Alright! Vrooooooooooom! This is Vegas!... Or maybe the LA strip!... Vrooooooooooomaaah!!

This is the kinda song that you need for a break-up. Or some other kinda' I gotta leave this place and dance with syrup-y drink in my hand kinda feelin'... I realized that I needed this song when I lost my lousy job.... Tough luck.... I wish just once someone would play this in a club so I could hear it realllly loud! Great arrangement,this sort of ballistic lounge-y electric pulse... With these short baroque "rests" that take a short daydream break from the tension... Brilliant!

They had this song tucked away on the second side of the LP. I don't know what singles came off this particular release. Roy Kral himself led the group on keyboards as he does on most of the better J&R recordings, with an excellent group of creative players that give the sessions a dirty punched-up sound...

If you have'nt got any Jackie & Roy yet, this is album to get!

Piero sings in a soothing, breath-y tenor... More italian in tone than latin, although,the best comparison i've found is Luiz Henrique.His phrasing reminds me of Luiz as well,but there is no real relation.The backing has a nice spaghetti -western kind of vibe ala' Moriccone,which gives the whole thing a kind of high planes drifter setting,with plucked electric bass, strummed acoustic guitar,and occasional female chorus with a light string arrangement,Very cool.The whole record is really good,and a lot of the songs have a distinctly latin ballad feel.

Whenever I hear this track I think the same thing, that it seems to be the beginning of something
bigger. ....And it seems in a way that it was...

What a great version of an already undisputed soul classic! He really adds something to it thats loose and breezy. Like he did with his arrangement work, he adds something indefineable, but definately something we would hear for decades to come in american radio pop. More precisely, in the 70's.

It's one of the many blossoms in the blue-eyed soul bouquet!

The prolific and always entertaining Ramsey Lewis.This track is one of my favorite from his collaborations with the legendary fusionist,Charles Stepney.It has all the best elements from their work,lush orchestral textures,rock steady soul jazz,and the siren calls of Miss Minnie Riperton.It sounds like this recording was done during the same sessions as Minnie's incredible solo album,Come To My Garden.In fact,the record contains a version of "Les Fluer" that has the same istrumentation, except Ramsey plays the lead vocal melody in his typical style.

This piece is almost like some kind of lost soundtrack work,impressionistic in a spiritual way,like a cosmic gospel.Travelling the silver thread of consciousness back to the source...An Eternal Journey indeed,and a must for fans of spooky jazz and 60's soundtracks.

This is not so much my favorite B-66' tune as my favorite Gracinha Leporace tune. She sang for Bossa Rio as well as Edu Lobo some rarer solo outings. It's a cover of a great Caetano Veloso tune from an earlier LP. Unfamiliar as I am with the original I can't compare the two, but as far as how out it is for Sergio is without saying. The whole thing sounds really compressed and blissed out, way more soulful than a lot of his earlier stuff, it just drives forward and backward undulating...

Just a beautiful vocal performance, totally solo with chorus overdubs just to fill it out... Gorgeous!