A shizo-minimalist arrangement that goes back and forth between synths, horns, bubbles, and shouts of children. For fans of this type of music.

The opening line may be, "I left my heart in San Francisco," but from there it deviates into its own song, a lovely and unsettling ballad of love gone awry. A haunting melody and swelling, Spector-like production (strings, accordion, chimes, etc) make this one to listen to repeatedly.

A stunning soundtrack piece, 'the shark' opens with a catchy bass riff. Montenegro then uses an Ennio Morricone-style instrumentation with harpsichord and strings to build the theme. The tempo changes unsettlingly as the theme continues through an incredibly atmospheric three minutes.

The lead single from one of the Church's all time highs, the dark, powerful Priest Aura, "Ripple" was much like the album it came from - lengthy, with an emphasis on artistic impact rather than radio-friendly ease, charged with a feeling of impending, unnerving threat. The initial guitar chime and Steve Kilbey's singing may provide a familiar feeling for long-time listeners, but the edge of spite and conflict in the words carries through in the performance - Kilbey's not so much blending into the mix as suddenly slicing through it. The full arrangement almost has a touch of film noir threat to it, but not as much as the amazing chorus. Starting with a soft, almost sighed overdubbed vocal part like a mysterious signal, it literally does ripple up in the mix, sneaking up on the listener instead of turning into any kind of a singalong. It's the same approach as with "Under the Milky Way," but the air here is less elegant melancholia and more unsettling electric charge, extra guitar feedback carving arcs through the arrangement, instrumental breaks providing only short, temporary relief.
(AMG)

A weird and unsettling piece of lounge music ,nightmarish backing vocals and jazz like vibes set the tone ,with a bontempi like beat pushing the track into shark infested waters and tropical scariness .A brief but perfect vocal passage from the sardonic Terry Hall sends this track in to the realm of sublime brilliance .