Can't get this song out of my head. The whole album is full of 'em but this is the one that's currently driving me nuts. I thik it's about the end of the world, but I'm not sure.

Regular visitors to this site will know I'm partial to this song and to the era of this recording. But nothing could have prepared me for the mind-blowing grooviness this Petula Clark version from 1968. It has a 'slightly too slow to dance to' funkiness, kind of like the tastiest version of 'Watermelon man' you ever heard. The arrangement has piano, bouncy drums, peppy brass, flutes, and to top it all, some beautiful strings adding some complexity to what is basically a simple bluesy composition.

Isn't it great when you come across a track and just think 'this is the best thing ever'?

The entire CD is great - 28 of Petula's grooviest tracks. I recommend it!

One of the far too few originals on this great underrated LP.The duo has a familiar west coast pop-jazz sound,much like their labelmates Bud Shank & Joe Pass.Except where as those two have way too much generally lackluster output,this duo has tons of talent packed into one exciting session! Ken plays an icy alto & soprano not unlike Paul Desmond and Beverly sings with all the grace and soul of ladies like Lena Horne and Dinah Shore. In this track, one of the most energetic on the LP,the group swings in a brisk 5/4,with Ken blowing a soulful line and alternating into creshendos with Beverly paralelling in a sassy vocalese. Wonderfully breezy,and just the kind of peppy bossa-like lounge tune you'll listen to over & over & over...They also do great versions of"A Man & A Woman"(with Ken adding some tasteful vocals himself)and "Eleanor Rigby"! A tough record to find, and no compiled tracks are anywhere to be found.... sad.

The name and artist may not be familiar, but I defy anyone not to smile in recognition at "Rye Bread". It was a composition that Edd Kalehoff conceived in the '70s as background music for the game show classic "The Price Is Right". It's not surprising why some of Kalehoff's cues are still in use today - they're much more imaginative and groovy than mere background music needs to be. "Rye Bread"'s peppy arrangement is fantastic (dig those drum fills!), and it never fails to put me in a goofy, "avocado pant suit" kinda mood.