" that really wigged me out-it is an awesome, slow-paced, moody number that features the spine-tingling vocals of Sandi Robison and the prominent 12-string guitar of John Merrill. The song is incredibly atmospheric and reminds me of a combination of the Byrds and Jefferson Airplane when both of those groups were in their prime. It is also at four minutes plus quite long for the era. I listed this as being recorded in 1967 but it may have been waxed in 1966...at any rate it is surely one of the great songs of the early psychedelic era.

I have the first Peanut Butter Conspiracy album which contains a re-recorded version of this song, harder rocking and not nearly as good. The original Ashes version was recorded as a 45 for the Vault label (which also issued "West Coast Love-In").

The multi-talented Dutch artists Kraak & Smaak shine in their unprecedented, soul-shaking compilation, �The Remix Sessions� due out May 29th. Named by IDJ as "one of the most incendiary live outfits," Kraak & Smaak take that crackling energy and infuse classic jams with their signature style. Music lovers everywhere will rejoice as hard-to-find tracks, many of which were only released on vinyl, join each other in this boogie-licious showcase.

From banging dance floor "Mimezine � Can't get Enough (Kraak & Smaak Remix)," to funky, midtempo "Jamiroquai � Electric Mistress (Kraak & Smaak Remix)" to eerie, internationally-infused "Skeewiff � Man of Constant Sorrow (Kraak & Smaak Remix)," Kraak & Smaak reveals their astounding vision for the possibilities of electronica. This beat-driven assembly is an invaluable resource for re-tracing the various pathways of this modern musical expression.

Crocked Fox's Ray and Guy(RIP)always goin' for the "Tommy James" angle with great harmony and a "John Sebastian" feel good message...I especially miss seeing Linda, Charlie, and Mike "the kid."