'The Events Leading up to the Collapse of Detective Dullight' is not a song but a narrative story, and it’s funny as hell. The off-kilter character voices of the already brilliant stream-of-consciousness plot are cartoonish enough for their own Saturday morning series. When the detectives start their investigation nothing makes sense. There’s Jell-O, serenading butterflies, file cabinets, murder, catacombs, and all the seasonings for a hilarious dream. I am usually brought to tears when Detective Slots reads from his revered exercise in free verse titled ‘The Cause of Gauze’. I will supply you with a sample:
"Oh, the cause of gauze. The Manuels have fondled many memories from my lap though each memory has its own lap and swimmers swim laps. Even swimmers have laps however and while in that condition many require a delicate gauze."
If you hear this without purchasing the actual album, 'Coquelicot Asleep in the Poppies: A Variety of Whimisical Verse,' then you are being cheated. The dreams of this band are as colorful as the illustrations they provide us in their album sleeves. The 'Where's Waldo' pictorial representations enrich the listening experience by engaging us in a journey deep into the frying-pan brains of these madmen. In fact, this is a perfect introduction into a very strange world of psychedelicado. Think the Beach Boy's 'Smile.' The reaction of my friends after hearing this have been harmoniously the same, 'they have to be on drugs.' The truth is Of Montreal are not on drugs, they are drugs.

Spirited, harmonious cover of the Tommy James and The Shondells hit.

Great Baseline, Harmonies that make you smile, All around great "throwback" sound.

After the prologue of Baz Luhrmann's controversial, modern retelling of William Shakespeare's tragedy "Romeo and Juliet," the audience is blasted away by a hoard of harmonious voices chanting a loud, haunting song to the beat of an angry drum. This song, in which a narrator begins "Two households, both alike in dignity...", is called "O Verona," the song which Baz Luhrmann himself calls "an almighty orchestral chord." Its sister song, "O Verona (Reprise)" is uninterrupted by the narrator, and the listener is able to appreciate its musical quality in a fuller fashion. Personally, I couldn't decide whether to recommend "O Verona" or "O Verona (Reprise)" to you. They are both extraordinary recordings on what is, I believe, one of the greatest musical scores to a motion picture ever produced.

"Somebody to Love" is quite possibly my favorite song by Queen, one of my favorite bands in the world. For some reason, this song brings memories of lead singer Freddie Mercury, his energy, his style and his beautiful voice, even though I was only 4 years old when he died of AIDS in 1991.
This song is definitely one of Queen's best, if not one of the greatest songs ever written and performed. The most impressive part is near the end, when all is quiet, and all of the sudden Queen begins singing "Find...me...somebody to lo-ove..." very softly, and crescendoes with clapping and stomping and all kinds of uplifting musical tactics. It's just a magnificent song. My favorite part is when Freddie bursts out,
"I just gotta get out of this prison cell,
Someday I'm gonna be free, Lord!
Find me somebody to love!"

This is a song on their new album Shower the People You Love with Gold. I think you can at least listen to it for free on www.westerncivrock.com.

Anyway, it it is really rocking with a lot of crescendos and decrescendos.