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1412 tracks from USA have been recommended.
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I Want Wind To Blow  performed by The Microphones  2001
Recommended by kaptnunderpnts [profile]

i think this song is beautiful. it's subtle but moving. the structure and composition of the song is great. both instrumentally and vocally it has a very nice development. the song that follows (the glow, pt. 2) on the album is a very natural extension of i want wind to blow. at the same time it offers a first glimpse into the microphones' heavier songs.

from The Glow Pt. 2


25 or 6 to 4  performed by Chicago  19??
Recommended by kaptnunderpnts [profile]

while i don't like much of chicago's music, i like this song a whole lot. their music is often a bit cheesy to me, but this song rocks out. the guitar is awesome in it. it's a fast and furious rock and roll guitar. it single handedly makes this song. the title actually refers to two types of acid available in the 60's(?), 25 or 624. so, to imagine this song, think of a great classic rock guitar on acid.

from Greatest Hits. originally, who knows.



  28 Jul 04 ·borgs8: I think you're incorrect about the meaning of the song. The compound for lsd or cocaine is nowhere close to resembling 25 or 6 to 4. The song, written by Robert Lamm, is about staying up all night writing a song. (3:35 am.)
  08 Aug 04 ·kaptnunderpnts: You're right. The explanation I gave I heard once and took it as true. Thanks for the correction. I tend to question what I hear but I felt there was no harm in believing the acid explanation.
  04 Oct 04 ·allenmurphy: Actually the acid explanation is correct. LSD-25 was a popular type of LSD in the 60's. The drug known as Thorazine was considered to stop the effects of acid trip. Guess what? The number on the pill was 624. The lyrics in every verse suggest the effects of acid, spinning in his room, staring at blurry lights, etc. The question he asks himself is whether to take more LSD(25) and keep tripping or take Thorazine(624) and come down as the day breaks. Your shit has officially been ruined. bestpageever.com
  04 Oct 04 ·kaptnunderpnts: Right on allenmurphy. I like the acid idea more anyways. I thought that that was a really stupid way to refer to the time. I mean, artistic and creative freedom aside, 25 or 6 to 4 is a stupid way to refer to an hour of the day. I give Chicago a little more credit than that. Let's see if someone else writes and says that it really is a time of day. I couldn't open bestpageever.com.
  28 Oct 04 ·allenmurphy: sorry, try again. www.bestpageever.com nice to hear from ya kaptnunderpnts
Killing Floor  performed by Jimi Hendrix Experience  1967
Recommended by kaptnunderpnts [profile]

the song is live at the monterey pop festival. it is one of the cleanest, tightest, most rippin' songs i've ever heard from the jimi hendrix experience. one of the best classic rock guitar songs.

from Jimi Plays Monterey


Ginza Samba  performed by Stan Getz and Cal Tjader Sextet  1958
Recommended by kaptnunderpnts [profile]

this is one of my favorite jazz songs, it has a great progression and a great structure. it's uptempo. the entire album is one i've listened to many, many times all the way through. i don't know a whole lot about jazz but the song sounds extremely rich, while all the instruments work together wonderfully.

from Stan Getz and Cal Tjader Sextet - San Francisco


I’ve Grown Accustomed to Her Face  performed by Stan Getz and Cal Tjader Sextet  1958
Recommended by kaptnunderpnts [profile]

this is perhaps my favorite jazz ballad. maybe the most romantic song you'll ever here. stan getz's saxaphone sounds like it came down from the clouds. it sounds so soft and warm. it's often so subtle that you here just air passing across the reed. and cal tjader's vibraphone adds just the right punctuation. the song is ethereal. romantic and ethereal are hardly words i use often, but they seem to be the best i could think of to describe this song.

from Stan Getz and Cal Tjader Sextet - San Francisco


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