eO's through-composed, symphotronic poem incorporates exotic world-fusion compositions with heavy post-dubstep beats, evocative vocals, and elegant instrumentation.

Singer Gal Costa was born in Salvador (Bahia state). Together with other musicians from Bahia: Caetano Veloso, his sister Maria Bethânia, Gilberto Gil and Tom Zé, she moved to São Paulo in 1964. There she bacame one of the most important members of de Tropicalia movement. I consider �Tuareg� as her best song.

�
Pois ele é sentimental
Humano, é nobre é mouro
È muçulmano
Pois ele é guerreiro
Ele é bandoleiro
Ele é justiceiro
Ele é mandingueiro
Ele é um tuareg

�Tuareg� is from an era in which the attitude towards Muslims was a lot more positive then these days. The song is written by Jorge Ben and a fruitful mixture between Brazilian and Arabic music. I love the sound of the ud (the classical Arabic lute) and ghaita (or oboe: a double reed instrument) which Ben put together with an organ, a bass and a groovy rhythm. The song reminds me of Yusef Lateefs version of �Brazil�, Ary Barbosa�s hit. This jazz musician was also exploring and fusing musical cultures, and often used instruments of the Eastern world.

I have this on the original CD (or at least a CD-R of it) and a French remix 12, which has 3 good mixes including a fantastic one by Manta 1000. Both are very good. The song itself is a mix of the traditional and the modern (with Production by aging Gong-ster Steve Hillage), Arabic and Indian. Violins, Bollywood style singing from Amar blending with Khaleds' gruffer style - all with an irrisistable rhythm underpinning it. Another one chock full of great hooks, where I can't understand a word, perhaps I should take up the study of languages.

Very different sounding song for me. It sounds like a mix of late 60ies pop with arabic/turkish influences. A bit sad sounding, but still there is hope :)
I love it cause its got great harmonies, and a mix of guitars, violins, and spanish guitars.

the fairly stereotypical genre song title aside, this is a brilliant, totally weird multiinstrumental exotica track from the mind of french avantgarde-easy listening maestro Michel Magne. I'm really astounded by the way the arabic flute-thingy works alongside the voices. there's always a sense of controlled dissonance, wich really makes it stand out from other examples of the genre. The sheer diversity of the instruments used is another attention grabber- listening to this could probably bring you to a cultural identity crisis.
what this track does so well, like all other great exotica compositions, is conjure up an image of some exciting, fictional jungle swamp culture straight from the pages of some old style pulpy adventure stories. Was that a headhunter i saw over there?