A re-recording, with Sylvian's lyrics, of Sakamoto's instrumental track written a few years earlier for the film "Merry Christmas Mr Lawrence".

Delicately, poignantly beautiful; an exquisite piece (ok - song) which used to be available as the "extra" track on CD versions of Sylvian's most consistent album, "Secrets of the Beehive".

Wonderfully melodic virtuoso blues guitar work. Minor key tonality. As usual on Gary's tracks, the vocals are rather dwarfed by the over top magnificence of his guitar playing.

For someone like me, the strangest thing about getting really into Roxy Music is the overt rockiness of a lot of their material. Even on this track, which is one more of their slower, more mournful numbers, there are a lot of very heavy rocky moments. They work pretty well though, and I'm certainly not complaining.

The atmospheric opening is breathtaking, and Bryan Ferry's vocal as he sings 'I've opened up my heart' is incredibly beautiful. The words and music seem to meld together in a very pretty way, but then before long the track mutates into a stomping, carnival like passage that clearly influenced Nick Cave to a considerable extent. Throughout the song there's this interchange between delicate, melodic verses and the rowdy, discordant section. Like another favorite Roxy track, 'Just like you', this song finishes with a clever chord change.

I'm sure many people would find 'Bitter-Sweet' much too dramatic and serious - perhaps some days I would too - but it does have an incredible elegance and style that makes me keep on listening.

I saw a video of this a couple times on MTV and never forgot it. I finally caught up with the album "Meet Danny Wilson" years later, in a used bin. None of the three members are named Danny Wilson; it's named after a Frank Sinatra movie. They dress like Sinatra fans as well, and the music's influenced by that era, but it's pure new-wavy piano pop. Reminds me of Joe Jackson, but softer, more romantic. "Lorraine Parade", "Nothing Ever Goes To Plan", and "Steamtrains To The Milky Way" are also album highlights.

Like a song by Cole Porter infused with the Mael brothers warped Americana and sung over the backing track of Donna Summer,s "Hot Stuff",if that gives you any idea of what to expect then you wont be disappointed when you finally get to hear it .
So just to add to the most bizzare of musical ingredients there is a sci-fi/prog rock keyboard solo somewhere in the middle strange but-------------------------Great .