Instruments are piano and strings (I think). The music is hypnotic; it overwhelms me with a profound sadness yet simultaneously instills a sense of complete joy and satisfaction. The track is entirely too short, which justifies the execution of Moby for such an act of cruelty.
You have to love the 40 second 80's metal band guitar solo... In short it is Zen, then to kick that same riff back at your ears as a Midi composed symphonic tribute shows the ecletic taste that is Daft-licious...
Beautiful and atmospheric music, superbly recorded. Intensely poetic lyrics. What an incredible advance this represents from his work with the band Japan! Superb synth voices from longtime collaborator Ruichi Sakamoto sound a searching chord sequence over which a gorgeous, heavily treated trumpet solo comes in and out. Sylvian's voice is richly expressive.
from Brilliant Trees, available on CD
22 Dec 04 ·ronin: Bought album of same name due to tracks "Red Guitar" and "Pulling Punches" getting major airplay on DC radio at time. Was not disappointed! Moody and nice bass lines! Sylvian's voice is ... unusual.
Apart from their hit songs, I have only recently got into The Smashing Pumpkins and this track stands out for me as brilliant. Great lyrics and a steady pumping beat make this difficult to not listen to over and over again. I think you need to invest time in their songs before you start to like them. That was definately the case with this song, on first listening it didn't really stand out, but now I would put it alongside 'Ava Adore' as one of the best tracks on the album 'Adore'. Also listening to 'Mellon Collie and the Infinite Sadness' at the moment, another album that grows on you once you put the time in.
from Adore, available on CD
27 Jul 03 ·yesihk: Agreed. This is my favorite track off of Adore. I'm normally not one for the pulsing techno-esque sound, but this is just so different from anything like that that I've ever heard. It has a certain understated ambience that I think makes this song so listenable. Really evokes a specific mood.
Like most of the tracks on this cd, it takes a few listens to really appreciate it to its full extent. Some advice: don't dismiss Adore as "bland" or "folky" after your first listen as I did. Don't have any previous expectations, either, (i.e. it's not going to be another Mellon Collie, okay?) or disappointment is inevitable. You just need to hear it for what it is, and not just as another Smashing Pumpkins album. Give it a few thorough listens, and I promise it will grow on you. Or else you can go running back to Zero. :)
Guitars and more guitars. These are the gods of heavy prog rock. Robert Fripp on lead guitars pounds out an unforgettable growling monster of an instrumental. Its atmospheric,dreamy,nightmarish and kind of taunting in places .Its simply great.
from Red, available on CD
22 Dec 04 ·ronin: The entire album is a gem of guitars and pounding beats, much harder overall than, say, "Lizard." "One More Red Nightmare" is another hard out rocker featuring the vocal talents of bassist John Wetton, but I find the most haunting song to be the West Side Story-esque "Fallen Angel."