Different interpretation of the Lee Hazlewood and Nancy Sinatra classic, notable particularly for the Slowdive 'sound'. The song starts with a faded chorus of fazed guitars - and it's a fairly glorious mix of chiming guitars from them on.
Songsmith Neil Halstead had some difficulty adapting the tune to Slowdive's intricate multi-layered sound. As such, the final part of the tune, where the song switches between ‘daffodils’ and ‘some some velvet morning’ has been cut.
No doubt will be on every forthcoming Ibiza summer 2002 compilation but I do have a small spot for this top house record. First heard it on Danny Rampling's show on Radio 1 and it really grabbed me. It is a simple repetitive tune (which constitutes most 4/4 house records) but its the vocals that do it for me. That awkward sounding vocalist is none other than David Byrne, pop music's official cool eccentric. Due out officially in the UK on March 25, 2002, it can be heard out in clubs and on aforementioned radio stations. X Press 2 is the collaborative effort between Ashley Beedle and Rocky & Diesel, London based electronica/dance producers who have had success in their solo efforts. Love it or hate it it's nice to hear David Byrne do something different.
03 Sep 02 ·G400 Custom: I have to say I was appalled by this awful record when it became a big hit here in the UK. I'm a huge Talking Heads fan, and hearing David Byrne doing his thing over an utterly imagination-free piece of chart cheese was enough to break my heart. I'd advise anyone to go back and listen to 'Remain In Light', ironically an album that showed danceable grooves don't have to be mindlessly 4/4.
28 Oct 02 ·FlyingDutchman1971: Great song!! I have this version and a quite excellent cover version by the Pennsylvania band 'the ocean blue'... 02 Feb 04 ·jeanette: Another interesting version by Schneider TM vs Kpt. Michi.Gan (retitled The Light 3000). Can be found on Rough Trade Shops: Electronic 01 CD.
Brian Wilson given the full-on 60s Brit-Girl treatment. It has wonderfully uplifting brass and some powerful vocals. The Paper Dolls had a couple of decent soulful easy hits in the UK in 1968. The CD is well worth checking out.
New Order fans always love Technique. So do I. Some prefer Brotherhand, Lowlife - or the substandard Republic. But for me, there's only one Movement.
Slated by critics for sounding like a doomy post Joy Division clone - the album actually benefits from sharp rhythm guitar and sustained synth chords.
Key moment is the awesome Dreams Never End. The song thrashes around like a caged beast. And it's only brought down by bass player Peter Hook's dreary singing - but hey, I can live with that.
08 Mar 02 ·delicado: This track is utterly spine-tingling. I like the Technique album, but it really doesn't have the intensity of the best early tracks. It's worth noting that this track sounds instrumentally exactly like mid-80s Cure. 28 Jan 05 ·zazz: erm.....dreams never end is a masterpiece for the very reason that hookies vocals are in stark contrast ....probably my favourite new order/joy division track...probably an accidental classic.