It's hard to pick a particular Gary McFarland song to recommend: although I love almost all of them, there aren't that many that particularly stand out. Most have some of the same trademarks: whistling or wordless vocals, brass, guitar, and a gentle bossa nova beat. They're slightly wistful, and make me feel like it's summer whenever I hear them. McFarland also worked with some outstanding musicians, including Gabor Szabo and Kenny Burrell on guitar, Grady Tate on drums, and Willie Bobo on percussion.
Long live the king is actually slightly different - it's a simple, upbeat number with a rock beat, bacharach-style trumpet, and picked guitar; a boogaloo-style saxophone also makes an occasional appearance, as does a hammond organ. The German 'Latin Lounge' CD showcases his work on the Verve label, and it's all excellent.
from Scorpio and other signs (Verve V-8738) available on CD - Latin Lounge (Motor)
01 Jul 02 ·tinks: i'm glad to hear that mcfarland has finally been put on cd in some sort. i absolutely love him, just because he's so ridiculous. if you like this, you should check out the album he produced for cal tjader entitled "tjader sounds out burt bacharach". 19 Mar 06 ·b. toklas: There actually is at least one album that�s standing out a bit. It�s called "Butterscotch Rum" (1971) and has a guy called Peter Smith accompanying Gary McFarland. He sings and wrote the lyrics and even illustrated the cover! I suppose he�s an Englishman, because his voice has a kind of Robert Wyatt-ish timbre. It�s a very good album with a slightly melancholic mood, and with that special laid-back and somewhat loose instrumentation that is characteristic for a lot of McFarlands later work. Very cool and heartwarming at the same time. Would like to have met him and have little chat sitting in rocking chairs.
(Oh I forgot: some of the songs on "Butterscotch Rum" are Seventies Rock�n�Roll. They are not too bad, but usually I skip them.)
Who is Smokey and is that really his sister singing too? A euphonious delight. Oh I'd love to hear the album or even the b-side. Unmissable.
01 Mar 06 ·gregcat: Another cover version was recorded by Ian and Sylvia 19 Mar 06 ·b. toklas: Sadly none of the songs of the album is as good as "Creators of rain". But this is indeed a most wonderful and magical folk-pop tune.
I always thought Nico was kinda ridiculous. But when I saw the Royal Tennenbaums a few months ago and they dropped this tune, I was sold. This whole album is a great mixture of strings and Nico's barren, exact vocals. The soundtrack is great, no doubt, but get "Chelsea Girl" for the full impact.
available on CD - Chelsea Girl
19 Mar 06 ·b. toklas: No, she was not ridiculous at all. She was rather one of the darkest figures in pop history. I saw her twice in concert before she died in 1988. It was very intense and even disturbing.
Lou Reed didn�t like her, but John Cale obviously considered her a true artist and produced several of her albums. In places she has a dark beauty, in others the darkness turns into a frightening abyss. But it�s always innovative and of an high originality.
I don�t listen to her music very often, but I feel great respect for her.
I almost know nothing about the Chad Mitchell trio, except that John Denver was in the group. I'm not even sure that this is the same guy for that matter. I guess it's really not too suprising that an old folkie would team-up with geniuses like Bob Dorough & Stu Scharf for a little boot in the ass, since those guys seemed to be working a lot of crossover pop material. That's really the reason I picked this up, basically to see what could happen.
The record ends up being incredible actually. Imagine a mix of "golden throat" type schmaltz, Tom Rapp-ish hip folk, Nilssonesque melodrama, and the poetic and jazzy humor of Scharf & Dorough and that will sum it up. It can grow on you for sure.
This track is in the sort of word jazz thing in a highly characterized way hard to describe without taking up too much space... just listen. I think this was a piece from an Alan Arkin LP. Suppose I will have to get one of those now.
19 Mar 06 ·b. toklas: The album "Chad" on Bell records is the one to get.
Great songs (by Jake Holmes, Joni Mitchell and others) and fantastic arrangements. Hal Blaine and a couple of other wrecking crew members and great musicians are on it, too. In places it also reminds me of the group H.P. Lovecraft. So it might even be interesting for lovers of psychedelic music (not for those who hate strings, of course). I wonder if I should call it a masterpiece. 18 Apr 07 ·artlongjr: I second that on the "Chad" album...it's terrific. There's a 7-minute plus cover of Tim Buckley's "Goodbye and Hello" on there that rather stunned me, since it seems like a very challenging song to sing. The H.P.Lovecraft connection comes through Chicago producer Bill Traut, who owned Dunwich Records (the album is a Dunwich production). Traut was involved with H.P. Lovecraft, and of course the Shadows of Knight.
For me, simply the most perfect, most luscious piece of pop of its era. I just have to hear the opening downward guitar riff and I'm wrapped up in every note of the song, virtually holding my breath until the premature fade. Wow!
07 Feb 05 ·stupidwall: village green is one of my favorite albums of all time 07 Feb 05 ·bonzoboots: ray davies rarely put a foot wrong in that golden era : 66/68, and the three lps from then are filled with perfect gems- "lazy old sun", "rainy day in june", "animal farm" to name just three...but it could have been another three! 19 Mar 06 ·b. toklas: There is one more album which was recorded between "The village green ..." and "Arthur" but not released before 1973, I think on Reprise, called "The great lost Kinks album". To say it�s even better than those officially released in the Sixties may be a little annoying, but ... well, give it a try! Anyway�: the Kinks are the Kinks are the Kinks.
