From the same album which spawned the mindblowing 'Im 80 Stockwerk' comes this superb track. It opens slowly, with a moody guitar/vocal introduction. Soon the heavy Burt Bacharach influence of 'Stockwerk' returns, as the strings come in and the song develops. The beat is funky in a gentle late-sixties pop kind of way. I have no idea what Hildegard is singing, but it sounds rather positive and uplifting, and I’m a big fan of her smoky voice.
from Knef (Decca) available on CD - Fur Mich... (box set) (BMG Germany)
19 Feb 02 ·AndreasNystrom: Really great song!, nice rhythm and harmonys. 26 Apr 02 ·bellboy: this song is about "masters of this world" - the text would stir you up rather than just lift you up. It breathes the same air as a song by Alexandra "Mein Freund der Baum". Heavy bittersweet german Weltschmerz. One of the Knef's best songs is "Von nun an ging's bergab" which means "From now it went downhill". She tells us her story: Her birth in cold winter, her film career in the USA, her return to Germany, starting a second career as a singer - and everytime she comments ironically: "From now it went downhill" which is VERY funny! The last words of this song comment herself as a singer: "Es war nicht meine Schuld - ich bitte um Geduld" - "It wasnn't my idea to start singing, please be patient with me" 08 Apr 03 ·heimwehblues: To "bellboy": "Von nun an ging's bergab" is performed by Hildegard Knef as "From Here On It Got Rough" (LP "The World of Hildegard Knef"), last lines: "A change was overdue, from here it's rough on you.". 23 Dec 05 ·eftimihn: Warner Music Germany finally released "Knef" on CD ahead of the celebration of Hildegard Knef's 80th birthday. While it's completely beyond me why people had to wait until 2005 to get this masterpiece in it's entirety, i'm thrilled that it's finally arrived. Also, Hildegard Knef repeatedly expressed "Knef" was her best album. 03 Jan 06 ·n-jeff: "From Here On It Got Rough" is the opening track on teh recent (2005) compilation "the in-kraut".
And very witty it is too. But also a very groovy song.
My experience of Boogaloo, a style to which I'm quite new, has been varied. In short, I love some of it and don't quite get the rest. The key to me seems to be the right instrumental and percussive blend, and vocals that don't dominate too much.
Although it sounds quite generic, this track manages to satisfy me on the criteria above. From a very lucky thrift store find (this album is up there with James Brown's 'Black Caesar' among my top bargains ever), this opens with a nice solid groove, featuring saxophone, brass and layered, relentless percussion. The vocals seem pretty much off-the-cuff - the main 'Boogaloo baby - baby baby do the boogaloo' is joined by a mixture of muttered Spanish and screaming. The attraction of this song is really the texture - it can't really claim any musical or lyrical sophistication. But the instrumentation and groove are really first rate.
The kind of overlooked track that makes Frank Jastfelder and Stefan Kassel's soundtrack series so great. I find this a very refreshing take on the familiar James Bond theme. Ivor Raymonde's arrangment really sells the composition in the context of the Lettermen-styled vocal harmonies of the Bachelors without losing any of the energy of the John Barry/Shirley Bassey original. I particularly like the way Raymonde implements the steel guitar here.
available on CD - The Mad, Mad World Of Soundtracks, Vol. 2 (Universal/Motor [Germany])
20 May 07 ·mhalb: Wow. I had otherwise never heard of this couple except my parents had/have the "I still believe in Tomorrow" LP. I think it's great. I like this song, but like "It's getting better" even more
i bought on a 12" in 1979 when it was released it was considered a milestone for the dancefloor way ahead of its time!!streaking strings and a pulsating bassline the b side was equally as good "american express"
