style: pop, downbeat.
Smooth, easy, just the right amound of bossa, drums, synthesizers. Kim is just a great song all around and only 7 some minutes long. But you don't ever want it to end. Keeps your head nodding. Burgalat is the master of instrumentation as much as Sean O'Hagen is to the High Llamas. He can produce a mellow, warm, lush sound like no one else at the moment.
18 Jun 01 ·tempted: Ah, mon dieu!
I hate comparisons in general but I must say to everyone who's just bought 10 000 Hz legend by Air: get rid of it and get hold of The Sssound of Mmmusic by Bertrand Burgalat instead. He's special. 18 Jun 01 ·delicado: yeah, I must pick it up. I have 'the genius of' and I love most of it. 26 Jul 04 ·autopilot: One of the best things that Burgalat has ever created, and considering his incredible body of work as producer/performer, is no mean feat!
It's this tune that turned me on to the whole Tricatel sound that he singularly seems to be the master of.
Blossom Dearie is, in my opinion, one of the most underrated jazz vocalists of all time. Dearie's phrasing and piano playing within the small group arrangements on this album of standards are very, very reminiscent of Mose Allison (who just so happens to be another of my all-time favorites). On this track in particular, she delivers a very charming performance, combining the innocent ingenue with the blase urbanite.
from Once Upon a Summertime, available on CD (Verve)
25 Apr 01 ·delicado: I love Blossom's stuff as well. Haven't yet heard a bad record by her. She did an unusual record in 1970 called 'that's just the way I want to be' on Fontana. It's available (coupled with 'give him the ooh la la) on a japanese CD, 'whisper for you'. 18 Jun 01 ·tempted: Oh, and "London in the Rain". What a fabulous singer! 07 Jul 01 ·egbdf: I have been hearing about a Japan CD which would be a reissue of Blossom Dearie's 1976 American double LP entitled 'My New Celebrity Is You'. No one however can locate it. If you can help please E me. Best Regards, egbdf. 29 Jan 03 ·klatu: Definitely a favorite! I also love to 70 album "that's just the way i want to be" and think the version of "both sides now" blows away the Judy Collins. Also a huge fan of the schoolhouse rocks stuff "unpack your adjectives" and especially "figure eight". 23 Apr 03 ·singjohn: A Doodlin' Song (not to be confused with "Doodlin'") apparently had an effect in it's time. Peggy Lee recorded it. It was even featured in an episode of the Dick Van Dyke Show where Mary Tyler Moore and Dick did a little dance number to it in their living room for their party guests! This song is perfect for the Blossom Touch! Cute simple lyrics and melody make the tune perfect for Blossom's child-like voice and bouncy delivery. She was the voice of several of the old Schoolhouse Rock shorts that used to play in Saturday mornings in the '70's. She is also an accomplished pianist and played on many of her own recordings. Another fave Blossom tune: "Rhode Island Is Famous For You" 24 Jun 03 ·tinks: jesus, any version of "both sides now" that isn't by judy collins blows away the judy collins version. give me dick hyman any day! 05 Jan 04 ·norfy: check out-'both sides now'by the veteran golfer tony jacklyn-from his excrutiating late 60's album-swings into...'-a superb psych-crooning version up [or down there]with william shatner and tony bennett's 'eleanor rigby' and richard harris!!
judy collins entire existence is a crime.
31 Mar 04 ·mpanzera: Thank you, Tinks! I *love* Blossom Dearie, but hadn't heard that track yet. I recently bought the eponymous CD (with a great picture of her in glasses at the microphone...), and must have played "Tout Doucement" about a thousand times. 09 Dec 05 ·splurben: can anyone identify the male voice singing behind blossom on this track? 07 Nov 06 ·andy: I believe the male voice is Cy Coleman, the song's composer. I have only another website comment's word for that, but it does sound like him.
Excellent early jazz song from Serge with a very sparse arrangement and a lively rhythm. Further proof that the man could do anything he wanted.
from Gainsbourg Confidentiel (Polygram) available on CD - Du Jazz Dans le Ravin (Polygram)
04 May 01 ·delicado: yeah, I was completely blown away when I first heard the 'du jazz...' compilation! Astounding stuff, and you're right - he tried everything and was almost always successful... 18 Jun 01 ·tempted: Have you heard "Nazi Rock"? 18 Jun 01 ·delicado: ok, emphasis on the 'almost' I guess. I actually have friends who enjoy 'rock around the bunker', but it's not really my cup of tea. 09 Apr 02 ·tempted: The saddest thing about Gainsbourg's restless life is that he got most popular in France on the most awkward musical road he ever followed. That was the half-arse reggae music he made. But still he's a hero of mine.
A beautiful piece of soft pop. Ok, it's corny - the chord sequence is kind of soppy and the lyrics are kind of obvious, but the arrangement and singing are so lovely that I can listen to this song again and again. Opening with a catchy picked acoustic guitar riff, the arrangement soon thickens with with a full orchestra. The singing is deadly serious and amusingly precious throughout the song, and the orchestral arrangement, heavy on oboes and flutes as well as strings, is anything but hip. Still, the song’s simplicity and innocence are really quite charming. I never really got into any of Chad and Jeremy's other songs nearly so much as this one, so any recommendations for similar songs would be welcome. Do me a favor and listen to this and tell me if I’m crazy to love it so much.
03 Aug 01 ·tempted: Oh yes, it is pure gold.
I can recommend anything by The Left Banke, Scott Walker, Margo Guryan, New Colony Six, Sagittarius, The Millennium... Gary Usher from the last two mentioned was the producer on many of C & J's songs.
Killer organ-laden soundtrack cut with a wordless vocal provided by a male chorus, and featuring the incessant cackling of a young Candace Bergen.
from Live for Life (United Artists) available on CD - A Man and a Woman/Live for Life (DRG)
21 Sep 01 ·tempted: Yes!
I've played this in my dj sets several times. Its character and the sense of comedy, not to mention the grooviness, makes it a great "interlude" between some, er, more serious songs. 24 Sep 01 ·tinks: it's a staple in my dj sets, as well! glad to see that others have picked up on it, also!
