Slow and haunting music, accompanied by lyrics that really hit the heart. I like it so much because of what I see when I hear it, I can just see the song in picture format in my head. That sort of thing doesn’t happen often. And who doesn’t connect to unrequited love?
11 Aug 07 ·Mike: Matt Hales is a very good artist indeed. I'm sure that he's British rather than American, though! 20 Oct 07 ·thiagofreitas89: It's a great song, it gave me chills when I first heard it on The OC!
This song is a classic of the psychedelic era, by a group that later became known as the Peanut Butter Conspiracy. I first discovered it years ago on a 1967 compilation album called "West Coast Love-In" which featured about four of the Ashes' songs. It was "Dark on You Now" that really wigged me out-it is an awesome, slow-paced, moody number that features the spine-tingling vocals of Sandi Robison and the prominent 12-string guitar of John Merrill. The song is incredibly atmospheric and reminds me of a combination of the Byrds and Jefferson Airplane when both of those groups were in their prime. It is also at four minutes plus quite long for the era. I listed this as being recorded in 1967 but it may have been waxed in 1966...at any rate it is surely one of the great songs of the early psychedelic era.
I have the first Peanut Butter Conspiracy album which contains a re-recorded version of this song, harder rocking and not nearly as good. The original Ashes version was recorded as a 45 for the Vault label (which also issued "West Coast Love-In").
from Spreading from the Ashes (Big Beat) available on CD - Spreading From the Ashes (Big Beat)
01 May 07 ·n-jeff: I'm sure I have this on one of the pebbles "Highs of the mid sixties" series ("volume 3 Hollywood a go-go" IIRC) although I believe they credit it as "Follow the sun", I'm sure. Great summer song. 01 May 07 ·artlongjr: That is a cover version by a band called the Love Exchange..."Swallow the Sun" is a key lyric in this
song, but I really don't know what it means!
This is one of the songs that first got me started as a music fan when I heard it back in the summer of 1970 in Yosemite Park. I still like it just as much today...I am a huge Michael Nesmith fan, and this is my favorite song by him. Beautiful pastoral-sounding lyrics and Mike's delightful falsetto at the end of each verse make this song a wonderful gem of a ballad. Also key to the beauty of this track is the pedal steel playing of the great Red Rhodes, who was
involved in all of Mike's early 70's albums.
This song is an intriguing one for me, I can never get enough of it! It's one of the easy listening classics from the early 70's and is one of the most perfect examples of the "Now Sound" genre, recorded by a Hawaiian bar band led by lead singer Liz Damon. Interestingly, it is a cover of a song written by Chicago soul songwriter Johnny Cameron and it was originally recorded by Betty Everett on the Uni label. I was lucky enough to find a copy of Betty's original version, but unfortunately her version has never been put on CD.
This song has a delightfully slow tempo and dreamy, romantic lyrics that somehow seem timeless. To me, the song always seemed to be in an older style than its early 70's release date would suggest. The bridge features great horn playing and a wonderful descending bass run.
The original 45 on White Whale Records had a song called "You're Falling in Love" on the flip side, and that song too is a classic, in my opinion.
from Liz Damon's Orient Express, available on CD (Rev-ola)
22 Jul 08 ·prufrock68: Yep, this song is definitely of its time. It smacks of 'easy-listening' radio, from the staid brass break, the gentle, on-the-beat marimba strokes, and the whispery thin lead vocals of Liz and her equally restrained backup fellows behind her. Maybe the song just feels slower to you in this version. I don't think the Betty Everett version is any faster--it's just more rhythmic with its slightly funky percussion and string arrangements. Don't get me wrong, I like both versions, this one as much for its that kind of cool 'dated' feel as anything else.