A beautifully gentle and textured version of this song, led by some great group harmony vocals. These are backed by a gentle bossa nova beat, electric harpsichord, and strings which sweep in and out. Gentle and addictive listening.
from Roger Nichols and the Small Circle of Friends (A&M) available on CD - Complete (Polydor Japan)
09 May 05 ·rum: Oh there�s certainly no denying it, this track has an irresistibly seductive melody but there�s no chance I�d be seduced. Oh rum, you�re just being silly, she�d say, �don�t make a mountain out of a grain of sand�� silly?! I caught you in bed with the Mayor of Pensacola, Florida� this is no grain of sand my dear! But rum, it was just one time, a silly mistake, �one drop of rain doesn�t make the sun run away�, does it? Are you mad? What kind of reasoning is that? 17, 18� eighty-seven drops of rain wouldn�t either. So what are you trying to tell me? Am I to hold out for a rainstorm of two-timing before getting in a huff? The summer of love ended last September. This is 1968, the year of revolution, of fighting in the streets, of� but then she�d put her finger on your lips, �DON�T� go breaking my heart�� and look up at you with the innocence of a wee lamb. Oh, you so want to forgive her. Maybe I�ll give her just one more chance, it is such a beautiful melody� �I�ll love you till the sky falls down, even then� you�ll remain in my heart� Ahh, no, no, I�m not falling for that. I�m not an idiot, that�s impossible. Now I know you�re having me on. I�m not getting caught in your web of lies you, you, you� Your melody maybe sweet but your argument stinks. Go on get out, strumpet! ��come to my arms, forever�� No, no, clear off. ��teach my heart how to smile?...� OUT!
I'm just reacquainting myself with the entire Low album after buying it on CD (my LP has been out of my reach for a few years). It really is utter genius. If they were in any other context, I don't imagine I would enjoy some of the guitar solos featured in this song. Here, they work brilliantly though. The musical basis of 'always crashing in the same car' is quite simple, but the superb musical performances and odd, otherworldly production give it an incredible richness. Bowie's vocal is mournful, and doesn't dominate the track.
from Low (RCA 7243 521907 0 6), available on CD (EMI)
20 May 05 ·frmars: The sound on Low is so particuliar thanks to Brian Eno's collaboration. Same with Bowie's "Heroes" and "Lodger". 3 albums known as the Berlin trilogy.
Listen to Brian Eno's solo stuff and shoot in stars...
A classic 80s pop song, with New Order trademarks such as a super heavy bassline, strong drums and some frenetic guitar work. The lyrics aren't too bad for Bernard Sumner either - it's a touching (if not entirely coherent) story about lost love. A great song which fills me with nostagia.
This is a beautiful bossa-tinged theme with a great blend of strings and brass. The flute/trombone melody is accompanied by an incredibly rich and airy string sound, which swells as the melody builds. The strings alone compel me to listen to this track repeatedly – their remarkably thick, drenched sound recalls some of my favorite Ennio Morricone pieces (particularly those on the fantastic ‘Mondo Morricone’ compilation). Musically, the entire ‘Hammerhead’ score seems to have been influenced by John Barry's Bond scores, and by the less goofy parts of Burt Bacharach's ‘Casino Royale’ score. As well as being a haunting movie theme, this track has elements of that classic loungey film score sound from the mid-sixties.
27 May 05 ·nighteye: This song is excellent! Haven't seen the movie starring Peter Vaughan yet, but the bossa sound reminds me of the early John Barry pieces. I can't stop listening to it! Thank you Jonny!
It's another doomy orchestral vocal masterpiece! A devastating piece, this would be a depressing song if it weren't for the incredible string arrangement, which is like warm sunlight. I can't recommend this (and the album it's taken from) highly enough.
27 May 05 ·nighteye: I feel like making a movie just based on this song alone. This is a great piece of music and probably one of Scott Walkers best achivements. I love the gloomy, rainy feeling you get listening to it, Walker's voice is incredible.
