Well, i guess musicaltaste is a rather safe place to recommend some Free Design without getting laughed at. It always strikes me they haven't been more popular back in the late sixties. "Kites Are Fun" is one of their more popular and one of their best tracks for sure. Uber-jolly, playfull, catchy with superb vocal harmonies, gentle guitar, flute, bass and drums and some keyboards.
10 Jun 05 ·nighteye: This is great song! Sunshine pop at its best, how can you not feel happy listening to this song? I like kites! 10 Jun 05 ·Festy: I really dig "My Brother Woody" from the same album. Whoever the drummer is, he really cooks on this track. 11 Jun 05 ·konsu: The drummer's name is Bill LaVorgna. He has an unmistakable touch on the drums. He's also on some of Pat Williams Verve LP's.
For "The Look Of Love" Diana Krall managed to bring the legendary Claus Ogerman out of his retirement as an arranger (in fact, at that point, he didn't arrange for other people for 15 years or so). That was due to the fact that Krall's longtime producer, Tommy LiPuma (who did some marvelous production work for A&M in the late 60s e.g. for Claudine Longet or The Sandpipers) used to work with Ogerman in the past and so Claus got on board. While Krall's jazz followers found the result all too schmaltzy i just love it. The track is a very laid back, gentle, cool sounding version with a subtle bossa rhythm. And the arrangement and production is as immaculate as you might expect with Mrs. Krall giving a fine vocal performance, reminding me a lot of Julie London.
I amit it. I am a closeted Pearl Jam fan. PJ are my favorite band, but for some reason there's always someone wishing to tell me hoow much they suck, or how much they hate Eddie Vedder's voice.
Anyway, here's one of their greatest songs. Included in the "Binaural" album, it's a sow, though energic song, with a great crescendo in mr. Vedder's voice that still gives me goosebumps. "Every inch between us becomes light years now... no need to be void... or save up on live..."
absolutely stunning. this shanty-esque version of "innocent when you dream" is meant to sound like an old 78 record, complete with vinyl crackle and boxy sound.
the street organ(?) is what really makes the song for me, it gives it sort of a "pre-war coney island-style carnival documentary footage"-vibe, if you`re able to make any sense out of that. it really is an absolutely stunning track to close an album with.
"running through the graveyard
we laughed my friends and i/
we swore we`d be together
until the day we died/
until the day we died"
(often i`m a bit uncomfortable when it comes to posting lyric exerpts, in my opinion whether or not a lyric is great is too often dependent on the delivery of the lines and the feel of the music. to me, seperating the lyrics from the song can often lessen their emotional impact. does anyone else feel that way?)