Subtle harmonic and textural touches lift this well above the ordinarily beautiful. It's varied and lasts nearly 6 minutes, building gradually, and keeps getting better until just before the end. You can tell at times that he's listened to "Ripples" and some of the good bits on "Wind and Wuthering", but this has its own space. The vocal is by a former Genesis roadie.

Too good prog rock instrumental. Banksian keyboards.

Corny, repetitive (as Souchon/Voulzy music always is), yet very good.

Atmospheric, thoughtful, catchy.

Guilty proggy hyper-indulgent pleasure from a very consistent album release. Beautiful production.

Stark synth, morose, negative lyric, Sarah Blackwood's excellent delivery.